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Metal in Memphis: Three Days of Thrash

Ghoul play the New Daisy on Friday, July 29th.

Every once in awhile the heavy metal music gods shine their light (or darkness?) upon Memphis, giving us multiple days of heavy music in multiple venues. This week is one of those times. Here are three killer heavy metal shows happening this week at the Hi-Tone, Murphy’s, and the New Daisy. 

Wednesday, July 27th.
Reserving Dirtnaps, Primitive Man, Yautja, Act of Impalement, 8 p.m. at the Hi-Tone Small Room, $8. 

Metal in Memphis: Three Days of Thrash (2)

Metal in Memphis: Three Days of Thrash

Metal in Memphis: Three Days of Thrash (3)

Metal in Memphis: Three Days of Thrash (4)


Thursday, July 28th.

Sadistic Ritual, The New Masters of Evil, Shards of Humanity, 9 p.m. at Murphy’s, $5.

Metal in Memphis: Three Days of Thrash (5)

Metal in Memphis: Three Days of Thrash (6)

Metal in Memphis: Three Days of Thrash (7)

Friday, July 29th.
Carcass, Crowbar, Night Demon, Ghoul, 8 p.m. at the New Daisy, $20-$25.

Metal in Memphis: Three Days of Thrash (11)

Metal in Memphis: Three Days of Thrash (8)

Metal in Memphis: Three Days of Thrash (9)

Metal in Memphis: Three Days of Thrash (10)

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Primitive Man and Valkyrie at the Hi-Tone

Primitive Man perform tonight at the Hi-Tone.

 
Like any genre that serves as one of the primary colors of musical style, genuine metal (meaning everything but the tenuously-associated historical mainstream embarrassments like hair metal and rap/nu-metal) continues to fracture into a vast spectrum of subsets, and this bill’s co-headliners, Primitive Man and Valkyrie, come from very different places therein. However, one commonality shared here is that both bands are somewhat new additions to the Relapse Records roster, the label itself celebrating its 25th year of metal diversity and reliable quality. 
     
Primitive Man, a trio from Denver that formed in 2012, makes an admirable effort to be the heaviest, most brutal band on the planet. With an undiluted focus on consummate negativity/misanthropy as delivered through an unrelenting mix of death, sludge, doom metal, and harsh power electronics-style noise, Primitive Man deliver on the title of their recent EP, Home Is Where The Hatred Is. As on the trio’s 2013 debut album, Scorn, their four-song Relapse debut shows a proclivity for stretching the sonic punishment into endurance test territory (see the accompanying 11-minute “Loathe” single from the EP), but what a provocative endurance test it is. The band’s idea of “breather tracks” on each of these releases could easily qualify as Merzbow or Wolf Eyes’ scariest aural attacks, with an extra coating of soundbite/sample depravity. 

Sharing the latter portion of the evening with Primitive Man is Valkyrie, not to be confused with the innumerable other metal bands that have chosen the same moniker. This long-running but sporadically-active quartet is centered around brothers Jake and Pete Adams (both on guitar/vocals), the latter better known for his work as a principal (and remaining) part of the Baroness lineup for the last seven years. Valkyrie has been around since 2002, and prior to their debut with Relapse earlier this year, Shadows, the band has released three demos, three splits with other bands, and two previous full-length albums (in 2006 and 2008 respectively). While Baroness continued to move beyond its origins of pummeling heaviness and crusty His Hero Is Gone/Neurosis influence to a polished but distinct type of modern hard-rock with progressive and psych overtones, Valkyrie is a study in extracting the proto-metal ’70s hard-rock out of a doom/stoner-metal template, though both bands share a love of the more prog-rock things in life. Luckily, with so many bands mining the same territory, Valkyrie does have a very strong knack for memorable songwriting in its pocket. Still, next to Primitive Man, Valkyrie feels like the Fairport Convention or Flying Burrito Brothers, and I don’t mean that as a derogatory assessment. 

The two appropriately-sterling local openers on the bill are Gringos and Reserving Dirtnaps. Now in the middle of their 21st year, Gringos are currently recording the follow-up to 2012’s excellent Pearly Gates, though format and other release logistics are still TBA at this time. Reserving Dirtnaps continues a busy year of bringing Memphis’ heaviest metallic hardcore in the live arena and riding some certain momentum in the wake of releasing their self-titled debut CD earlier this year.

Primitive Man and Valkyrie at the Hi-Tone

Monday, July 27th @ Hi-Tone Big Room. $10 Ages: 18+ Doors: 8pm Show: 9pm      

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Hatebreed Celebrates 20 Years Tonight at the Hi-Tone

Hatebreed.

We recently covered tonight’s show in our After Dark section, but in case you missed the memo, Hatebreed is playing Memphis tonight at the Hi-Tone. The show will probably sell out, and will start earlier than normal so that even the youngest of metal heads can get a chance to see Jamey Jasta and his crew in action. Check out music from each band playing below, then get to the Hi-Tone by 7 p.m. with $20 bucks in your hand.

Hatebreed Celebrates 20 Years Tonight at the Hi-Tone

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Hatebreed Celebrates 20 Years Tonight at the Hi-Tone (2)

Hatebreed Celebrates 20 Years Tonight at the Hi-Tone (3)

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Music Music Features

Hatebreed Live at the Hi-Tone

Hatebreed will celebrate their 20th anniversary as a band next Tuesday night at the Hi-Tone. Choosing to play the Hi-Tone over Minglewood Hall or the New Daisy (where Hatebreed played in 2007 on the Monsters of Mayhem II tour) is especially interesting considering that after this gig the band will immediately join Slipknot for a string of shows in places like the Super Dome and the U.S. Cellular Center.

Formed in 1994 in Connecticut, Hatebreed quickly became one of the torchbearers of early metalcore, along with bands like Earth Crisis, Converge, and Merauder. By combining elements of traditional hardcore punk and heavy metal, Hatebreed took the NYHC sound from the late ’80s and beefed it up even more, creating a sound that is still being emulated today by bands across the globe. After releasing the excellent Under The Knife EP, the band signed to Victory records and released Satisfaction Is the Death of Desire, an album still considered to be the blueprint for the perfect metalcore record by many of the genre’s purists. After touring with some of the biggest acts in heavy metal (Slayer, The Deftones), Hatebreed officially crossed over into the mainstream world of aggressive rock, meaning their merchandise started showing up in places like Hot Topic and FYE, and their music videos got airplay on MTV’s Headbangers Ball (a show frontman Jamey Jasta ended up hosting for four years).

Hatebreed

When the Hi-Tone announced several months ago that Hatebreed was coming to town, the notion that this was a once-in-a-lifetime show wasn’t lost on any local bands. Chaos Order and Reserving Dirtnaps won the honors, and both bands are a great example of the reach that Hatebreed has had over the genre since forming 20 years ago. It’s an almost sure bet the show will sell out, so get there early.

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Music Music Blog

Weekend Roundup Part 12: Jack Oblivian, Reserving Dirtnaps, True Sons of Thunder

Don Perry

True Sons of Thunder play The Buccaneer Saturday Night.

April is looking like the best month for shows so far this year. Later in the month heavy hitters like Marilyn Manson and Modest Mouse come to town, but this weekend we’re focusing on mostly local bands.

Friday, April 3rd.
Jack Oblivian, 10:00 p.m. at Bar DKDC, $5.00.

Weekend Roundup Part 12: Jack Oblivian, Reserving Dirtnaps, True Sons of Thunder

Peelander-Z, The Dead Deads, 9:00 p.m. at The Hi-Tone, $8.00.

The Eric Hughes Band, 10:00 p.m. at Lafayette’s Music Room.

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Saturday, April 4th.
Swamps, Vice, Chaos Order, Reserving Dirtnaps, 9:00 p.m. at the Hi-Tone, $10.00.

Weekend Roundup Part 12: Jack Oblivian, Reserving Dirtnaps, True Sons of Thunder (2)

The Angel Sluts, 9:00 p.m. at P&H, $5.00. 

True Sons of Thunder, Kool 100s, Wet Ones, Leg Pit, 9:00 p.m. at The Buccaneer, $5.00.

Weekend Roundup Part 12: Jack Oblivian, Reserving Dirtnaps, True Sons of Thunder (3)

The War On Drugs, Hop Along, 8:00 p.m. at Minglewood Hall, $23.00-$25.00.

Weekend Roundup Part 12: Jack Oblivian, Reserving Dirtnaps, True Sons of Thunder (4)

Sunday, April 5th.
Hanna Star, 1:30 p.m. at Java Cabana.

Jeffrey and the Pacemakers, 8:00 p.m. at Huey’s Collierville.

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Music Music Features

Lost & Found

With so many local bands constantly releasing new music, it’s easy to lose track of everything that’s going on. We dug up six records (one pretty new, four old, and one super old) that you should seek out. Ranging from female gangster rap to transcendental sitar recordings, there’s something for most everyone on this list.



Jack O and the Sheiks — Live! From the Burgundy Ballroom (Secret Identity Records, Red Lounge Records)
Think of it as the Memphis version of the Kiss album Alive!. Even though it’s not an actual live recording (the band added plenty of overdubs later), Live! represents a time in Memphis where a house on Harbert Avenue was one of the best places in town to see local music. Known to everyone but the landlord as the Burgundy Ballroom, the makeshift venue was the headquarters of the Sheiks, serving as a recording studio, sanctuary, and speakeasy. Sometimes they slept there too. Recorded and mixed by Toby Vest and Pete Matthews, Live! bounces around through Jack Oblivian’s solo career, blazing through 13 tracks that fans new and old will recognize.

While it’s technically an import (released on German labels Red Lounge Records and Secret Identity Records), this record is all Memphis, and the first testament of the power of Jack O with the Sheiks backing him.

Best Track: “Black Boots.”

Aquarian Blood — Aquarian Blood Demo (Zap Records)
While local music fans were sad when Moving Finger called it quits after just one single on Goner Records, they didn’t have to wait long to hear more creepy garage punk from JB Horrell and his wife Laurel. Months after Moving Finger stopped playing shows, the Aquarian Blood Demo surfaced. The new band began appearing around town at places like Amurica and Black Lodge Video, blazing through live versions of songs Horrell had been recording at home mostly by himself. Heavily influenced by Father Yod and the Source Family, Aquarian Blood sound like a punk project of the Ya Ho Wa 13 tribe but with less Sky Saxon and more Charles Manson. If that sounds weird, it’s because it is. Aquarian Blood’s demo tape is nearly sold out, but a debut single is rumored to be released soon.

Best Track: “Down my Spine.”

Tori WhoDat — Krewe Dentials Mixtape (self-released)
When I said these are reviews of records we might have missed, I meant it. The Krewe Dentials Mixtape was released a year ago last week, yet this is the first time we’ve written anything about it. Krewe Dentials has almost as many different producers as it does tracks, making for a pretty diverse mixtape even though it stays within the confines of modern Southern rap. Memphis rapper Lil Wyte makes appearances on the Krewe Dentials tracks “Smoke Sum” and “Bad Bitches,” and it’s no surprise that those are the mixtape’s two strongest songs. Local MC Lucha Luciano also makes an appearance on the murder-obsessed track “Hitchcock,” but “We Do This” proves Tori WhoDat can definitely handle a beat without relying on established guest artists. At 17 tracks, Krewe Dentials is a great introduction to WhoDat, DJ Crumbs, and the rest of this local hip-hop sect.

Best Track: “We Do This.”

Reserving Dirtnaps — Reserving Dirtnaps EP (Self Released)
When you name your band Reserving Dirtnaps, chances are you aren’t interested in showering the world with a positive message. Reserving Dirtnaps features members of Clenched Fist and Dead City, two groups who proudly waved the banner of Memphis-style hardcore. While Clenched Fist hold the throne of the heaviest hardcore band in Memphis, Reserving Dirtnaps are becoming one of the premier hardcore bands in town, routinely getting the opening slot when similar touring bands come through. The Reserving Dirtnaps EP features five tracks of heavy modern hardcore, and while vocals and riffs are what normally stand out on hardcore albums, the drumming on Reserving Dirtnaps is also pretty incredible. Physical copies of Reserving Dirtnaps are sold out, but the EP is still available for download online.

Best Track: “No Consent.”

Manateees — Sit and Spin (Pelican Pow Wow)
Even if the local music press missed out on this release, media outlets like Pitchfork and Terminal Boredom had no problem calling Sit and Spin one of the most gruesome and grisly punk albums released last year. While their earlier singles might have dipped into the dark side of garage rock (and black metal), Sit and Spin is for the most part a melodic punk album, with front man Abe White singing instead of howling and screaming over harsh stabs of noise. Sit and Spin wound up on plenty of year-end lists in 2014, and Manateees toured all the way to the West Coast last summer on their signature brand of “1-2-F-U” punk rock. After a handful of well-received singles, Sit and Spin is the victory lap for Manateees and proof that White has plenty more up his sleeve.

Best Track: “Cold and Rhythmic.”

Naan Violence — Naan Violence (Zap Records)
File under most likely to be played in Ebbo’s Spiritual Supply House. Naan Violence is the project of Arjun Kuhlharya, a sitar player from Atlanta who spends his time in Memphis when he’s not on tour. Kuhlharya calls Naan Violence “Transcendental Free-Sitar,” and that’s a pretty accurate description, with the three songs on the album going well over the 10-minute mark. Recorded by Andrew McCalla, Naan Violence features tablas, synthesizer, flute, and a whole lot of spaced-out sitar. Kuhlharya’s willingness to take his show on the road and play in places that you wouldn’t normally hear the sitar (dive bars) has sent him all over the country, and he’s currently gearing up for another summer tour. It’s limited to 400 copies, so act fast.

Best Track: “High Noon Tea at the Connected Gates.”