The MEMernet buzzed about a guy walking around Crosstown with a mattress attached to his back. But no one really knew what was going on. Now we do!
Musician Nick Black dreamed up the mattress rig and took it for a spin to promote his new single “Future Me’s Problem.”
Top Comment
The Memphis subreddit piled on contempt for that weird investment company … or whatever … that tried and failed to sue Riley Keough … for something … in a move that would have put Graceland on the auction block. (Big h/t to The Daily Memphian for breaking the story.)
Top comment, however, goes to u/erichsommer, to whom it was clear that the investment firm “ain’t never caught a rabbit.”
UFO App
Enigma Labs has launched an app to capture UFO/UAP sightings.
With new reports from users and some publicly available data, the company shows 4,028 UFO sightings for Tennessee since 2018. Knoxville leads the way with 251 sightings reported. Memphis is a close second with 239.
Nick Black and his wife, Lena, are cutting up in the kitchen.
While Nick sings, his wife chops onions and other vegetables as she prepares vegetarian dishes. In between, they joke back and forth.
When they’re not doing this in real life, the couple does it weekly on Cooking & Crooning, which airs at 6:30 p.m. Wednesdays on Facebook Live.
“I love cooking,” Lena says. “I think I’m probably a good cook. Nick says I’m a great cook. I come by cooking naturally. My mom is the biggest feeder in the world. She taught me to cook and to have a stocked pantry.
“I have a lot of grains, a lot of ‘cheater’ things — boxed things, flavored rices, pastas, canned beans. Some things are better canned. Canned corn. Canned tomatoes. Some recipes you can’t do without canned tomatoes.”
Lena came up with the idea for the cooking/singing show when the quarantine began. Nick, a pop/soul artist who recently released his new single “IRL,” was “making it a priority to figure out different live streams and reach people. I said, ‘Hey, maybe I can help him.'”
She told him, “We can do a live stream together. You sing. I cook. We call it Cooking & Crooning. I can make interesting meals just with what we’ve got on hand, which is great for quarantine. Nick can sing songs off the top of his head.”
What goes on in Cooking & Crooning, now in its 10th week, isn’t much different from what goes on at home. “That’s life with us,” Lena says. “When I’m in the kitchen, he’s making up songs about me chopping potatoes.”
Nick demonstrates by coming up with a song on the spot: “You got a friend in me. You got a friend in me. When the road gets rough and you’re miles and miles from your nice warm bed, she’s cooking onions. And that’s what I said.”
“I thought it would be fun every now and then if people could get a little slice of what it’s like to live with him,” Lena says. “He makes a little song that pretty much narrates things around the house. That’s a daily phase. It can be about the most banal thing. It can be about dusting.”
Viewers sometimes suggest dishes, but everything must be vegetarian. “I’m a staunch vegetarian. And Nick is basically an at-home vegetarian. We don’t buy meat anymore. But he won’t refuse it if he goes somewhere.”
Lena made Buddha Bowls on one show. “Typically, it’s a bowl of some kind of grain,” she says. “Lots of fresh vegetables and some cooked vegetables with some sort of bean or sauce and nuts or seeds.” She made “crabless crab cakes” on another show. “It’s made from palm hearts instead of crabmeat. And it’s delicious.”
“We had a pretty epic Cinco de Mayo episode where she made vegetarian tacos with homemade tortilla chips,” Nick says. People comment, cook along with them, and ask for song requests from Nick, who plays his originals as well as cover songs and impromptu material.
They also raise money for Edible Memphis, No Kid Hungry, and other groups.
Nick recently began live streaming Nick Black’s 30 Day Twitch Sample Challenge (twitch.tv/nickblackmusic), where he asks viewers to give him a riff, which he then uses in an original song.
Lena is Theatre Memphis’ director of education and outreach. “While she’s working, sending emails, and sending content for Theatre Memphis, I’m kind of just always around the house singing to myself,” Nick says. “I thought it was a good idea to hole myself up and channel that energy. It’s definitely helped with my musical ADD.”
Cooking & Crooning usually lasts an hour and a half. “She may have a few more minutes on the dish, and I’ll do my last song and we’ll say goodnight, play the theme one more time, and put up the photo of the meal on Instagram — @lenawallaceblack — and Facebook,” Nick says.
Then what do they do? “We sit down and watch Netflix and eat,” Lena says. “Leave the kitchen a complete disaster and come back and clean later.”
Shannon Walton in Sweet Knives video for ‘I Don’t Wanna Die’
You’re going to be hard pressed to see everything great on Indie Memphis Sunday, so some triage is in order. We’re here to help.
First thing in the morning is the Hometowner Rising Filmmaker Shorts bloc (11:00 a.m., Ballet Memphis), where you can see the latest in new Memphis talent, including “Ritual” by Juliet Mace and Maddie Dean, which features perhaps the most brutal audition process ever.
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway
The retrospective of producer/director Sara Driver’s work continues with her new documentary Boom For Real: The Late Teenage Years of Jean-Micheal Basquiat (1:30 p.m., Studio on the Square). Driver was there in the early 80s when Basquiat was a rising star in the New York art scene, and she’s produced this look at the kid on his way to becoming a legend.
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (2)
The companion piece to Driver’s latest is Downtown 81 (4:00 p.m., Hattiloo Theatre). Edo Bertoglio’s documentary gives a real-time look at the art and music scene built from the ashes of 70s New York that would go on to conquer the world. Look for a cameo from Memphis punk legend Tav Falco.
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (4)
You can see another Memphis legend in action in William Friedkin’s 1994 Blue Chips (4:00 p.m., Studio on the Square). Penny Hardaway, then a star recruit for the Memphis Tigers, appears as a star recruit for volatile college basketball coach Pete Bell, played by Nick Nolte. It’s the current University of Memphis Tigers basketball coach’s only big screen appearance to date, until someone makes a documentary about this hometown hero’s eventful life.
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (5)
The Ballet Memphis venue hosts two selections of Memphis filmmakers screening out of the competition at 1:50 and 7:00 p.m., continuing the unprecedentedly awesome run of Hometowner shorts this year. There are a lot of gems to be found here, such as Clint Till’s nursing home comedy “Hangry” and Garrett Atkinson and Dalton Sides’ “Interview With A Dead Man.” To give you a taste of the good stuff, here’s Munirah Safiyah Jones’ instant classic viral hit “Fuckboy Defense 101.”
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (3)
At 9:00 p.m., the festivities move over to Black Lodge in Crosstown for the Music Video Party. 44 music videos from all over the world will be featured on the Lodge’s three screens, including works by Memphis groups KadyRoxz, A Weirdo From Memphis, Al Kapone, Nick Black, Uriah Mitchell, Louise Page, Joe Restivo, Jana Jana, Javi, NOTS, Mark Edgar Stuart, Jeff Hulett, Stephen Chopek, and Impala. Director and editor Laura Jean Hocking has the most videos in the festival this year, with works for John Kilzer, Bruce Newman, and this one for Sweet Knives.
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (6)
If experimental horror and sci fi is more your speed, check out the Hometowner After Dark Shorts (9:30 p.m., Playhouse on the Square), which features Isaac M. Erickson’s paranoid thriller “Home Video 1997.”
Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (7)
Memphis music was vibrant as ever in 2018. Every week, the Memphis Flyer brings you the latest and best video collaborations between Bluff City filmmakers and musicians in our Music Video Monday series. To assemble this list, I rewatched all 34 videos that qualified for 2018’s best video and scored them according to song, concept, cinematography, direction and acting, and editing. Then I untangled as many ties as I could and made some arbitrary decisions. Everyone who made the list is #1 in my book!
10. Louise Page “Blue Romance”
Flowers cover everything in this drag-tastic pop gem, directed by Sam Leathers.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (13)
9. Harlan T. Bobo “Nadine” / Fuck “Facehole”
Our first tie of the list comes early. First is Harlan T. Bobo’s sizzling, intense “Nadine” clip, directed by James Sposto.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (11)
I used science to determine that Fuck’s Memphis Flyer name drop is equal to “Nadine”.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (12)
8. Aaron James “Kauri Woods”
The smokey climax of this video by Graham Uhelski is one of the more visually stunning things you’ll see this year.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (10)
7. Daz Rinko “New Whip, Who Dis?”
Whaddup to rapper Daz Rinko who dropped three videos on MVM this year. This was the best one, thanks to an absolute banger of a track.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (9)
6. (tie) McKenna Bray “The Way I Loved You” / Lisa Mac “Change Your Mind”
I couldn’t make up my mind between this balletic video from co-directors Kim Lloyd and Susan Marshall…
Music Video Monday: Top 10 Memphis Music Videos of 2018 (7)
…and this dark, twisted soundstage fantasy from director Morgan Jon Fox.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (8)
5. Brennan Villines “Better Than We’ve Ever Been”
Andrew Trent Fleming got a great performance out of Brennan Villines in this bloody excellent clip.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (6)
4. (tie) Nick Black “One Night Love” / Summer Avenue “Cut It Close”
Nick Black is many things, but as this video by Gabriel DeCarlo proves, a hooper ain’t one of ’em.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (4)
The kids in Summer Avenue enlisted Laura Jean Hocking for their debut video.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (5)
3. Cedric Burnside “Wash My Hands”
Beale Street Caravan’s I Listen To Memphis series produced a whole flood of great music videos from director Christian Walker and producer Waheed Al Qawasmi. I could have filled out the top ten with these videos alone, but consider this smoking clip of Cedric Burnside laying down the law representative of them all.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (3)
2. Don Lifted “Poplar Pike”
I could have filled out the top five with work from Memphis video auteur Don Lifted, aka Lawrence Matthews, who put three videos on MVM this year. To give everybody else a chance, I picked the transcendent clip for “Poplar Pike” created by Mattews, Kevin Brooks, and Nubia Yasin.
Music Video Monday: Top 10 Memphis Music Videos of 2018
1. Lucero “Long Way Back Home”
Sorry, everybody, but you already knew who was going to be number one this year. It’s this mini-movie created by director Jeff Nichols, brother of Lucero frontman Ben Nichols. Starring genuine movie star (and guy who has played Elvis) Michael Shannon, “Long Way Back Home” is the best Memphis music video of 2018 by a country mile.
Music Video Monday: Top 10 Memphis Music Videos of 2018 (2)
Thanks to everyone who submitted videos to Music Video Monday in 2018. If you’d like to see your music video appear on Music Video Monday in 2019, email cmccoy@memphisflyer.com.
But the Memphis pop impresario knows people who can hoop. Boy howdy can they hoop. Choreographer Ellen Phillips, Anna Wilcott, and Jeanne DeCarlo are artistés with the hoop. Director Gabriel DeCarlo pairs them with breakdancers Luis Arrechi and Anthony Allen for a striking, kinetic video.
But what Black lacks in the hula department, he makes up for with his uncanny ability to craft summery pop confections like “One Night Love.” Check it out!
Music Video Monday: Nick Black
If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com.
It’s Monday morning, and that means a lot of you are in the office trying to get a handle it not being the weekend any more. Director Destyn Patera knows how you feel. In his video for Nick Black’s new single “Joy To The Girl”, the Memphis singer rescues the girl of his dreams from work-a-day drudgery before leading the whole office in a choreographed break out. Check out this little Stevie Wonder inspired number and put a little pep in your step.
Music Video Monday: Nick Black
If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com
In this month’s Memphis Magazine, I wrote about the rebirth of the Clayborn Temple. As part of the program to breathe new life into the Downtown landmark, the On Location: Memphis Film Festival is sponsoring a 15 week film series.
Sebastian Banks of Black Rock Revival in Verge
The series kicked off last Thursday with the acclaimed Fruitvale Station, and most of the works screening in the storied sanctuary share some element of social awareness in their theme. This week’s offering is Verge, a music documentary by Lakethon Mason that made its debut at last year’s Indie Memphis Film Festival. Verge tells the story of several independent Memphis musicians struggling to get ahead in the modern music industry, including Black Rock Revival, Faith Evans Ruch, Nick Black, and Marco Pave.
Day 2 of Indie Memphis continues the distinctly Memphis vibe set by The Invaders and the IndieGrant shorts bloc on day 1. Today, the focus is on music.
Sebastian Banks of Black Rock Revival in Verge
There are a lot of documentaries about Memphis music, but Verge is different in that it’s not a historical documentary. First time director Lakethan Mason set out to make a movie about seven musicians who are adding to Memphis’ musical legacy today. “The subjects were chosen by spending time with the music community,” Mason says. “We started off with about 13 individuals that we sought out from their social media presence. There were also artists I had known over my years as an artist manager that I wanted to capture. Of course, the film would have been six hours long if we’d gone with 13, so we narrowed it down to seven exceptional artists: Nick Black, Brennan Villines, Faith Evans Ruch, Kendell MacMahon and all the bands she’s been a part of, Black Rock Revival, Marco Pave, and Kia Johnson.”
Verge director Lakethan Mason
Verge follows the artists through performances and their day to day struggles to make it in the industry. “It’s not just about the music, it’s about what’s behind the music. We went behind the scenes and got to know these people. I wanted the world to know they’re more than just artists, they’re people, too.”
The most fascinating thing about Verge is the insights it gives into the depths of the musicians personalities that you don’t get to see from the audience, like Brennan Villines’ work for St. Jude, or Faith Evan Ruch’s nursing career. “What I was most impressed with, was that each of these individuals are creating their own path to success,” says Mason. “We often define success as, you’re going to be performing in front of hundreds of thousands of fans in arenas. But these people are defining their own success.”
Singer Nick Black performs in Verge
The film was produced with support from executive producer J.W. Gibson. “Verge is a homegrown project, from the artist to the filmmaker to the visionary,” says Mason. “There’s a tenacity of spirit that I see in Memphians. If they want to do it, they’re going to do it. We’re a maverick city. We’ve got the indie spirit. We do it our own way, but we don’t fit into a box. We don’t play well with the industry that wants to churn out sameness.”
For our final Music Video Monday of 2015, I’m counting down the ten best videos of a fantastic year of collaboration between Memphis filmmakers and musicians.
I’m not usually one for lists, but hey, it’s the end of the year, so why not? This Top Ten list has13 entries, which just shows you how bad I am at this whole list thing. So here it is, the best Memphis music videos of 2015, arbitrarily chosen and ranked by me:
As with most things created by the time-travelling aristocrunks, this clip will have you asking where parody ends and actual decadence begins. Then you just won’t care.
For his latest entry in his solo project Vending Machine, Robby Grant enlisted some of the best directors in Memphis to create music videos. The best of the bunch, and the best Memphis music video of 2015, is this clip created by G. B. Shannon, with cinematographic help from Ryan Earl Parker and Edward Valibus, and ace editing by Ben Rednour.
“Ocean” is the soulful first clip from Nick Black’s album Deep Blue. Director Destyn Patera used drones and Go Pros to create this fun video, which shows the singer’s search for some water in first person point of view.
Music Video Monday: Nick Black
If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com