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Music Music Blog

Big Star Wows Crosstown Theater Audience

There was an unmistakable feeling of history being made at the Crosstown Theater on Saturday night, as the ultimate Big Star tribute band, featuring original drummer Jody Stephens, took to the stage and delivered a stunning set of power pop classics.

The quintet featured Stephens and latter-day Big Star alum Jon Auer, who performed extensively with Ken Stringfellow and Alex Chilton from 1993 until Chilton’s untimely death in 2010. Filling out the lineup were Pat Sansone (Wilco, Autumn Defense), Chris Stamey (the dB’s), and Mike Mills (R.E.M.). All players brought impressive vocal chops and multi-instrumental abilities to bear on recreating the band’s classic tracks from the 1970s, especially its debut, #1 Record. The show, presented by Mempho for community radio station WYXR’s Raised by Sound Fest, celebrated the 50th anniversary of that album, originally released in June of 1972.

As such, it marked an apotheosis of sorts for the band, which suffered from poor distribution in its heyday. While critics raved about their recorded output, the group never became the phenomenon that their debut’s title seemed to presage. Yet that was forgotten as the band played to a sold-out house last week, with the original arrangements lovingly recreated by the current quintet.

Auer’s Gibson SG launched the proceedings with the opening crunch of “Feel,” and with that, they were off. Sansone and Stamey often wielded Fender guitars, though both could frequently be seen manning the keyboards on stage right, which included a digital Mellotron. Mills, for his part, played bass on most of the tunes, though he relinquished that duty when he sang lead vocal, or, on “In the Street,” played cowbell.

Holding it all down was Stephens’ powerful drumming, true to his original parts nearly roll for roll, and bursting with the energy of a much younger man. Stephens has also come into his own as a singer, as made clear when he sang “Thirteen,” often associated with Chilton’s original vocal, with great delicacy.

Guest vocalists made brief appearances, with MGMT’s Andrew VanWyngarden taking the stratospheric lead on “Give Me Another Chance,” and Greg Cartwright of the Oblivians, Reigning Sound, and other bands, delivering “Try Again.”

After playing #1 Record in full, the group took a short break and returned with other songs from the band’s catalog, including Radio City standouts like “September Gurls,” “Back of a Car,” “You Get What You Deserve,” and “O My Soul.” After launching into the latter, the players seemed stymied in the middle of the song, and ground to a halt. With Auer quipping that they were playing “the single version,” Sansone struck up the band once again and they carried off the tune with aplomb.

Several Chris Bell songs were also featured, much to the crowd’s delight, including “You and Your Sister,” “There was a Light,” and “I Am the Cosmos.” Tracks from Third/Sister Lovers were also featured, including “Jesus Christ,” “Thank You Friends,” and an impassioned vocal on “Nighttime” by Stamey. Stephens and Auer also sang a song they co-wrote for the latter-day band’s In Space album, “February’s Quiet.” Generally, the band hit their marks expertly throughout the show: the guitars rocked or lilted, as needed, the vocal harmonies soared, and the grooves grooved.

The crowd was loath to let the band leave, standing for multiple encores. While many Memphis albums from 1972 are surely deserving of such an anniversary show, the fact that this one took place stands as a testament to the band’s panache and power, half a century later.

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Film/TV Film/TV/Etc. Blog

Indie Memphis 2021 Saturday: Friends, Lovers, and Music Videos

Day 4 of Indie Memphis is packed with life. It begins at 11:30 a.m at Playhouse on the Square with the world premiere of Ferny & Luca by director Andrew Infante. “The film is really interesting,” says Indie Memphis Artistic Director Miriam Bale. “It’s basically a rewriting of Saturday Night Fever, or a really diverse look at a rom-com. It really captures being in your twenties, and it’s a great New York movie.” 

At 2 p.m. is one of the biggest gets for this year’s festival. C’mon C’mon is by writer/director Mike Mills, who got an Academy Award nomination for Best Screenplay for his 2016 film 20th Century Women. C’mon C’mon is a road picture starring Joaquin Phoenix as an introverted artist who has to take his precocious nephew Jesse (Woody Norman) on a cross-country trip. The film also stars indie darling Gaby Hoffmann, perhaps best known for the series Transparent. The A24 release has been a hot ticket for this year’s festival. 

At 5 p.m. is another world premiere at Circuit, this time for a Hometowner feature. Life Ain’t Like the Movies is by Memphis director Robert Butler. It’s a coming of age drama about an awkward 16 year old who can’t escape bullying at school or conflict with his father at home. 

At 9 p.m., an Indie Memphis tradition that has been the source of a lot of great nights at Playhouse on the Square over the years: The Secret Screening. Probably the most talked-about secret screening in festival history was 2019’s Uncut Gems, which wowed Memphis audiences before its smash-hit debut later that year. Bale wouldn’t divulge to me what film she has lined up this year (I even said “please”), but she would say this: “I definitely think everyone watching it will really love it, even if they’re surprised, and even if it’s something they wouldn’t have realized they would love.” 

Across town at the Malco Summer Drive-In, after the revival of 1989’s Chameleon Street, is the Hometowner Music Video Showcase. As the curator of the Memphis Flyer’s Music Video Monday series, and a connoisseur of the form myself, I can say that Memphis punches way above its weight in the music video ring. We’ve got “Warzone” by Chinese Connection Dub Embassy; director Jordan Danielz and Sharrika Evans taking on Idi X Teco’s “Buzzsaw Kick”; Talibah Safiya’s “Animal Kingdom” by Zaire Love; Kim Bledsoe Lloyd’s clip for “My Mind Comes From a High Place” by Robert Allen Parker; two by Don Lifted and Josh Cannon; “Slide” by PreauXX, 35Miles, and AWFM; Laura Jean Hocking’s video for the London industrial band Dead Anyway; and many more. It’s gonna be a rocking night.