Tag: Record Release Show

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Sing with All Your Heart

CREDIT: Jamie Harmon

With her debut album Nightmares, Alex da Ponte crafted vengeful songs that were angry and incredibly personal. On her new album All My Heart, da Ponte enlisted an all-star cast of Memphis musicians to create a different kind of personal album, one filled with hope and self-realization. We caught up with da Ponte to find out more about All My Heart before her release show this Sunday at the Young Avenue Deli. –Chris Shaw

Flyer: Who was involved in the recording of your new album, All My Heart?

Alex da Ponte: I’ve been working with guitarist Robby Davis for years — he’s an incredible guitar player that plays all over town. Rick (Steff) and Roy (Berry) from Lucero play on the record, along with Geoff Smith from Star & Micey. It was recorded at Music + Arts studio in Midtown, the building that Archer Records and Blue Barrel Records are run out of.

How would you say All My Heart is different from your first album, Nightmares?

It’s definitely less angry. There are songs that are filled with hope and songs that build up with emotions other than anger. There might still be some anger, but there’s more going on than just that. You can tell that I’m in a different place in my life than I was when I recorded Nightmares. My music is always going to be a reflection of what’s going on in my life. Even if you just look at the covers for the two albums, Nightmares has a really dark, black and white cover, whereas this cover is filled with color.

Who did the artwork for All My Heart?

My partner and fiancée Karen Mulford, which I feel is very fitting. She’s the reason the album has a bunch of color and isn’t all black and white, because I’m in a better place now, and she’s a big part of that. The songs about her on the album are probably the happiest ones. She’s a big reason this album was a much happier one in general.

Have you been working with the same musicians since you wrote Nightmares?

Well, not really. When Nightmares came out, I formed a band and played with them for about three years, but that band dispersed, and the only person I stayed with was Robby Davis, so I had to basically start from scratch. Luckily the Memphis music scene is very supportive, so people would be like “Oh, you need a drummer? Try this person.” I can tell the difference between when my last band played a song like “Nevermind” compared to when my new band plays it, because different musicians change the tone of a song. It’s still the same song obviously, but you can hear the subtle changes where a new musician’s influence comes in.

Let’s talk about your song “Tell All Your Friends.” It seems like a classic breakup song. Is that accurate?

Yeah, it definitely is. Who hasn’t had that experience of hearing trash from other people about yourself? It ties into the last record, when I went through this terrible breakup, and you can still hear some of that in this new record because of how much it affected my life. This song is a great example of how that experience is still working its way out of me.

Do you think the songs on this new album have as strong of an overall theme as your first album?

Not really. The last one had such a strong theme that I wanted to move a little bit away from that and work on this album piece by piece. I was writing the songs at different times, and it was actually nice to concentrate on this project song by song, because with the first record, I felt so intense that I spit out all of these hateful songs, where as this time I was inspired by all sorts of different things.

When Paste premiered your video for “Nevermind,” they compared you to Jenny Lewis and Karen O. Who are some other singers or bands that influenced you that your listeners might not expect?

I was listening to a lot of Shovels & Rope when I was writing the song “Come on, Boy,” and I think that ended up making me write in a different way, even if it’s not that noticeable. I also love Brandi Carlile, and I got back into the bands that I really liked in high school, even middle school. I got back into Eve 6, Nirvana, Gin Blossoms, and the Goo Goo Dolls. I loved all that kind of stuff, even bands like the Shins. There’s a lot of stuff that worked its way in there.

Let’s talk about your new video for “Nevermind.” How did you link up with Laura Jean Hocking?

The people who run Blue Barrel Records suggested Laura Jean, and she came in with this idea to model the video after this movie from the ’70s. It was really cool to watch her work and be able to work with another Memphis artist, and we were able to work through her vision together. It’s really nice that we are all coming from a similar creative community. Memphis is exploding right now, and it’s really cool to have all of these people around you who are willing to help.

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Music Music Features

Q&A: Heels on the release of their debut

Heels are an all-acoustic duo comprised of longtime friends and collaborators, local comedian/drummer-about-town Josh McLane and guitarist/vocalist Brennan Whalen. The two had previously worked together in projects such as Hombres and the River Rats before forming Heels with the intent of stripping songs down to their core and presenting a simple, yet dynamic product. On their first E.P. — dubbed Even If It’s Nothing, It’s Something and set to be released by Fat Sandwich Records — Whalen and McLane achieve that goal in spades. Between Whalen’s highly emotive presence as a frontman and McLane’s driving, pounding rhythms, one hardly misses traditional rock conventions like bass, electric guitar, keyboards, and other flourishes. We caught up with both members of Heels this week to discuss forming the band, the new E.P., and more.

Flyer: So, how did you guys get together?

Brennan Whalen: I met Josh through being a regular at P&H at the time he worked there. We’ve been good friends ever since, and he eventually started playing drums for my band the River Rats. Josh McLane: I saw the River Rats play at the Hi-Tone one night and was blown away, because I’m not a big fan of that genre usually. I’m not usually a fan of male, acoustic singer-songwriters, but he was magnetic. Then he made his solo record, and I was blown away again. So I got him to sing for Hombres, but then I missed him doing his acoustic stuff, so Heels was born.

Brennan, what about Josh’s playing drew you toward working with him?

Whalen: I’ve been a fan of Josh’s drumming since before we ever met. I’ve watched him in many bands and have always really admired his work. The reason Josh is perfect in the setting we currently have is because he has a range that most people just don’t. He can absolutely destroy you or he can play as lightly as possible, all without giving away that he’s making an effort. He’s fantastic. He also has a really great voice and an ear for harmonies, which helps add to live performances.

Why did you choose the name “Heels?”

Whalen: A “heel” is a bad guy in professional wrestling. I guess it seemed fitting because one, we love wrestling; and two, we’re two people who aren’t very good at cutting ourselves any slack. If I’m being honest, I’d say Josh and I are two very nice people, but you wouldn’t know it if you asked us to describe ourselves.

How would you describe your approach to songwriting?

Whalen: Our goal with this project has been to be almost completely collaborative. While I came to this with a lot of songs already written — some of which Josh had played with me before — they were just base songs that took on a completely different tone when Josh put his stamp on them. At the moment, we’re working on new material together instead of writing songs separately and bringing them to each other at practice. It works because there’s really nothing that we will say no to. If it’s a good song, it doesn’t matter if it feels out of our wheelhouse. We’re going to give it a shot.

What was the recording process like for Even If It’s Nothing, It’s Something

McLane:We recorded at Ardent with Matt Qualls. It was the best recording experience of my life — seven songs in five hours. Matt is the epitome of what you want in a producer. He trusted us to know the music, then made it sound amazing. I can’t speak highly enough about him or Ardent.

How do you feel about the finished product?

Whalen: I’m very happy with the E.P. We knew when we set out to record it that making a record with just acoustic guitar and drums could have ended poorly. If we didn’t perform well and the mix was off or the sound wasn’t right, the whole thing would’ve sounded hollow and unpleasant. But I feel, especially thanks to Matt’s production, that we pulled off what we set out to do. I couldn’t ask for more.

So, while we’re on the subject — why only acoustic guitar and drums?

McLane: Why not just acoustic guitar and drums? Rules are for suckers. Whalen: Being a two-piece is really nice. Practice is easy to schedule, there’s less equipment, and we can really do whatever we want creatively. I definitely see utilizing electric instruments on future recordings and live shows, but I don’t see us adding another member. We’ve just really got something between the two of us that I wouldn’t want to risk.

What else do you guys have going on?

McLane: We’re planning on touring this spring, and doing another record next year, hopefully. Right now we’re also the house band for the monthly “Night Shift” show with [local comedian] Katrina Coleman at Theatreworks. Whalen: We just want to keep making music that we enjoy and have fun playing live and recording. We really hope people enjoy it, but I’d say the primary focus is entertaining ourselves.