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Music Video Monday: Process of Suffocation

It’s Music Music Video Monday. Let’s get metal. 

On their Facebook page, Memphis metal band Process of Suffocation are clear about their genre: TOTAL DEATH METAL. King Cadaver and Baphomet pound out brutal rhythms and buzz saw ruffs designed to do one thing: melt faces. Not only that, but King Cadaver’s menacing growl delivers the vocals (“VOKILLS”) entirely in Spanish! What’s not to love? 

The music video for “El Libro Nigro” was directed by Kyle Baker and George Hancock. A Satanic priest (Jeff Dodson) gets more than he bargained for when he picks the wrong pair of victims (Katie Lapsy and Kate Hite) for his sacrifice. I guess that’s just an occupational hazard when you work in the Satanic temple. 

Music Video Monday: Process of Suffocation

 If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Deering and Down

Today’s Music Video Monday takes its protein pills and puts its helmet on. 

Memphis by way of Alaska duo Deering and Down are Music Video Monday veterans. We’re glad the prolific songwriters are equally prolific music video makers. This clip for Rev. Neil Down’s song “Spaced Out Like An Astronaut” was shot by Lanha Deering, Rev. Down, Memphis super-producer Doug Easley, and Sam Shansky, all on their iPhones. Deering then cut the footage together into a blissed-out trip by a couple of barely earthbound astral travelers. 

Music Video Monday: Deering and Down

If you’d like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday on Tuesday: The Conspiracy Theory

It’s Music Video Tuesday. Trust no one. 

Thanks to the Labor Day holiday, we’re celebrating this week’s Music Video Monday on Tuesday. Jump through the looking glass with The Conspiracy Theory, a trio of Illuminated rockers who are here to tell you the hard, shocking truth that lurks behind the consensual hallucination. With their song “The Serpent Kings”, the Theory point the cardboard guitar firmly at the culprits for all of the world’s ills: The alien reptiles running things. How did these Memphis rockers pull back to the veil of lies? Who knows, but their music video is lots of fun. 

Music Video Monday on Tuesday: The Conspiracy Theory

If you dare to have your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Don Lifted

Today’s Music Video Monday is pretty heavy. 

Memphis polymath Lawrence Matthews’ work spans many media. He’s a visual artist who works in paint, print, and installations, and, as Don Lifted, he’s also one of Memphis most formidable hip hop talents. Today is the world premiere of his new music video for the song “Harbor Hall”, the first single from his upcoming album ALERO. With tense, compelling cinematography by Justin Thompson, the video tells a chilling story of a man facing his life’s hardest decision. 

Music Video Monday: Don Lifted

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: The Shieks

Music Video Monday works hard for its money. 

Memphis garage psychos The Sheiks have built a reputation around their hard-rocking, sweaty live shows. Frank McClellan, Keith Cooper, and Graham Winchester have gone from crashing Gonerfest to backing up Jack Oblivian and touring relentlessly. This video for their song “She Said All These Things” had its origin at a New Year’s Eve house party in 2013, when Memphis filmmaker Ben Rednour showed up with his camera and cut together this 3-minute blast of fun. If you want a sense of what the Memphis underground has to offer, here it is in all its chaotic glory. 

Music Video Monday: The Shieks

If you would like to see your video on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Kphonix

This Music Video Monday’s has all the things. 

Crazy character masks? Check. 
Smoke machine? Check. 
Shadow puppet animation? Check. 
Strings? They got strings.
Frikken laser beams? You better believe it. 

Dance synth poppers Kphonix threw everything but the kitchen sink into this video for their latest single “When It’s Tasty”. The super sharp editing makes this tasty visual feast go down easy. Get some. 

Music Video Monday: Kphonix

If you’d like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

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Music Video Monday: Faux Killas

This Music Video Monday’s got action figures! 

Midtown punks Faux Killas dropped their new album Time in Between on July 26. Director Moe Nunley kicks off his video for the explosive first single “Give It To Me” with a little stop motion drama between sassy Bratz and hopeless Muppets. But even with the added plot, the whole thing clocks in at a spiffy 3:16, giving you a bite size chunk of punk sugar to kick off your week. 

Music Video Monday: Faux Killas

We’re always looking for new Memphis-connected videos for Music Video Monday, so submit your favorites to cmccoy@memphisflyer.com

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Music Video Monday on Tuesday: Love

Today’s Music Video Monday is on a Tuesday, and it’s got what the world needs now. 

Ten years ago tomorrow, Memphis-born singer/songwriter Arthur Lee passed away. Lee’s group Love was not the most famous band to come out of the fertile musical ground of the late 1960s, but they left an indelible impression on everyone who heard them. Here’s Lee sporting some killer diamond-shaped shades on American Bandstand in 1966. 

Music Video Monday on Tuesday: Love

Lee had his finger on the pulse of California folk rock before it was even a thing. He was equally at home writing sweet, melodic hooks and leading psych rock jams, such as in this show from Copenhagen in 1970.

Music Video Monday on Tuesday: Love (3)

Here’s another psychedelic stunner from that same show. 

Music Video Monday on Tuesday: Love (4)

In the early aughts, after being overlooked for decades, his music enjoyed a revivial, and Lee came out of retirement. Here he is rocking the Glastonbury Festival in 2003 with a full string section and horn line! 

Music Video Monday on Tuesday: Love (5)

In keeping with the tradition of Memphis musicians being more appreciated in England than in the U.S., here’s Lee performing his most famous song “Alone Again Or” for Jools Holland’s BBC show. 

Music Video Monday on Tuesday: Love (2)

Thanks to Adam Remsen, Dan Ball, and Greg Roberson for suggesting Lee when I turned to Facebook in search of fresh blood for Music Video Monday. As always, if you have a music video you would like to see in this space, email me at cmccoy@memphisflyer.com, or hit me up on Facebook. 

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Music Video Monday: Memphis Ash

Today’s Music Video Monday has some explaining to do. 

Jacksonville, Florida rapper Malik Ash adopted the moniker Memphis Ash in honor of the town where he was born. The hip hop artist is only 20 years old, but his impressive command of social media and direct, unguarded lyrics have helped him amass a growing audience

In this video for his single “Confessions”, Memphis Ash tries to make good with the multiple women in his life by baring his soul about his problems with relationships. His considerable charisma and easy flow mark him as an up and comer to watch. 

Music Video Monday: Memphis Ash

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

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Music Video Monday: The Staple Singers

Music Video Monday is proud to be a Memphian today. 

In the wake of the police killings of Philadro Castille in St. Paul and Alton Sterling in Baton Rouge, and the mass shooting of police officers in Dallas, Black Lives Matter protests have turned into violent confrontations all over the country. Last night in Memphis, when BLM protestors set out to shut down the Hernando de Soto bridge over the Mississippi, the events of the spring of 1968 loomed large over their actions. On March 28 of that year, Dr. Martin Luther King, Jr. led a march downtown in support of the Sanitation Workers strike that ended in a violent riot. When Dr. King returned a week later to lead a second, hopefully peaceful march, he was assassinated, and the city—not to mention the world—was never the same.

But last night was different. There were no arrests, no violent confrontations. The protestors exercised their First Amendment rights to peaceably assemble and seek redress of their grievances with their government, and the police response–which included Interim Police Chief Michael Rallings marching arm in arm with the protestors as they cleared the bridge—was exemplary. These Memphians were determined to set an example for America and the world. This protest that could have ended in violence, recrimination, and division has instead brought us together and focused our attention on the problems of racial disparity in law enforcement. This one incident is not going to automagically solve the deep racial and economic divisions of our city, but maybe, just maybe, we took a step towards putting the ghosts of ’68 to rest. 

On August 20, 1972, the stars of Stax played a massive outdoor concert in the Los Angeles Colesium to call attention to the still-unhealed scars of riots that had occurred in that city’s Watts neighborhood seven years earlier. In this clip from David L. Wolper and Marty Stewart’s documentary Wattstax, Pops Staples leads his family and a crowd of 112,000 in song. The power of “Respect Yourself” echoes across the decades, and we’re sending it out to all the brave women and men on the bridge who showed our country a way forward. 

Music Video Monday: The Staple Singers