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Marc Marut’s Video With Memphis Filmmakers Will Debut September 3rd on MTV

Ivon and Eyan Wuchina



Twin filmmakers, Eyan and Ivon Wuchina, are in front of the camera in a new music video, “Fuck You COVID-19,” which was made by Canadian actor/musician Marc Marut.

The video will make its debut between 4 and 5 p.m., September 3rd on MTV. It also will be shown six more times in September on MTV.

The Wuchinas, who appear toward the end of the video, came up with the idea for their segment, which they filmed themselves. “And we got to bring our own unique brand of Wuchina weirdness to it,” Eyan says. 

The twins, who don’t talk in the video, admit they talk a lot — and rapidly — in real life. When they conduct interviews, they “interrupt each other and finish each other’s sentences,” Ivon says.,

They’re proud of their work on the video. “It’s a really fun reveal of us kind of quarantining,” Eyan says. “A staged little story, so to speak. It goes along with the lyrics. Like a brother-against-brother situation resulting from quarantining. Hoarding toilet paper and hand sanitizer.”

The video “talks about this COVID-19 feeling just like a bad dream,” Ivon says. They used a Flashback filter, which they put over the footage they shot with a Panasonic HC-X1000 camera, to achieve a dreamlike effect.

The twins describe the action:

“We’re sitting in the living room counting hand sanitizers,” Eyan says.

“We fall asleep to where our heads knock together,” Ivon says. They then “drift off to this kind of atmospheric place.”

“Where I’m making it rain with all these hand sanitizers,” Eyan says. “I’m stacking up my toilet paper like I’m Scarface.”

“I come in with a toy gun,” Ivon says

“He puts it in my face,” Eyan says.  “I put my hands up.”

“I steal his toilet paper and his hand sanitizer,” Ivon says.

“I get up in the camera and throw up my middle finger and say, ‘Fuck you, COVID-19,’ while singing along with the lyrics,” Eyan says.

“We’re mouthing along to the song,” Ivon says.

The Wuchina twins in a scene from the ‘Fuck You COVID-19’ music video.

The Wuchinas already knew Marut. “We’ve been friends with Marc on social media for years,” Eyan says. “We’ve kept a dialog with him. And one day he messaged us.”

“He interacts with his fans,” Ivon says. “He likes to get them involved with his stuff.”

“He reached out one day and said, ‘Hey, guys. I’m putting together this music video, ‘Fuck You COVID-19.” I want to piece together people rocking out to my song while they’re quarantining. Living their COVID-19 quarantine life,’” Eyan says. “We said we’d love to be a part of it.” 

The twins became fans of the actor when they were eight years old and saw Marut in the 1994 cult movie, The Paperboy. “This horror movie about this paperboy that goes around the neighborhood killing people,” Ivon says.

Marut played the lead, Johnny McFarley. “When we think about that movie we think about how much that movie freaked us out,” Ivon says.

“This 12-year-old murderous paperboy, that was the film’s namesake,” Eyan says. “And it was such a deep, complex performance for a kid like him to pull off.”

The movie gave Marut “cult status as a horror icon,” Ivon says.

Marut, who releases all his music under the name Cool Ass, came up with the idea for the video while mastering the song. “I wanted to show that despite the social distancing measures we were facing, we could all still come together and have fun,” he says. 

Marc Marut

He reached out to fans on Facebook and his email list asking if they’d like to submit footage to be in the music video. A total of 17 people, including himself, from “all around the world” appear in the video, Marut says.

Asked what he thought about the Wuchinas, Marut says, “Their scene in the video is really creative and absolutely hilarious.”

And, he says, “They did an amazing job. My son and I burst out laughing when we saw it.”

The Wuchinas are keeping busy with their own projects during quarantine. They’re working on their Web series, Wuchina Twin Time. “Like Howdy Doody Time, but Wuchina Twin Time,” Ivon says.

Their first episode featured Oscar-nominee Greg Kinnear, who they got to know when working on the Tom Shadyac film Brian Banks, which was filmed in Memphis. “We were the set location assistants,” Ivon says.

Their second episode featured Marut. And, Ivon says, “We have a few big surprises and exciting guests in store soon.”

The Wuchinas, who began making movies when they were children, released their documentary, Ernest Day,  on the late actor Jim Varney in 2019.

“We’ve been spending a lot of time with family — mom, dad, brother, sister — back in Middle Tennessee,” Ivon says. 

“Everybody’s doing well,” Eyan says.”It’s definitely a new normal, but we’re taking this time we see as precious.”

“We’re really close to our family,” Ivon says. “It’s teaching us to appreciate the time we do have and spend time with people you love.”

And, Eyan says, “We’re devoting a bunch of our time into more online content for our YouTube page and finishing up two feature scripts. “

“And we’ve been filming a lot more short films and some short documentaries,” Ivon says. “We’ve been devoting ourselves to our own work because we have more time to do that.”

Being “in close proximity” to each other has helped their work process, Eyan says. Since they’re only a few rooms away, they don’t have to write down their ideas and phone each other. “Instead of calling him up, I just yell at him.”

They’re excited about the “Fuck You COVID-19” video. “When we were eight years old watching The Paper Boy on TV, we never imagined that boy in the movies would one day get us on MTV,” Ivon says.

“We’re such big fan boys of movies,” Eyan says. “And it’s been our life. Getting to be in this video has been such a unique opportunity. And it’s a dream come true.”

“You hold onto things you love and they will take you places,” Ivon says.

To watch “Fuck You COVID-19,” click here

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Music Music Features

Meet Tyke T

Tyke T isn’t the type of guy who waits for success to come to him. Since moving to Memphis for work in 2011, the local rapper has been recognized by ABC 24 and the Memphis Grizzlies, in addition to getting music placement on national TV shows on the Oxygen channel and MTV. I caught up with Tyke T before he played the Hi-Tone last Friday night to find out more about his recent success, his outsider status in the music industry, and what he has planned for the future.

The Memphis Flyer: What was the rap scene like in Smyrna where you grew up?

Tyke T: Being from Smyrna, there wasn’t a whole lot going on. Smyrna is not exactly the mecca of music. When I was 14, I started rapping over songs that my brother had. He was a DJ so I would just rap over his instrumentals. The first song I ever rapped over was Celly Cel’s “It’s Goin Down.” I guess a lot of people might think it was an overnight thing for me, but it definitely wasn’t. I remember at some point wanting to move out of my brother’s shadow and focus on making my own beats. My brother had a Casio keyboard, and at first I was my own producer, and the beats I made were terrible. The first song I ever wrote myself was called “S-Town.” Master P was really popular back then, so I tried to make it sound like one of his songs. I wish I could find that CD because I know it was bad.

So once you moved to Memphis, you started the company Driven by Music. Tell me more about that.

Driven by Music is honestly everything to me. When we first started doing this, the first thing we started thinking of was branding. I wanted people to immediately relate to Driven by Music as my thing, and that was before I even had real music. We had shirts, an idea, and a hashtag. Back in 2011 and 2012, I would go to all these music conferences, and all they would push is branding, branding, branding. So I waited until I had the branding down, and then I dropped the music. Eventually I’d like to turn it into a record label, but right now it’s just the easiest way for people to find what I do.

How did your song “Nothing to Lose” wind up on the MTV show One Bad Choice?

That MTV placement is the result of two years of hard work. I would ask all these music supervisors if they were looking for hip-hop, and, eventually, if you do that long enough, someone is finally going to be like “Ok man, what do you have?” It was also the continuance of people being like “No, you aren’t going to get this. Stop asking. It will never happen.” That kept me driven. Eventually, no matter how many times people say no, someone is going to say yes.

The thing is, all these music supervisors on TV shows are looking for music, but they may not be looking for the type that you make. It’s important to ask them from the start what they are looking for. If they need a classical ballad and you are a freestyle rapper, don’t waste your time. Truth be told, I don’t have anybody that’s helping me out, I don’t know anyone in the music industry. I moved to Memphis for work, and I just decided I was going to make this shit happen. I’ve done open mic shows, pay-to-play gigs, and after all that you start to figure out, “Ok, this works, and that doesn’t.”

What was that feeling like? Hearing your music on television for the first time?

Well, MTV wasn’t the first placement, so I’ll tell you about the first TV placement I ever got. I was at home, and my homeboy’s girlfriend was like “You know Tyke’s music is on,” and he texted me and told me “Man, your song is on Sisterhood of Hip Hop,” and I was like “No it’s not. Shut up.” When the show came back on TV at 9 p.m., and I heard my song, I got on my knees at my house and just prayed. I wrote that goal down on a piece of paper in 2012, and, after a lot of hard work, it came true. When I got the MTV show, I was like “Hell yeah. Let’s send this shit out immediately.” MTV is obviously huge, and I’ll have that forever.

How has the MTV show spot helped your career?

My SoundCloud and website are both blowing up, but I’m still trying to figure out exactly how to track it. People are figuring out where to find me, and then they hear everything I’ve done leading up to that song. It’s been turning on listeners to my other music.

What does the future hold for
Tyke T?

I have a 9 to 5, and I’m not afraid to admit that. The ultimate goal is for my music to generate my income. I’m just focusing on what I have to do to push my career forward. If somebody is winning, somebody is losing, and I’m trying to win everyday. My new EP is going to be called One Wednesday Night, and I think it’s the best music I’ve ever made.

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Music Music Blog

Tyke T Featured on MTV

Tyke T

Local rapper Tyke T was recently featured on the soundtrack for the MTV show “One Bad Choice.” Tyke T is originally from Smyrna, Tennessee, but since moving to Memphis the rapper has been acknowledged by the Memphis Grizzlies and K97. Tyke recently released a video for “That’s all we Do” featuring Hippie Soul and is currently working on a new EP. check out the video for “Thats All We Do” below, and listen to the soundtrack from “One Bad Choice” here.

Tyke T Featured on MTV

Tyke T Featured on MTV (2)

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Film Features Film/TV

Film Retrospective: Batman (1989)

This week, 25 years ago, I was a knot of anticipation. The thing I wanted to see more than any other thing, the Batman film, was at last coming out. I’m not saying I wanted to see Batman more than I wanted to see any other movie at the time; I mean I had never been so eager to partake in anything, ever. In retrospect, I haven’t been so excited for the release of any other piece of pop culture. I think the only things to surpass it are real-life greatnesses: kissing a girl, getting married, the birth of my children. Seriously. (Where are you going? Come back!)

I was so excited in part because I loved and devoured the Batman comics. The character appealed to my maturing sense of identity and growing individualism. He was no less human than I was — he wasn’t bitten by a radioactive spider, exposed to cosmic or gamma rays, or orphaned from an alien planet — infinitely relatable to this here shy little nerd. What made Bruce Wayne into Batman was nothing but a common traumatic childhood; granted, my sheltered, suburban upbringing was far from harrowing. But, if you stabbed Batman with a sword-umbrella, he’d bleed like anyone else, and he became successful by dint of willpower alone. Plus, what kid doesn’t want to hear that it’s the monsters who should be afraid of the dark?

Michael Keaton in Batman

The movie Batman hit me square in the face, at age 13, the summer before 8th grade, a seminal moment at a seminal age. It marked my transition from an artless, prepubescent consumer of whatever happened to be in front of me to a relatively thoughtful observer of craft and commercialism. The coming of age was my (forgive me) Bat Mitzvah.

Batman felt like the first movie that was made for me. I pined for news in the build-up to its release — this was, of course, long before the internet, a lonely place of dying that left one starved for information. I watched Entertainment Tonight routinely, hoping for clips or updates; I scoured for showbiz tidbits in the Appeal section of The Commercial Appeal — this was pre-Captain Comics. Entertainment Weekly didn’t exist yet. MTV ran a “Steal the Batmobile” contest; I obsessed over the glimpses of the movie the promos and commercials showed. When the video to Prince’s “Batdance” premiered in advance of the film’s release, I was devastated: It didn’t show any scenes from the movie.

Finally, Batman came out. I saw it at Highland Quartet, the first showing on the first day. It napalmed me. I could not have loved it more. It buried itself in my DNA instantly. I bought the Danny Elfman score on tape and wore it out. To this day, it’s my all-time favorite soundtrack. I waited on tenterhooks for the box office results, finally delivered (at least, in my recollection) in the voice of Chris Connelly on an MTV News segment: Batman had a huge opening weekend. I felt personally vindicated. (As I said, I was a nerd.)

Batman was my first movie review. I wrote it for myself, in a journal kept in a spiral school notebook that has been, sadly, lost to time. After some attic digging, I did unearth the second volume of my journal, running from August 1989 to December 1990. Included within is my first ever movies list, presented here unadulterated:

Top 15 Movies, 6-29-90, 1:41-1:46 a.m.

1. Batman

2. The Hunt for Red October

3. RoboCop 2

4. Dirty Rotten Scoundrels

5. Gremlins 2

6. The Jerk

7. RoboCop

8. Die Hard

9. The Terminator

10. Top Gun

11. The Blues Brothers

12. The Running Man

13. Young Guns

14. Blind Date

15. Parenthood

Looking back, there are plenty of things to commend in Tim Burton’s film. His German Expressionistic sensibilities (and Anton Furst production design) perfectly reflect the shadows of the mind cast within by Bruce Wayne’s psychological scars; Michael Keaton is surprisingly good as Batman; Jack Nicholson is terrific as the Joker. Its reputation was only burnished by the disappointments that followed, with the 1990s sequels Batman Returns, Batman Forever, and Batman & Robin.

However, in 2005, with Batman Begins, Christopher Nolan rendered the 1989 Batman irrelevant — astonishingly, but no less substantively. Nolan and Christian Bale made a grown-up adaptation — textually moodier, with characters more realistically beat down by life’s injustices — that thoroughly neutered the Burton/Keaton “original.”

The one thing missing from Nolan’s update was the childhood sense of awe and joy that I see bursting from the 1989 film. It’s not really Batman Begins‘ fault. How could it have possibly contained and inspired all that life-changing ecstasy? After all, I wasn’t there to provide it.

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News

Timberlake Leads Nominees for Euro Video Awards

Justin Timberlake has been nominated for four MTV Europe Video Music Awards, more than any other nominee, but just barely.

The “SexyBack” singer is nominated for the Video Star Award, Headliner Award, Ultimate Urban Act, and Solo Artist of 2007.

Amy Winehouse, Avril Lavigne, Beyonce, Fall Out Boy, Linkin Park, My Chemical Romance, Nelly Furtado, and Rihanna were all nominated for three awards. Furtado, Lavigne and Rihanna are all nominated for 2007 solo artist, as well.

The awards will be presented in Munich November 1st.