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Opinion The Last Word

Home Is Where the Ho Show Is

“Have you ever had a good birthday?” my wife asked, incredulous, after I had lovingly described one of my childhood’s better birthdays. 

“Well, sure,” I countered, “I’ve had all great birthdays since I met you. Also when I turned 7 years old and got walkie talkies. My friends and I played flashlight tag outside, so it must have been a warm December. That was definitely a good birthday.” 

My wife and I had this discussion on the way home after my most recent celebration of another spin around the sun, a quiet day spent bopping around Memphis and culminating in a leisurely stroll around a holiday art market at Minglewood Hall. We went to the market to see my sister-in-law, Kaylee Hammer (@k.hammer.art on Instagram), and critique her art display. Because we had already had a full day — and we’ve got quite a few Kaylee Hammer originals and prints on our walls — we almost decided to head home early. We caught a second wind, though, and it blew us back to Midtown and into the big building that used to house Strings and Things. 

That was when my wife and I stumbled upon the Ho Show, a special holiday-themed “early Ho Ho Ho party” at B-Side inside the Minglewood Hall plaza, in the form of a writers-in-the-round-style performance from Memphis songwriting greats Susan Marshall, Reba Russell, and Bobbie Stacks. Russell’s voice, instantly recognizable to any amateur-level appreciator of Memphis music, called to me from around the corner. I wandered toward B-Side in a trance, like a sleepwalker summoned forth. Nothing sounds quite so sweet as unexpected and familiar music.

The concert was fully audible at the art market in Minglewood’s central gallery, so I perused the locally made art while grooving to a soulful cover of The Beatles’ “Don’t Let Me Down.” 

Of course, most cities have some music on offer most nights, and in bigger or wealthier cities the variety on display can be a veritable cornucopia of concerts. There is something distinctly magical about the quality of art on display in the Bluff City, though. To stumble onto a packed concert featuring respected and veteran performers, all cracking jokes and getting loose in a decidedly unscripted performance, side-by-side with a local artists’ market on a doggone cold, drizzly Sunday night in a city as small as Memphis? That’s magical. 

The level of Memphis-cana on display was notable as well. I chatted about Memphis-made beer (including Memphis Made beer) with a local candlemaker. I saw Tigers and Grizzlies aplenty, recreated in different artists’ individual styles. References to the pyramid’s crystal skull or Three 6 Mafia illustrated the fierce hometown pride that seems to permeate the air here. 

Chatting with one of the artists, I learned about a Holiday Bazaar at the Lamplighter Lounge — yet another chance to supplement my traditional locally made and bought seasonal gifts with even quirkier options! 

The long and the short of it is that, instead of calling it a night and retiring with Netflix and some leftovers, I spent a little time in our city, and it rewarded me with music and art and conversation. Those kinds of unplanned moments can offer a little soul sustenance when the grind toward year’s end gets going in overdrive, and I know I am looking for every opportunity to feed my soul these days. 

As an adult, it’s easy to feel strapped to the wheel, careening from Thanksgiving to Christmas to New Year’s Day at a breakneck pace. If there are children in our lives, it can be tempting to focus on the added responsibilities of ensuring their happiness. Holiday and end-of-year parties offer a welcome chance to unwind, but so too do they clutter up the already overfilled calendar with more appointments. Year-end goals loom, and next year’s resolutions await. 

In my limited experience, this season brings stress in exponential levels — and so much of that self-same stress is absolutely unnecessary and utterly unproductive. Kids seem to be as enchanted with the season itself as with the specific presents. It’s fun to have time off school, make a tremendous mess with wrapping paper, and have the go-ahead from parents and grandparents to watch cartoons and eat cookies all day. Parties and reunions should be a chance to catch up and reconnect, not a reason to worry about the menu or the wardrobe or an appropriate gift to bring. And anyone who always meets their annual goals and perfectly sticks to their resolutions is trying too hard; cut yourself some slack. 

More often than not, magic falters when forced. It’s by keeping our eyes open to whatever magic comes our way that we create a memorable experience. True, that requires trust and letting go of control, but it’s worth it. The cultural undercurrents here are as wild and weird and strong as the Mississippi. Go with the flow, and Memphis will reward you. 

Jesse Davis is a former Flyer staffer; he writes a monthly Books feature for Memphis Magazine. His opinions, such as they are, are setting up firm boundaries about talking politics with family.

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Music Music Features

Reba Russell’s Life in Music

Last Saturday at Hernando’s Hide-A-Way, the Memphis Blues Society recognized nine artists for their regional and global impact with its Lifetime Achievement Awards. Among the awardees were Thomas Bingham, Charles Gage, Mike Glenn, Eric Hughes, Al Kapone, Memphis Gold, Andrew “Shine” Turner, and Jay Sieleman, a roster marked by its eclecticism and inclusiveness. Yet there was one more recipient who was especially notable: Reba Russell. As one of the few local women still regularly singing the blues in this town (also including Barbara Blue and the incomparable Joyce Cobb), the celebration of Russell’s decades-long career was significant beyond the music itself.  

It was an appropriate award for the artist who only last year released the powerful single, “Women Rule.” As Russell says, “You know, I am a woman-lover. I believe in women, and I want women to do good, and I have even been ugly and kind of mean to men over my career and in life! It’s one of my favorite themes. But I’m really passionate about that. I really believe it. I just don’t think we get a good enough shake and that we’re still trying to overcome that.”

Saturday’s ceremony, then, meant a great deal to Russell. “Memphis doesn’t support the blues or the Memphis Blues Society like it could, you know,” she says. “I just wish there were more people that cared, but at the same time, it was just a big, warm hug. And for me personally, Wayne and James and Sally were there, and they were at the very first gig I ever played at RP Tracks.”

Memphis Blues Society president Angela Ghoreishi and Russell at last Saturday’s event (Photo: Mark Cardwell)

That would be Wayne Russell, her husband and bass player; drummer James Cunningham; and longtime friend Sally Raburn, who, Russell says, “has been a music fan her whole life.” 

Speaking of that first RP Tracks show back at the dawn of the ’80s, accompanied by her husband-to-be and Cunningham, Russell says today, “I told the dude who was giving me a ride there, my friend Bill Turner, ‘Take me home. I don’t want to do this. I’m scared!’” Luckily for the club-goers that night, Turner stayed the course.

But it was still nerve-racking for the young singer. “I pretty much sang with my back to the audience,” she laughs, and that was not lost on Raburn. “She was the one who, at the end of that night, came up and said, ‘You are an amazing singer, but you know, it’d be nice if we could see your face. You should turn around while you’re singing!’”

It may be hard for today’s fans to reconcile that stage fright with the bold, bawdy blues (and soul and rock) singer they know. That’s summed up by longtime Memphis multi-instrumentalist and erstwhile guitarist for the Reba Russell band, Paul Taylor, now living in Wisconsin. “You could ask anybody about Reba,” he says, “and they would say that she’s one of the most electrifying vocalists you’ll ever hear in person, and she never fails to deliver, and she has the same powerful voice that she’s had for her entire career. I just marvel at her every time because she just has such an intense power.”

That power was apparent to friends who heard her even before that first show, and Russell credits their encouragement as a key motivator back in those early days. Through a series of bands, first Visions, then Portrait, and finally Reba and the Portables, Russell, Wayne, and a rotating cast of band members took the city by storm, performing mainly covers at clubs like Solomon Alfred’s or the Bombay Bicycle Club. In the meantime, the singer and her bassist were clicking romantically, marrying in 1986. 

Yet on her journey, from the Portables becoming one of the city’s premier cover bands, to a production deal with Chips Moman, to finally leaning into singing and recording her originals with the Reba Russell Band, the singer has remained appreciative of friends who helped her along the way. At Saturday’s event, Russell says, “I just got up there and praised Memphis and Memphis musicians and producers and engineers and everybody who perpetuates the whole blues scene. Because, you know, I had no experience when I started. I came here and, boom, everybody helped me. Nobody was ugly to me or told me to go away. So I was just trying to express my appreciation to the fabulous musicians in this town, many of whom aren’t here anymore, that have left the planet, yet were so instrumental in helping me and other people get on our feet and become worthy and hard-working musicians.”

That gratitude extended to her fellow awardees as well. “It was really awesome to be included in that group because there were some really cool other people that were given awards that night,” says Russell, noting that it reflected well on the the Memphis Blues Society. Founded in 2005, it gave aid to blues artists during Covid, then launched its Lifetime Achievement Awards in 2021

“There are blues purists, and then there are people who are into opening the blues up,” she observes. “It was really cool that Al Kapone was honored last night, and he spoke about that. He has been advocating and adding a blues feel and blues themes to his rap, and I’m sure that there are a lot of blues purists who kind of thumb their nose at that. But from my point of view, it’s absolutely amazing that he’s doing that, and teaching kids, and passing that blues legacy on. I really enjoyed his speech. What he said was really important.”

Reflecting a bit more on the evening and Al Kapone, she continues, “I think he was as proud as I was about receiving the award. And, you know, he’s a lot younger than I am, and he’s got a long time to perpetuate his artistry. So yeah, that part was lovely to me because it was about the continuation of this genre. It’s important for younger people to get hip to it.”

Categories
Film Features Film/TV

Music Video Monday: “Why Not You” by Sister Lucille ft. Reba Russell

In today’s Music Video Monday, Sister Lucille‘s Kimberly Dill and Reba Russell are a match made in suffragette heaven. Russell wrote “Why Not You” for the Missouri band’s latest album Tell the World, which she also co-produced alongside Memphis sonic wizard Dawn Hopkins.

The song is all about female empowerment. Director Kim Lloyd took the duetting duo to Beale, where they show off their brass notes and pay a visit to the statue of Black feminist hero Ida B. Wells. I don’t know about y’all, but I’m ready for the matriarchy!

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Film Features Film/TV Film/TV/Etc. Blog

Music Video Monday: “What’s Louder Than Love?” by Mark Edgar Stuart

Memphis folk-rock stalwart and MVM frequent flyer Mark Edgar Stuart‘s got a new album coming out called Until We Meet Again. “It’s a quasi-concept album about life, love, and afterlife,” he says.

The lead single, “What’s Louder Than Love?” exemplifies the mood of the record, which Stuart calls “Nothing too heavy, and nothing too personal … My past videos have been melancholy, so this time I wanted to come out swinging with something upbeat and light-hearted. I figured after the past two years we’ve had, who wants to hear more sad shit?”

Bassist Landon Moore directed the video. “It was 100 percent his vision,” says Stuart. “All I did was just walk around Midtown and hang out with some of my favorite Memphis people — mostly those who worked on the record like my two producers Reba Russell and Dawn Hopkins, plus musician pals Will Sexton and Shawn Zorn. There’s tons of great cameos too including Keith Sykes, Jerry Phillips, and Matt Ross-Spang … Making this video was an absolute hoot. My favorite scene is Steve Selvidge and Rod Norwood airing out their Facebook rivalry on camera.”

If you’d like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Film Features Film/TV

Music Video Monday: “Strange Question” by Bruce Newman

Music Video Monday wants to get to know you.

Bruce Newman is the host of WEVL’s “Folk Song Fiesta,” where he brings you deep cuts from the long history of folk and Americana music every Wednesday from 8 to 10 a.m. He’s also a singer/songwriter in his own right, one who has previously graced Music Video Monday with his music, which can touch on the emotional and the political.

His latest song, “Strange Question,” was inspired by the looks he got when he returned to Memphis from the annual Burning Man festival in Nevada with his hair dyed. “It is usually tinted with some color before I go out to Black Rock City,” the attorney and accountant said. “I began to realize if my skin was brown or if I was blind or if you did not like a feature of mine, would you judge me or just accept me?  Would you ‘love me for me being me?’  So, accepting me for ‘me being me’ is the gist. What does it matter?  And, especially now, it is about acceptance of our brothers and sisters. Let the obvious be clearly understood, that my choice to color my hair is not to be compared with separation based on race or disability or any other factor, but rather a small, personal realization of how we are sometimes unfairly and unkindly separated by differences.”

After the song debuted at Folk Alliance, he put together a band of his Memphis friends — Eric Lewis, Reba Russell, Susan Marshall, Paul Taylor, Gerald Stephens, Heather Trussell, Carrington Trueheart, Sam Shoup, and Kevin Houston — to record it at Music+ Arts. Director Laura Jean Hocking made the music video, which stars the most accepting people of all — kids. Take a look.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: FreeWorld and Friends

Music Video Monday is bringing you all the colors of the rainbow.

Memphis jam band monarchs FreeWorld have been around long enough to know nearly everyone in the Bluff City music scene. The Beale Street stalwarts have spent their pandemic-enforced time off the stage in the studio, says bassist Richard Cushing. “We’ve been in Cotton Row Studio for the past several months working on this amazing project, and we’re all extremely proud of the way it turned out! The end result of all our dedicated work is a city-wide, multi-genre, multi-racial, multi-cultural music video meant to celebrate and exemplify Memphis’ (and the whole world’s, for that matter) diversity, and was created purely as a way to showcase the concept, the lyrics, the voices, the faces, and the overarching idea of diversity as an essential quality of life!”

When I say FreeWorld knows everyone, I mean it. “D-UP (Here’s to Diversity)” boasts a whopping 23 vocalists and 15-member band, including Al Kapone, Hope Clayburn, Marcella Simien, Luther Dickinson, and Blind Mississippi Morris.

Cushing says “D-UP” was originally a FreeWorld tune that the band decided to rework to reflect the lyric’s ideals and celebrate the struggling Memphis music scene. “The song, with lyrics written by David Skypeck and accompanying video produced by Justin Jaggers, came bursting forth with new life through the amazing production talents of Niko Lyras, along with the instrumental and vocal contributions of over three dozen established entertainers, talented newcomers, and legacy artists (see below), who all came together and donated their time and talents to create a work of art that celebrates and exemplifies the musical, cultural, emotional, intellectual, and spiritual unity and diversity inherent in our city and the world beyond.”

Music Video Monday: FreeWorld and Friends

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Bruce Newman

Music Video Monday is on the march!

Bruce Newman is a lawyer and accountant specializing in small business and entertainment law. He’s also the host of Folksong Fiesta, airing Wednesdays at 8 a.m. on WEVL. A true polymath, when he’s not helping his clients navigate the difficult world of the music business, he’s writing songs of his own. Like most people nowadays, Newman is concerned about the state of the world, and in the best folkie tradition, he lays it all out in his new tune “Doing The Best We Can”. It’s a song of protest and solution which urges us all to listen to our better angels.

To help record the song and film the video, he gathered a crew of Memphis all-stars including vocalists Susan Marshall and Reba Russell, James Alexander of the Bar-Kays, blues guitarists Eric Lewis and Doug MacLeod, horn players Art Edmaistan and Marc Franklin, keyboardist Gerald Stephens, and multi-instrumentalist Paul Taylor. Director Laura Jean Hocking combines footage of the musicians taken at Music + Arts Studio with extensive animation to create a lyric video which really gets Newman’s point across. Take a look, then make sure you’re registered to vote.

Music Video Monday: Bruce Newman

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Eric Hughes

Music Video Monday is bringing it on home!

Eric Hughes has been playing on Beale Street for 16 years. But he found his faith in the Bluff City shaken after his guitars were stolen last year. In response, he decided to do what does best—music. He got his friends together and recorded an album. Singers Reba Russell and Susan Marshall, keyboard player Chris Stephenson, saxophonist Art Edmaiston, and trumpeteer Marc Franklin, along with bassist Leo Goff and drummer Brian Aylor, got together to create this tribute to their hometown. The album Meet Me In Memphis was the first project created with the help of the Slim House Front Loan, a program of the Memphis Slim House that provides low-interest loans to fund projects by Memphis musicians.

This Saturday, October 21, Hughes and company will throw a record release party for Meet Me In Memphis at the Warehouse on 36 Patterson Avenue. Here’s the video for the title track, directed by Derrick Curran of Fifth Floor Productions.

Music Video Monday: Eric Hughes

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com