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Hunka Hunka Memphis Love

Are you one of those Memphians who proudly says, “I’ve lived in Memphis my whole life and I’ve never been to Graceland”? Hmmm? Or, maybe, you’re more of the “been there, done that” type — the type who says, “MoSH? No, I haven’t been there since it was the Pink Palace.” But why? Why be so pessimistic when your city has so much to offer and there’s so much to do? No matter how long you’ve lived in Memphis, you haven’t seen everything; you haven’t been everywhere.

So, this summer, we encourage you to throw away your curmudgeonly attitudes, and discover or rediscover those spots that have put Memphis on the map. Sure, sometimes, they’re a bit touristy, but, hey, be a tourist. Lace up your brightest white sneakers and fasten your fanny pack around your hips. Affix your visor on your head and lather on that SPF. It’s time to staycation, baby.

Photo: Toby Sells

Go Back to Beale Street

Beale Street’s magic lies in mystery and discovery.

This mystique has drawn millions to its sidewalk shores for decades. Visitors know it’s a party place with music, probably. Curiosity magnetizes desire. Before they know it, they’re walking with their feet 10 feet off of Beale. (I said what I said.)

Maybe the mystique is gone for locals. Maybe that’s why they proudly shun Beale, on par with cocktail-party protestations about never going to Graceland.

But Beale Street deserves another look, locals. Here are a couple of assignments to help you get back to Beale.

1. Shop local — No, you don’t need another “Memphis” shot glass. But you need local beer (and music).

Assign yourself to go drink one beer at the Ghost River Brewing Co. taproom on Beale’s east end. The beer is fresh, local, and the taps are always changing. If nothing else, go for the beer garden. It’s beautiful, spacious, and one-of-a-kind. It’s a local’s oasis on Beale with a big stage for live music and a second-story patio built for great people-watching.

Stroll to Beale’s west end for a look inside Walking Pants Curiosities. Housed in the former Tater Red’s space, the shop offers elevated tourist fare, some of it appropriate for a Midtown cookout. (Consider the “South Mane” T-shirt.) Much of it is made by local makers like apparel from God Forbid & Co. and Cosgrove & Lewis Handmade Luxury Soaps.

2. Just go — Throw pride (and maybe prejudice?) to the wind. Consider all of Beale local. It is. Eat a bowl of gumbo at King’s Palace Cafe. Play pool at People’s. Catch a live band in one of those open-air bars. Take your kids for ice cream at A. Schwab. It’s all in the 38103. That means it’s Memphis. Just go. Let Beale’s mystery fuel your local discovery. — Toby Sells

Ching’s Hot Wings (Photo: Kailynn Johnson)

Indulge in Ching’s Hot Wings

A staycation is the perfect opportunity to knock something off of your food bucket list. As I scrolled through my cluttered saved posts on Instagram and TikTok of places that had been stowed away as the result of “camera eats first” posts and stories, I decided to knock something off my list that had sat there since my college days. As a Mississippi girl I thought the best wings that the South had to offer came from the Dixie Queen locations in DeSoto County. However, when I was a student at the University of Tennessee, Knoxville, I would always hear my Memphis friends longing for the taste of honey hot wings from Ching’s Hot Wings located at 1264 Getwell Road. My friend Jessica Davis let me know, after months of settling for franchises like Zaxby’s and Buffalo Wild Wings, that Ching’s was the spot to truly get a taste of what differentiates Memphis wing culture from others.

I decided to reward myself with a well-deserved cheat meal of honey hot chicken tenders, honey hot drizzled fries, ranch on the side, and an Orange Mound punch. As I went to pick up my order, it felt like walking into Memphis’ own Sardi’s as pictures of famous celebrities, both locally and nationally known, filled the walls, adding to the cozy vibe accompanied by the mouth-watering smell of wing sauce. As I took my first bite into my chicken tender, I realized Jessica was right: This wasn’t the same as the dipped tenders we’d eat during late-night outings in Knoxville. I can see why she’d be in such a hurry to get back home. — Kailynn Johnson 

Bass Pro Pyramid (Photo: Bass Pro Pyramid | Facebook)

Journey to the Pyramid

The Great American Pyramid opened in Downtown Memphis in 1991. Originally envisioned as a 20,000-seat arena for sporting events and concerts, the Pyramid was home court for the University of Memphis basketball team for several years and hosted performances by the Grateful Dead, Bruce Springsteen, Prince, R.E.M., Fleetwood Mac, and other major artists. 

In 2001, the Pyramid became the home of the newly transplanted (from Vancouver) Memphis Grizzlies. In 2004, when the FedExForum was completed, the Pyramid was closed and sat empty until 2015, when it reopened as the Bass Pro Shops at the Pyramid. And if you haven’t experienced the current incarnation of the building, you need to head Downtown and take it in, at least once. 

It’s an immersive experience. You walk into a life-size cypress swamp filled with fish of many varieties, live ducks, and even a couple of alligators. In the center of it all, there’s a 300-foot freestanding elevator that takes you to a restaurant at the top of the building with a breathtaking balcony view of the Mississippi River and Downtown. 

There’s an archery range, a pistol range, a Wahlburgers restaurant, and even a river-themed bowling alley, where “alligator eyes” and other creature features decorate the bowling balls and shimmering lights make you feel like you’re under the river’s surface. There are boats and ATVs and all manner of fishing and hunting equipment for sale, plus clothes, boots, ammo, outdoor grills, a fudge shop, and so much more. And, here’s the best part: If you decide you can’t just leave until you see it all … you don’t have to! You can just book a room at the in-house wilderness-themed Big Cypress Lodge and spend the night enjoying the comforts of the “big pointy bait shop,” as Memphians lovingly call it. It’s a one-of-a-kind experience. — Bruce VanWyngarden

Return to Chucalissa

The bluffs overlooking the Mississippi River where Memphis now stands have been inhabited by humans on and off for thousands of years. When Hernando de Soto’s expedition reached the river in 1541, they found a group of abandoned mounds in the area. The Chickasaw called the place “Chucalissa,” which means “abandoned house.” In the 1930s, Civilian Conservation Corps workers who were building T.O. Fuller State park rediscovered the mound complex. Archeological excavations revealed that the site had been occupied for at least 500 years. It is now a National Historic Landmark, and the site of the C.H. Nash Museum at Chucalissa. 

Most native Memphians know Chucalissa from elementary school field trips. But it’s definitely worth a visit with fresh eyes. The museum itself is built in the shape of a mound. It has an extensive collection of Native American artifacts recovered over 40 years of excavations. The “abandoned houses” belonged to a community associated with the Mississippian culture. From approximately 800 to 1600 C.E., the Mississippians spread from their capital in Cahokia, near what is now East St. Louis, Illinois, north to the Great Lakes, south to the Gulf Coast, and as far east as Charleston, South Carolina. Little is known about the Mississippians, who had no written language, except for what was written down by de Soto’s scribes and a handful of other sources from early European colonizers. But the pottery and other artifacts they left behind speak to a highly sophisticated culture. 

Behind the museum is the mound where the village chief had his home, and the plaza where the Chucalissians gathered for communal events, including games of stickball. There’s even a replica Mississippian house, based on archeological studies of the community which once stood here. It all makes for a fascinating afternoon learning how the first Memphians lived. — Chris McCoy

Michael Donahue at the Peabody (Photo: Jon Sparks)

Stay at the Peabody

Part of a great trip for me is to stay at a grand old hotel. Something outstanding and beautiful that’s stood the test of time. A place with great restaurants. A hotel that reeks of elegance and stature.

You know. Like the Peabody Hotel.

People take staycations at the Peabody, says Kelly Brock, the hotel’s director of marketing and communications. “We promote ourselves locally, too,” she says.

In March, the hotel finished “a complete renovation of the lobby and the lobby bar.”

Brock suggests arriving at 4 p.m. Check in, and then hang out and have a cocktail at the lobby bar. Watch the live duck march at 5 p.m. Or take your drink upstairs and watch the sunset from the Peabody roof.

Have dinner at Chez Philippe, the hotel’s fine dining restaurant with a French presentation, or Capriccio Grill, the Italian steak house.

Start the next day with coffee or a Bloody Mary or mimosa when the bar opens at 10 a.m. Watch the duck march at 11 a.m. Then have brunch between 11 a.m. and 3 p.m. in Capriccio Grill. Pick out something like Elvis or Priscilla would wear at one of the Lansky shops and get a massage or facial at Feathers Spa.

Pretend you’re in London with “Afternoon Tea,” which begins at 3:30 p.m. Wednesdays through Sundays in Chez Philippe. Indulge yourself with tea sandwiches, warm scones with clotted cream and raspberry jam, petit fours, and cakes.

Guests who check in Thursday get free admission until 7 p.m. to the Peabody Rooftop Party, which features live music on Thursdays through August 15th. 

Note: No duck is served on any menu. But toy ducks are for sale at the South’s Grand Hotel. — Michael Donahue

Deanie Parker’s Grammy (Photo: Courtesy Stax Museum of American Soul Music)

Choose Your Own Adventure at Stax

The beauty of the Stax Museum of American Soul Music is that the relatively modest building on McLemore, built to the specs of the original theater’s blueprints, is a bit of a labyrinth. Not only can you wind through the pleasingly meandering exhibit space, music echoing around you, but you can imagine the demo studios and offices in the back, a hive of activity in its heyday. That’s where a lot of the action documented in last year’s CD set, Written in Their Soul: The Stax Songwriter Demos, went down. Now you can see Deanie Parker’s Grammy for it on display. 

Similarly, you can imagine the sparkling, thumping sound of the label’s classic records as you look over the reconstructed control room, with its one huge, mono playback speaker, or pace the gently sloping floor of the space where the instruments of Booker T. and the M.G.’s sit out, ready to resume their labors. It’s a vintage recording studio geek’s dream. 

There are many paths to choose, all ripe for rediscovery. Another favorite is the Isaac Hayes express, hopscotching between all exhibits pertinent to Black Moses, including his eye-popping desk and office décor, his growing activism with The Invaders empowerment group, and, of course, that Cadillac, still gleaming like a starship. 

On some days, I can barely get past the opening exhibit, so powerful and rich are its details. Welcoming visitors is a small country church from Duncan, Mississippi (home of Deanie Parker’s people), exuding history’s vibes like some lost Rosetta Stone. You can imagine hands passing over its wooden pews in the soft light of a thousand Sundays. As outgoing executive director Jeff Kollath said of the museum, “This is a people-driven endeavor, and this is a Memphis-people-driven endeavor.” — Alex Greene

Woodruff-Fontaine House Museum (Photo: Abigail Morici)

Meet the Woodruffs and Fontaines 

I had only ever stood outside the Woodruff-Fontaine House Museum on a ghost tour with Historical Haunts (a bonus staycation suggestion for you). So on a Wednesday, and on assignment for this staycation issue, I took myself there. Did I go in the hopes of seeing the spirit of Mollie Woodruff myself? Maybe. Did I succeed in that endeavor? No. Did I enjoy myself? Very much. 

Built in 1871, the house was home to two prominent families in Memphis history: first the Woodruffs and later the Fontaines. The building withstood yellow fever, had a stint as an art school, and outlasted other Victorian houses in the area which were knocked down in favor of urban renewal. Only a handful remain in the city. 

The Woodruff-Fontaine opened as a museum in the 1960s, thanks to the work of the Memphis Chapter of the Association for the Preservation of Tennessee Antiquities, and today it is furnished with period-appropriate artifacts and heirlooms that have been donated by Memphis and Mid-South families. (Don’t touch any of the antiques, though, because, as the signs will warn you, anyone who has ever touched them is now dead. Yikes.)

Photo: Abigail Morici

Notably, the organization has also amassed an impressive collection of textiles, which they display on rotation. Currently, there’s the “Southern Summers” exhibition, where you can learn how early Memphians kept their cool during those hot, hot days of summer, including how they dressed. (Ooh la la!)

Tours are self-guided, but the ever-knowledgeable staff are always around to answer any questions you may have. Seriously, the Woodruff-Fontaine has some delightful people (and an outdoor cat)! (Don’t know about the ghosts, though. They’re a little standoffish.) You’ll be able to see all three floors, and if you aren’t afraid of heights, head up to the tower and get a view of the Memphis skyline. It’s worth it.

Tours are available Wednesday to Sunday, noon to 4 p.m., with the last admission at 3:30 p.m. Oh, and the museum is often putting on events like Twilight Tours and magic shows, so check out their website at woodruff-fontaine.org for more information. — Abigail Morici 

Categories
News The Fly-By

MEMernet: Sassy Stolen; Heartache, Window Break; and Back to the Pyramid

Memphis on the internet.

Sassy Stolen

For years, a Bigfoot statue welcomed Cooper-Young folks from stairs close to a sidewalk. Sassy wore seasonal costumes, like the University of Memphis jersey above.

Someone stole Sassy last Monday, Jennifer Jordan posted on Nextdoor. “Please keep an eye out!” she wrote.

Heartache, Window break

Posted to Nextdoor by Alex Singh 

“If anybody lives on Autumn or near High Point and you just heard a hysterical female screaming for over an hour, I am very sorry, and everybody is okay, and to anybody reading just remember they’re an ex for a reason! And they won’t change!” Alex Singh posted on Nextdoor last weekend. “Anybody fix windows?”

Back to the Pyramid

Posted to Facebook by Clark Bennett

“I visited [the Pyramid] in my 1981 DeLorean when it was being built,” Clark Bennett wrote on Facebook. “I didn’t know until I went ‘Back to the Future’ it was destined to be a Bass Pro Shop.”

Categories
News The Fly-By

MEMernet: Aerial Memphis, Truly Scary, and Fly Wiseacre

Memphis on the internet.

Aerial Memphis

Kyle Delk tweeted some must-see drone footage of the city at sunset last week. He said the clip had “movie-opener vibes.” He’s right.

Truly Scary

Posted to Facebook by Memphis Memes 901

Imagine your Memphis Light, Gas & Water bill showed up to your door on Halloween demanding candy and to be paid. Memphis nightmare fuel.

Fly Wiseacre

Posted to Facebook by Memphis International Airport

“There’s a new watering hole open at MEM!” Memphis International Airport officials announced on Facebook last week. “Passengers can now enjoy Wiseacre Brewing Co. beers for the first time at The Wise Omega Bodega, a new bar at MEM located between gates 21 and 23.”

The new 17-seat location opened last week and serves craft beer (natch), wine, and spirits. There’s also a takeout counter for salads, sandwiches, snacks, and — oh, hell yeah — to-go beverages to take to your gate.

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News The Fly-By

MEMernet: Mass Band, To the Dogs, and the Skull

Mass Band

Do not sleep on the Memphis Mass Band and its Memphis Blue Heat dancers. The band brings young people and professionals together to showcase their skills and develop their talents. 

The group recently competed at the Mayhem in the MECCA event in New Orleans. Check out the video if you’re a bandhead or just want to see another way Memphis is represented out in the world.

(Posted to Reddit by u/Professional-Ad4061)

To the Dogs

We can’t resist a cool dog photo, especially this one. The Harbor Town environs prompted one to comment, “We get it, you’re rich.” To which the OP responded, “I’m a dog sitter. So no.” 

(Posted to YouTube by Unnameable Media)

The Skull

Thinking of the Pyramid seen above, another Reddit user asked the real question last week in a post titled “Monkey Skull in the Pyramid.” 

“Alright, which one of y’all messed with the monkey skull?” asked u/Brocboy. “I don’t care about names, just put it back. This weather is insane.”

Now is a good time to find our May 2021 story (in “The ?s Issue”) on the skull, which was real but crystal, not a monkey. Ours is the realest, weirdest, fullest version of the skull story ever done. 

It’s also a good time to watch Alex Jones’ insane InfoWars video about the Pyramid. Go for the skull curse story. Stay for the demon monkeys.

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Food & Drink Hungry Memphis

Pyramid Opens Eateries From Top to Bottom

Two restaurants are serving again at the Pyramid.

Big Cypress Lodge has opened the new Fishbowl at the Pyramid restaurant on ground level and reopened The Lookout restaurant at the top of the Pyramid.

The Fishbowl is in the former Uncle Buck’s restaurant space and is under new management. Breakfast will be available daily from 8 a.m. to 11 a.m. Dishes include the spicy Fried Chicken Sandwich, Catfish & Chips, Grilled Catfish Sandwich, Gator Bites, Beignets, and the Fishbowl cocktail. Hours are 9 a.m. to 9 p.m. Monday-Saturday, and 10 a.m. to 7 p.m. Sunday.

The Lookout, which requires a ride up the country’s tallest freestanding elevator, offers birds-eye views of the Mississippi River and socially distanced meals atop the Pyramid. Menu highlights include Cornmeal Fried Oysters, Blackened Redfish with Parmesan Chive Grits, the White River Catfish Plate, Gooey Butter Cake with Brown Sugar Ice Cream, and the Memphis Mule’shine cocktail with peach moonshine. The Lookout is open Friday-Sunday from 11 a.m. to 9 p.m.

Categories
News The Fly-By

MEMernet: Minecraft Pyramid, ‘NIMBY Fear’

Minecraft Pyramid

YouTuber Bubbaflubba built Bass Pro Shops at the Pyramid in just over five days … in Minecraft. The game’s creative mode allows players to build anything, and Bubbaflubba has built the White House, the Disneyland Castle, and a Las Vegas hotel and casino.

It’s pretty clear Bubbaflubba ain’t from ’round here, though. In the YouTube video of the Pyramid build, he said, “It’s just so funny. I don’t know how they got the idea to build a pyramid into a shop like this.” Neither do we, Bubbaflubba.

‘NIMBY Fear’

Smoke still rises from a Facebook dumpster fire lit more than two weeks ago by Jason Jackson, a principal at brg3s architects, on the Make Memphis! group page.

Jackson said there’s “NIMBY fear pushing for preservation and the creation of ‘Landmarks Districts.'” Such sites “can perpetuate a divisive form of nostalgia that supports and validates racism and exclusion.” He pointed to such a designation underway now for the Vollintine-Evergreen neighborhood.

The city’s preservationists arrived with strong words of their own. Gordon Alexander, president of the Midtown Action Coalition, wrote, “Delivering a manifesto basically calling neighborhood associations and activist organizations trying to preserve the character of Midtown as Neanderthals who are ‘reinforcing structural racism’ is way over the top.”

Categories
Fly On The Wall Blog Opinion

Fantasy Island: Watch 1990’s Great American Pyramid Investor Video

Stop whatever you’re doing right now, Memphis, and watch this video from 1990 pitching “The Great American Pyramid,” to potential investment partners. It’s a bombastic, adjective-laden journey to the Memphis of imagination where a sprawling theme park on the Mississippi fabricated crumbling communities in rich detail, transforming the region’s crushing poverty into an exciting ride for tourists! Yeah, that totally almost happened. And the language used to sell the boondoggle wasn’t subtle:

“5000 years ago the world trembled before the might of Cheops Pyramid. Soon there will be another occasion for awe. Soon mankind will be dazzled by a new wonder of the world. From the banks of the Mississippi, across the oceans and continents, and up to the heavens, a vibrant message will ring out: Feel the power of The Great American Pyramid!”

 Did you know The Great American Pyramid AKA “the Pyramid,” AKA Bass Pro, was intended to be a “21st-century treasure trove of multiple attractions,” connected to the Music Island theme park? There were going to be rides like “Hot Rod Lincoln,” and novelties like the worlds greatest jukebox, and music events and sports. This “thrilling montage of entertainment” was also to include a “breathtaking attraction known as, The Rapper: An exciting ride along the river of music.” Instead of a crystal skull, the very top of the Pyramid was to house a short wave radio station that, according to the pitch, would reach 500,000,000 short wave radios around the world. Planners projected more than 697,800,000 visitors annually

“Rarely has a sponsor had the opportunity to pioneer a venture of this magnitude from day one,” a voice that sounds a lot like Casey Kasem says. “An opportunity to add a trademark to its company’s assets with an international landmark that will be known by people around the globe as The Great American Pyramid.”

Like I said up top. Just watch the whole thing. All things considered, Bass Pro may be the less embarrassing outcome.

Fantasy Island: Watch 1990’s Great American Pyramid Investor Video

 

Categories
Cover Feature News

The Robert Lipscomb Affair

Robert Lipscomb has been called the most powerful man in Memphis. Power player. Power broker. Dealmaker. Deal breaker. Planning czar. Point man. Puppet master. Shadow operator. Rapist. Motherfucker.

He earned the first set of names from the powerful friends and opponents he made in a nearly 20-year career in two roles, the director of the Memphis division of Housing and Community Development (HCD) and as director of the Memphis Housing Authority (MHA). With those jobs, he directed the flow of hundreds of millions of dollars of government funding to the biggest and highest-profile projects in Memphis. This is how he — an unelected official, a behind-the-scenes operative known largely only to those in government and business — became so powerful.

The last two names in the first paragraph are from a man whose accusations have burned that power to the ground. The man, now 26 and living in Washington State, told Memphis Police Department (MPD) investigators that Lipscomb raped him. The accuser said that Lipscomb lured him into his SUV and then forced him to perform oral sex on him.

This was in 2003, according to a police report, while the accuser said he was a homeless teenager walking the streets of Memphis. The accuser said Lipscomb made him perform oral sex on him more than a dozen times after that, giving him money and promises of a better life to keep him quiet. Since the accuser’s first allegations surfaced two weeks ago, more accusers have called Memphis City Hall with similar stories about Lipscomb, city officials said. Nine by the end of last week, according to their count, though no further details have been forthcoming, either from City Hall or the MPD.

Indeed, they have gone seriously mum on what is presumably an ongoing investigation.

At this point, the allegations are just that, and Lipscomb hasn’t been charged or arrested for anything. But the stories about him have packed a powerful punch. Memphis Mayor A C Wharton, called the allegations “disturbing.” Jack Sammons, the city’s Chief Administrative Officer (CAO), called them “sickening.” MHA Chairman Ian Randolph called them “horrendous.” Lipscomb quit his job at HCD. He was suspended with pay from the MHA. Investigations have been launched into the criminal aspects of the case, of course, but financial investigators are also shining their lights on the books of every agency Lipscomb directed.

Meanwhile, the ousted Lipscomb maintains his innocence. Although he quit talking to the press under orders of his attorney, Ricky Wilkins, he was telling reporters who showed up at his front door two weeks ago that the allegations are false.

From certain points of view, it hardly matters; the damage is done.

It’s likely that, since the allegations surfaced, anyone who ever had contact with Lipscomb has completely reassessed the man who seemed to have all the puzzle pieces and knew how they fit together. Even as the allegations against Lipscomb remain to be investigated and very probably adjudicated, a new and unflattering light has begun to shine upon Lipscomb.

To many in the public, he is now like a comic-book villain walking half in the bright light of polite society and half in a private darkness with the demons that may lie there. And for all these years, if the accusations against him are true, he would have been carrying a disturbingly divided self around, one with unfettered access both to the city’s most innocent as well as to its most powerful — and with only a thin veil separating his competent and somewhat wonky public personality from an alleged private self that was both violent and profane.

Jackson Baker

Lipscomb overseeing slide presentation of Fairgrounds TDZ project for County Commission earlier this year; with him are architect Tom Marshall and Convention & Visitors Bureau head Kevin Kane

The Rundown

Nearly two weeks have passed since the original allegation surfaced about Lipscomb. Here’s what we know so far. First, the publicly known chronology:

Sunday, Aug. 30 — A late-night memo was sent to the press noting that a man had accused Lipscomb of rape and that Lipscomb had been relieved of duty at HCD.

Monday, Aug. 31 — Lipscomb resigns as HCD director. More Lipscomb accusers reportedly call City Hall. The MPD searches Lipscomb’s house and takes computers, folders, and a camcorder as evidence.

Tuesday, Sept. 1 — Wharton taps HCD Deputy Director Debbie Singleton to run that agency in the interim. He recommends Maura Black Sullivan, the city’s deputy chief administrative officer, to temporarily lead MHA. Even more Lipscomb accusers are said to come forward.

Wednesday, Sept. 2 — MHA suspends Lipscomb with pay, appoints Sullivan as temporary director. Sammons tells the press that Wharton’s office is going quiet on the investigation to let the MPD do its job.

Thursday, Sept. 3 — Lipscomb’s initial accuser talks with several media, including the Flyer, adding a detail here or subtracting one there, but always insisting that Lipscomb promised him a job and a house in return for sexual favors, with the relationship souring, as the accuser put it to the Flyer, after he realized “the motherfucker” was “pulling my leg.”

Tuesday, Sept. 8 — Still no charges filed against Lipscomb.

Toby Sells

Jack Sammons during last week’s MHA meeting

Conversations with Wharton and Sammons, among others, have subsequently filled out these bare-boned details somewhat. The first warning signal had come into City Hall on Thursday, August 20th, with an explicit phone call to the mayor’s office from the Seattle man, who, as was later learned, was a Memphis native with a fairly lengthy police record locally.

Wharton was out campaigning, and the first to learn about the call was CAO Sammons, who had just returned from official business in Nashville. The most riveting aspect of the call, that which convinced Sammons — and later Wharton and Memphis Police Director Toney Armstrong — that the matter had to be taken seriously was the caller’s insistence that he had Western Union receipts of blackmail payments from Lipscomb.

The caller had also spoken of a police complaint he had filed against Lipscomb in 2010, one that was virtually identical to his renewed complaint in 2015. The 2010 complaint was dismissed — on the basis, police records showed, that the complainant, who was homeless at the time, could not be located.

The similarity of the two accounts, five years apart, was a convincing fact to Sammons, who explained further that the complainant chose to repeat his charges again as a form of release recommended by a therapist in Seattle.

Acquainted with the basic facts upon his return to his office, Wharton called in Director Armstrong, on Friday, August 21st, and the two of them contacted the Seattle man, who repeated his tale and also forwarded photostats of the Western Union receipts.

Jackson Baker

Mayor Wharton faces a press scrum about Lipscomb matter

As the mayor would explain to the Flyer, he deferred to the judgment of his seasoned police director, who decided the matter was serious enough to merit a personal visit to Seattle to meet with the accuser. Armstrong would arrange for such a visit, by himself and a group of investigators, for the middle of the next week.

Between that weekend and the Armstrong party’s return from Seattle on Sunday, August 30th, there were meetings about various pending projects in City Hall involving Lipscomb, Wharton, and Sammons. They were conducted in a business-as-usual manner, with nothing said to Lipscomb about the caller from Seattle.

But on Sunday, Armstrong and his assisting officers were back in town, and they met with Wharton and Sammons at City Hall with a full briefing on what had been two full days of investigation in Seattle. The convened group then learned that the accuser from Seattle had contacted Fox-13 news with his accusations, and a reporter from that station had called, wanting details.

That fact sped up an itinerary that otherwise might have taken days or even weeks to develop. Lipscomb was called and asked to come to the mayor’s office for a meeting, which, he apparently presumed, had to do with some hitch in one of his ongoing projects.

When he arrived, however, he found out otherwise, and arrangements were made in the tense atmosphere of that meeting for him to begin the process of separating himself from city service.

The Upshot

Heading into its third week, the Lipscomb affair has seemingly settled into an incubation mode, with dormant legal and political implications that could either simmer quietly or explode into an ever-expanding crisis.

On the legal front, the deposed planning czar’s attorney, Wilkins, an able veteran who is as familiar both with Lipscomb and with the way city government operates as anybody around, was keeping his cards — such as have been dealt — close to his chest, with the full expectation that more surprises might be yet to come.

Wilkins has made it clear, though, that he felt his client’s rights had been put in jeopardy and that he will have much to say about several aspects of what has so far transpired at some point in the future.

Meanwhile, the implications of the affair for city business and the mayoral race that was just entering its stretch drive are still being assessed.

Politically, it is too early to tell. Wharton was receiving credit in some quarters for acting quickly and decisively in dealing with the problem, once it came up. Others were prepared to fault the mayor for not seeing the situation develop under his nose or for even looking the other way from potential trouble.

Further development in the Lipscomb saga could determine which view would prevail, at a time when polls show the mayor with only a slight lead over his closest opponent, Memphis City Councilman Jim Strickland.

On the governmental front, it has long been a fact of life in City Hall that Lipscomb was calling the shots on city planning ventures, which included numerous neighborhood developments, the just-completed Bass Pro Shops at the Pyramid attraction, and a $200 million pending TDZ (Tourism Development Zone) project involving the Fairgrounds.

John Branston

Lipscomb’s projects include the Pyramid,

John Branston

Heritage Trail,

Bianca Phillips

and Foote Homes.

Under two mayors, former city chief executive Willie Herenton and now Wharton, Lipscomb has been influential to the point that a common jest was to suggest that Herenton and Wharton had worked for Lipscomb rather than the other way around.

It was no joke, however, that under both his titles, Lipscomb had extraordinary power and bargaining ability, which left most members of the city council, even some who were privately critical of him, unable to say no to Lipscomb when pressed for a vote. Among other things, he had the ability to route developmental funding into their districts, or not, as he saw fit.

The Projects

No matter what was going on in his personal life, Lipscomb’s professional life as the director of the HCD and as the director of the MHA made him the point man on a number of massive city projects.

What will become of those projects — ranging from Foote Homes to the Fairgrounds redevelopment — remains to be seen, but the new MHA interim director, Sullivan, said she will be working with the new HCD interim director, Singleton, to evaluate each one in the coming months.

“Ms. Singleton and I have years of a good working relationship already and will work in concert to ensure the progress of the projects, but more importantly, the success of the city’s residents,” Sullivan said. “These projects are all multi-faceted and involve various divisions of city government. We are both currently evaluating the businesses, and the forward progress of each of these projects is a part of that evaluation.”

Here’s a rundown of a few of the projects Lipscomb’s departure leaves unfinished:

Foote Homes: Through the Memphis Heritage Trail project, Lipscomb had a vision to raze the city’s public housing projects and replace them with multi-income housing. And he saw through the eradication of five of the city’s six housing projects (and the displacement of their residents via housing vouchers) between 2001, when LeMoyne Gardens were razed and redeveloped as College Park, to 2014 when Cleaborn Homes were torn down and rebuilt as Cleaborn Pointe at Heritage Landing.

But the last housing project left in the city — Foote Homes — remains as MHA awaits a decision on the federal department of Housing and Urban Development’s Choice Neighborhoods grant. Winners of the grant are expected to be announced this month.

Kenneth Reardon, the former University of Memphis urban planning professor who led the Vance Avenue Collaborative (the group opposing the demolition of Foote Homes), believes Lipscomb’s sudden departure could put that grant at risk.

“What does Robert’s departure mean? He has been viewed as one of the most effective public housing directors in the country. So his departure, as the major planner/architect/public manager/guy who put the financing together, at this late stage, could have a serious negative effect on the city’s ability to get this [grant]. It’s hard to really know,” said Reardon, who recently moved to Boston to take a job as director of the graduate program for urban planning and development at the University of Massachusetts Boston.

At least Reardon is hoping the city doesn’t get the grant to tear down Foote Homes, which he believes is a colossally bad idea.

“We still think the city’s approach to Foote Homes is ill-conceived and certainly not the most creative and transformative proposal they could put forward, given that the number of low-income people needing deeply subsidized housing and the proportion of those who need to be downtown for employment and medical, educational reasons,” Reardon said. “Foote Homes remains a vital asset.”

Jordan Danelz, Mike McCarthy, and Marvin Stockwell of the Coliseum Coalition

The Fairgrounds: With Singleton named as the new interim director at HCD, Marvin Stockwell, the spokesman for the Coliseum Coalition, said the organization is prepared to continue talks with the city. Lipscomb was a proponent for the redevelopment of the Fairgrounds, possibly as a multi-purpose youth sports complex, and he was planning to go to the state after the October 8th election to push for TDZ status for the Fairgrounds, a move that was opposed by many. The Coliseum Coalition aims to save the long-vacant Mid-South Coliseum.

“We at the Coliseum Coalition stand ready to work with anyone and everyone to reopen and reuse the Mid-South Coliseum,” Stockwell said. “I think part of the reason that public opinion has continued to move in the direction of reopening the Coliseum is because we’ve been able to have a respectful dialogue with the city. We had that type of back-and-forth with Lipscomb, and we have every confidence that will carry forward. We’re going to pick up where we left off.”

Whitehaven: Whitehaven’s revitalization is dependent upon the area in its entirety, rather than only focusing on Southbrook Mall, which was a point of contention within the administration — and Lipscomb, who was secretly recorded earlier this year saying that some city leaders were “throwing darts” at a proposal to revamp the aging mall. Mayor A C Wharton will be heading a committee to enact the Whitehaven plan.

The Pinch District: Lipscomb’s involvement in the Pinch District development — the pressure on which has been mounting since far before Bass Pro Shops’ opening earlier this year — were first focused on making sure the hunting and fishing mega-store got up and running smoothly. During the rezoning of the Pinch District in 2013, Lipscomb was quoted as saying that the Pinch was “second priority” to Bass Pro Shops. With that complete, there’s been talk of a new hotel coming into the area. Tanja Mitchell, community development coordinator for Uptown Memphis, is hopeful that Lipscomb’s departure won’t affect the area’s redevelopment.

Toby Sells

a marquee board at the Memphis Housing Authority

“We’re happy to work with any agency to get the Pinch redeveloped, because that’s something that needs to happen. The Pinch needs to come to life again,” Mitchell said.

All these, and a pending $30 million federal development grant, are potentially hostages to fortune in the uncertain atmosphere of the moment, but Wharton and other city officials have expressed optimism that all can still proceed as before.

Categories
Editorial Opinion

Robert Lipscomb’s Influence and Playing the Gamble

In this week’s cover story, we, like the rest of the Memphis media, have begun to scratch the surface (and, for once, that oft-used cliché seems to be the right metaphor) of an ongoing problem in city government.

Yes, we mean the Lipscomb affair, for sure — a saga, rivaling anything in Sophocles or Shakespeare, of a sudden and dramatic fall from the heights of power to the depths of apparent ruin and disgrace. And one, moreover, that leaves a slew of unanswered questions in its wake: How was one man allowed, through two successive city administrations, to accumulate so much power and influence that, to all intent and purpose, he was unbossed at City Hall, able not only to chart his own course but, it would seem, to decide the direction of city government itself in matters of development?

It was Lipscomb single-handedly who came up with the Bass Pro solution to the riddle of an empty but debt-consuming Pyramid. He committed the city to sticking with that strategy in the face of other suggestions, some of which might have had merits of their own, and through year after year of what seemed never-ending delays. As of now, it appears that Lipscomb was right, that his gamble paid off. (Ask us again in 10 years.)

Other projects, like the apparently abandoned Heritage Trail TIF (Tax Increment Financing) proposal of a few years back, would have put enormous swaths of the city in potential hock to pay for what seemed, finally, disproportionately modest developments within a limited geographical area. The purpose, to pay homage to the city’s civil rights legacy while upgrading a depressed area, was fine, but the whole thing seemed out of scale, and it would have involved the disingenuous premise of having the entirety of downtown — which, all things considered, has been enjoying a boom — classified technically as a slum.

That project, like Bass Pro, might have paid off, too, but it ultimately seemed too much a gamble — one in which the ante seemed out of scale with the potential payoff.

The jury is still out (another cliché that somehow seems wholly appropriate) on another Lipscomb leftover, an ongoing Fairgrounds TDZ (Tourism Development Zone) proposal, which the administration of Mayor A C Wharton evidently still hopes to win state approval for, though there have been abundant objections to it from citizens’ groups and preservationists.

Don’t misunderstand. Lipscomb had a certain genius for dreaming up these projects, all of which aimed artfully at snagging state or federal monies (or both) that our cash-poor city would have trouble coming up with otherwise. Maybe Memphis needed — and needs — to take a few risks.

But it now seems clear that some obvious cautions are in order, as well. When we mentioned scratching the surface of a problem, we didn’t mean the Lipscomb affair alone. We meant that civic tendency, so much in evidence that a state comptroller was forced to upbraid us for it not along ago, to live entirely at risk, without sufficient oversight, like a giddy Mr. Micawber with a habit for playing the lottery.

We can still dream; we just need to have enough wakefulness about us to know what’s going on in reality.

Categories
Food & Drink Hungry Memphis

Lunch at Uncle Buck’s Fish Bowl

Pam said that Bass Pro reminded her of a casino, and indeed it does that have that self-contained-village vibe. Everything seems absolutely separate from the outside world and there’s no sense of time. 

This suspended quality extends to Uncle Buck’s Fish Bowl, which is designed to make diners feel like they are dining under water in a fish bowl complete with fish … 

and a mermaid … 

— the occasionally jarring clunk of the bowling bowls hitting the lanes, notwithstanding …

The sense of timelessness is interrupted by the very real line snaking around the corner of Uncle Buck’s. On the day we were there, after 1 p.m. on a Wednesday, it took about 20 minutes to get seated. 

It seemed that there was plenty of seating, and I suspect that the restaurant isn’t fully staffed. We sat at the bar, and there was some tiny confusion about who should be taking our order, which was ultimately written down on a cocktail napkin. 

I ordered a caesar salad ($6), which was good. There are a few other vegetarian options — a Margherita flatbread and cheese and veggie pizzas. 

More intriguing was Pam’s burger, the Fire Pit burger ($12), which comes covered in jalapenos. Pam was both impressed by the jalapenos and the brioche bun. 

The menu offers a little something for everyone: onion ring trophy ($7); fried alligator ($11); fish tacos ($11); catfish fingers ($11); bbq pork sandwich ($9.50); buffalo burger ($14); and more. Most of us will find something to eat at Uncle Buck’s, but I’m not convinced that most of us would go to Bass Pro for Uncle Buck’s alone when there are three dozen-plus local restaurants in downtown.