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Film/TV TV Features

Young Rock

There’s one thing you can say about Dwayne “The Rock” Johnson — he’s big. Yes, the former Miami Hurricanes defensive tackle turned professional wrestler is physically large — officially, he’s a 6-foot-5, 260-pound pile of muscle and tattoos — but his personality and ambitions are also cartoonishly outsized.

When he was in his wrestling prime around the turn of the century, he attracted the biggest audiences WWE ever saw. But for the last 20 years or so, Johnson has been a movie star. After making his debut as a supporting actor in 2001 with The Mummy Returns, he immediately booked his first lead role in that film’s prequel, 2002’s The Scorpion King. In 2011’s Fast Five, he gave the struggling Fast & Furious series a shot in the arm, introducing a new character and transforming the car-chase franchise into the weird semi-spy thriller thing that is scheduled to clock its 10th installment in 2023.

Notice I called Johnson a “movie star” instead of an “actor.” That’s because actors transform themselves for each new role, while movie stars transform each role into a conduit for the persona they’re selling. John Wayne, for example, always played John Wayne, even when he was ostensibly playing Genghis Khan. Next year, people won’t go to see what Luke Hobbs is up to in Fast X, they’ll go to see The Rock drive cars real fast.

Johnson’s larger-than-life persona, and how it got to be so dang big, is the subject of Young Rock, which is probably the first ever biographical comedy series about someone who is not a comedian — or even very funny. It’s 2032, and Johnson is running for president. He appears on a chat show hosted by Randall Park (playing himself, as several people, including Johnson, do in the future-now world of 2032), where he starts telling stories about his life. As each story unfolds we flash back to the appropriate period of Rock lore: Adrian Groulx plays him at age 10, Bradley Constant at 15, and Uli Latukefu as the young adult Rock.

Johnson’s had a pretty interesting life to provide fodder for the show. He was a third-generation wrestler — his father was Rocky “Soul Man” Johnson, the first Black champion in WWE history, and his mother Ata was the daughter of Samoan wrestling legend Peter Maivia. There’s also a colorful cast of characters, including André the Giant (Matthew Willig), The Iron Sheik (Brett Azar), and “Macho Man” Randy Savage (Kevin Makely), just to name a few.

Both Soul Man and The Rock went through the famously wild Memphis wrestling market on their way to stardom. Rocky was a rival of Jerry “The King” Lawler. Later, Johnson would introduce memories of his stint in the Mid-South with the words, “I was working in Memphis, and it was a grind.”

We know the feeling, Rock.

But it must not have been too bad because after two seasons filming in Queensland, Australia, Young Rock moved company to Memphis. The first episode filmed in the Bluff City, “The People Need You,” premiered last Friday. At the end of season 2, Johnson had just lost the 2032 election to Senator Brayden Taft (Michael Torpey). As season 3 dawns, Park, who functions as the audience surrogate who listens to The Rock’s tall tales, has a new show with a co-host he hates. Johnson has gone into seclusion following his election loss, but after a viral video surfaces of The Rock signing a kid’s autograph, Park goes to visit his old friend, who is spending his time puttering around his farm quoting Theodore Roosevelt’s “The Man in the Arena” speech.

Becky Lynch guest stars as Cyndi Lauper.

The episode’s time jumps and wacky portrayals of real people show that Young Rock didn’t lose a step when it leapt continents. The production values are first-rate — at one point, Downtown’s Front Street is transformed into Saudi Arabia. Johnson recalls the events which led to the downfall of his father’s career, which included an international contract dispute with Vince McMahon (Adam Ray) and a visit to a music video release party for Cyndi Lauper’s (Irish wrestler Becky Lynch) theme song for The Goonies.

Johnson has been pretty open about his ambitions to enter politics, and Young Rock seems designed to burnish his image as a saintly everyman while getting people used to seeing the wrestler/actor as a political candidate. It’s a strategy that has worked before, first with Donald Trump’s stint on another NBC show, The Apprentice. The second time was TV comedian Volodymyr Zelenskyy, who was elected president of Ukraine in April 2019 and was then promptly extorted by Trump, who attempted to get him to lie about Hunter Biden in exchange for American military assistance. The incident led to Trump’s first impeachment. Now, Zelenskyy is a hero of democracy, leading his people against the genocidal Russian invasion. Let’s hope The Rock takes after him.

Young Rock is airing on NBC and streaming on Peacock.

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News News Blog

‘Bluff City Law’ Will Shoot in Memphis with $4.25M Incentive Package

NBC

NBC will shoot “Bluff City Law” in Memphis and Shelby County, according to Memphis Mayor Jim Strickland, after winning a multi-million-incentive package from local agencies.

After shooting a pilot here earlier this year, it wasn’t immediately clear whether or not the show would be filmed in Memphis. But NBC was given a $4.25-million incentive package to secure Memphis as its location. The network got $2.5 million from the state, $1.4 million from both the city of Memphis and Shelby County and $350,000 from Memphis Tourism.

Here’s what Strickland had to say about the news:

“Welcome home, ‘Bluff City Law!’ This is a tremendous opportunity to showcase our city every week on the national stage starting this fall. I’m very excited about having the show filmed here and am even more thrilled about the economic implications it will have. Many thanks to all those involved to make this happen.”

Shelby County Mayor Lee Harris:

“More great news for Memphis and Shelby County with ‘Bluff City Law’ shooting right here in the Bluff City. This is a great opportunity to show off the talented men and women in the local film scene and our famous hospitality. I look forward to the partnership and shots of our one-of-a-kind skyline.”

Kevin Kane, president and CEO of Memphis Tourism:

“Memphis can’t be duplicated and authenticity is the heart of this city that moves to its own beat. Viewers will get to see that with ‘Bluff City Law’ shooting on location in our vibrant city, which was visited by nearly 12 million travelers last year. Memphis Tourism views this as an opportunity to leverage this visibility to grow new visitor demand and the visitor economy while creating unique awareness for our travel destination to millions of viewers on a weekly basis.”

Reid Dulberger, president and CEO, Economic Development Growth Engine (EDGE):

“’Bluff City’ Law has found its rightful home in Memphis. The show will mean hundreds of jobs for Memphis film production crews and increased revenues for local business. It will also be a greater advertising tool for the community.”

Here’s a description of “Bluff City Law” from NBC:

Coming from a famous Memphis family known for taking on injustice, brilliant lawyer Sydney Strait used to work at her father Elijah’s celebrated law firm until their tumultuous relationship got in the way.

After barely speaking to him for years, Sydney is suddenly thrust back into the family fold when her philanthropist mother passes away unexpectedly. In the wake of her loss, hoping to reconnect with the daughter he loves, Elijah asks Sydney to rejoin his firm.

She agrees because despite her lingering resentment and distrust, she knows that working alongside her father is her best hope at changing the world … if they can ever get along.

The cast includes Jimmy Smits, Caitlin McGee, Scott Shepherd, Barry Sloane, Michael Luwoye, MaameYaa Boafo, Stony Blyden and Jayne Atkinson.

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News News Blog

City Council Wants State to Incentivize ‘Bluff City Law’ to Film in Memphis

NBC

The Memphis City Council will ask Tennessee Governor Bill Lee to set aside $10 million to incentivize NBC’s new legal drama to film in Memphis.

The pilot for “Bluff City Law,” a drama about a Memphis law firm fighting landmark civil rights cases, was filmed here and nearby in Oxford, Mississippi, in March.

Earlier this month, NBC picked up the show as a weekly series. Producers of the show have said previously that about $50 million will be spent on location during filming.

Councilman Martavious Jones said Tuesday that the only way the council can speak is through a resolution, so he proposed a resolution urging the governor to allocate $10 million of discretionary state funds to the production of “Bluff City Law.”

A city council committee recommended approval of the resolution Tuesday ahead of the full council voting on it. Jones said the Shelby County Commission has already passed a similar resolution.

Similarly, officials with the Memphis and Shelby County Film and Television Commission traveled to Nashville earlier this year, hoping to secure the same level of financial incentives that the ABC show “Nashville” received to film in its namesake city.

Close to $45 million was given through Tennessee Entertainment Commission grants and other incentives to keep the show in the state for six seasons.

 “Bluff City Law,” starring Jimmy Smits and Caitlin McGee, is set to air on NBC this fall. See the trailer below. 

City Council Wants State to Incentivize ‘Bluff City Law’ to Film in Memphis

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News The Fly-By

Memphis Comedian To Appear On Last Comic Standing

After seven years of doing stand-up, Memphis comedian Ambrose Jones might be on the verge of his big break. Jones is competing on the new season of NBC’s Last Comic Standing, which launches on July 22nd, and if he wins, he’ll land a talent deal with NBC.

Though originally from Chicago, Jones began his comedy career in Memphis, working nights while performing at open mics around the city. Locals can catch Jones performing at Chuckles Comedy House.

Alexandra Pusateri

Ambrose Jones

Flyer: How did you get started in comedy?

Jones: I stayed up the street from a comedy club — Comedy, TN in Bartlett. One day, I went in there and asked the owners what they had for me. He was like, “We have headliners Thursday through Saturday. Wednesday we have open mic.” Then the following [Wednesday], I just went up there and tried my luck.

So, how’d it go?

It didn’t go [well]. He called me up on stage, and I was too scared to go up. I sat there and watched the rest of the show. The next Wednesday, I came back, and he called my name. I finally went up. That fear held me down.

When did you decide you wanted to try out for Last Comic Standing?

In January, I sent my clip in. Most people don’t know, but I tried out in Nashville in 2010 — didn’t get picked. I drove all the way down there, stood in line for, like, eight hours. This year, I sent a clip in, and the lady who was [screening] the clips was from Little Rock. She liked my clip, and she told me to come to Nashville to audition. I passed the first round, and they flew me out to New York for the second round at New York Comedy Club. I passed that round, and that was it. She was like, “You’re on the show.”

How was the experience of Last Comic Standing for you?

It felt so good for the host to be calling [my] name on national TV: “Ambrose Jones, all the way from Memphis, Tennessee.” Everybody supported me.

How would you describe your comedy style?

It comes from my personal experiences. I take what’s going on with me, what bothers me, and put it out in the world. My negative turns into a positive by making someone laugh. If you can laugh at my pain, then that’s good.

How does the Memphis comedy scene compare to scenes in other cities?

Memphis is better than a lot of places, because we have a lot of open mics here. You can get up on stage three or four nights a week here. People are very supportive. They just want you to be good at whatever you’re doing. You can’t be short, because you’ve got to be good for them to really like you. So it makes you strong to be able to go to other places and perform and display your talents.

What challenges have you faced so far?

Working a job. That was my biggest [challenge]. I recorded a show last year in March. I flew out to Oakland, did this show Nephew Tommy’s [50 Comics Deep Competition]. They filmed it, but somebody was supposed to pick it up. Nobody picked it up. So when I came back home, I didn’t go back to my job. I’ve had many jobs. I’ve worked pretty much everywhere in Memphis: KFC, Taco Bell, UPS, FedEx. I’ve got a 10-year manufacturing background here in Memphis.

You have a quote on your website: “Success is not a destination; it is a journey.” How have you applied that to your career so far?

No matter what accomplishment I make, I don’t look at it like that’s the end. It’s only part of your journey. You’ve got to keep going.

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Sing All Kinds We Recommend

Session Notes: Patrick Dodd Trio at Ardent

Beale Street mainstay and contender for TV’s The Voice Patrick Dodd is back in Memphis and recording tracks for a new EP of thematic songs at Ardent Studios. The dreadlocked blues guitar phenom is looking to explore a smaller form than the traditional album as an outlet for his trio and his meal ticket: his voice.

With his new burst of TV-derived notoriety, Dodd could easily have upped the ante with a full album and a larger-format band. But he seems confident and content to move in the opposite direction. Asked why he isn’t going for bigger things, Dodd looks at his career with a sense of humor born of relentless gigging on Beale and throughout the region.

“Everybody wants to get paid,” he joked, going on to mimic the lines he must have heard a million times. “It’ll be good exposure. I know you’re only 40.”

Patrick Dodd relaxes after nailing his overdubs.

  • Joe Boone
  • Patrick Dodd relaxes after nailing his overdubs.

But in all seriousness, his band is in a better place than before his run on the popular NBC primetime singing contest in which he sang a convincing “Walking in Memphis” before his elimination.

“It absolutely helped,” said Landon Moore, Dodd’s bassist who with drummer Harry Peel rounds out the trio. “But I’m glad to be doing what we were doing before he left.”

What the trio does is provide a solid blues-rock foundation for Dodd’s gutsy, powerful voice. Dodd was recording a few overdubs and made quick work of them; his Paul Rogers-like voice needing very little fuss from engineer Jeff Powell.

Powell, longtime Ardent veteran, is a major proponent of the shorter-form approach and sees more clients opting to focus on fewer songs with more preparation beforehand. The trio was in the studio for one long day cutting two Dodd originals: “End of the Line” and “I’m Gone.”

“The one-day thing works if the band is ready to go. We’ll mix this tonight,” Powell said.

The songs mark a major development in Dodd’s songwriting and arranging since his last full-length recording, Future Blues. The new material has a wider breadth due to rolling chord changes that add harmonic richness to the recordings. Dodd hopes to a series of five-song concept recordings that are thematically woven together with lyrics and artwork. “I’m Gone” will serve as a single for the first new collection, which, at this pace, could be ready to go in as little as six weeks.

www.patrickdoddtrio.bandcamp.com

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We Recommend We Recommend

Anchorman

Would you like to have lunch with acclaimed anchor and author Tom Brokaw and help support cancer research all at the same time? Of course you would. Brokaw is the Tony Bennett of newsmen: ageless, eternally laid-back, and impossibly smooth. He began his reporting career covering the civil rights movement of the 1960s and became NBC’s main Washington correspondent at about the same time President Richard Nixon was erasing several minutes of tape. He became a full-fledged television star in 1976 as the co-host of Today, a personality-driven morning show also featuring media superstar Jane Pauley. But it was his groundbreaking interviews with subjects such as Soviet prime minister Mikhail Gorbachev that helped him into his position as anchor of NBC Nightly News and elevated Brokaw to the upper tier of the talking-head pantheon. His reporting on the World Trade Center attack on September 11, 2001, contained the defining pronouncement of 21st-century America: “This is war,” Brokaw announced, before anybody was fully aware of what exactly had taken place or what it all might mean. “This is a declaration and execution of an attack on the United States.”

By the time he retired in 2004, NBC Nightly News was, for the first time in the network’s history, the number-one nightly news program in the country.

On Thursday at the Peabody, Brokaw will reflect on his 40 years in front of the cameras and in front of the nation. The talk benefits the Methodist Healthcare Cancer Center.

Tom Brokaw, Thursday, November 15th, 11:45 a.m. at The Peabody hotel. $100. Call 516-0500 for more information.