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Memphis Filmmakers Allen Gardner and Brad Ellis Get The Band Back Together For Cold Feet

Memphis filmmakers Allen Gardner and Brad Ellis had such a good experience working on their last feature film, Bad, Bad Men, that they wanted to do it again. “I just wanted to get the old band back together for a new movie,” says Gardner.

Cold Feet

While in post production on Bad, Bad Men, Gardner had an idea for a follow up. It had been years since the long time partners made their last horror movie, and Ellis was thirsty for some onscreen blood. Gardner had been scoring with funny screenplays lately, so why not a horror comedy? Gardner was on a layover on a flight from Los Angeles, where he now lives, to Memphis when the setup came to him: A bachelor party in a haunted house.

Cold Feet takes eight actors who have worked with Old School Pictures before and locks them in a rambling, Modernist East Memphis bachelor pad, complete with hot tub, pool, and disco room. “Allen had the story in mind, but we tailored the scenes to match the layout of the house,” says Ellis.

The actors, who include Bad, Bad Men’s Nathan Ross Murphy and Adam Burns, had their parts chosen by chance. “We had a cold read before the first Memphis screening of Bad, Bad Men,” says Gardner. “It was really exciting to me, because none of the guys had read it before. So instead of putting names into a hat, we put names on the bottom of shot glasses. Whatever shot you got, that was the role you played. I was curious to find out who was going to be who. It was like Christmas.”

Cold Feet

“That was our way of putting a lot of trust in the actors,” says Ellis. “It worked out for the best. Two weeks into the production, and you couldn’t imagine any of these guys being anyone else.”

Joining the core cast is Lindsey Roberts and Kenneth Farmer as cops who crack down when the party gets a little out of hand. “Lindsey is playing the straight man, essentially, which can be a thankless role, but without that balance, you have nothing,” says Ellis.

“Hearing her do the hard-nosed cop with Kenneth, who is just so on the other side of that equation, has been hilarious,” says producer Gabe Arredondo, another Bad, Bad Men veteran.

Cold Feet was shot over the course of three weeks last month. Now the producers have started a crowdfunding campaign to help with post-production. For more information, visit the campaign page on IndieGoGO.

Cold Feet

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Film/TV Film/TV/Etc. Blog

Strong Local Offerings Lead Indie Memphis Lineup

Indie Memphis announced its full lineup for the 2016 festival at a bustling preview party at the Rec Room last night. 

Bad, Bad Men,

The most striking feature of the 150-film collection is the strongest presence by local filmmakers since the early-2000s heyday of DIY movies. The Hometowner Competition boasts six feature films, including Old School Pictures’ Bad, Bad Men, a wild comedy of kidnapping and petty revenge by directors Brad Ellis and Allen Gardner, who have racked up several past Indie Memphis wins. Bluff City indie film pioneer Mike McCarthy will debut his first feature-length documentary Destroy Memphis, a strikingly heartfelt film about the fight to save Libertyland and the Zippin Pippen rollercoaster. Four first-time entrants round out the Hometowner competition: Lakethen Mason’s contemporary Memphis music documentary Verge, Kathy Lofton’s healthcare documentary I Am A Caregiver, Flo Gibs look at lesbian and trangender identity Mentality: Girls Like Us, and Madsen Minax’s magical realist tale of lunch ladies and gender confusion Kairos Dirt and the Errant Vacuum. 

‘Silver Elves’


Usually, Hometowner short films comprise a single, popular, programming block; This year, there are enough qualified films to fill four blocks. Sharing the opening night of the festival with the previously announced Memphis documentary The Invaders is a collection of short films produced by recipients of the Indie Grant program, including G.B. Shannon’s family dramedy “Broke Dick Dog”, Sara Fleming’s whimsical tour of Memphis “Carbike”, Morgan Jon Fox’s impressionistic dramatization of the 1998 disappearance of Rhodes student Matthew Pendergrast “Silver Elves”; Indie Grant patron Mark Jones’ “Death$ In A Small Town”, actor/director Joseph Carr’s “Returns”, experimental wizard Ben Siler (working under the name JEBA)’ “On The Sufferings Of The World”, and “How To Skin A Cat”, a road trip comedy by Laura Jean Hocking and yours truly. 

Other standouts in the Hometowner Shorts category include three offerings from Melissa Sweazy: the fairy tale gone dark “Teeth”; “A.J”, a documentary about a teenage boy dealing with grief after a tragic accident, co-directed with Laura Jean Hocking; and “Rundown: The Fight Against Blight In Memphis. Edward Valibus’ soulful dark comedy “Calls From The Unknown”, Nathan Ross Murphy’s “Bluff”, and Kevin Brooks’ “Marcus”, all of which recently competed for the Louisiana Film Prize, will be at the festival, as will Memphis Film Prize winner McGehee Montheith’s “He Coulda Gone Pro”. 

The revived Music Video category features videos from Marco Pave, Star & Micey, Preauxx, The Bo-Keys, Vending Machine, Nots, Caleb Sweazy, Faith Evans Ruch, Marcella & Her Lovers, John Kilzer & Kirk Whalum, Alex duPonte, Alexis Grace, and Zigadoo Moneyclips. 

Internationally acclaimed films on offer include legendary director Jim Jarmusch’s Paterson, starring Adam Driver; Manchester By The Sea from Kenneth Lonergan; and Indie Memphis alum Sophia Takal’s Always Shine. Documentary cinematographer Kirsten Johnson’s spectacular, world-spanning Cameraperson, assembled over the course of her 25 year career, promises to be a big highlight.

Michelle Williams and Casey Affleck in Manchester By The Sea

The full schedule, as well as tickets to individual movies and two levels of festival passes, can be found at the Indie Memphis web site.