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Jarvis Howard: On Being an Artist

Jarvis Howard and a painting he did for Oak Court Mall.

Once he began drawing, Jarvis Howard couldn’t stop.

Literally.

Take elementary school math class. “Every time we did a test I’d flip the paper over and I’d draw,” Howard says. “I wasn’t dumb, but at that that point I went to school to draw. I’d flip it over and do sketches. Doodling.”

After he failed math that year, he got a comment on his report card from his teacher, who wrote,  “For drawing in my class. I told you.”

Howard, 26, now has his paintings at various locations, including Oak Court Mall and J. Elite Salon and Studio. His work also has been featured in a children’s book and at private homes.

A native of Tunica, Mississippi, Howard became an artist in a roundabout way. In third grade, he wanted to win the $100 prize for best poster in the drug free poster contest. “I took the easy route. I had two cousins who could draw as well as I draw now.”

He enlisted one of them to make his poster. “I threw her a couple of dollars for her to do it for me. I knew I was going to win because of how amazing they drew.

“I got off the bus with my poster. I didn’t get in the classroom good my teacher snatched the poster from me. She was so excited, bragging about it to her students. I had a good feeling in the hall. Everybody was talking about the poster.”

He won the check for $100, but one of the judges then told his teacher, “It’s impossible for any third grader to do art work like this.”

They took the check away.

The cousin who did the poster for him was 22 years old, Howard says. “A hundred dollars at a time was a lot of money for a third grader. I got kind of sad. But that made my spark come. I promised I’d learn to draw some day. It motivated me.”

To gain accelerated reading points, Howard checked out comic books, including Rugrats, and Rocket Power, to get the feel of it. How to get the hang of the control of the pencil. I was making progress. I just kept going and going.”

By the time he was in the fourth grade, Howard was drawing portraits in class — while his teacher was in the hall. “I’d draw all my classmates. I had them look at me for five minutes and I’d keep going non stop. My sketch portraits. Man, they looked just like them.”

One of his teachers gave him positive feedback. “She just told me I’m going to be great one day.”

After his family moved to Memphis in 2008, Howard’s passion became baseball — pitching and playing short stop —  at Kingsbury High School. “I found my peak. I loved baseball. I was a baseball player and I was the water boy for football. That took most of my time.”

He continued to get encouragement for his art. “I was good at shading and my line work was real good.”

One teacher told him, “I like your style,” but he wanted him to work with different materials. “I was doing colored pencils and crayon-type work. He said to try something different. Like ink pen.”

Howard drew what he saw. “What I’d see in books or based on movies I’d see. I’d put all my inspirations together. I was doing a lot of graffiti letters, drip letters, and stuff like that. I’d see a lot of trains with graffiti letters, so that kind of inspired me.”

He gave baseball a shot after he entered LeMoyne-Owen College. “I tried out twice, but it felt like I was losing it.”

Howard then realized the other guys planned on making baseball their career. “I thought, ‘Man, they’re serious. I’ve got to find something else for me to do. Art. This is what I’m going to do.”

He majored in fine art until he transferred to University of Memphis, where he began working in graphic design.

But in 2017, his art direction changed. “My life really changed for the better, man.”

He was working on some of his drawings outside at U of M.  A woman near him was painting on clothes. “She said, ‘What are you going to paint on your jacket?’ I said, ‘I can’t paint.’”

She assured him he could. 

Then one day Howard painted “Blues Clues and different Nickelodeon characters” on his jacket. “Next thing you know I moved onto canvas.”

His first painting on canvas was  “a guy from the Wild Thornberries. It was pretty cool. I just kept at it ‘till I mastered it.”

People began asking if they could buy his paintings. “Man, when I started making a little money from canvases and stuff, I knew this was something special.”

Painting came naturally to him. “I felt like I already had it inside me. You just have to do it. Once you mess up, you can paint over it. You don’t have to get another piece of paper.”

He painted with acrylics, which he continues to use. “I’m the acrylic king. I love acrylic.”

In 2017, Howard won the NAACP Artist Expression prize for his paintings, which included “Black Card,” a Black Lives Matter piece. “A lot of people were falling victim to police brutality. Instead of using a serial number on the card, I put dates of black people that got killed, their birth date and the day they got killed.”

For the expiration date, he wrote, “Am I next?”

Howard’s art work took off in various directions. He began turning his sketches into comic books. 

He presented a portrait he did of Rich Homie Quan after the rapper appeared at a spring show at U of M.  Quan told him, “Hey, bro. You cold. You’re serious about your grind. You’re serious about what you do.”

Rich Homie Quan

Howard did a digital graphic for the manager of 2 Chainz to use for merchandise for fans.

A digital praphic Jarvis Howard made for 2 Chainz

His other works included “a little NBA poster for Tyree Black for The Tyree Black Foundation.” 

A friend suggested Howard could get his “name out there” by setting up an easel and painting during a U of M graduation. So, Howard did an on-sight painting that included “black hands throwing graduation hats in the air.”

U of M president Dr. M. David Rudd was impressed, Howard says. “He said, ‘Looking forward to meeting you on Friday and giving you a check for that great art work.”

Dr M. David Rudd and Jarvis Howard

Shortly after,  Howard was one of the founders of Artistry on Campus. “A group of visual artists, the majority black. I felt like there was a way for black people to showcase their talent. I felt like a lot of art students on campus, white students, had their art in a museum. But these talented black kids, maybe they were scared to get their work out there.”

Rudd was instrumental in getting a $5,000 mural commission for Green Animal Hospital for Artistry on Campus members, Howard says. “It’s just an ‘I Love Memphis’ wall with white dog paws going all around the building.”

Howard went on to do a solo commission for $1,000 at Oak Court Mall. The painting included the Pyramid, the B. B. King Blues Club logo, Harrahan Bridge, Choose 901, and the Redbirds and Memphis Tigers logos. 

His coloring books began taking off. “At the time I was just a young black man trying to make some money.”

He and Jonathan Russell, who was in the art group, did one at Custom Images 901 that included “Tops barbecue, street signs, and stuff like that.” 

The following year, they did a Memphis painting  outside Oak Court Mall.

Since graduating with a liberal arts degree, Howard has done everything from painting images and lettering on the glass door at Arnold’s Barbecue and Grill to painting a Lion King mural for a baby nursery. 

Last August, Howard did a painting for J. Elite Salon and Studio. “Just a business name and two silhouettes of black girls with different hair styles.”

Before the pandemic, Howard threw painting parties, where he would pre-draw the canvases and the guests painted them. “Like a coloring book.”

During the pandemic, he conducted a “virtual” painting party, where he demonstrated how to draw characters.

Howard did the illustrations for his first children’s book: “Spotted” by Sasha Owens. “A book about a lot of different animals that have spots. I just made it fun. To make people stop bullying.

“I just got working on my second children’s book by a girl I graduated with from high school, Alexis Young. This is ‘Vulture and the Sparrow’ about a vulture trying to come into a community of birds and try to be greedy and steal all their food.”

So, what keeps Howard going as an artist every day? “When people see me out here doing it, I give people that never had hope, hope.”

To reach Howard on all social media platforms, go to jrocjarvis. Or jrocjarvis@gmail.com.

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Music Music Features

The New King of Memphis

Yo Gotti gave local hip-hop fans the concert they deserved this past Sunday night at his annual birthday celebration. Known for guest appearances and multiple surprises, Yo Gotti and Friends Birthday Bash at Mud Island Amphitheater didn’t disappoint, with Nicki Minaj, Meek Mill, O.T. Genasis, Dej Loaf, Shy Glizzy, Snootie Wild, Wave Chappelle, Zed Zilla, and Monica making guest appearances, in addition to DJ Paul and La Chat of Da Mafia 6ix joining forces with Yo Gotti on stage for the first time. Those following the Memphis rap game know that DJ Paul and Yo Gotti were once considered enemies, with Yo Gotti calling out Three 6 Mafia on his smash hit “That’s What’s Up” from the 2006 album Back 2 Da Basics. All beef seemed to be squashed when DJ Paul appeared on stage to do the classic Three 6 Mafia club jam “Who Run It,” alongside Yo Gotti, as confetti shot out of cannons and fireworks exploded over the Mississippi River. Later, Yo Gotti called the on-stage performance “a victory for the whole city,” and residents of every section of Memphis cheered loudly in appreciation of the unity the performance symbolized between two of the biggest rappers the city has ever produced.

Cole Wheeler

DJ Paul

When asked about holding the event at Mud Island, Yo Gotti (whose real name is Mario Mims,) said that a much larger venue was mandatory for this year’s bash.

“We’ve done the Orpheum and the Cannon Center, and we sold them out so quick that I knew I had to go somewhere bigger,” Mims said.

“I felt like there were thousands of people who were getting left out, and if you looked around tonight, you saw that we were top-to-bottom, and this place is twice as big as the other venues.”

The rapper also acknowledged that he’s come a long way since his days of playing all-ages clubs and places like the Plush Club.

“When I was coming up, I just wanted to perform anywhere. When I first heard my music in Denim & Diamonds, I was really excited about it,” Mims said.

“The first time I ever performed at Cactus Jacks or The Premier was very special to me. I have always loved to get on the stage. It seems like Memphis rappers have to work twice as hard as everyone else to get some recognition, but if you keep grinding, it will happen for you.”

Lil Boosie received one of the strongest receptions of the night (along with Monica), and after a few songs, Yo Gotti (who calls himself the King of Memphis), joked that Memphis might actually belong to Louisiana-based Lil Boosie. Other highlights included O.T. Genasis doing his mega-hit “CoCo,” Monica’s amazing vocals, and Nicki Minaj appearing on stage seemingly only to take selfies and wave to her fans, who were all collectively losing their minds. Backstage at Mud Island, Cîroc and Patrón seemed to be the drink of choice, along with enough blunt smoke to choke Snoop Dogg. Each rapper had an extensive entourage, who seemed to each have their own separate mini-entourages as well.

Lil Boosie might have had the biggest entourage of them all, with 30 or so people pouring out of a tiny dressing room before joining him on stage for multiple songs. Behind the stage sat Yo Gotti’s white Lamborghini, though sadly it did not become a part of his performance in the same way it did at his Cannon Center Birthday Bash the year before. When asked how he will manage to top this year’s festivities, Mims said he’s already started planning.

“Im just going to keep grinding, keep trying to make it bigger than it was the year before. We don’t have Summer Jam in Memphis anymore, so this is the new Summer Jam.”

Cole Wheeler

Dej Loaf

Writers Notebook:

• O.T. Genasis had the best style of the evening, rocking a Day-Glo motorcycle jacket and at least three seriously impressive gold chains.

• Rappers really do drink as much Patrón as they say they do.

•Monica might have reached the peak of her career in the ’90s with hits like “The Boy is Mine” and “For You I Will,” but her vocal performance Saturday night was spine-tingling. She’s also sold over 10 million records, so there’s that, too.

•Yo Gotti’s hype men deserve a bonus for keeping the crowd thoroughly crunk throughout the evening, as they rarely stopped moving during the show’s five-hour duration.

• After the show, Nicki Minaj went to Blues City Cafe to pick up a to-go order, and was immediately swarmed by fans. Minaj handled the fanfare with ease, taking selfies with her fans and posing for multiple photos before getting back in her SUV.

• Memphis showed that it could hang with the big dogs in terms of getting premier hip-hop talent, which is amazing for our city’s entertainment industry. Don’t be surprised if Yo Gotti’s next birthday bash is in the FedExForum, or better yet, the Mid-South Coliseum.

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Music Music Blog

Slideshow: Yo Gotti’s Birthday Bash at Mud Island

Cole Wheeler

Yo Gotti thanking the crowd at Mud Island Amphitheater.

Yo Gotti celebrated his birthday this past sunday at Mud Island Amphitheater with five thousand of his closest friends. Flyer Photographer Cole Wheeler covered the night from start to finish, capturing shots backstage and of all the performers. Be sure to check out our review of the show in tomorrow’s edition of The Memphis Flyer.

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