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We Recommend We Saw You

Morgan Freeman, Blue Angel, Heart Full of Soul, and Jarty Party

Trevor Benitone

A non-Academy Award winner wearing glasses with an Academy Award winner at the Moonshine Ball. Morgan Freeman was a guest at the event, held November 22nd.


It’s always great to see Morgan Freeman at an event. The Academy Award winning actor, who’s been in so many movies, adds more than a touch of class when he attends a party. Freeman, who attended with Dr. Linda Keena, was at Pat Kerr Tigrett’s Moonshine Ball, which was held November 22nd at Graceland Exhibition Center.

I first took Freeman’s name at an event for a newspaper story when former president of South Africa Nelson Mandela was in Memphis to receive the National Civil Rights Museum’s International Freedom Award in November, 2000 at The Peabody.

I’ve run into him at restaurants, including the old Madidi, which he owned in Clarksdale, and Chez Philippe. I was at his Clarksdale club, Ground Zero, which he owns with Bill Luckett, when it opened in 2000.

Tigrett says she’s known Freeman for 10 years. “I’ve known him for quite a while,” she says. “Many years he’s been at our Blues Ball, primarily over at Gibson’s.”

She has “an adorable” photo of Freeman playing the drums at his short-lived second location of Ground Zero, which was across the street from Gibson Guitar Factory.

“He’s been (to the Blues Ball) several times and he’s been up here (Tigrett’s downtown penthouse) for cocktails with friends.”

And, Tigrett says, “We were both on a documentary being done on the Mississippi River.”

Asked how she’d describe him, Tigrett says, “A fun, smart gentleman.”

Moonshine Ball guests would agree. Freeman graciously posed for photographs with fans. He also was served chicken and dressing from The Cupboard at the Moonshine Ball buffet, which featured area restaurants.

And Freeman asked me at one point to give him my hair.

Michael Donahue

Attending the Moonshine Ball: Francine Luckett, Alston Meeks, Dr. Derek Miles, Morgan Freeman, Dr. Linda Keena, and Bill Luckett.

MIchael Donahue

If Blue Angel and I really had just wrestled at the recent La Luche Libra event, they’d still be untangling me from the ring’s ropes.

It was cool getting to interview Blue Angel at the Memphis La Lucha Libre Wrestling event, which was held November 10th at 3766 Ridgeway Road.

And Blue Angel, a Mexican wrestler or luchadore, is cool. And he kept his cool while we talked. This was after he was in two back-to-back matches, where he did backflips, front flips, tossed his opponent, Hijo de Fishman, and was thrown around.

He was fun to watch. And the crowd loved him. “I’m fortunate enough to go over with the crowds,” says Blue Angel as we talked after his second match. “I’ve been told multiple times I have an angel on my side. So, I always come out the fan favorite. And that’s a big boost for me to just come out here and put on a great show.”

La Lucha Libre is fun to watch. (See my cover story in this week’s Memphis Flyer  And there’s a video.)

Mexican wrestlers wear masks. The one Blue Angel wore had a winged design, which was made by Memphis’s own Enrique Reyes.

Reyes, who puts on the Memphis La Lucha Libre Wrestling events in Memphis, made three masks for Blue Angel. “I cherish every one of them,” Blue Angel says. “It’s hard to let go when people want to buy them. But I still have all three.”

Michael Donahue

Heart Full of Soul

Napa Cafe and Stax Music Academy teamed up for another “Heart Full of Soul,” which was held November 11th at the East Memphis restaurant.

Stax students performed during the multi-course wine dinner. So, guests were treated to some Wilson Pickett, Isaac Hayes, David Porter, and Otis Redding with their grilled swordfish and Dusty Springfield, Candi Stratton, and Elvis Presley with their pepper-crusted pork tenderloin.

Owner Glenda Hastings opened Napa Cafe for the eighth-annual Stax Music Academy fundraiser presented by Radians Inc. Bergevin Lane Winery provided the wines.

This year’s Heart Full of Soul was a tribute to the Memphis Horns.


MIchael Donahue

Heart Full of Soul

Michael Donahue

Miles Tamboli at the soft opening of his restaurant, Tamboli’s Pasta & Pizzza.

Those lucky enough to attend the October 30th soft opening of Miles Tamboli’s restaurant, Tamboli’s Pasta & Pizza at 1761 Madison, got to order from the full menu – gratis. And, as his invitation read, “All dishes will be served at full portion size, so come hungry!”

So, guests could order everything from “creamy bucatini with pecorino cheese” to “Tamboli’s famous meat lasagna” to “panna cotta with salted caramel and pistachio brittle crumb.”

Tamboli’s restaurant now is open to the public.

Michael Donahue

Markie Maloof Scott and Dave Scott at Tamboli’s Pasta & Pizza soft opening.

MIchael Donahue

Tamboli’s Pasta & Pizza soft opening.


Michael Donahue

Lindsey Burgess at Jarty Party.

Eric Bourgeois hosted “Jarty Party,” which was held behind his apartment on South Main.

Jarty Party?

They called it a “Jarty Party” because it was “jean/denim themed,” Bourgeois says Everybody was supposed to wear denim.

“We decided on a Jarty Party theme because it would be a fun departure from the normal themes – ‘80s, neon, jersey, etc. – while allowing people to be creative and have fun at the same time with something they likely already had in their wardrobe.”

They usually throw some type of big function at their place, but, Bourgeois says, “This was the first time doing a daytime party outside. My landlord recently redid the back lot behind our building, and this gave us the opportunity to bring in some talented friends for food – Glaze Hardage with the paella – and music – Ryan Haskett as the DJ.”

Hardage’s paella was delicious! And it served as a birthday cake of sorts for Bourgeois, who says the event also served as a party to celebrate his 26th birthday.

MIchael Donahue

Jon Bringle and Eric Bourgeois at Jarty Party.

Michael Donahue

Glaze Hardage at Jarty Party.

Michael Donahue

Logan Landry and Sampson at Jarty Party.

Michael Donahue

Tyler Beard and Shelby Garrison at Jarty Party.

Michael Donahue

Alice Higdon is retiring her red boa – as far as being Red Boa chair – at of this year’s event, which was held Nov. 15th at Memphis Botanic Garden. She is with Daniel Reid at the10th annual Red Boa Ball fundraiser for the American Red Cross of the Mid-South.

Michael Donahue

Red Boa Ball

Michael Donahue

Red Boa Ball

About 320 people attended the Signature Chefs Gala, which was held novz 14…..at the Guest House at Graceland. More than $100,000 was raised at the event, a fundraiser for the March of Dimes.

Lisa Ansley and Holly Mount chaired the event.

Michael Donahue

Lisa Ansley and Holly Mount at Signature Chefs Gala.

Michael Donahue

Sweet Magnolia Ice Cream owner Hugh Balthrop celebrated his birthday at the Signature Chefs Gala.

Michael Donahue

Nick Chamoun at Signature Chefs Gala.

Michael Donahue

Chef Edouardo Jordan of Seattle was guest chef in the Enjoy Aim Guest Chef Series, which was held November 17th at The Gray Canary. With him are restaurant owners Michael Hudman and Andy Ticer.

MIchael Donahue

Spencer McMillin and Kelley English from Restaurant Iris and The Second Line teamed up for the Caritas Community Center & Cafe Chef Partnership Dinner, which was held November 14th.

Michael Donahue

Chef Partnership Dinner at Caritas Community Center & Cafe.

                                        WE SAW YOU AROUND TOWN

Michael Donahue

Jerry Lawler and TorRaunce Echols at Gibson’s Donuts.

MIchael Donahue

Andrea Norsworthy and Trace Austin at Kroger.

Michael Donahue

Brandon Closson and Brantley Martin at Kroger.

Michael Donahue

Jordan Buchanan with his bread pudding at Ave Maria Home’s Assisted Living Fall Dinner sponsored by US Foods, one of its food vendors.

Categories
Cover Feature News

Kitchen Confidential

David Krog looked up to the chefs when he was a busboy.

“They were so proficient at their craft, a craft that I knew nothing about but definitely wanted to,” he says. “I wanted to be a part of that pirate group of bad boys.”

Ten years later, Krog was a chef at high-profile restaurants. He prepared intricate dishes such as foie gras torchon — even though he’d already drunk six beers and a pint of Jack Daniel’s. “You know what kept me alive in those kitchens all those years? Just straight muscle memory,” he says. “My brain wasn’t firing correctly.”

His career peaks included being chosen by actor Morgan Freeman to open the old Madidi restaurant in 1999 in Clarksdale, Mississippi. His lows included having seizures in the kitchen because he hadn’t had a drink for three hours.

Krog, 43, who is three-and-a-half years sober, now creates French-inspired Southern cuisine as executive chef of Interim Restaurant. He will be a participating chef in the Memphis Food & Wine Festival October 14th at Memphis Botanic Garden.

“We were very excited to add him to the roster,” says Nancy Kistler, the festival’s event planner, director, and one of the founders. “I think he brings a lot of talent. The dish that he’s going to prepare for the festival is going to be crazy good.”

Krog was born in Tampa, Florida, and says he was “pretty wild” as a kid. He hated school and loved the outdoors and skateboarding. “I had a lot going on in my head,” he says. “I just couldn’t sit very well. I still don’t sit well, which is a good thing.”

More than just muscle memory — Chef David Krog keeps his cool and serves up “pretty food” as the executive chef at Interim Restaurant.

He fell in love with the kitchen while pouring water at an Italian restaurant. “I took a pay cut from water boy to become a dishwasher. And from doing the dishes, they let you cut onions. And on and on.”

In 1992, Krog moved to Memphis, where most of his family lived. He worked at a couple of restaurants before enrolling at the Memphis Culinary Academy. After he graduated, Krog landed a job at the legendary La Tourelle restaurant, where he worked for two-and-a-half years.

Then, in 1999, Freeman, who often ate at La Tourelle, called Krog and asked if he wanted to help open Madidi. “It was a life-changing money offer,” Krog remembers, “and it was a life-changing career opportunity.”

Before taking the job, Krog talked to Bill Luckett, Freeman’s business partner at Madidi, on the phone. “I told him that I had 26 hours of tattoo work. My ears were stretched 9/16ths, and I had nine piercings. I didn’t think that I wanted to drive an hour and 15 minutes for him to look at me and tell me that this was not going to happen.”

Krog got the job. “I was way over my head.” But, he adds, “I was too ignorant to be scared.”

Krog began experimenting with drugs when he lived in Clarksdale.

“That was the beginning,” he says. “That was where I had no guidance. I was the executive chef of this restaurant. I’ve got everyone in the world telling me I’m this badass and all of this, and I was just drinking heavily.”

Krog just drank beer at that point. He drank a lot of it, but he continued to excel at his craft. “I was pulling it off,” he remembers. “I was getting great reviews.”

Then, after a hernia operation, he became hooked on painkillers. “They were Lortabs,” he says. “I could afford them, and the source was there.”

Krog never worried about getting in trouble for his substance abuse. “I used to always say, ‘When you’re talented, people always afford your habits.'”

He eventually went into rehab, but his drinking and his opioid abuse continued. “I was drinking back then from the time I woke up until the time I went to bed.”

Then Krog began making management mistakes. “Not that any 27-year-old makes the best decisions anyway,” he says. “But you couple in all the booze and my ego and it was destined to come crumbling down.”

He ended up quitting his job at Madidi in 2003: “I left because my ego and my addiction were all wrapped up into this bad thing, which didn’t get any better.”

Says Luckett: “David was the most talented, pure chef we ever had.”

Krog then worked at restaurants in Oxford, Mississippi, before returning to Memphis in 2005, where he got a job working for chef/owner Jason Severs at Bari Ristorante.

Then, during a party at a friend’s house, Krog tried heroin for the first time. After that, he says, “I just drank and did drugs — low dosage — all day long.”

His habits didn’t stop him from cooking and creating dishes. “I was on heroin,” he says. “If the dosage was right, I was at my creative peak. Or at least I thought I was. But it just was not going to work. My lifestyle was not going to work for [Severs].”

Krog went to a psychiatrist because of his opioid abuse. “I ended up on suboxone, which is a drug they give you to come off of heroin,” he says.

He then landed a job as executive chef at The Tennessean, a Collierville restaurant housed in train cars, but his troubles followed him. “I had some ups and downs there. I drank too much on a couple of occasions.” When that restaurant went out of business, Krog took a job at a country club. He drank six beers before work, a 32-ounce beer on his way to work, and whatever he could sneak during work.

“I drank at work. I had to,” he says. “If I didn’t, I would have seizures.” The seizures, which happened if he didn’t have a drink every three hours, often left him unconscious on the floor with his tongue and lip bloody.

Then, in 2010, Krog got a phone call from Erling Jensen, chef/owner of Erling Jensen: The Restaurant. He said, ‘You don’t work where you work anymore.'”

Krog met with Jensen. “He said, ‘How is your drugs?’ And I said, ‘I’ve been clean since ’09.’ Which was the truth. And he said, ‘How is your booze?’ And I said, ‘On my own time.’ Which was a complete lie.”

Jensen knew he was lying, Krog says. “You can’t hide it. But he hired me.”

Working in Jensen’s kitchen was hard work. “It sucks when you’re drunk, half-drunk, and everything. But I was able to maintain some level with him because I really wanted to be there. I was a fan of his food. I felt that the food that he put out was honest. Even drunk, I was smart enough to pay attention to what this man was doing because I wanted to get this from him. So, I think of Erling’s as a finishing school for me on a lot of levels.”

And Krog says, “He saw something in me that I had lost a long time ago. He would call me out for stinking like booze. And I would blame it on the night before, knowing that I drank three beers before I got to work. And he would sometimes bust me drinking kitchen wine.”

But Jensen kept Krog. “He kept letting me get higher in the ranks,” Krog says. “I think part of his thinking was the more responsibility that he gave me, the better I would be. But I could only do that for a little while.”

Krog didn’t get better. “I was so sick and physically addicted to alcohol that I had seizures at Erling’s.” But, he says, “I was also tough as nails. And I think Erling liked that about me. I was not afraid to go to work. I was on time.”

Over the next three years, Jensen whispered in his ear, “He’d say, ‘You need to do some soul searching,'” Krog remembers. “Or he’d pull me aside and tell me to straighten up: ‘You’ve got to watch your drinking. Your lifestyle.'” By this time, Krog was drinking 18 beers and two pints of Jack Daniel’s a day. “It took so much work for me to stay level. I’d get up to pee, and I’d have to take a shot of Jack Daniel’s to go back to sleep.”

Everything came to a head at the restaurant. “Erling fired me after a shift for drinking on the job. He was more pissed at me than I’ve ever seen in any man.”

Jensen told Krog to get out. “I was so angry with him. I rolled up my knives, and I didn’t say anything. I didn’t leave with a bang. I went straight to the beer store.”

Krog hit rock bottom. Krog had met his future wife, Amanda, at a bar. She was also an alcoholic. He had a violent seizure while they were driving to Thanksgiving dinner at his mother’s house. “We had to have booze delivered to the car.”

Amanda went to a treatment center. Krog got a job at an after-hours bar. “Inside of me, I really wanted to get sober, but I didn’t know how.”

After her treatment, Amanda “came out and she’s fresh. She’s beautiful. She looks better than ever. And I’m like, ‘I want that. I want that right there. I don’t know how to get that, but I want that.'”

Amanda drove Krog to a detox center.

“They medically detoxed me,” he says. “They give you medicine so you don’t have seizures.” He was free to leave, but he stayed to finish the treatment. “I wanted to be better. I wanted my craft back. I wanted the respect.”

Krog hasn’t had a drink since March 9, 2014. His last drink was “the last shot of Burnett’s blue top vodka in the parking lot on my way to detox. I’m an alcoholic. True alcoholic. It’s a chemical thing. And if I’m not, I will not try to test that.”

Chef Mac Edwards asked Krog to work sauté at his Farmer restaurant. Krog told him, “I don’t want to be around the kitchen. I’ll drink. I’ll do drugs. That’s what I do. That’s what that place does to me.”

Edwards said, “You’ll be here at 2 Saturday.”

“He had all the faith in me that I would be able to step right in there and be okay,” Krog remembers. But he was terrified: “All that drunken muscle memory was gone. I couldn’t do what I had done for 20 years. I was re-learning how to hold my knife.” After six months, Krog’s friend, chef Duncan Aiken, told him he should call Jason Dallas, who was executive chef at Interim. “He said, ‘You guys would get along. You both have similar styles. You both put out pretty food.’

“Well, I hadn’t put out pretty food in a long time. In my head I could do these things. But I could not execute them.”

Krog met with Dallas. “I said, ‘I am an alcoholic. I don’t drink. And I don’t do drugs. And I have only not drank and not done drugs for six months.'”

Dallas hired him.

“When I first got here, I looked like I was scared to death,” Krog says. “This kitchen can be intimidating.” But Dallas let him grow “as fast as I wanted to.”

Amanda and David lost their first child, who died at 28 weeks old. “We lost a baby in sobriety, and we’re together. We just got stronger and stronger and stronger.” Krog saw Jensen for the first time at the baby’s funeral. “He said, ‘You should be damn proud of yourself.'”

A little over a year ago, Krog became Interim’s executive chef. He hires as many young line cooks as he can, “teaching lifestyle, integrity — being the same person here as you are out there. And trying to get them before they get to a point where booze and drugs look really good.”

Last September, he and Amanda were married. In May, they had a baby girl, Doris Marie.

“At a year sober, I went and had my physical,” Krog says. “My liver count came back perfect. Kidney function perfect. Blood sugar perfect.”

He bought a home in East Memphis. “I don’t want to go to another city. My wife is here. My family is here.” He says he wants to be part of the upswing of the Memphis culinary scene.

“David was always a joy to work with in the kitchen,” says Dallas, now sous chef at Cru, a French restaurant in Moreland Hills, Ohio. “I look back at some of the great times in the kitchen together. It’s been incredible to watch him grow.”

Jensen recommended Krog for the Memphis Wine & Food Festival. He admires Krog’s “intensity in the kitchen” and his “attention to details.” And, Jensen says, “I value his his friendship a whole, whole lot. He’s a straight-up guy. Honest. Hard working. I’m very proud of him.”

“The future is bright,” Krog says. “But it’s contingent upon me doing what it takes not to drink. Because if I drink, as they say, my entire life could fit in a shot glass.”

Categories
Film Features Film/TV

Lucy

I don’t tend to pay attention to script footnotes, but writer-director Luc Besson’s pre-production “Nota” about his new movie Lucy more or less says it all: “This film is extremely visual … the beginning is Leon the Professional; the middle is Inception; the end is 2001: A Space Odyssey … Don’t interpret this as pretension on my part, merely a visual, emotional, and philosophical point of reference.”

Lucy is many things — self-aware Asian gangster flick, crackpot neuroscience TED talk, half-cocked female empowerment fantasy, pants-optional F/X bacchanal, pop art companion piece to Theodore Sturgeon’s 1953 SF novel More Than Human — but it is not pretentious. It’s too self-aware and self-deprecating to take itself completely seriously. As a result, it’s really fun to watch, most of the time.

Scarlett Johansson stars in the fun and visually stunning film Lucy.

Like Taken, which Besson co-wrote and co-produced, Lucy begins as a paranoid thriller about an American abroad who gets mixed up with the wrong kind of person. Our titular hero is a bleach-blonde bimbo (Scarlett Johansson) forced by a sleazy dude in a cowboy hat to deliver a mysterious briefcase to an office building in Taiwan, where a high-level hoodlum (Min-sik Choi) spends his days in a giant suite, soaking his hands in the blood of those who’ve crossed him.

After a scary-funny reveal of the briefcase’s contents, Lucy is knocked out, operated on and impressed into service as a drug mule. However, when the fluorescent blue contents of the package surgically implanted in her belly start to leak, Lucy discovers that she can access up to 100 percent of her brain. Pretty soon she’s mowing down low-level thugs, contacting Professor Noman (Morgan Freeman) for advice about her altered state, changing her hair color at will, ignoring gravity’s pull, and bending the laws of space and time.

This is an excellent B-picture set-up. And like many excellent B-picture set-ups, it only really works if it’s accompanied by a manic, unflagging sense of style. That’s tough for anyone — even someone with Besson’s pedigree and flair for showmanship — to maintain. (Maybe it’s a two-person job: What would Neveldine/Taylor or Lord/Miller have done with this?) Once Besson depicts all the mobile-phone signals in Paris as a forest of multicolored data strands, what can he show us next? After he stages an exciting kung fu battle where nobody lands a punch, what can he trot out to top it? Luckily, Besson’s playful, smash-cut storytelling earns so much good will that when it all breaks down, it’s no big deal. The movie doesn’t make too much sense as it goes on, but that’s not a problem.

Not when Johansson is on hand, anyway. Writers such as Salon.com‘s Sady Doyle and others have noted that Johansson’s most recent roles — computer program in Her, alien huntress in Under the Skin, unflappable secret agent in Captain America: The Winter Soldier, next step in human evolution in Lucy — have shown her tinkering with, if not completely abandoning, her pre-ordained position as the latest curvaceous sex kitten in the Hollywood firmament. So what may be most striking about this muddled movie is that it restores intelligence and a sense of purpose to a potentially great American actress.

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Memphis Gaydar News

Chef John Currence’s Big Gay Mississippi Protest Dinner

John Currence

  • John Currence

Buzzfeed posted a lengthy article by Wyatt Williams yesterday chronicling Oxford, Mississippi chef John Currence’s recent Big Gay Mississippi Welcome Table dinner in New York City.

You can read the full article here, but here’s a little background. Last month, the James Beard Award-winning chef from Oxford’s acclaimed City Grocery restaurant was invited by Mississippi Governor Phil Bryant to cook in New York City for a lunch meeting between the Mississippi Development Agency (MDA) and site selectors for major corporations. The goal of the luncheon was to woo these corporations to move some or all of their operations to Mississippi.

But Bryant had recently signed into law Mississippi’s Religious Freedom Restoration Act, which went into effect on July 1st and provides “that state action shall not substantially burden a person’s right to the exercise of religion.” Critics of the bill fear it will be used to protect business owners who choose to discriminate against LGBT customers by claiming that serving those customers would violate their religious freedom.

Currence has been outspoken about the bill. In a New York Times article, Currence was quoted as saying, “The law sends a terrible message about the state of consciousness in the state of Mississippi. We are not going to sit idly by and watch Jim Crow get revived in our state.”

But rather than turn down Bryant’s invitation to cook for the MDA dinner in New York City, Currence went through with lunch. But he, Memphis chef Kelly English, and a handful of other celebrity chefs scheduled a protest dinner called the Big Gay Mississippi Welcome Table the next day in New York City. The Buzzfeed story recounts that affair (hint: Morgan Freeman made an appearance) in splendid detail.

According to Williams’ story, when Bryant got word of Currence’s Big Gay Welcome Table, he wasn’t pleased. Here’s an excerpt:

The response from the governor’s office was swift. The morning the news broke about the Big Gay Mississippi Welcome Table, Currence said, “I got a phone call, a dressing down by the governor’s office — they wanted to know why I would embarrass the governor like this. And then it fucking dawned on me: You assholes don’t fucking talk to me like a sixth-grader in the principal’s office, I’m a 50-year-old man. More to the point, I’m on the right fucking side of this thing. All you assholes have to do is come to dinner.”

Categories
Film Features Film/TV

Wanted: Dead, Not Alive

It’s always a little agonizing wondering what the worst movie of the year is going to be, but here we are at the halfway point, and the title of the year’s worst has already been claimed: Wanted, the new action-movie comic-book adaptation starring James McAvoy, Angelina Jolie, and Morgan Freeman.

Let’s be clear up front: Wanted has a few great action sequences and intermittent visual panache. It’s based on one of the better comic miniseries of the last five years. The film’s ambitious, but it plays out as a negative. It doesn’t walk the tightrope between too much and not enough — it hangs itself with it. Wanted is truly terrible.

Wesley Gibson (McAvoy) is a white-collar loser, an accountant stuck in a cubicle-correct world with no desire to move beyond it. Gibson’s regularly subjected to a bullying boss, and his girlfriend is cheating on him with his best friend. Hell, even his dad left him when he was only 7 days old. As Wesley says in narration, “I’m the most insignificant asshole of the 21st century.”

That’s until Gibson is rescued from a gunman’s bullets by Fox (Jolie) and is informed that his dad was one of the greatest killers of all time — a member of a secret group of assassins called the Fraternity — and that Wesley has inherited all of his pop’s genetic badassness and million-dollar fortune.

Faster than you can say “montage,” the pathetic weakling becomes a force to be reckoned with, and he’s inducted into the Fraternity. He’s charged with assassinating select people, all determined by a loom, which spits out a hit list based on a complex code built into the threads. The code of the Fraternity: Kill one person and maybe save a thousand. They’re the warriors of fate, the weavers of doom. Oh, yes.

Wanted piggybacks on Fight Club, Office Space, The Matrix, Terminator 2, comic-book origin stories, and fantasy coming-of-age formulas. The movie is so preposterous, it even draws into question the worth of its source material. I almost don’t like fiction anymore after watching Wanted.

The film is directed by Timur Bekmambetov, who also made the visually exciting but dramatically discombobulated Night Watch (and its sequel, Day Watch). Bekmambetov is talented but shows no restraint. Wanted is shot and edited like an epileptic seizure. There are a number of gee-whiz moments — usually spooling in slo-mo — but it’s hard to appreciate them amidst all the chaos. Bekmambetov makes 100-image-a-second movies in a 24-frame-a-second medium. It’s too much.

The comic book that Wanted is based on is light years away from the film in terms of plot, back story, and theme. In the book, Wesley becomes an actual villain — a murderer and a rapist who, in the infamous last few pages (Spoiler Alert!), tells the fanboy reader just what’s going on in the world while everybody’s spending their time consuming pop culture.

Sure, no studio is dropping tens of millions of dollars to make that movie. But, in trying to make the characters fundamentally good guys, the filmmakers have made the whole enterprise morally repugnant. The comic was mean; the movie is mean-spirited. There’s no subversion or satire, just good ole American violent consumerism. Built, as it is, on the absurd loom-and-weavers premise (an addition just for the movie —  thanks, screenwriters!), Wanted is a great cinematic abortion. It’s not as steep a drop-off from source material to film as The League of Extraordinary Gentlemen, but that’s the ass it’s sniffing.

Wanted

Now playing

Multiple locations

Categories
Food & Wine Food & Drink

Detroit News Plugs Morgan Freeman’s Restaurant

Who’d expect the Detroit News to write about Southern cooking or Memphis native Morgan Freeman? Yet the paper’s Steve Austin, in his column “Fave Foods of the Famous,” did just that recently.

He called Freeman and Bill Luckett’s restaurant Madidi, in Clarksdale, Mississippi, “one of the nation’s finest.”

In a Q&A with the Academy Award-winning actor, Austin asks where you could “enjoy a meal of true Southern food at a restaurant NOT located in the South,” Freeman tells him you can’t. “I don’t order Chinese food in Italy,” he says. “If you want the real thing, you have to go to the roots.”

To read the interview and see a recipe from Madidi chef Lee Craven, go to the Detroit News website.