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In Memoriam: Jim Green, Visionary Promoter For Three Decades

Jim Green

Since Monday, friends, family and the the music industry have been mourning the death of Jim Green, who suffered a heart attack in his Olive Branch home at the age of 50. While casual music fans may not have known of his influence, Green was a critical player in bringing alt-rock bands, both local and national, to Memphis stages since he began promoting shows in the 90s.

Green’s death was sudden and unexpected. “I just don’t know what to think,” Mike Glenn, a close friend and colleague of Green’s for most of his professional career, told me on the phone this week. Indeed, all of us who knew him are at a loss for words.

As Glenn and I spoke of days when his former venue, the New Daisy Theater, was at the cutting edge of the burgeoning indie scene, the magnitude of what Green accomplished in his twenties there, and then elsewhere, began to sink in.

Memphis Flyer: It seems as though you were a mentor of sorts for Jim, back in the early 90s.

Mike Glenn: He started working for me back then, and then he went to work for Mid South Concerts. He was fresh out of high school, pretty much. Taking some courses and stuff down at Ole Miss. He brought me a band called Ireland, and that was the first time I met him. And he was involved with Beanland and we did some Beanland shows together, and then he just came and sat in my office for three or four years. He and I did a lot of great shows together. It was right when the hair band stuff went away and the grunge stuff hit. Then 96X was on the air and Jim pretty much had his finger on the pulse of that stuff. We did everything from Oasis and Bush to Dave Matthews and the Big Star reunion. I could go on and on.

My last contact with Jim was when he was promoting a Tora Tora reunion at Minglewood last December. Did you guys have a hand in their early days?

My son and I ended up doing a bunch of stuff at Minglewood Hall with Jim. This year was gonna be our year. We had three sell-outs in January and February. Tora Tora were my first true success story, as far as local bands. We did a lot of their shows. I remember the first time Tora Tora played for me, there was a band called Quest out of Arkansas. A kid from Quest named Kelly Ranks came into my office in spandex and long hair and a friend said ‘What is that?’ And I told him, ‘That’s the future.’

And that was first hair band show I did. It was them and Tora Tora and Mistress. It was huge. At that point in time, I didn’t realize how many good local bands we had in this city. And every weekend, if we didn’t have a national act playing, I had a ten band local show going on.

Jim went on to work with Mid-South Concerts and Beaver Productions, then started his own company, Big Green Machine. What were some of his other accomplishments?

Jim had trials and tribulations, like we all do through our careers. We have bumps in the road. When he opened up Snowden Grove for the first couple years, it was the place to go see country. He had a few rock bands too, but it was the place to go see your top tier country acts.

He had an eye and an ear for quality, didn’t he?

He tipped me off on a few things. I remember doing Dave Matthews, before he was well known. I had the Cowboy Junkies playing the night before. And he calls me and says, ‘I’ve got this band, Dave Matthews, seems to be heating up in the college circuit. maybe we ought to try ’em. It’s not a lot of money.’ I said, ‘ How much is it?’ He said, ‘750 bucks’. I figured I’d make enough for that just on T-shirt sales from the Cowboy Junkies, so I said ‘Go ahead and do it.’ It sold out and I went home. Then I got a phone call from Jim, who said, ‘The manager wants to do a second show tonight, and I said, ‘Done!’ And I went back and watched the show. It was incredible. He was a breath of fresh air.

A celebration of Jim Green’s life will be held at 1 p.m. Monday, June 8, at Memorial Park. The service will be live-streamed at memorialparkonline.com. Masks will be available. Visitation will be from 4-6 p.m. Sunday, June 7, and from noon to 1 p.m. Monday, June 8. Donations in Jim Green’s memory can be made to the Tunica Humane Society or the Jim Green Music Scholarship Fund at the University of Memphis.

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New Daisy Theatre Celebrates 75 Years on Beale Street

“I wanna die just like JFK!” the singer announced. “I wanna die on a sunny day.” It was Jim Reid of the Jesus and Mary Chain, and he was on Beale Street, of all places. A short while later, I watched Kamasi Washington on the same stage, introducing the childhood friends who grew up to join his band and help redefine 21st-century jazz. And soon after that, I heard George Clinton exhort the crowd to “Get off your ass and jam!” None of these moments are what one often associates with Beale Street, but they’re all in a day’s work for the district’s longest-running live-music venue, the New Daisy Theatre.

“We get a really eclectic mix of people rolling through there,” says co-owner Steve Adelman. “We take a lot of pride in that.” The diversity of acts distinguishes the venue on a street known mostly for the blues. And it’s a welcome shot in the arm for a local music scene notorious for being a challenging tour destination.

“We’re trying to change that perception, one show at a time,” Adelman says. “Memphis had sort of fallen off the touring map. You need a certain level of venue to get acts to consistently want to play Memphis. And I think we’ve done that, so we’re happy about that, too. Most of the acts we get are on their way up. They’re ascending to 5,000-person venues. We catch them when they’re at 1,200, which makes for a lot of great shows.”

One such show takes place Wednesday, May 23rd, when the Stone Temple Pilots help the venue celebrate its 75th anniversary. Beyond the band itself, who survived the loss of two previous lead singers before landing The X Factor‘s Jeff Gutt, Wednesday’s show will feature “swag bags given to the first 75 people that enter, with a commemorative shirt, cup and sticker,” Adelman notes, adding that “Mayor Strickland will also be announcing the Stone Temple Pilots and giving them a certificate signifying the event.”

Louis D Graflund

Big Star at New Daisy

Built in the early 1940s by the owners of the neighboring Daisy Theatre so they could host acts with a larger draw, it wasn’t long before it was re-purposed as a movie house. “It was the first African-American movie theater in Memphis,” says Adelman. “That’s what I’m told. It went through all the things that Beale Street went through. So Beale Street in the 1970s was in disrepair, and somehow the New Daisy survived. And then it was redeveloped in the ’80s. The history of the New Daisy is intimately tied to the history of Beale Street.”

It wasn’t until the rebuilding of Beale Street that the venue really embraced its musical destiny. It fell under the direction of boxing promoter Mike Glenn, and by the ’90s, the New Daisy was known primarily for its music — to the extent that Glenn was awarded his own note on Beale for his role in its revival.

The New Daisy has hosted Bob Dylan, Mud Boy and the Neutrons, Al Kapone with the Memphis Symphony Orchestra, and the homecoming concert of a reunited/reformed Big Star in 1994. The latter show, filmed live and released as the 2014 DVD, Big Star: Live in Memphis (Omnivore), has continued to impact the theater. The same year as the film’s release, Glenn sold the venue to new operators Adelman and J.W. Gibson. While Adelman has had a long and storied career operating large venues in New York, Boston, and Los Angeles, Gibson is a local investor; yet both were committed to honoring the New Daisy’s local historical importance, as exemplified by the redesign of the mezzanine level as the “Big Star Room.”

“There’s very few people I’ve spoken to in Memphis who don’t have a New Daisy story,” says Adelman. “I get a lot of, ‘Oh, man, I saw my first show there!’ You know, it has a charm, and the charm was, it wasn’t perfect. We didn’t want to cookie-cutter it out and lose that feel.”

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Reigning Sound Returns

Reigning Sound ringleader Greg Cartwright played an impromptu acoustic set at Goner Records Friday, November 30th, in part to celebrate the completion of the band’s most recent album. The former Memphian, now comfortably ensconced in Asheville, North Carolina (asked before his set if he were tempted to move back, he charitably responded that he loves visiting Memphis), played with his band at the Gibson Beale Street Showcase over Thanksgiving weekend, then spent the following week holed up at Ardent‘s Studio C, with Doug Easley engineering.

The newly bearded Cartwright said during his Goner set that the new album would be released via the In the Red label in late spring. After spending time in the past year backing up (and, in Cartwright’s case, producing and writing for) former Shangri-Las singer Mary Weiss and keeping the Reigning Sound section of record-store racks stocked with outtakes (Home for Orphans) and live (Live at Goner, Live at Maxwell’s) discs, this will be the band’s first album of new material since 2004’s Too Much Guitar.

The Reigning Sound isn’t the only high-profile Memphis-connected band that’s been in the studio working on an early-2008 release. The North Mississippi Allstars have announced that their next album, titled Hernando, will be released on January 22nd. The band’s first studio album since 2005’s Electric Blue Watermelon, Hernando will also be the first released on the band’s own label, Sounds of the South. The album was produced by Jim Dickinson in September at his Zebra Ranch studio.

If you missed ambitious local rock band The Third Man‘s record-release party for its new album Among the Wolves at the Hi-Tone Café, you can make up for it this week, when the band plays an early-evening set at Shangri-La Records. The Third Man is set to play at 6 p.m. Friday, December 7th, and it’ll be interesting to see how the band’s epic, guitar-heavy sound translates to a more intimate setting.

The Memphis Roller Derby will take over the Hi-Tone Café Saturday, December 8th, for their second annual “Memphis Roller Derby Ho Ho Ho Burlesque Show.” In addition to skits featuring the Derby gals, there will be plenty of musical entertainment as well. Longtime local-scene drummer/commentator Ross Johnson, fresh off the release of his “career”-spanning Goner compilation Make It Stop: The Most of Ross Johnson, will be backed by an “all-star” band he’s dubbed the Play Pretteez. Johnson also will retreat back behind the drum kit alongside Jeff Golightly, Lamar Sorrento, and Jeremy Scott in a British-invasion style band called Jeffrey & the Pacemakers. Rounding out the music will be electronic dance act Shortwave Dahlia and DJ Steve Anne. Doors open at 9 p.m. Admission is $10.

Australian Idol winner and MemphisFlyer.com celebrity Guy Sebastian has released his Ardent Studios-recorded debut The Memphis Album, crafted with MGs Steve Cropper and Donald “Duck” Dunn headlining a terrific Memphis studio band. Sebastian clearly loves Memphis soul, but his take on the genre is too respectful and too unadventurous for his own good. He sings only the most identifiable hits (“Soul Man,” “In the Midnight Hour,” “Let’s Stay Together,” etc.) and mimics the original recordings too closely. Still, it’s a better Memphis tribute than actor Peter Gallagher’s. Sebastian will be taking the core of his Memphis band — Cropper and Dunn along with drummer Steve Potts and keyboardist Lester Snell — on an Australian tour starting in February.

The Stax Music Academy‘s SNAP! After School Winter Concert will take place at 7 p.m. Saturday, December 8th, at the Michael D. Rose Theatre at the University of Memphis. Stax Music Academy artist-in-residence Kirk Whalum will be performing alongside the kids, as will soul singer Glenn Jones. Tickets to the SNAP! concert are $5 and are available through the Soulsville Foundation development office. Call 946-2535 for details.

Finally, congratulations to the New Daisy Theatre‘s Mike Glenn, who is the only Memphian receiving a Keeping the Blues Alive award from the International Blues Foundation this year. The awards will be presented February 2nd during International Blues Challenge weekend.