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Music Music Features

Strong Come On

Three garage rock titans take over the Highland Strip this Saturday when the Oblivians, Jack O and the Sheiks, and the Leather Uppers play Newby’s in celebration of Eric Friedl’s 50th birthday. As the founder of Goner Records and member of bands like Bad Times, True Sons of Thunder, the Dutch Masters, and the New Memphis Legs, Freidl has been an integral part of the Memphis garage-rock scene for decades. We caught up with Friedl the week before his 50th birthday party to find out more about Saturday’s blowout. — Chris Shaw

Memphis Flyer: How did the show come about and what made you want to host it at Newby’s?

Eric Friedl: We wanted to do something around my birthday and get a bunch of people in town to basically just have a good time. We looked around, and, by the time we had everything in order to book it, everywhere we’d normally play was unavailable. Jack had already been booked at Newby’s for that date, so we just decided to piggyback on his show.

The other thing that was attractive about Newby’s is that we’ve never played a show there, so it’s kind of new territory for us. I have no idea how many people they can fit in there or how many people will be able to get in. There are people driving in from Austin for this show and other places, so it should be pretty interesting.

When the band was more active, did you guys ever play the Highland Strip?

Oblivians never did, but my other band True Sons of Thunder made it over there a couple times. We played the Rally Point, and I’m pretty sure we played the side room in Newby’s one time. The Rally Point may have been the worst venue I’ve ever played in or been in. That place was bizarre; it was unbelievable.

Is this the only local show currently booked for the Oblivians?

I think this is it as far as local shows go, at least for now. We are playing the In the Red birthday party in Los Angeles in July, and doing some European dates in July as well. Jack (Yarber) and Greg (Cartwright) have their own things going on, so we just fit the Oblivians in when it makes sense for everyone to do it. It’ll be a good mix because the Oblivians kind of know what we’re doing, but Jack’s band is incredible right now. They have been killing it lately.

Let’s talk about the Leather Uppers. They’ve been around about as long as the Oblivians right?

They started in the mid ’90s, and they released a bunch of 45s that were later compiled into an LP by this guy Ryan Richardson. He’s basically like an archivist or a librarian when it comes to collecting.

The Leather Uppers were just this really raw and funny three piece. They existed in their own world, and they were one of those bands who, when we first started doing Gonerfest, we knew we had to have them play. It was kind of like “We will probably never get to see them otherwise, so let’s just ask and see if they’ll come down.” They said yes, and they’re just a great, ridiculously fun band. Saturday’s show will be their only U.S. appearance.

What is the Leather Uppers relationship with Goner like?

After Ryan released the singles compilation on his label, we released their follow-up album. By the time our record came out, the band had kind of moved on, but Ryan still had all those copies of the record he released, so we bought them from him and repackaged it as a Goner release.

How’d they get on the bill?

I already had the Gories play my wedding, so I wasn’t going to ask them again. I started thinking about who I’d like to see, and I thought “I’ll ask the Leather Uppers,” and they said yes again. They are a two piece now, but they agreed to do it.

At this level, they aren’t doing it to make a bunch of money or anything like that. They are basically just interested in coming down and spending a weekend in Memphis in between playing crazy rock-and-roll. They are both living in Canada, so I think they are excited about coming down.

50 is a pretty major milestone in terms of being a touring musician. You’ve been playing with this band longer than some of your fans have been alive.

The Oblivians has been a great opportunity to make noise that turned into an opportunity to travel and meet new people. We’re playing Finland in July, and I’ve never been to Finland. That’s not a place I could just go by myself. As long as we are having fun and it makes sense to do the band, we’re going to do it.

We’re not out to change the world, but writing a new record a few years ago was a kick in the pants and kept us from playing the same songs that are almost 30 years old at this point. We never set out to do much with the band, and we’ve exceeded all our expectations, so there’s no reason not to keep it going. If it gets to the point where we feel like geezers up there, we will stop playing, or other people will tell us to stop playing.

The Oblivians, Leather Uppers, and Jack Oblivian and the Sheiks, Saturday, April 2nd at Newby’s. 8 p.m. $15 admission.

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Music Music Blog

Reigning Sound Rules, OK?

Reigning Sound

Can we talk about how great Reigning Sound is for a second? Ok, good. Reigning Sound fucking rules. Greg Cartwright is the man, an insane songwriter who cranks out hit after hit with lyrics that are so good you’d think they’d been sung before. But guess what bud, they haven’t. Unless of course he’s covering something. Here is a small smattering of some of my favorite Reigning Sound songs. Read my 2014 Q&A with Greg Cartwright here.

Reigning Sound Rules, OK? (4)

Reigning Sound Rules, OK?

Reigning Sound Rules, OK? (2)

Reigning Sound Rules, OK? (3)

Reigning Sound Rules, OK? (5)

Reigning Sound Rules, OK? (6)

“____ Rules, OK?”  is a new weekly installment on the Memphis Flyer Music Blog where Chris Shaw focuses in on Memphis music past and present.  

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Music Music Blog

Reigning Sound Live on Beale Street Caravan

Reigning Sound played the Hi-Tone Cafe last fall, and the fine people at Beale Street Caravan recorded the whole thing!  Check out the hour long set below, and let Greg Cartwright’s amazing songwriting help you through the mid-week slump. The music starts around the 5 minute mark. 

Reigning Sound Live on Beale Street Caravan

Reigning Sound Live on Beale Street Caravan (2)

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Sing All Kinds We Recommend

Sound Advice: Reigning Sound at Goner this Saturday

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This Saturday, Memphis legend Greg Cartwright returns to a familiar spot for a free solo performance. In addition to the recently repressed Reigning Sound Live at Goner Records LP, Goner will also have copies of the new LP Shattered. for sale, the first full-length record by the band since 2009’s Love and Curses. Check out “My My”, a new song off Shattered, and make plans to be at Goner Records by 5 p.m. on Saturday the 12th. Oh yeah, its BYOB.

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Sing All Kinds We Recommend

Pre-gaming for the final Hi-Tone show

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This weekend two hometown heavyweights, The Barbaras and the Oblivians, will reunite for the final concert at the iconic Hi-Tone music venue. But as with most heavily anticipated musical events in Memphis, a pre-party is in order.

Fortunately, the newest watering hole in Cooper-Young, Bar DKDC, has your pre-game rituals covered. Reigning Sound founder/ Oblivians member/one-time Memphian Greg Cartwright kicks off the weekend festivities tonight with a solo performance at DKDC (formerly DO sushi). Known for inserting his southern drawl amidst carefully crafted garage-pop songs, Cartwright’s solo performances are as captive as the full-band experience he produces with the Reigning Sound. Here’s a video of Greg performing solo at last years “Atlanta Mess Around,” an annual garage rock festival that takes place further down south.

Keeping with the tradition of homecomings and reunions, ex-Hi-Tone sound man/former Manatees member/Shangri-La Records guru Andrew McCalla returns to Memphis and joins forces tomorrow night with Eric Hermeyer to re-form Buck Wilders and the Hookup, the DJ duo that was responsible for many late-night dance parties around the Midtown area several years ago. McCalla moved to Austin last year to pursue a career in sound engineering. We caught up with him and asked him how he felt about returning to Memphis and to recall some of his favorite memories of the Hi-Tone.

Flyer: It seems like when you lived in Memphis, you lived and breathed music, working at a record store during the day and running sound at night. On top of that you recorded bands on the weekend. Do you miss that? How sustainable is that kind of lifestyle in Austin?

McCalla: Actually, it sounds like I might be getting a job at a record store here, so I might be getting right back into that. I’ve also been recording John Wesley Coleman (Goner Records) almost every week. I totally do miss Memphis for how laidback it was. In Austin, there’s just so many bands and so many people recording and playing in bands. It seems like I’m getting back into doing exactly what I was doing in Memphis. It’s just taking a little bit longer to get back into that routine.

DJ Buck Wilders, aka Andrew McCalla

  • DJ Buck Wilders, aka Andrew McCalla

How long have you and Eric been spinning records together, and how long has it been since you and him worked together? Anything special planned for tomorrow night that you wouldn’t normally do?

Nah, there’s nothing planned that we normally wouldn’t do. I honestly can’t think of what year he moved here, but I know I started DJ-ing with him shortly after he moved to Memphis, which means we’ve been working together for at least eight years. Last time we spun together was at my going away party last summer.

As a former employee of the Hi-Tone, you’ve probably seen some crazy stuff go down over the years. Are there any performances or events that stick out in your mind?

I’ll definitely never forget the Question Mark and the Mysterians show, and seeing Blue Cheer there was pretty awesome too. Everybody always talks about Elvis Costello as the most memorable show, but I didn’t care for that at all. Billy Bob Thornton played the Hi-Tone once and Jerry Lee Lewis came and watched and left in the middle of it. I was working security that night, and they had to have me walk Jerry Lee Lewis through the whole building so he could get out the back. I had to escort him, and it was pretty funny saying, “Coming through, it’s Jerry Lee Lewis, get out of the way!” One of the most ridiculous things I did was light my crash cymbal on fire while the Oh Sees played on the floor a couple summers ago.

What are you expecting Saturday to be like? I’m predicting lots of glitter and maybe a little blood during the Barbaras? Any predictions?

I think people are going to have a good time. There’s going to be some emotional folks in there for sure. People have already told me it’s going to get emotional. I don’t know how other people are taking it, but the people who are there all the time and the employees will probably get a little emotional. The Hi-Tone was a big part of those peoples’ everyday life. I mean, it sucks its closing but it was bound to happen, so if they’re going to go out, might as well go out with the Oblivians.

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Music Music Features

Reigning Sound Returns

Reigning Sound ringleader Greg Cartwright played an impromptu acoustic set at Goner Records Friday, November 30th, in part to celebrate the completion of the band’s most recent album. The former Memphian, now comfortably ensconced in Asheville, North Carolina (asked before his set if he were tempted to move back, he charitably responded that he loves visiting Memphis), played with his band at the Gibson Beale Street Showcase over Thanksgiving weekend, then spent the following week holed up at Ardent‘s Studio C, with Doug Easley engineering.

The newly bearded Cartwright said during his Goner set that the new album would be released via the In the Red label in late spring. After spending time in the past year backing up (and, in Cartwright’s case, producing and writing for) former Shangri-Las singer Mary Weiss and keeping the Reigning Sound section of record-store racks stocked with outtakes (Home for Orphans) and live (Live at Goner, Live at Maxwell’s) discs, this will be the band’s first album of new material since 2004’s Too Much Guitar.

The Reigning Sound isn’t the only high-profile Memphis-connected band that’s been in the studio working on an early-2008 release. The North Mississippi Allstars have announced that their next album, titled Hernando, will be released on January 22nd. The band’s first studio album since 2005’s Electric Blue Watermelon, Hernando will also be the first released on the band’s own label, Sounds of the South. The album was produced by Jim Dickinson in September at his Zebra Ranch studio.

If you missed ambitious local rock band The Third Man‘s record-release party for its new album Among the Wolves at the Hi-Tone Café, you can make up for it this week, when the band plays an early-evening set at Shangri-La Records. The Third Man is set to play at 6 p.m. Friday, December 7th, and it’ll be interesting to see how the band’s epic, guitar-heavy sound translates to a more intimate setting.

The Memphis Roller Derby will take over the Hi-Tone Café Saturday, December 8th, for their second annual “Memphis Roller Derby Ho Ho Ho Burlesque Show.” In addition to skits featuring the Derby gals, there will be plenty of musical entertainment as well. Longtime local-scene drummer/commentator Ross Johnson, fresh off the release of his “career”-spanning Goner compilation Make It Stop: The Most of Ross Johnson, will be backed by an “all-star” band he’s dubbed the Play Pretteez. Johnson also will retreat back behind the drum kit alongside Jeff Golightly, Lamar Sorrento, and Jeremy Scott in a British-invasion style band called Jeffrey & the Pacemakers. Rounding out the music will be electronic dance act Shortwave Dahlia and DJ Steve Anne. Doors open at 9 p.m. Admission is $10.

Australian Idol winner and MemphisFlyer.com celebrity Guy Sebastian has released his Ardent Studios-recorded debut The Memphis Album, crafted with MGs Steve Cropper and Donald “Duck” Dunn headlining a terrific Memphis studio band. Sebastian clearly loves Memphis soul, but his take on the genre is too respectful and too unadventurous for his own good. He sings only the most identifiable hits (“Soul Man,” “In the Midnight Hour,” “Let’s Stay Together,” etc.) and mimics the original recordings too closely. Still, it’s a better Memphis tribute than actor Peter Gallagher’s. Sebastian will be taking the core of his Memphis band — Cropper and Dunn along with drummer Steve Potts and keyboardist Lester Snell — on an Australian tour starting in February.

The Stax Music Academy‘s SNAP! After School Winter Concert will take place at 7 p.m. Saturday, December 8th, at the Michael D. Rose Theatre at the University of Memphis. Stax Music Academy artist-in-residence Kirk Whalum will be performing alongside the kids, as will soul singer Glenn Jones. Tickets to the SNAP! concert are $5 and are available through the Soulsville Foundation development office. Call 946-2535 for details.

Finally, congratulations to the New Daisy Theatre‘s Mike Glenn, who is the only Memphian receiving a Keeping the Blues Alive award from the International Blues Foundation this year. The awards will be presented February 2nd during International Blues Challenge weekend.