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2018 Outflix Film Festival

Outflix is more than a film festival: It is a celebration of community, says festival co-director Matt Barrett. “Here’s what it’s all about: Whoever you are, we want you to be able to see yourself onscreen. That’s my life. That’s me. I can relate to that.”

Barrett and co-director Kat King took over running the festival from Will Batts, the longtime director who moved to Houston last year. Under Batts’ leadership, the festival, which began as a fund-raiser for OUT Memphis (formerly known as the Memphis Gay and Lesbian Community Center), grew in prestige and size. Now, it is OUT Memphis’ primary outreach event. “When I came here, I was looking for community,” says King. “I found the center. I’d always been a big movie buff, and Outflix was the first program I found. That was my introduction to Will … Then, after a year of watching films, rating films, and helping put this whole thing together, Will looked at Matt and me and said, ‘Hey, do you want to run it next year?'”

Wild Nights With Emily, starring Molly Shannon (left) and Amy Seimetz, plays opening night at Outflix.

Of course, running a film festival that receives more than 350 entries a year is not as easy as it sounds. “To narrow it down to a week’s worth of films is nearly impossible. There are a ton of great films we didn’t use, just based on time and space available,” says Barrett.

King and Barrett found that it took the two of them, along with help from Out Memphis’ Director of Development Stephanie Reyes, to replace the work Batts was doing every year. “It is a part time job that we don’t get paid for,” says Barrett.

To give the festival a fresh start, King and Barrett said they put everything on the table. The restarted Outflix’s dormant Summer Series, showing LBGTQ films that were hits at past festivals, such as the groundbreaking comedy from the dawn of the digital era, Sordid Lives. “Especially for a gay Southern person, you look at this movie and say, ‘This is my life!'” says Barrett.

On August 21st, the traditional preview party was spiced up with Outflix’s first local shorts competition, which was won by writer Skyy Blair’s comedic directorial debut “Motions.”

On Friday, September 7th, the main festival will open as it traditionally does with a documentary and narrative feature. The 34th, directed by Linda Cullen and Vanessa Gildea, is a documentary 12 years in the making. It tells the story of Marriage Equality in Ireland, a group that fought to extend civil marriage rights to LBGTQ people, beginning in 2005 when plaintiffs Katherine Zappone and Ann Louise Gilligan sued to get their Canadian union recognized in the Emerald Isle.

The opening night narrative is Wild Nights With Emily, a historical dramedy in which director Madeleine Olnek tells the secret history of poet Emily Dickinson (Molly Shannon). Though people like Mabel Todd (Amy Seimetz), her sister-in-law who published her poems posthumously, called Dickinson a prudish spinster, Olnek reframes her heroine as a closeted lesbian doing her best to live a fulfilling life in stifling Victorian society. Shannon’s performance as the would-be libertine poet forced to wear a mask of chastity drew raves upon the film’s premiere at this year’s South By Southwest film festival.

The festival runs through the weekend and into the next week with 13 narrative features, five feature documentaries, and 32 shorts. King says its an exciting time for LBGTQ film. “People are starting to tell different stories in the community. There will always be space for a coming-out story or the teen story. But this year there are more unique storylines, and some that kept that thread, but told it differently.”

One such film is Saturday afternoon’s offering, Freelancers Anonymous, a comedy about balancing work and personal lives. “It’s a super cute movie about a lesbian couple who are taking the next steps in their life,” says King. “They’re planning for a wedding. At the same time, one of them quits their job and starts a freelancer’s group with a ragtag group of people who are all out of a job.”

On Tuesday, September 11th, Outflix will have its first all-Spanish-language Latinx night, beginning with a block of short films from as far away as Brazil and Costa Rica, and then Columbian director Ruth Caudeli’s Eve & Candela. “We’re trying to engage different parts of our community, especially since we just started a Latinx group at the center,” says Reyes.

King says it’s OUT Memphis’ goal to expand their community to all underrepresented LBGTQ groups, and the festival’s films reflect that push toward ever increasing diversity. “We’re showing a lot of diverse transgender movies and shorts. Moreso this year, I think we tried to connect the programming at Outflix with the programs at the center.”

Outflix 2018 runs from Friday, September 7th to Thursday, September 13th at the Malco Ridgeway Cinema Grille. For a full schedule, tickets, and passes, visit outflixfestival.org.

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Film/TV Film/TV/Etc. Blog

This Week At The Cinema: Outflix Kicks Off and Rifftrax Conquers Krull.

Writer/director/actor Jim Cummings and Kendal Farr in Thunder Road

The movie week starts off with a bang tonight, as Indie Memphis presents the Grand Jury Prize winner from this year’s South By Southwest film festival. Thunder Road is an expansion of an acclaimed short film by writer/director Jim Cummings about parenthood in the wake of loss. It’s at Malco Ridgeway tonight, and you can buy tickets here.

 

Thunder Road Feature Film Trailer from Jim Cummings on Vimeo.

This Week At The Cinema: Outflix Kicks Off and Rifftrax Conquers Krull.

Ouflix season officially begins tonight with a preview party at Crosstown Arts’ 430 N. Cleveland space. They’ll be previewing this year’s lineup and presenting three works for their new short film competition. One of the shorts, “Conway Pride”, is by filmmaker Stephen Stanley, who made his first films in Memphis before embarking on a career that has taken him to Hollywood and, currently, France. He made “Conway Pride” while teaching film at the University of Central Arkansas. It tells the history of a colorful LBGT couple who organized the first gay pride march in the rural college town, and the fight to save their house after they passed away. The free party begins at 6:30 PM tonight, but bring your dollars to buy passes for the main Outflix festival September 7-13.

Conway Pride 2017, Excerpt from the documentary "Conway Pride" from Stephen Stanley on Vimeo.

This Week At The Cinema: Outflix Kicks Off and Rifftrax Conquers Krull. (5)

On Wednesday, Indie Memphis screens a second South By Southwest winner, this time in the documentary category. The Work takes audiences inside Folsom Prison, where inmates in a group therapy session delve deeply into their past. This moving documentary is sponsored by Just City Memphis, and will include a Q&A with Memphis activist Josh Spickler. Tix here.
 

This Week At The Cinema: Outflix Kicks Off and Rifftrax Conquers Krull. (2)

Wednesday at the Paradiso, an anime comedy take on After Hours. Director Masaaki Yuasa’s Night Is Short, Walk On Girl is a romantic farce centered around an epic night on the town in Kyoto, Japan. Check out this amazing trailer:

This Week At The Cinema: Outflix Kicks Off and Rifftrax Conquers Krull. (4)

In case you didn’t get your fill last Saturday at the Time Warp Drive-In, Thursday night offers a so-bad-it’s-good film experience. Krull dropped in 1982, during the height of the post-Star Wars sci fi fantasy boom. It’s got some really fantastic pre-CGI effects, and…well, the effects are nice. And the production design is kinda interesting in places. Then there’s the scene with the giant spiders, which is pretty cool…

OK, fine. It’s awful. A total crap pageant. The point is, the Rifftrax guys are going to tear Krull a new Glaive-hole, 7 PM at the Paradiso.

Also, it’s usually a bad idea to revisit obscure sci fi fantasy movies you liked as a kid, unless you enjoy disappointment.

This Week At The Cinema: Outflix Kicks Off and Rifftrax Conquers Krull. (3)

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Film/TV Film/TV/Etc. Blog

This Week At The Cinema: Singing, Art, Poetry, Dance, and Gymnastics

Brown Ballerina

Toni Morrison, poet, Nobel laureate, and all-around advocate for empathy, curated an art show at the Louvre in 2006. The Foreigner’s Home is a documentary based on the exhibit and the conversations about “otherness” that sprung up around it. Indie Memphis will be presenting the film at 7 PM Tuesday, June 14, at the Malco Ridgeway.

The Foreigner's Home – Trailer from Rian Brown on Vimeo.

This Week At The Cinema: Singing, Art, Poetry, Dance, and Gymnastics

Wednesday, June 20th, Indie Memphis takes part in a special program with Collage Dance Collective. “Brown Ballerina” is a short film by director Chassidy Jade about one woman’s quest to dance at the highest levels of the art. Jade will be in attendance to discuss the film, and there will be performances by Shanna Wood and the Collage Dance Collective. Demand for this event has been high, so they’ve added a second screening.

Brown Ballerina Official Trailer from ChassidyJade :: CrownMeRoyalLabs on Vimeo.

This Week At The Cinema: Singing, Art, Poetry, Dance, and Gymnastics (2)

Wednesday night at Studio on the Square, Outflix is presenting their 2007 Jury Award Winner The Gymnast, a love story by Ned Farr starring famed arealist Dreya Weber.

This Week At The Cinema: Singing, Art, Poetry, Dance, and Gymnastics (3)

On Sunday at the Malco Paradiso, Turner Classic Movies presents West Side Story, the 1961 Best Picture winner which still holds the record for most Oscars claimed by a musical. Here’s Rita Mareno taking control of your screen with “America”. 

This Week At The Cinema: Singing, Art, Poetry, Dance, and Gymnastics (4)

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Outflix Monday: The Lavender Scare

The Lavender Scare, an multiple award winning documentary from director Josh Howard, reminds viewers of a forgotten chapter in American history — that of LGBTQ civil servants during the Cold War. Most people are familiar with Senator McCarthy’s “red scare” tactics, but few movies look at President Eisenhower’s contemporaneous campaign to oust homosexuals and other “perverts” from government service. Over the second half of the 20th century, tens of thousands of gay Americans lost their jobs (and, in the case of some, their lives) as a part of the vicious and extra-legal campaign.

To tell the story of The Lavender Scare, Howard spoke not only to individuals affected by Eisenhower’s policies, but to the men who enforced the terror — some of whom seem repentant, others of whom are clearly oblivious to the consequences of their actions. Paired with these interviews are narrated excerpts from a huge paper trail, the result of Howard’s rigorous archival research. The latter half of the documentary focuses on the activism of Frank Kameny, an astronomer and activist who vocally challenged the government policies. The film deserves its awards for a nuanced, balanced portrait of a too-often-repressed history.

Outflix Monday: The Lavender Scare

The Lavender Scare screens Monday, Sept. 11 at 6:30 PM as part of the Outflix Film Festival.

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Film/TV Film/TV/Etc. Blog

Outflix Sunday: Heartland

Heartland offers a tweaked version of what should be, by now, a familiar trope: A prodigal daughter, her life in shambles, returns to her family home and must confront the problems she’s long repressed. The daughter in this case is Lauren (Velinda Godfrey), who, after losing her girlfriend to terminal illness, begins an affair with her older brother’s girlfriend, Carrie (Laura Spencer). Heartland is set in a small town in Oklahoma that seems improbably normal, an anachronism from a quieter century. Lauren’s mom, played by Beth Grant (who you might recognize from her role as a deranged nurse on The Mindy Project), is at the heart of the pathology — tolerant of Lauren’s homosexuality without being truly accepting. Lauren’s brother, meanwhile, is trapped in an unhappy relationship with his own ambition.

Despite moments of predictability, Heartland is well-acted and moves along at a good clip. The climactic fight scene is satisfyingly reminiscent of Rachel Getting Married or, even, the more sober moments of Bridesmaids. The movie’s conflict resolves comfortably where another film might have taken things in a darker, more Freudian, direction (sleeping with your brother’s girlfriend… well, there’s a lot there.) But Heartland is, at the end of the day, a feel-good movie, a stone’s throw away from something that might appear on Lifetime, but steamier and gayer.

Outflix Sunday: Heartland

Heartland screens on Sunday, Sept. 10 at 3:30 PM as part of the Outflix Film Festival.

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Outflix Saturday: Jewel’s Catch One

Jewel’s Catch One looks back at the scene-making Los Angeles gay disco, “Catch One” and it’s owner, Jewel Thais-Williams. For more than forty years, Thais-Williams operated one of the most lauded clubs in the city’s history. As one interviewee puts it, Thais-Williams is “an honored elder, superhero to the Los Angeles community” who came up against tough odds: “Not only was she poor, not only was she a woman, she was a lesbian, and she was a black one.” ‘

The documentary follows Thais-Williams from her days as a freshman club owner, through the AIDS crisis, the celebrity nineties, and into the aughts. While Jewel’s Catch One, directed by filmmaker C. Fitz, is a documentary cut from an established stylistic cloth, Thais-Williams and the community she has long nurtured make the film shine. Fitz pairs archival footage of Catch One in the glory days with a wide range of interviews of Thais-Williams friends and queer family. The result is a warm, heartfelt film that tells a critical story of perseverance.

Outflix Saturday: Jewel’s Catch One

Jewel’s Catch One screens at 1:00 PM on Saturday, September 9 as part of the Outflix Film Festival.

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Outflix Friday: Forbidden: Undocumented and Queer in Rural America

Moises Serrano

Forbidden: Undocumented and Queer in Rural America may be the most important movie on the festival circuit right now. The documentary follows Moises Serrano, a young queer man whose parents immigrated from Mexico to North Carolina when Serrano was only 18 months old. Serrano is a “Dreamer” (as defined by President Obama’s “Dream Act” legislation that attempted to make inroads for undocumented young people to become full citizens — legislation that President Trump just ended) and an activist for queer and undocumented Americans.

The film follows Serrano’s day-to-day work as a part of the struggle, as well as his personal life with his boyfriend and family. Serrano’s story is paradigmatic of how the personal is always political. When, for instance, he and his long term boyfriend speak of marriage, they are talking not just about gay marriage but about what marriage means for Serrano’s citizenship. Can they take such a big step? Should they?

It is difficult to watch Serrano’s work, deftly depicted in Forbidden by filmmaker Tiffany Rhynard, from the perspective of the current political moment. Serrano and his family’s paths have never been easy. They are getting no easier. But the film expertly crafted, and Serrano’s message more important than ever—don’t miss it.

Forbidden: Undocumented and Queer in Rural America screens at 7 PM on Friday, September 9 as part of the Outflix Film Festival.

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Film Features Film/TV

Outflix Film Festival 2016

The 19th year of the Outflix Film Festival finds it at a crossroads. Outgoing director Jeffrey Harwood thinks it’s a good place to be. “I’ve been working with Outflix since 2008,” and serving as director for two years, he says. “It really has been a learning experience for me, seeing the crowds get bigger and the movies change. The quality of the films we have has changed. They’ve gotten better.”

Harwood says queer cinema worldwide has expanded both in scope and subject matter. This year’s Outflix features works from Sweden, Germany, Chile, Argentina, the U.K., Ireland, France, and India. Subject matter has expanded from coming out stories and campy comedies to stories that encompass every aspect of life. “We’re seeing universal issues approached in LGBT terms — family issues, adoptions. These films aren’t all just about being gay, but because these characters are gay, it influences how they approach life. I think that’s one of the good ways that LGBT cinema is growing. We still have the campy comedies and the coming out stories, and we need them, because there are still people coming out — especially in the ‘flyover zone.’ People still need these stories, but for the rest of the community, we’re seeing ourselves reflected in far more and different ways than we were even five years ago,” Harwood says.

The opening night film is Girls Lost, directed by Alexandra-Therese Keining. It’s the story of a trio of teenage outcasts who find a magic flower that turns them into boys. Once gender switched, they find attitudes toward them have changed dramatically. “The movie speaks to transgender issues and misogyny. They find that as boys, they are completely accepted. One of the girls discovers that the reason that she never felt at home [as a girl] is because this is who she is. She is trans.”

Friday evening’s programming features films aimed at young people. In Henry Gamble’s Birthday Party, “A 17-year-old preacher’s kid is having a swim party for his birthday. One of his friends named Logan is attracted to him, and Henry is attracted to another guy who is not out yet. It examines the role of not just homosexuality, but sexuality and gender in role types. There are people at the party who are at various points on the spectrum of acceptance,” Harwood says.

Harwood is leaving Memphis to go to graduate school in Ohio, so this will be his last year as director. “We are going to be having a town hall on Sunday. We’ll fill the cinema at Ridgeway. This is an opportunity for a talkback, for the public to say what they like about Outflix, and what they would like to see changed … We want to talk about where we want to take Outflix, because next year is our 20th anniversary. So where does it need to go? How does it need to grow? … LGBT film festivals are still needed, because it’s an opportunity for us to come together in one place and an opportunity to educate the community. Here we are, we’re a part of Memphis, but you don’t know who we are. Come watch our films, and learn a little bit about us.”

Check It

Friday, September 9, 9:25 p.m.

It’s an old TV trope — Kid gets bullied. Dad tells kid to fight back. Next time kid gets bullied, kid fights back. Bullies back off.

But for many of the LGBTQ youth in a Washington, D.C.-based street gang called Check It, there was no dad to offer encouragement. And for many, there was no mom either because mom was off getting high on crack or too busy calling her son or daughter a “faggy-ass bitch” to care what was happening at school.

That’s what happened to Alton, a young, slim, African-American transgender woman with long, dark hair and a penchant for Jackie O-style sunglasses. Alton’s mom called her a “faggy-ass bitch” too many times, so Alton pushed her mother down a flight of stairs and was then sent to what she describes as a “mental home.” Then Alton found a new family in Check It.

The gang, whose members carry brass knuckles and knives and are known around D.C. for not taking any shit, is the subject of Check It, a documentary that follows the lives of a few of the gang’s members and their efforts to make positive changes in their lives.

Check It was formed in 2005 by three gay ninth-graders who were tired of being bullied. They started fighting back, and their bullies backed off. Eventually, the gang of mostly black teens and young adults grew to more than 200 members.

While the idea of a homophobia-fighting street gang sounds largely positive, the documentary makes clear that Check It often resorts to illegal activity for both defense and survival. Many of its transgender members, like Alton, are also sex workers on D.C.’s infamous K Street because it’s the only way they can find work.

Others are just really into fighting. A gay man named Skittles, who has a cross tattoo under his eye and multiple piercings on his face, tells the camera that once he starts fighting, he doesn’t stop until the cops pull him off someone.

A D.C.-area gang counselor named Ron “Mo” Moten comes along and tries to help a few Check It members get out of the gang life. He enrolls Alton and several others in a summer fashion camp, and he gets Skittles hooked up with a boxing coach.

Mo’s results are mixed, and, as the members either embrace or reject the new positive outlets, the film showcases how these youth have been set up for failure. To succeed, they have to fight not only their bullies but also their own demons developed through years of parental neglect and societal oppression. — Bianca Phillips

Upstairs Inferno

Girls Lost

Upstairs Inferno

Sunday, Sept. 7, 5 p.m.

To hear its former patrons tell it, the Up Stairs Lounge was pretty tame for a New Orleans gay bar in the early 1970s. Piano Dave would regularly entertain the patrons, and beer busts would end with folks in a circle holding hands and singing. “It was more like a social club than a bar,” says Stewart Butler in Upstairs Inferno, Outflix 2016’s closing night documentary.

The bar’s back room featured a small stage that was usually used for drag shows the regulars called “Nellydramas.” On Sunday nights, as the beer busts raged in the front room, it was transformed into the Metropolitan Community Church (MCC). It was on one of those Sunday nights, June 24, 1973, that the Up Stairs Lounge passed into infamy. Someone emptied a can of lighter fluid in the stairwell and started a fire that claimed the lives of 32 gay men. It was a tragedy, a crime, and a wake-up call for the Southern city’s gay community.

Upstairs Inferno is director Robert L. Camina’s second documentary after 2012’s Raid of the Rainbow Lounge. The story of the Up Stairs arson has so many facets: A homosexual community on the cusp of liberation in the Stonewall era, the perilous position of LGBT-friendly Christianity, and a mystery that leads to uncomfortable answers. Camina chooses not to focus on the whodunit aspects of the story but spends his time immersed in the survivors’ emotional aftermath. He tracks down the survivors of the atrocity and their allies and people who candidly recall their own discomfort at the fact that the crime made the homosexual community impossible to ignore. The interviews are powerful and harrowing, especially with Rev. Elder Troy Perry, an MCC pastor who fought for recognition of the victim’s basic humanity while the police dithered and the city’s mayor, chief of police, and archbishop ignored the carnage. “God does not hate us,” he told his grieving flock. “This is mass murder. Some human did this, not God.” — Chris McCoy

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Film Features Film/TV

Outflix 2015

This is how Outflix director Jeffrey Harwood sums up the need for the annual LGBT festival: “We want to see positive depictions of ourselves on the screen.”

The GLAAD Studio Responsibility Index reported that 82.5 percent of films released in 2014 had no recognizable LGBT characters. Even when they did appear in films, the depiction was usually not positive. “The LGBT character was the butt of the joke, and not in a good way,” Harwood says. “So it’s important for our community to see these positive representations. But outside of the community, it’s a chance for us to educate our allies and friends, and even those who don’t know about the festival, but say ‘There’s an interesting movie. I’ll go see it!'”

This year’s lineup is chosen from an entry field that included 149 narrative features, 70 documentaries, and 426 shorts. “We had around 20 people who were screening films for us. Without them, we would not be having a festival. It’s a very large investment of time,” Harwood says. “There are a lot of good ones that didn’t get into the festival, because we just didn’t have enough slots.”

Programming the festival means finding good movies for everyone. “We have to be sure all aspects of our community are covered, the L, the G, the B, and the T,” Harwood says.

Unique Offerings

This year’s festival includes offerings from Australia, Canada, Argentina, Venezuela, Mexico, Belgium, United Kingdom, and India, as well as films from all over the United States. The selections also include genres new to Outflix. Cut Snake (Sun. Sept. 13th, 7:30 p.m.), directed by Tony Ayres, is a noir thriller with a bisexual love triangle that debuted at the Melbourne International Film Festival. “We’ve never had a movie like this before, which is a crime thriller,” Harwood says. “It’s very good, very gritty.”

Margarita With A Straw

Closing night film Margarita With A Straw (Thursday, Sept. 17th, 8:30 p.m.) is also a different sort of film for Outflix. “The last few years, we’ve managed to have a film about developmentally challenged individuals,” Harwood says.

The Indian film, directed by Shonali Bose, centers on the struggles of Laila (Kalki Koechlin), a college student with cerebral palsy trying to make it in New York.

Trans-Pacific Partnership

The festival opens with Baby Steps, written and directed by Barney Cheng, a veteran character actor turned filmmaker. It is a joint Taiwan/American production helmed by Li-Kong Hsu, the producer behind Crouching Tiger, Hidden Dragon. Cheng stars as Danny, a Chinese/American man living in Los Angeles. He and his partner Tate (Michael Adam Hamilton) have a happy life, but his very traditional Chinese mother, Mrs. Lee, played by Gua Ah Leh, is pressuring Danny to give her a grandchild. She loves her son, but is in deep denial about his sexuality. When she comes to the United States to visit Danny, he reveals that he and Tate have decided to have a baby with a surrogate mother.

Baby Steps

“It’s extremely timely, talking about parenting and family,” Harwood says. “Now that marriage equality is the law of the land, people are looking toward parenting. That’s one of the next steps that the LBGT community is going to be facing.”

Mrs. Lee is torn between her desire for a grandchild and her concepts of what a family should look like. She has a tendency to run off the girlfriends of Danny’s heterosexual brother who lives close to her in Taiwan, but faced with the very real opportunity to choose the genetics of her grandchild on an online matching service for surrogate mothers, she gets squeamish.

Ah Leh’s well-modulated performance as a mother trying to adapt to new circumstances is the heart of the film. “She’s very well-known in Taiwan, but unknown here,” Harwood says. “[Baby Steps] is not just focused on the two gentlemen wanting to have a baby, but the main focus of the movie is on her. It’s her struggle to come to terms with her son and his homosexuality, and his choice of how to live his life and have a family, and how does she fit into that?”

The globe-trotting film is classified as a drama, but it has a light touch and is not afraid to make comic hay out of situations like trying to get a cryogenic container of frozen embryos onto a plane in carry-on luggage, which leads to the should-be immortal line “I’m not having our baby FedExed!”

Reality and Hyper-Reality

The documentary slate ranges from the raw and personal to the ideal and heroic.

In The Turn (Saturday, Sept. 12th, 6:30 p.m.), directed by Erica Tremblay, is a story of hope and suffering. “It’s about Crystal, a 10-year-old transgender girl from Canada,” Harwood says. “Since she’s transitioned, she’s not able to play sports any more, she’s rejected by peers and teachers, and at one point, she was thrown into a dumpster. Her mother helps her find a place to celebrate her identity with the queer roller derby league called the Vagine Regime.”

In The Turn

In the derby, Crystal finds acceptance for the first time in her life, proving that the league’s diverse skaters see their sport as more than just a hobby, but a strong, accepting community.

Wonder Women! The Untold Story of American Superheroines (Sunday, Sept. 12th, 3:30 p.m.) is a compelling, fast-paced trip through 85 years of pop-culture history. “This one is also a bit different for us,” Harwood says. “While there are LGBT people in the movie, it’s not particularly focused on LBGT themes. It is focused on themes that are important to our community, like feminism and how women are portrayed in the media. It’s important to all of our community, because in the struggle for equality, we all face the same obstacles.”

Director Kristy Guevara-Flanigan starts with the origin of the Amazon myth in ancient Greece. When former psychologist and inventor of the lie detector William Moulton Marston was hired to create a female superhero during World War II, he took the stories of the “ruthlessly violent” matriarchal warrior society and created Wonder Woman, a protector of women and implacable enemy of fascism and sexism.

Wonder Woman would become an international icon of female empowerment. As one comics scholar in the film says, “Women of the 1940s comics were always getting tied up so they could get rescued. But Wonder Woman rescued herself!”

Buried in obscurity after the 1950s anti-comics hysteria caused by the book Seduction of the Innocent, she appeared on the cover of Gloria Steinem’s first Ms. magazine and became the valkyrie of the geek world when Lynda Carter portrayed her on television from 1975 to 1979.

The film is fun, informative, and inspiring, tracing Wonder Woman’s influence on subsequent women protagonists in film, TV, and comics as it bemoans the industry’s stubborn reluctance to put women front and center in action, adventure, and sci-fi roles, even in the face of evidence that audiences want to see them. “It shows that you can have a strong female character in a lead role, and it’s not just about her sexuality and femininity. But we’re not seeing those kinds of portrayals,” says Harwood, who invites everyone to come to the screening dressed as their favorite comic-book character for a cosplay fashion show preceding the film.

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Memphis Gaydar News

Outflix Kicks Off This Weekend

From In the Turn

Outflix, the annual LGBT film festival, starts Friday, September 11th and runs through Thursday, September 17th. This year’s festival showcases a mix of dramas, comedies, love stories, and documentaries. Tickets are $10 per film or $99 for a festival pass. For descriptions of each film and a full schedule, go here.

Here are a few highlights:

Baby Steps
Friday, September 11, 7 PM
Ridgeway Cinema Grill

Danny and Tate decide to hire a surrogate to carry their first baby, but Danny’s mom is horrified by the idea of a surrogate carrying her first grandchild. When she finally gets used to the idea, she tries to control the process as the three travel to Bangkok for the embryo transfer. 

Wonder Women! The Untold Story of American Superheroines
Sunday, September 13, 3:30 PM
Ridgeway Cinema Grill

Documentary looking at evolution and legacy of Wonder Woman and how representations of powerful women tend to society’s anxieties about women’s liberation. Behind-the-scenes look at Lynda Carter, Lindsay Wagner, comic writers and artists, and real-life superheroines such as Gloria Steinem, Kathleen Hanna and others.

Big Gay Love
Saturday, September 12, 1 PM
Ridgeway Cinema Grill

Feature about Bob, a slightly overweight man searching for love body image–obsessed Los Angeles. He meets a man, a successful chef/restaurateur, but Bob’s insecurities about his body come to the surface when the pair get physical. Bob makes an appointment with a plastic surgeon to become “perfect.” The synopsis on the Outflix website calls the film “a cleverly crafted a love letter to everyone who’s ever wanted to be accepted as themselves regardless of their color, shape, or size.”

In the Turn
Saturday, September 12, 5:00 PM
Ridgeway Cinema Grill
Documentary about a 10-year-old Canadian transgender girl named Crystal who finds her support network in Vagina Regime, an international queer collective of roller derby players.