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Film Features Film/TV

Now Playing In Memphis: Automobile Edition

Did you know The Fast & The Furious, the 2001 film that started it all, was named for a 1954 B-picture by Roger Corman? The legendary schlockmeister traded the title for access to Universal Studio’s stock footage library. Now, it’s a billion dollar franchise that made Vin Diesel a household name and street racing cool.

This weekend, the tenth and perhaps last (or second-to-last, or even third-to-last, depending on who you believe) film in the series, Fast X, premieres. What’s it about? Who cares? Big muscle guys make cars go vroom.

In other car-related Memphis movie news, this month’s Time Warp Drive-In is on Saturday (May 20), and the theme is “Sing-A-Long Sinema: Mad Musicals in May.” The opener is based on a Roger Corman film (there’s that name again) from 1960 that became a classic musical in 1986. Little Shop of Horrors is directed by Frank Oz (yeah, the Muppet guy) and stars Rick Moranis as Seymour, a florist with a taste for the exotic who finds a plant from outer space. It’s a hit for the flower shop, owned by Mr. Mushnick (Vincent Gardenia), but Seymour’s got a secret. The plant, named Audrey II, is sentient, has an amazing singing voice (provided by Levi Stubbs of The Four Tops), and thirsts for human blood. When Audrey II offers to help Seymour land his love interest Audrey I (Ellen Greene in an all-time great supporting role) by disappearing her dentist boyfriend (Steve Martin, in an all-time great dual cameo with Bill Murray), things get interesting. The doo-wop revival songs, the impeccable puppetry, and a cast of legends at the top of their game, make Little Shop of Horrors an absolute must-see for people who like to have fun.

The second musical of the evening probably needs no introduction. So I won’t give it one. Instead, let’s just watch John Belushi and Dan Aykroyd cook with an all-star band, including Memphis muscle men Duck Dunn, Steve Cropper, and Matt “Guitar” Murphy, while reflecting on the fact that Belushi broke his foot the night before he filmed this scene.

Rounding out this absolute unit of a triple bill is The Wiz. The 1978 Sidney Lumet film is an all-Black musical adaptation of The Wonderful Wizard of Oz starring Diana Ross and Michael Jackson, with a score by Quincy Jones. When Indie Memphis revived it at the drive-in in 2020, it was a blast and a half. Watch Micheal Jackson slay, even though he’s stuck on a pole as The Scarecrow.

The Time Warp Drive-In is Saturday, May 20 at the Malco Summer Drive-In. Show starts as dusk.

Categories
Film/TV Film/TV/Etc. Blog

From Lynne Sachs to The Wiz: Indie Memphis Announces 2020 Line Up

Ira Sachs, Sr. in Lynne Sachs’ documentary Film About A Father Who

In a virtual version of its traditional preview party, Indie Memphis announced the lineup for its 23rd annual film festival. The opening night film is Memphis-born director Lynne Sachs’ documentary A Film About A Father Who. Sachs draws on 35 years of footage she shot of her father, Ira Sachs, Sr., to draw a portrait of a family struggling with generational secrets. Michael Gallagher, programmer for the Slamdance Film Festival, where the film had its world premiere in January, said “This divine masterwork of vulnerability weaves past and present together with ease, daring the audience to choose love over hate, forgiveness over resentment.”

Sachs is the most prominent of the Memphians among the dozens of filmmakers who have works in the 2020 festival. The Hometowner Features competition includes Anwar Jamison’s feature Coming to Africa, a bi-contentental production which was shot both here in the Bluff City and in Ghana. We Can’t Wait is director Lauren Ready’s documentary about Tami Sawyer’s 2019 campaign to become Memphis’ first Black woman mayor. The Hub is Lawrence Matthews portrait of Memphians trying to overcome discrimination, underemployment, and financial hardship in an unforgiving America. Morreco Coleman tells the story of Jerry C. Johnson, the first Black coach to win an NCAA Basketball title, with 1st Forgotten Champions. The detective thriller Smith is a neo-noir from director Jason Lockridge. Among the dozens of Memphis-made short films on offer will be “The Little Tea Shop,” Molly Wexler and Matteo Servante’s moving portrait of beloved Memphis restauranteur Suhair Lauck.

Director Anwar Jamison (far left) filming Coming To Africa in Ghana.

World premieres at Indie Memphis include Trimiko Melancon’s race relations documentary What Do You Have To Lose? and Cane Fire, director Anthony Banua-Simon’s incisive history of the Hawaiian island of Kaua’i.

Indie Memphis remains devoted to the latest in film innovation, but the festival’s Retrospective series alway offers interesting and fun films from years past. In 2020, that includes The Wiz, Sidney Lumet’s 1978 cult classic remake of The Wizard of Oz with an incredible all-Black cast, including Michael Jackson as the Scarecrow and Diana Ross as Dorothy. Joel Schumacher, the legendary writer/director who passed away this year, wrote the screenplay, which was adapted from a 1974 Broadway show. He will be honored with a screening of Car Wash, the 1976 comedy which is the definition of classic drive-in fare.

Ted Ross, Michael Jackson, Diana Ross, and Nipsey Russell in The Wiz

With film festivals all over the United States facing cancellation because of the coronavirus pandemic, the theme of this year’s Indie Memphis is “Online and Outdoors.” Screenings will take place at the Malco Summer Drive-In and at various socially distanced outside venues across the city. All films will also be offered online through the festival’s partnership with Eventive, the Memphis-based cinematic services company that has been pioneering online screening during the pandemic. “We hope to bring people together, in person and online, and provide inspiration and an outlet,” says artistic director Miriam Bale. “In order to counter Screen Burnout, we’ll be offering a series of what we call ‘Groundings’ throughout the digital festival, including a meditative film called ‘A Still Place’ by festival alumnus Christopher Yogi.”

You can buy passes for the 2020 festival at the Indie Memphis website. The Memphis Flyer will have continuing coverage of the fest throughout the month of October. 

Categories
Music Music Blog

“Black August” and Black Oppression

Ronald Herd II, Najee Strickland, Jeanelle ‘TBJ’ Jones, and her daughter, Sonnet Rose.

“Black August” will explore the fight against black oppression through music, art, poetry, and dance.

“It’s a show that includes theater with all-original scripts I wrote, dance choreographed by me, and poetry,” says producer Jeanelle ‘TBJ’ Jones.

“Black August,” which will be held at 7 p.m. on August 17th at JamRackBar & Lounge at 630 Madison Avenue, also will feature guest artists.

“There is an actual resistance movement called ‘Black August,’” Jones says. “It’s a combination of freedom fighters and socio-political fighters who are against racial oppression.”

During August, events around the country focus on “different things that have happened, whether freedom fighters’ deaths or their births or different resistances and attacks against the community.”

Events around the country will highlight the Nat Turner Rebellion, the Haitian Rebellion, and anti-apartheid fighter Steve Biko.

Jones took some of those historical events and people and “created productions around them.”

Director and creative founder of Afrotense, Jones produces live shows and films. Her “Black August” will include “scenes about Black Lives Matter and a response to that. And some scenes about Michael Jackson: ‘What happened to the black Michael Jackson?’”

“Black-on-black crime” is one of the topics. “Sometimes we’ll ostracize black celebrities. We’ll put them on a pedestal, but do one thing wrong, and we’re ready to tell them they no longer have a black card.”

Also participating in “Black August” are Najee Strickland, who will feature paintings from his “Black Fist” series, and J. Bu$y, who will perform his cover to the song ‘Be Careful’ by Cardi B. “But it’s not anything that song is about,” Jones says. “It’s about Black Lives Matter and fighting racial oppression.”

Diamond Long will dance to “Neo-Fight,” a poem written by Jones. “A lot of people think because we don’t hear about lynchings and things like that anymore, that they don’t happen. But they happen all the time.”

Ronald Herd II will be the emcee or “elder host” of “Black August,” Jones says. “Some of the things we did not touch on – because it would be a three-hour show – he is going to mention and talk about. Enlighten the audience while he hosts the show.”

Tickets to “Black August” are $15 per person or two for $25 and are available at Eventbrite. For information, visit facebook.com/afrotensepresents.

Ricky Willis, Freddy Ledlips Hodges, and Julius Nathaniel Hunt are in ‘Black August.’

Categories
Opinion The Last Word

Dethroning the King of Pop

So what am I supposed to do with my Michael Jackson albums now? In 20 years they’ll be collectors’ items, but presently, I’m unable to listen to them in the same way as before the HBO documentary Leaving Neverland aired.

How can you compartmentalize the artist’s work from the artist? For Jackson fans, the documentary was devastating evidence that Jackson preyed on boys as young as seven and seduced their families as well. Two victims of Jackson’s alleged predations, now grown men, have come forward to testify in graphic detail about the abuse they suffered at the hands of the “King of Pop.” Jackson himself admitted in a previous documentary that he shared his bed with young boys, but claimed it was in a non-sexual manner. In that film, Jackson claimed that it was all milk and cookies and video games, and that he felt most comfortable in the company of children because of their innocence, and that it was an effort to reclaim the childhood that he never had. We always knew that he was weird, but his explanation seemed plausible to Jackson’s fans who wanted to believe it, including me.

Imagecollect | Dreamstime.com

Michael Jackson

I’ll admit to being an unabashed fan of MJ, from the time he first appeared as the child prodigy lead singer of the Jackson 5, until his death. The first CD I ever bought was Off the Wall. I delighted in his first solo effort as a mature artist and even attended the Jackson 5’s “Triumph” tour at the Mid-South Coliseum in 1981.

When Jackson died in 2009, I wrote for this publication, “I truly believe that Jackson was an emotional man-child attempting to surround himself with the only group of people he felt he could completely trust: children. Even his trust in children was betrayed when the boy he tried to help with medical expenses and emotional support filed criminal molestation charges against him. After the young man and his mother were proven to be grifters and Jackson was acquitted of all charges, Michael was forever burdened with suspicions of pedophilia.”

Boy, was I ever wrong. Maybe the $24-million settlement to the family should have been a clue, but I chose to believe his earnest denials of impropriety because I thought Michael was a unique person whose sole purpose was to bring joy to his fans. He sure fooled me. As a result of the heartbreaking HBO documentary, I’ll never listen to “Don’t Stop ‘Til You Get Enough” or “Smooth Criminal” without thinking of his abhorrent sleepovers.

Leaving Neverland came on the heels of the six-part Lifetime series Surviving R. Kelly, in which underage girls as young as 14 told harrowing stories of being abused and held captive by the 52-year-old superstar. In 2008, Kelly was acquitted of 14 counts of child pornography in a Chicago courtroom, but rumors continued to swirl about his penchant for mistreating young girls and creating a “sex cult.” His marriage to his 15-year-old protege, Aaliyah, in 1994, sealed the deal on his alleged pedophilia. The Kelly-produced Aaliyah debut album Age Ain’t Nothing But a Number should have been seen as an in-your-face confession. Kelly forbid questions about Aaliyah in his recent bizarre interview with Gayle King, in which he dissolved into a frightful hysterical denial of everything negative ever said about him. Does this mean I can’t enjoy “I Believe I Can Fly” anymore? I guess so. But if that’s the case, there are scores of other popular songs in question.

When Jerry Lee Lewis married his 13-year-old cousin, back in the 1950s, it nearly ruined his career. But, here on his home turf, it was just thought of as a “Southern thing.” Chuck Berry was sent to prison for violating the Mann Act for transporting an underage girl across state lines for “immoral purposes.” Charlie Chaplin and Frank Lloyd Wright, among others, were convicted of the same offense. Even Elvis was known for his unusual proclivity for watching teenage girls wrestle in their underwear. His future wife, Priscilla, was 14 when Elvis met her, yet he somehow persuaded her parents to allow their daughter to move into Graceland at the age of 17. Little Richard led a life of such debauchery it caused him to quit rock-and-roll and become a minister. Bing Crosby beat his children, but his Christmas album is still a best seller.

The list goes on. Rick James was accused of torturing two women. David Bowie was famous for his dalliances with underage groupies. Rod Stewart has eight children with five different women. The Rolling Stones’ bassist Bill Wyman had sex with a 14-year-old girl whom he later married, when she was 18 and he was 52. Producer Phil Spector is currently in prison for murdering a female acquaintance. John Phillips of the Mamas and Papas had frequent sex with his own daughter, but you can’t turn on an oldies station without hearing “Monday Monday,” or “California Dreaming.” Gary Glitter was arrested for sexual congress with a 13-year-old and was considered so degenerate he was kicked out of Vietnam, yet in nearly every sports arena you can still hear his song “Rock and Roll Part 2,” with the signature “Hey” crowd response.

If the music “industry” — known for sex, drugs, and rock-and-roll — was purged of songs performed by sexual deviants, there’d be nothing left to listen to but Donnie and Marie Osmond — and I’m not even sure about them. Michael Jackson’s songs are being eliminated from playlists all over the country. But as distasteful as it may now seem, I believe people will be grooving to “Bad” again in the not-too-distant future.

Randy Haspel writes the “Recycled Hippies” blog.

Categories
Music Music Blog

Bruce Sudano at Minglewood and Stax

You might not know Bruce Sudano by name, but chances are you’ve heard his songs. Having featured as a writer for platinum-selling songs by Jermaine & Michael Jackson, Dolly Parton, Reba McEntire, Snoop Dogg, and several for his late wife, Donna Summer, Sudano will be performing material from his solo albums on Friday Night, March 31st at Minglewood Hall opening for popular folk duo Johnnyswim.

Of particular interest to musicians and songwriters, Mr. Sudano will be leading a songwriting master class the following day, Saturday April 1st at 12 Noon. In this workshop, which is open to the public, Memphians have a rare opportunity to learn technique directly from Mr. Sudano which will allow attendees to delve deeper into the art behind song craft. Saturday’s workshop takes place at the Memphis Slim Collboratory, 115 College Street, directly adjacent to the Stax Museum. The workshop is free to members and $10 for the general public.

Categories
News The Fly-By

Gest Shot

On November 20, 2006, the Flyer received a transcontinental phone call from the London Sun, a daily Rupert-Murdoch-owned tabloid that was looking to hire a fearless reporter who could get to the bottom of a hot story that was taking Europe by storm. Longtime Flyer columnist and reporter John Branston took the call but not the job. According to a blog post Branston posted later that same morning, the Sun wanted someone to visit the nearby Harbor Town home of American producer turned UK reality show star David Gest, who had moved to Memphis some years before, and who had recently announced to the British media that he had a maid in Memphis named “Vagina Semen” — a name that was later revised to the slightly less graphic “Vaginika Semen.” The Sun needed confirmation.

“We are so NOT making this up,” Branston wrote. “Stay tuned.”

Gest is one of those special people who is primarily famous for being famous. He had been friends with Michael Jackson, and was still technically married to Liza Minnelli when he took up residence not a stone’s throw from the Flyer office. His story: She got raging drunk and beat him to the point of disability. Her story: He swindled her knock-kneed.

Featureflash | Dreamstime.com

David Gest

Memphis has known its share of eccentrics, but few have been more wondered about than Gest, who upon growing weary of his life in the tabloids, tried to escape all the notoriety by moving to Memphis. He soon put his face on billboards all over town and attempted to buy Christmas dinner for the entire city, paying for it with a shindig at the Cannon Center called David Gest’s All-Star Holiday Extravaganza.

“So I’m only bringing 40 or 50 artists to town,” Gest told the Flyer, countering criticisms that many of the celebrities he’d listed in materials used to promote the event wouldn’t be attending. “Who else is bringing four?”

Gest didn’t want attention, but he told the Flyer many things, like how he was “living in Hawaii and suffering from a brain concussion,” when somehow he “just dreamed about living on the Mississippi River.”  

“I’m going to buy a hotel … a very small, intimate luxury hotel with a ballroom on the top of it,” Gest said, swearing that, like a new lover, Memphis was his new permanent home. “With all these artists coming in because of the FedExForum, there’s a need for something like that here.”

We never did verify the name of Gest’s maid.