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They’re Back From The Grave and Ready to Party! Zombies Take the Time Warp Drive-In

Return of the Living Dead

In a year when so much has gone away, there’s one thing you can count on: Horror movies at the drive-in! The Time Warp Drive-In, brought to you by Black Lodge, Guerilla Monster Films, Holtermonster Designs, Piano Man Pictures, and Malco Theatres, had its origins in a Halloween program, and October remains the screening series’ most popular edition. This year’s theme is zombies. Who doesn’t like zombies? Maybe people have a little burnout after a decade of The Walking Dead and its spinoffs, but we’re not talking to them right now. We’re talking to the fans of shuffling doom, of which there are hoardes.

The first film on the docket originated about the same time as The Walking Dead. 2009’s Zombieland is the best kind of horror comedy: one that pokes fun at the genre while also delivering genuinely good action scenes. The cast is absolutely stacked: Jesse Eisenberg, appearing the year before he defined Mark Zuckerberg in The Social Network; Academy Award-winner Emma Stone, in her breakthrough role; future tabloid superstar Amber Heard; and a pair of absolute legends in Woody Harrelson and Bill Murray. The self-aware gorefest has held up over the years, if for no other reason than its timeless advice to not skip your cardio workout.

They’re Back From The Grave and Ready to Party! Zombies Take the Time Warp Drive-In

1985 was a great year for zombie pictures, as the Warps’ next two selections attest. Re-Animator was a pioneer in the horror-comedy subgenre. Loosely based on an H.P. Lovecraft story, Re-Animator was the gory debut of filmmaker Stuart Gordon, who would go on to a two-decade career, including writing Honey I Shrunk The Kids. This film, though, is decidedly not family friendly.

They’re Back From The Grave and Ready to Party! Zombies Take the Time Warp Drive-In (2)

The third film, also from 1985, is a collaboration between a pair of horror legends. Dan O’Bannon got his start on John Carpenter’s debut Dark Star, and wrote a screenplay that would eventually become Alien. His directorial debut is The Return of the Living Dead, based on a concept by Night of the Living Dead co-creator John Russo. Made at the height of the west coast hardcore punk movement, the soundtrack features music by T.S.O.L, Roky Erickson, 45 Grave, The Damned, and The Cramps. It’s most significant contribution to zombie-dom is the introduction of the concept that zombies love to eat brains. For my money, Return of the Living Dead has the best tagline ever: “They’re back from the grave, and ready to party!”

They’re Back From The Grave and Ready to Party! Zombies Take the Time Warp Drive-In (3)

And finally, the film that started the modern zombie genre: Night of the Living Dead is one of the most significant indie films ever made. It inspired generations of plucky filmmakers to pursue their dreams, no matter how messed up those dreams may be. George Romero was making industrial training films in Pittsburgh when he got a motley crew together to create an all-time classic. Ironically, many of the crew on Night of the Living Dead went on to help create Mister Rogers Neighborhood. Star Duane Jones, a theater actor who would later become the executive director of the Black Theatre Alliance, was cast because he was just the best guy to come in the door on audition day. But his portrayal of Ben, an unflappable Black protagonist in a day when the screen was dominated by White actors, is now hailed as a major milestone. In the Black Lives Matter era, the ending, which sees Ben surviving the zombie onslaught only to be killed by police, takes on new meaning. Don’t miss your opportunity to see this timeless classic as it was intended to be seen: at the drive-in.

They’re Back From The Grave and Ready to Party! Zombies Take the Time Warp Drive-In (4)

Showtime starts at sundown at the Malco Summer Drive-In. 

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Time Warp: Zombies Take the Drive-In this Saturday

This dusk-till-dawn Halloween horrorthon movie event features four beloved flicks of undead insanity, including Zombieland, Re-Animator, Night of the Living Dead, and Return of the Living Dead.

Most of us are zombied-out after what seems like a decade of TWD. Oh, wait. It has been 10 years. Those jerks are no better off, and the series should have been canceled when (spoilers) Negan lost Lucille and became a wuss. But let’s stay on topic.

The films that will be showing at this edition of the Time Warp Drive-In are classics. You might have piled your friends in the trunk of your 1968 Dodge Charger to see cult classic gore at the drive-in for an original showing of Night of the Living Dead in the late ’60s. A quick internet search reveals that the Dodge Charger still has the roomiest trunk. Pile them in again for a night at the drive-in starting with Zombieland, the 2009 zom-com starring Woody Harrelson. These films are pure undead brain gold.

Facebook/Time Warp Drive-In

Braaaaaaaains!

Shout-out to former Contemporary Media co-worker Celeste Dixon who is part of the art and film collective Piano Man Pictures, which is offering “vintage intermission insanity between all films.” It’s nonstop horror, y’all.

We’re all pretty happy that the Time Warp is back after a COVID intermission. Just a reminder to wear your mask when outside your car or going to the snack bar so we can continue to enjoy future warped events.

Night of the Living Time Warp: Zombies Take the Drive-In, Malco Summer 4 Drive-In, 5310 Summer, Saturday, Oct. 17, 7:15 p.m., $10.

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Horrortober: Night Of The Living Dead (1968)


OZ: Original Zombie


FILM TITLE:
Night of the Living Dead (1968)

ELAPSED TIME: 13:22

WHY DID I STOP WATCHING? Blonde lady discovered desiccated body

If there is one reigning moral in horror movies that I can really get behind, it is that a certain amount of forbearance when it comes scary shit will pay off in the end. See: the different between Barbra (Judith O’Dea) and her rube of a brother in the opening scene of Night of the Living Dead (1968.) Barbra and bro drive up to a rural cemetery in order to place a wreath on the grave of a dead relative. It’s a dreary scene, and Barbra’s hapless brother is all complaints: “A lot of good the extra daylight does us,” he says. “You think I want to blow Sunday on a scene like this?”

Judith O’Dea as Barbara.

Barbra, on the other hand, is reverent at the grave. Her brother teases her, recalling a time when they were kids and he scared her. Haha, he says when she winces, “You’re still scared.” Barbra demurs, but she easily could have responded, “No shit. There are fucking zombies in this cemetery, and they are about to kill you, you worthless scrub,” because that is the direction that everything goes. A big ole zombie, a sentient member of the 1960s undead (you can tell it’s the 60s because the zombie wears a suit and has nicely coiffed hair), emerges from over the hill and knocks out broseph. Barbra escapes the cemetery, at least for long enough to barricade herself in an old farmhouse.

The point here is that if you don’t tempt the undead by being a sarcastic jerk, you have a better chance of escaping when they come for you. So why — why?? — would I exercise anything but utmost caution and fear while reviewing a movie about zombies. “Ha ha, zombies are fake,” another critic might write, flaunting their critical thinking skills and rational brains. Not me. Memo to zombies: I think you’re very scary. Leave me alone, please.

So Barbra makes it to this half-lit farmhouse, where she grabs a knife from the kitchen. Nothing comforting about this place at all, except that it temporarily contains no zombies. (Aside about these zombies: they seem smarter, in general, than zombies do now. A little more expressive and mobile. The scariest contemporary zombie movie I’ve seen is Shaun of the Dead, but I can tell you that those zombies are dumber than 1960s zombies, which seems to bode ill for us as a culture. Even our nightmares are getting dumber.) Barbra makes her way around the farmhouse, climbs some stairs and sees a desiccated body, presumably of farmhouse owner. A body that is just eyes in a chewed out skull.

Our columnist did’t get this far into the movie.

For more information about this classic piece of cinema, I will refer you to the Rotten Tomatoes page, because I stopped watching at 13:22. “You’re so scared,” you might say, doing an impression of the guy who gets killed in the first 5 minutes of Night of the Living Dead. “I’m going to survive this horror movie we call life,” I say back to you as I stockpile peanut butter and duct tape in my cubicle. I’ll see you on the other side. 

Horrortober: Night Of The Living Dead (1968)