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Project: Motion’s “Bloodlines + Bylines”

What does family mean? What does it look like?

Anna Esquivel asked these questions during workshops held last fall at Knowledge Quest Memphis, Madonna Learning Center, and Town Village at Audubon Park. She gathered the answers from young and old and then put together a narrative for Project: Motion to set into dance for “Bloodlines + Bylines: Excavating Familial Stories from Memphis.”

“She created a beautiful script. It’s really lovely,” says Project: Motion’s artistic director, Rebecca Cochran.

Five choreographers took Esquivel’s script and worked up dances based on the stories. Some are based on a particular person, others on a spark of idea or a conversation, says Cochran.

Cochran’s dance follows Robert and concerns the frailty of life. He is dying of cancer and desperately wants to pass his stories along to his grandson. Robert’s daughter-in-law Vivian is seen in the dance choreographed by Louisa Koeppel. Vivian is a writer and a new mother who is struggling to find balance between her creative baby and her human baby.

Bethany Wells Bak’s dance involves a mother and son and their “messy, secure love.” Emily Heflyer and Wayne M. Smith team up for a dance revolving around Sonya, a transplant to Memphis from Brazil. Sonya keeps up with her family through letters, and so she refers to her family as her “paper family.”

“It’s a reminder of how important family really is, whether we like them or not, or if it’s a family we create,” Cochran says.

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Project: Motion’s “House Happening 2: All Through the House”

Are you looking for a Christmas diversion that’s a little bit modern and a little bit traditional? Project: Motion directors Rebecca Cochran and Louisa Koeppel have curated “House Happening 2: All Through the House,” which sounds a little like a holiday-themed scary movie, but is, in fact, an evening of site-specific dance works including a twist on The Nutcracker and additional performances inspired by various rooms in the sprawling Woodruff-Fontaine House.

“It’s really more like an art installation than a concert,” Koeppel explains. “It’s choose your own adventure.” Following a brief orientation, audiences are set free to tour the beautifully preserved Victorian home at their own pace, as if they were walking around a gallery. Along the way, they will discover various dance pieces that are being performed simultaneously. Halfway through the evening, all but two of the performances will reset and begin again, allowing everybody an opportunity to have a completely different experience.

“Mollie Woodruff had a Christmas wedding in the 1800s,” Koeppel says, describing one way the modern troupe has used the house and its history as a creative touchstone. “She wrestles with the veil, and the veil takes control. So you get to see this dancer struggling and being controlled by this wedding veil against the backdrop of this beautiful bedroom.”

Other performances will reflect Victorian holiday traditions and solstice themes. “We’re hoping to bring the house to life and just make this gem really sparkle,” Koeppel says.

The event benefits both Project: Motion and the Woodruff-Fontaine House. Choreographers include Wayne M. Smith, Erin Walter, Louisa Koeppel, and Bethany Wells.

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Intermission Impossible Theater

Memphis Ballet Companies Perform with Renowned Artists, Receive National Attention

Memphis has a diverse and enduring dance community, and some of the cities brightest exports and most exciting regional innovations are have their roots in a full-on collision of classical dance, music, and street cultures.

In recent weeks dance fans have seen classical companies like Ballet Memphis and New Ballet Ensemble taking their place on larger stages.

New Ballet Ensemble students ages recently performed with the Memphis Symphony at the Cannon Center and 13-year-old TJ Benson joined the world renown cellest Yo-Yo Ma for the encore.

New Ballet meets Yo-Yo Ma

  • New Ballet meets Yo-Yo Ma

Yo-Yo Ma has previously performed with NBE alum Li’l Buck.

Meanwhile, Ballet Memphis’ River Project lands some high praise and some prime real estate in the New York Times. An excerpt:

An introductory film suggests that the plan for these three new ballets was to reflect three zones through which the river passes: one ballet (Steven McMahon’s “Confluence”) on the central area around Memphis, one on the Delta and New Orleans (Julia Adam’s “Second Line”), and another on — what? This third ballet (Matthew Neenan’s “Party of the Year”) proved the least obviously river-connected: its setting was a party in Los Angeles. This didn’t make it a disappointment, however. Instead, it was both the evening’s biggest hit and one of the most beguiling new American ballets of our day.

This week dance fans can check out Company D’s “Let it Be a Dance” or the work of MacArthur Genus grant-winning choreographer Bill T Jones, both at the Buckman.

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Mister Sister

Forget Santa. Christmas just wouldn’t be Christmas without a visit from that jolly old Sister Myotis, the big-haired (and big just about everything else) alter ego of comedian, actor, and writer Steve Swift (pictured at center, with Jenny Madden and Todd Berry). Each year Project: Motion, Memphis’ premier modern dance company, and the progressive thespians of Voices of the South team up for Pre-sent/Pres-ent, an evening of original dance and theater featuring some of Memphis’ most creative personalities. But Swift’s outlandish character always steals the show.

Myotis, as the story goes, grew her house of worship — the Good Tidings Apostolic Holiness Christian Fellowship of Saints — from its humble beginnings in Memphis into an 80,000-member megachurch complete with waterslides, laser-tag, bowling alleys, the Red Sea Wave Pool, and (best of all) the Vice President Dick Cheney Shooting Range.

Swift’s character talks about the Bible like Paula Deen talks about butter, but his sometimes-scathing social commentary is wrapped in a crispy, deep-fried blanket of sincere affection. For more adventurous theatergoers tired of the same old holiday platitudes, Myotis’ visit to TheatreWorks for Pre-sent/Pres-ent has become the season’s must-see event.

So, in the words of the good sister: “May the love of the Lord swell up inside you until you near about bust.”

“Pre-sent/Pres-ent” runs December 13th-16th. Tickets are $20 for adults, $10 for students and seniors. Tickets can be ordered online at voicesofthesouth.org.

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News

Project: Motion To Hold Open Auditions

Want to be a part of the city’s only modern dance company? Project: Motion is holding open auditions this Saturday for anyone who thinks they might have what it takes to be a part of the company for its next performance “Muscle Memory,” schedule for spring 2008.

The performances will showcase choreography and performances from founding members of Project: Motion, as well as new choreography and performances by current collective members inspired by works from Project: Motion’s repertoire over the last 20 years. Feature guest artists will include Judith Wombwell, Anne Donahue, Laura Marsh, and Wayne M. Smith. Featured choreographers will include Marianne Bell, Emily Hefley, Louisa Koeppel, Sarah Ledbetter, and Jay Rapp.

When: Saturday, November 10, 3-5pm

What: Dancers will be taught several phrases from choreographers

Where: TheatreWorks Studio

Rehearsals: January 2008-May 2008

Performance Dates: May 16-18 and May 22-25

For more information email: projectmotiondance@gmail.com