Categories
Music Record Reviews

Summer Record Reviews

Jimbo Mathus — Blue Healer (Fat Possum Records)

The Mississippi roots-rock wizard Jimbo Mathus released Blue Healer earlier this spring on Fat Possum Records. Co-produced by Mathus and Bruce Watson, Blue Healer was recorded at Dial Back Sound in Water Valley, Mississippi, an all-analog “recording palace” that the duo found to be the perfect place to explore Mathus’ blend of old-school tones and kinetic energy. The title Blue Healer (not to be confused with a breed of cattle dog with a similar name) refers to a character that Mathus dreams up on the title track, a comforting female presence that provides the album’s protagonist with the “healing” that he needs. Mathus isn’t exactly reinventing his sound with Blue Healer, but with so many good psychedelic roots-rock songs on one album, he really doesn’t need to.

Favorite Track: “Shoot Out the Lights”

For Fans of: Squirrel Nut Zippers, King Louie and the Loose Diamonds

Nights Like These — Old Youth Culture (self-released)

Metal band Nights Like These returned to the studio earlier this year to crank out Old Youth Culture, their first full-length album without the help (and financial backing) of Chicago’s Victory Records. To celebrate the release of Old Youth Culture, the band held a show last weekend at the Hi-Tone, where aging metal fans lived up to the title of the album by slamming into one another for nearly the entire show. Old Youth Culture is the first of the three full-length albums by Nights Like These to fully capture how powerful the band is live, meaning the recording is raw, loud, and unrelenting. Front man Billy Bottom’s howl is still intact, and the evolved songwriting on Old Youth Culture is evidence that the band’s equipment wasn’t just collecting dust while they went on hiatus for five years.

Favorite Track: “None More Hated”
For Fans of: Cursed, Converge, Coliseum

Bag Head — Self Titled Demo (self-released)

File under most likely to be criminally underlooked. I can’t imagine that the punk scene in Hattiesburg, Mississippi, is teeming with amazing young talent, but that didn’t stop Bag Head from releasing one of the best punk tapes of the year. The information available on Bag Head is limited, but the small online presence they have claims that the group features four young adults who consider themselves to be “Hattiesburg’s most hated.” If this group of miscreants ever gets tired of kicking up dust in Forrest County, they’d fit in nicely with what’s going on in the more aggressive scenes of Memphis music. With just about every song clocking in at under a minute, Bag Head’s first offering of noise is sure to please even the shortest of attention spans.

Favorite Track: “Pity”

For Fans of: The FU’s, Gang Green,Belching Penguin

Modern Convenience — F*ck with Fire (PVX Hex Records)

Modern Convenience has been the creative project of Mikey Bibbs for quite some time, and the Memphis native played local dive bars constantly before moving to Nashville and re-forming the band. The album’s artwork (designed by Mac Blackout) seems to be an homage to Bibbs’ time spent playing the Midtown dive-bar circuit, as his head is literally exploding out of the Madison Avenue pavement and a corner of the Memphis music venue Murphy’s is visibly present. On F*ck with Fire, Bibbs seems to be trying out the sound he mastered in Memphis on a new rhythm section, and the result is some of the tightest Modern Convenience recordings to date.

Favorite Track: “Gaga”

For Fans of: Antique Curtains, Lost Sounds, The Daily Void

Deering and Down — “You’re the One” (BAA Records)

Deering and Down released “You’re the One,” last month, with the announcement that the track was the lead-off single to their eighth studio album. Opting to record at Easley McCain studios instead of Willie Mitchell’s Royal Studio (where the band recorded their last album, Out There Somewhere), “You’re the One” is an esoteric love song that sits somewhere between dream pop, modern soul, and what Deering and Down call “sexy music.” The new album from Deering and Down is set to be released “later in 2015,” but pay attention for song announcements in the form of music videos coming throughout the summer and fall.

For Fans of: Julee Cruise, Lana Del Ray

SVU — Self-Titled (self-released)

Special Victims Unit is the project of Tyler and Ivy Miller, two prominent members of the street punk scene in Memphis and the driving force behind the Memphis Punk Rock Festival, which recently concluded its third year. SVU belong to a different faction of the “Memphis punk scene,” one where bands like the Gloryholes and Banned Anthem are favored over the garage rock bands that make up the more accessible “Goner scene.” The separation between the two microcosms of Memphis music definitely exists, even if the bands that make up the different scenes aren’t that far removed from one another.

On their Self-Titled album (released in March of this year), SVU display an ability to switch between pop-punk and ska leanings into full-on hardcore, with vocalist Ivy Miller doing something different with her voice on almost every song. The 10-song, Self-Titled debut from SVU is a good introduction to another side of Memphis punk rock, and the band will stay busy this summer playing multiple shows (including an appearance at Creepy Fest in New Orleans) and writing a new EP.

Favorite Track: “Supermarket Fantasy”

For Fans of: Assorted Jellybeans, Screeching Weasel, NOFX

Categories
Music Music Blog

Weekend Roundup 19: Memphis Punk Fest, Tori WhoDat, Cedric Burnside

Cedric Burnside plays Lafayette’s Music Room this Sunday.

The third annual Memphis Punk Fest rules my Weekend Roundup this week, with over 40 bands (many of them local) set to play at multiple venues around town. Sprinkled in between the extensive Memphis Punk Fest shows are a lot of acts worth checking out, including Cedric Burnside, Tori Who Dat, and Nights Like These. This weekend marks the start of an insane June music calendar, with shows (that we’ll be previewing) happening almost every night of the week. 


Friday, June 5th.

Memphis Punk Fest: Spit, Cheerbleeders, Hombres, Klaxxon, 5 p.m. at Murphy’s, prices vary.

Soundcheck Memphis featuring Tori WhoDat, Marco Pave, and KL Undenyable, 7 p.m. at Minglewood Hall, $10.

Weekend Roundup 19: Memphis Punk Fest, Tori WhoDat, Cedric Burnside

Sleepwalkrs, Justin Bloss Trio, Chris Curtis, 8 p.m. at Otherlands, $7.

Memphis Punk Fest: Dawn Patrol, Angel Lust, Six Pack, Process of Suffocation, 9 p.m. at the Buccaneer, prices vary.

Weekend Roundup 19: Memphis Punk Fest, Tori WhoDat, Cedric Burnside (2)

Nights Like These Record Release Show, 9 p.m. at the Hi-Tone Small Room, $5.

La Pistola, Rabid Villain, 9 p.m. at the Hi-Tone, $10.

Saturday, June 6th.
Memphis Punk Fest: Squadron, Rotten Stitches, Forsaken Prophets, Ghost Sector, Banned Anthem, The Waits, 5 p.m. at the Lamplighter, prices vary.

Marcella Simien Solo performance, 7:30 p.m. at Booksellers at Laurelwood.

The Warp and the Weft, Mike from New York, 8 p.m. at Otherlands, $7.

Weekend Roundup 19: Memphis Punk Fest, Tori WhoDat, Cedric Burnside (3)

Memphis Punk Fest: The Worst, SVU, Commonwealth of Native Americans, Badge Collector, Pallbearers, 9 p.m. at the Hi-Tone Small Room, prices vary.

Memphis Punk Fest: Three Cents Short, Stuck Lucky, Random Conflict, Pezz, Pears, Darrow Chemical Company, 9 p.m. at the Hi-Tone, prices vary.

Sunday, June 7th.

Cedric Burnside Project, 4 p.m. at Lafayette’s.

Weekend Roundup 19: Memphis Punk Fest, Tori WhoDat, Cedric Burnside (4)

Memphis Punk Fest: Lazy Affair, The Hoax, Bombflower, The No Loves, Glorious Abhor, 5 p.m. at Murphy’s, prices vary.

Jammin for Deric featuring Free World, Highway HiFi, Faith Evans Ruch & Buckles and Boots, 6 p.m. at the Hi-Tone Small Room, $5.

Memphis Punk Fest Finale: One Last Chance, The Gloryholes, EZ Kebage, Parasite Diet, From Parts Unkown, Black Irish Texas, 8 p.m. at the P&H, prices vary.

Categories
Music Music Features

Nights Like These Release New Album

One of the biggest metal bands to come out of Memphis in the past 10 years is releasing a new album this Friday, despite the fact that one of their key members is moving to California later this month. Since forming in the early 2000s, Nights Like These has been synonymous with the Memphis underground metal scene. They were the first group from the Caravan scene to sign a contract with a major label and the first to tour extensively around the country. After releasing two albums on Victory Records, the band went on hiatus for nearly five years before playing a handful of reunion shows last year.

Shortly after the reunion gigs, rumors of a new album from Nights Like These started surfacing, and in the spring of 2015, Nights Like These entered Ardent Studios to record Old Youth Culture with guitarist Matt Qualls manning the control board. Qualls describes Old Youth Culture as their most accessible album to date, with a more “mature and down-to-earth sound.”

Nick Hall

Nights Like These

“This album has the most straightforward song structure we’ve ever had,” Qualls said.

“When we were writing songs for The Faithless (the band’s debut album that sold 30,000 copies), we were just coming up with riff after riff. The song would go riff, riff riff, breakdown. Now we are more concerned with writing actual songs.”

With eight songs clocking in at the 40-minute mark, Old Youth Culture is a major departure from the band’s first two albums, but according to Qualls, it’s still a metal album.

“We feel like this album features some of the heaviest songs we’ve ever written,” Qualls said.

“This was going to be the final album, but we ended up being so happy with it that I doubt this will be the end of us making music together.”

Old Youth Culture will be available for download this Friday, with plans for a physical LP currently in the works.

Nights Like These Release New Album

Categories
Music Music Features

Every Time I Die Live at the Hi-Tone

It might seem like you picked up a copy of the Flyer from 2004, but Every Time I Die really is playing the Hi-Tone next Monday. The metal core band from Buffalo, New York, started playing in 1998 and made it to Warped Tour-size success after 2001’s Hot Damn! And 2005’s Gutter Phenomenon. Every Time I Die were torchbearers of mid-2000s metal core, alongside bands like Norma Jean, Atreyu, and Evergreen Terrace.

When metal core took the country by storm, Memphis was no exception, and hundreds of kids spilled out of the suburbs and into venues like the Skate Park of Memphis, The Caravan, and The Riot to support the bands coming through town. While it might not have been the coolest chapter in Memphis music history, the metal core scene in Memphis was huge, with multiple promoters and venues building a strong foundation to make Memphis one of the premier places for groups of guys in questionably tight pants to come play.

Every Time I Die

When the Memphis metal core scene was at its peak, locals So She Sang and Nights Like These got dibs on all the good shows. Nights Like These would later go on to sign to major indie label Victory Records and release two acclaimed albums, a testament to the strength of the scene they came from. So She Sang has reappeared for a live show now and again, but the band has mainly been a recording project for the past few years. The band posted a new song on the internet in February, but then announced that this show will be their last. The show is all ages, and starts early, so plan accordingly.

Categories
Sing All Kinds We Recommend

Nights Like These Return with New Music

NLT_NICK_HALL.jpg

  • Nick Hall

Local metal act Nights Like These play their third show since 2008 this Saturday, with all the proceeds going to local animal shelters. The band released two well received albums on Victory Records, then called it quits in 2008 after crisscrossing the United States on tours where they opened for some of the biggest underground metal acts in the Country. We caught up with Matt Qualls (who has also produced local acts like Cities Aviv and The Dirty Streets) to ask him about the latest chapter in the Nights Like These story.

So this is one of your first shows since the group disbanded. What made you guys decide to get back together?

We decided to get back together after I was about to graduate college in 2013. It was just the perfect time to get back together to do a reunion show. Originally the idea was to do a one time performance, but after we started having a weekly practice we ended up writing a new song, which is featured on the split called “Ox Plow.” We thought the song was one of the strongest songs we have ever written and just said “Screw it, let’s do another record, for ourselves at least.”

The show on Saturday is a release show for your new split EP with The Lions Daughter. How did you link up with those guys? Is there more new material coming?

We know The Lions Daughter through touring with two of the members previous band, Calico System. They have always kept in touch with us and we’ve remained good friends through the years. This whole concept of the split going to no-kill animal shelters was all their idea. Rick, the guitar player from The Lions Daughter pretty much facilitated the entire record being pressed and all the details that go into it. To answer your second question; Yes, we do plan to release one more album. We have no idea when it will be ready but we know that fans will not be disappointed.

All of the proceeds from the show are going to the Streetdog Foundation, Blue Sky Animal Rescue, and the Bailey Arms Animal Rescue. How did you work that out? Did the band approach these animal shelters or did they approach you guys?

Like I said before, the entire concept was pitched to me by Rick. We just handled the Memphis side of things. We played last Saturday in St. Louis and the show raised around $1600 for their shelters. I pretty much had to contact all of the shelters in Memphis myself, with the recommendation and help of friends Shawn Mullins and Brittney Legens. All of the shelters were more than excited to be apart of the benefit and record release.

Do you hope to turn more of your shows into charitable events, or is this more of a one-time thing?

We don’t have any more benefit shows lined up at the moment, but we certainly aren’t opposed to idea. But as far as organizing an event like this, I would say no, we do not plan to do it again.


You guys used to be one of the hardest touring bands in Memphis, do you have any plans to take your music out of town again? Any other upcoming shows you’d like to announce?

We currently have no plans of any shows either in Memphis or elsewhere. We would certainly like to play out of town more often and have many friends in regional areas, but the act of getting us all together to go out of town for a whole weekend is pretty difficult as we all have other things going on in our lives.

Nights_Like_These_Zach_Joe.jpg

  • Zach Joe


Nights Like These with The Lions Daughter and Chaos Order this Saturday at the Hi-Tone Cafe, $5, 7 p.m. doors.