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Happy 4th of July from Music Video Monday

This week’s Music Video Monday falls on the 4th of July, and we’re here to instill you with pride. 

Last week, The Memphis Grizzlies released a video they commissioned from director Craig Brewer called “Mike Conley – Our Conductor“. The video was a tribute to the baller, who was up for contract renegotiation, and a plea to stay. It must have worked, because Conley signed a $153 million dollar, 5-year contract to stay in Memphis. 

To make “Mike Conley – Our Conductor”, Brewer enlisted a who’s who of Memphis film talent, including producers Morgan Jon Fox and Erin Freeman, cinematographer Ryan Earl Parker, assistant director Sarah Fleming, Brandon Bell, and Firefly Grip and Electric. Prolific composer Jonathan Kirkscey was tapped to write an inspiring score, which would be performed by musicians from the Stax Music Academy and members of local orchestras, and the Grizzline drummers. Dancers from Collage Dance Collective, joined jookers from the Grit N’ Grind Squad. The conductor is Dr. James Gholson. 

Editor Edward Valibus says the first step in assembling the video was to lay down the music bed and edit together footage from a shoot at the FedEx Forum. Before any of the interviews with Conley’s friends and teammates were added, a cut was circulated to the Grizzles PR team, who went bonkers for it. “The first rough cut got such a tremendous response, we wanted people to see it it so the individual artists could get some recognition,” Valibus says.   

So here it is, the “Artist Only Remix”, showcasing some of the best musical and filmmaking talent our city has to offer. Happy Independence Day! 

Happy 4th of July from Music Video Monday

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Wayne Jackson

Last week, Memphis lost one of its great players in the person of Wayne Jackson, the trumpet half of the Memphis Horns, at age 74. 

In addition to his rightfully famous work with Stax legends such as Otis Redding and Sam & Dave, Jackson and his partner Andrew Love (who passed away in 2012) were prolific session musicians who spread the gospel of Memphis music worldwide. Take, for example, this song, the theme to the 2008 James Bond film Quantum of Solace, where Jackson backed Alicia Keys and Jack White. 

Music Video Monday: Wayne Jackson

Here’s Wayne playing with Neil Young in 2005. 

Music Video Monday: Wayne Jackson (2)

The Memphis Horns filled out the sound for Steve Winwood in this #1 smash that was inescapable in 1988. 

Music Video Monday: Wayne Jackson (3)

That same year, when U2 came to Memphis to record at Sun Studios for their Rattle and Hum album, they called Jackson and Love. 

Music Video Monday: Wayne Jackson (4)

What’s that you say? This list needs more Peter Gabriel? Wayne helped out on his biggest hit. 

Music Video Monday: Wayne Jackson (5)

Here’s Wayne and Andrew playing Late Night With David Letterman, accompanying Robert Cray. 

Music Video Monday: Wayne Jackson (7)

In 1977, they appeared on this number one hit…

Music Video Monday: Wayne Jackson (8)

…and recorded this solo album: 

Music Video Monday: Wayne Jackson (6)

And all that without even touching the seminal work they did with Memphis artists like Al Green…

Music Video Monday: Wayne Jackson (9)

…or Ann Peebles. 

Music Video Monday: Wayne Jackson (10)

So let us toast to the work of a Memphis legend, evidence of a life well lived.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com 

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Music Video Monday: PreauXX

This Music Video Monday is going pro. 

PreauXX, that is. “A ‘Humble Hustler’ is a person who uses kindness and fake appreciation to disguise jealousy, envy, and ego to further a selfish cause,” says the Memphis rapper. “Humble Hustle” was created with producer IMAKEMADBEATS, and it’s a banger. This video, directed by FaceICU (aka Perry Kirkland), uses some razor sharp editing to pound PreauXX’s message home. 

Music Video Monday: PreauXX

If you want to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

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Music Video Monday: The Fast Mothers

Today’s Music Video Monday’s got big shoes and civic pride. 

The Fast Mothers is the creation of Memphians Tracy and Chris Ruble, identical twin brothers who gathered a group of Bluff City players including Wayne Walker, James “Crickett” Warren, Matt Dees, Chris Stephenson, and the No Other Way horns. Mike Gilbert directed this video for The Fast Mothers’ “New Staxx”, a swinging, gritty, soulful song introducing the band’s new expanded sound. In it, a bell bottomed-sporting bon vivant struts around town to show off his new shoes. 

Spoiler alert: The shoes!

Along the way, we visit some Memphis music landmarks, like Stax, the Stage Stop, and Murphy’s. 

Music Video Monday: The Fast Mothers

If you’d like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Reigning Sound

Today’s Music Video Monday is coming home. 

The Reigning Sound, Greg Cartwright’s post-Oblivians band, has gone through some lineup changes over the years, necessitated by Cartwright’s evolving songwriting style and a move to Asheville, North Carolina. This past weekend, the original lineup of Cartwright, Jeremy Scott, Greg Roberson, and Alex Greene—of the best Memphis combos ever—reunited to play the River Series at Harbortown Ampitheatre, and then a second show at the P&H Cafe. Both shows saw a huge turnout, and the band sounded as great as ever.

Here’s “Never Coming Home” a music video from the Reigning Sounds’ 2014 album Shattered on the Merge label. Directed by Jonny Look, the video doesn’t feature that classic lineup, but it does give you a sense of Cartwright’s soulful songwriting. 

Music Video Monday: Reigning Sound

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Cory Taylor Cox

Today’s Music Video Monday’s got hometown pride. 

Cory Taylor Cox is currently living in Nashville, but his heart is still in the Bluff City. “‘Memphis Kids’ was written by myself and fellow musician/Memphian Joseph Barrios, we set each verse as a layer of the Memphis music scene, from suburbs, to Midtown, to the historical significance of Memphis music.” In this video, Cox and his band bring his hometown anthem to a crowd at Nashville’s Mercy Lounge. You can check out more of his music on his Bandcamp page. 

Music Video Monday: Cory Taylor Cox

If you would like to see your video on Music Video Monday, email cmccoy@memphisflyer.com. 

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Music Video Monday: Angry Angles

This Music Video Monday is moving at a breakneck pace. 

The late king of Memphis garage rock Jay Reatard was notoriously prolific—even his side bands had side bands. He formed the Angry Angles in 2005 with his then-girlfriend, rocker/model/DJ Alix Brown, and Ryan Roussau of Phoenix, Arizona psych rockers Destruction Unit. On May 20, Goner Records will release a compilation album with 17 songs recorded during the band’s 2-year tender. This video for the first single, a previously unreleased version of “Things Are Moving”, is by New Orleans video artist 9ris 9ris. It was created by combining footage shot at a pair of Angry Angles live shows with various gifs and video loops. Check out the crunchy video feedback action! 

Music Video Monday: Angry Angles

If you would like to see your video featured on Music VIdeo Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Caleb Sweazy

Today’s Music Video Monday’s could prove fatal. 

Today we have the world premiere of the latest single from Caleb Sweazy’s Music + Arts / Blue Barrel Records release Lucky Or Strong. The video for “Bluebird Wings” was directed by his wife Melissa Anderson Sweazy. who calls it “Double Indemnity meets ‘Last Dance with Mary Jane’. I¹ve long been a fan of noir films and I¹m particularly fascinated by the trope of the femme fatale, the construct of the dangerous, duplicitous woman who often has a deeply conflicted, cat-and-mouse relationship with the detective. But maybe its more like a dog with a squirrel. What happens when the chase is over and she finally catches her prey?”

The video stars Caleb Sweazy and the Memphis Flyer’s own Eileen Townsend. It was shot by Ryan Earl Parker, who also did the outstanding color work in post production, and edited by Laura Jean Hocking. 

Music Video Monday: Caleb Sweazy

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

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Music Video Monday: Brennan Villines

Does the beginning of the week make you feel like you’re trapped like a rat in a labyrinth, yearning for freedom? If so, then this Music Video Monday is for you. 

Director Andrew Trent Fleming recently got a new quadcopter drone, and he knew he wanted to use it to film a video for Brennan Villines’ song “Free”. But the problem was, he also wanted to shoot the video inside First Congo Church. “We loved the labyrinth floor in regards to the title and message of the song,” he says. “Flying the drone indoors is a challenge, but I really wanted to add to the spiritual feel of the song and setting. The floating/haunting movement plays so seamlessly with Brennan’s cadence and energy.” 

Music Video Monday: Brennan Villines

If you would like to see your video on Music Video Monday, email cmccoy@memphisflyer.com

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Music Video Monday: Dog Police

Today’s Music Video Monday is keeping the peace. The dog peace. 

The 1980s were a strange time. Many elements in today’s music culture were born in the crucible of the Regan era. Many things then thought ephemeral have unexpectedly lasted. Music videos rose to prominence with MTV. Synth pop, which was relegated to a joke by the end of the decade, is now the default setting for 21st century pop. 

And then there was Dog Police, the Memphis synth band combo of Tony Thomas, Sam Shoup, and Tom Lonardo, who, influenced by Devo and a sense of general New Wave insanity, created a novelty hit out of their band’s theme song. Music Video Monday is always searching for earlier and earlier Memphis music videos, and this one, directed by Joe Mulherin in 1984, is among the earliest. The production values on display here, from the videography to the makeup and staging, are pretty impressive, and the song…well, the song will probably get stuck in your head for a while. You can thank Music Video Monday later. 

Music Video Monday: Dog Police

If you would like to see your work featured on Music Video Monday, email cmccoy@memphisflyer.com