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Leonard Cohen Announces Orpheum Date

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Seventy-eight-year old songwriting icon Leonard Cohen announced today a second leg of his current North American tour, which will include a rare Memphis date. Cohen will play the Orpheum Theatre on Sunday, March 24th.

Cohen, with his deep, authoritative voice and literary lyrics, became one of rock’s major singer-songwriters via such classic albums as his 1967 debut Songs of Leonard Cohen and the 1969 follow-up Songs From a Room. While never a huge commercial success, Cohen’s stature among songwriters of his generation rivals the likes of Paul Simon and Randy Newman.

Cohen’s never really gone away, but has experienced something of an artistic rebirth in recent years, with his highly regarded 2009 double album Live in London and last year’s well-reviewed Old Ideas.

Tickets for the Orpheum concert go on sale Friday, January 18th, at 10 a.m. For additional information, see www.LeonardCohen.com, www.AEGLive.com, or the Orpheum’s site.

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The Grand Opera House

7eab/1242748742-grandoperahouse.jpg You think times are bad now? In the late 1880s, Memphis was struggling to recover from a series of yellow-fever epidemics that had almost taken our city off the map. In these uncertain times, a group of 25 businessmen managed to raise $60,000 to build what they would call “a temple to Thespis that no city in America would be ashamed of owning.”

I’m proud to say that records indicate the Lauderdales contributed $10 towards this worthy cause. Our generosity knows no bounds!

The Grand Opera House opened on the southwest corner of Main and Beale on September 22, 1890. The Memphis Avalanche (one of the best-named newspapers of all time) called the premiere “the most brilliant theatrical and social success in the history of Memphis.” Don’t mince words, Avalanche reporter! The stunning building, constructed of Bedford limestone from Indiana, soon attracted some of the biggest stars of the American stage. Sarah Bernhardt, Lillian Russell, W.C. Fields, John Philip Sousa, and countless others performed at the Grand.

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News The Fly-By

“Dammit, Janet”

Beneath a crystal chandelier, a young woman stands in stiletto heels. Fishnet stockings crisscross her legs, garter belt supporting the hose. A black corset cinches her waist into an hourglass silhouette.

A man wears a similar outfit nearby.

At the Orpheum theater’s recent screening of The Rocky Horror Picture Show — part of its summer movie series — the cult classic is alive all around me.

According to Kate Hackett, executive assistant to Orpheum president and CEO Pat Halloran, the screening and costume contest “give people a good reason to get together and have a fun time.”

And, she adds, “People can get their ‘freak’ on!”

During the costume contest, 30 men and 30 women mimic Rocky Horror characters, and they don’t hold back. The charismatic emcee of the competition, last year’s male winner, bears a striking resemblance to the film’s main character, Dr. Frank-N-Furter.

Kat Sacco is dressed as Magenta, wearing a white bow around her neck, black fishnets, and sexy shoes.

“I’m absolutely in love with this movie because it’s so open-minded,” Sacco says. “I like dressing up, but I’m too old for Halloween.”

Among the males competing is a heavyset young man in a corset and heels, a red-and-black boa snaking around his neck. The contestants have few — if any — inhibitions. That statement proves especially true for a middle-aged woman who teases the crowd with glimpses under her bathrobe.

“My name is Dazzle, in case my kids don’t want everyone to know my real name,” she tells the audience.

During the movie, crowd members who have purchased prop bags wear party hats that resemble dunce caps and throw rice and toilet paper. Most of the audience has memorized the script and shout particular phrases at the appropriate times. With each appearance of the character Janet, for instance, a chorus of “Slut!” rings out from the audience. I know I’m in the company of true Rocky Horror fans when people leap from their seats to dance “The Time Warp.”

But my favorite moment isn’t watching the audience dance or sing or even hold the Flyer over their heads while Brad and Janet run from the rain.

Instead, during the song “There’s a Light,” movie buffs, black-clad goths, middle-aged couples, music enthusiasts, and drag queens extend their lit cell phones, swaying the glowing lights in unison.