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True Stories, Zombi Child, and Teen Wolf This Week at The Movies

David Byrne and John Goodman hit the mall in True Stories.

Happy Super Tuesday. Hope you’re all out voting today. Once you’ve made that decision, it’s time to go to the movies.

Tomorrow night, Wednesday, March 3rd, Indie Memphis’ film series presents Zombi Child. Bertrand Bonello’s film takes the zombie myth back to its Caribbean roots. Before Night of the Living Dead, zombies were always associated with Hatian Vodou. Practitioners would prepare a powder containing pufferfish toxin that would paralyze the victim and make them appear dead. Then, once the funeral was over, they would revive the victim and enslave them. How often, or, even if, this ever happened is the source of much dispute, but Bonello uses the legend as a jumping-off point to tell a story of high school intrigue and body horror. This film has a look that reminds me of the hugely underrated Raw. The show starts at 7 p.m. at Malco Powerhouse.

True Stories, Zombi Child, and Teen Wolf This Week at The Movies

On a completely different note, Malco’s Throwback Thursday at Studio on the Square brings us a horror-comedy from the 80s with some higher-than-average star power. Michael J. Fox cashed in on his newfound Back To The Future stardom with Teen Wolf. The not-really remake of I Was A Teenage Werewolf has its moments, but it’s no I Was A Zombie For The FBI.

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Over at Crosstown Theater on Thursday, the Arthouse series serves up a cult classic. David Byrne burned down 30 Rock last weekend with his performance on Saturday Night Live. Let’s just take a moment to watch before proceeding.

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Wow.

Anyway, in 1986, Byrne wrote and directed his only feature film, True Stories. It’s an unconventional and difficult movie to describe — kind of a set of interlocking character sketches of people Byrne read about in supermarket tabloids, kind of a travelogue of the middle America the consummate New York art-punk discovered while on tour, and kind of a cross between a music video and traditional musical based on the underrated (there’s that word again) Talking Heads album of the same name.

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Byrne, who appears in the film as the narrator but doesn’t sing, elevated a little-known character actor named John Goodman to what passes for a leading role in this meandering mini-masterpiece.

True Stories, Zombi Child, and Teen Wolf This Week at The Movies (3)

See you at the movies! 

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Film/TV Film/TV/Etc. Blog

Back To The Future Trilogy at the Time Warp Drive-In

Christopher Lloyd, Mary Steambergen, and Michael J. Fox in Back To The Future 3

Saturday, March 16 at the Malco Summer Drive-In, the Time Warp Drive-In kicks of the spring season with a Back To The Future marathon.

What can you say about the Back To The Future trilogy that hasn’t been said already, probably by better minds than yours? That it’s great? The first film, released in 1985, is considered to be the endpoint of what critic Keith Phipps called the “Laser Age”, the fertile and fascinating period of science fiction filmmaking that began in 1968 with Planet Of The Apes. Stephen Spielberg protegée Robert Zemeckis and his writing partner Bob Gale had been working on the concept for years before the unexpected success of Romancing The Stone and Amblin Entertainment’s war chest from E.T. allowed them to make the risky film that became a modern classic. This trailer, which should be taught in Trailer School (if they have such a thing) doubtlessly contributed to the film’s financial success.

Back To The Future Trilogy at the Time Warp Drive-In

There wasn’t supposed to be a sequel to Back To The Future, but after it made $389 million on a $19 million budget, plans changed. To save money and make scheduling easier, the team decided to shoot 2 and 3 back to back. There ended up being a three-week overlap where two crews were working simultaneously, with Zemeckis helming one and Gale the other. This approach would later be revisited by Peter Jackson when he compressed all three Lord Of The Rings movies into one mammoth filming schedule.

1989’s Back To The Future 2 may not have the emotional resonance for some folks as the first one, but it’s a big-budget filmmaking masterclass. It was the storied visual effects company Industrial Light and Magic’s biggest production up until then. The script is an improbable mess that has to stop in the middle and literally draw the audience a diagram to explain what’s going on—and yet somehow it works! Maybe because the story, which takes place in 1985 and the then-future, now-past of 2015, asks the absurd question, “What if someone like Donald Trump was president? Wouldn’t that suck?” Indeed it would.

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Back To The Future 3, which moves the action to 1885, seems to exist mostly so Zemekis and Gale can riff on Western tropes. But it turns out to be an inspired bit of visual filmmaking, and the favorite of some fans of the trilogy. Personally, I love how the entire third act is designed around Mary Steenburgen’s purple dress, which pops out of the brown-on-brown palette of the Old West.

Mary Steenburgen as Clara Clayton runs through peril for about half of her screen time in Back To The Future 3.

Once you see it, you can’t unsee it. Just watch how that one, seemingly simple wardrobe choice helps bring visual coherence to this chaotic action scene.

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Here’s the trailer that introduced the film in 1990.

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The Time Warp Drive-In Back To The Future night begins at dusk on Saturday. 

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Film/TV Film/TV/Etc. Blog

Throwback August: Back To The Future

I’ll preface this by saying that I had never seen Back to the Future before last night (I know, I know.) I loved it. I am basking in its glow. I wish that every movie made in 2015 was erased from time with the help of a flux capacitor and replaced with Back to the Future.

Usually in time travel movies, funny or serious, the characters return to their own time with some sort of overarching moral lesson gained from the time where they have been. It is an annoying failing of most time travel-y fictions that they are basically nine parts “A Christmas Carol” and one part science fiction. “Wow,” says every character ever, “my harrowing trip back to the Middle Ages sure did teach me the true JOY of life.” Gross.

Down with moralizing and Dickensian visions of time travel! Up with fun! Up with Christopher Lloyd! I was cautioned, going into my first ever viewing of Back to the Future that it is “a perfect movie.” I agree. It feels remarkably new, probably because no one has yet figured out how to make fun of 1985 better than Back to the Future did in 1985. When is that ever true? Have we learned nothing from Back to the Future? How do movies like The Lake House, the magic time-bending mailbox movie from 2006, even get made?

National treasure Christopher Lloyd as Doc Brown in Back To The Future

Maybe it holds up so well because we never tire of a good Oedipus story. Or maybe it is because Christopher Lloyd is an alien genius sent to earth to help us all. But probably it is just because of the moment when Marty McFly (Michael J. Fox) asks Doc Brown, incredulously, “You made a time machine out of a DeLorean?” (Doc Brown responds “If you’re going to build a time machine out of a car why not do it with some style?”)

The most stylish time machine ever built.

I love the vision of the dopey, middle American family who bakes a parole cake for their uncle. I love how, when Marty returns to 1985 from 1955, he immediately runs into a bum and an erotic cinema and exclaims, “Great! Everything looks great!” Back to the Future gets the formula right: to make a movie that is both funny and heartfelt, you need not waste your time figuring out characters transformative emotional journeys or any of that yada yada. You just need 1.21 gigawatts of honest-to-god Christopher Lloydian imagination, and you will be good. 

Throwback August: Back To The Future