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On a Roll: Memphis Roller Derby

Last Saturday afternoon, the sharp screech of whistles blown by officials huddled in skates marked the start of Memphis Roller Derby’s (MRD) new season. The Pipkin Building in Liberty Park was abuzz with fans gathering in droves. As team skaters with star-stamped helmets whipped around the track — with serious grit — it was clear this league ran on more than adrenaline. They ran on community.

Community for the league looks different, depending on where you observe them. During their bout, the crowd’s hype elevated players to rock-star status, every lap earning an encore, each breakthrough met with a roar. When a skater known as “Don’t Blink” successfully broke through her opponents, the audience went crazy. Memphis was behind her — and she knew it, throwing a two-handed wave and a smile to fans as she rounded the track.

Family members and friends donned merch — some with the league’s name — while others opted for custom-made gear featuring their favorite skater’s face. Only some people sat in graffiti-sprayed chairs, the Pipkin Building well past standing-room-only. Derby was a big deal that day, but its importance goes beyond the bouts.

On a Tuesday afternoon prior to the game, the Pipkin looked a bit different. Skaters piled in for practice, and the indoor track seemed almost too pristine, too quiet — begging for a bit of edge that only chaos and passion can bring.


The MRD league has evolved since its start in 2006, with the sport getting more serious. (Photo: Chuck Ford)

As I eased into my first interview, the skaters moved from their pre-practice huddles into synchronized stretches. Their uniform side-to-side warm-ups transitioned into a high-energy sequence set to music. The beat blended into the background, and each players’ infectious swagger reverberated through the building.

Jemma Clary (known as Jem in the derby) lovingly refers to it as “off-brand Zumba,” led by their teammate Chandler. “It’s huge,” she adds. “It’s so fun because when we do it at games, other teams will sometimes join in. It’s always fun — hypes us up, gets our heart rates moving.”

From the energized warm-ups to the pre-scrimmage laughter, the camaraderie and community in the space was palpable. While the players’ individuality was reflected in their gear with sticker-covered helmets, when the digital “countdown to bout” clock ticked closer to zero, they shifted from individuals to one unit, from playfulness to determination. When the mouthguards go in, it’s game on.

Photo: Chuck Ford

Eye on the Star

“Pay attention to the person with the star on their head,” Clary tells me before the scrimmage round. “They’re going to be the one to watch. They’re going to be the one that’s scoring all the points for the team.”

I learn that the league prides itself on being a part of a niche subculture, one that stays alive partially through exposure to newbies. I’d only seen the sport on shows like Bunheads and The Fosters — usually as a shortcut to a character’s “edgy phase.” But that Tuesday’s practice was my first glimpse into the world beyond my streaming queues.

Clary translates derby in a beginner-friendly way, likening it to a mix of rugby, speed skating, and even a little bit of chess. She breaks it down as a game of jammers and blockers (the latter is the position Clary plays). The aforementioned star denotes the team’s “jammer” — the lead scorer. 

“When we get out on the track, my job is to stop the other team’s jammer,” Clary says. “I want to keep them behind me. I do that by getting in their way and knocking them with my big ole butt, really. There are four of us that’ll be on the track as blockers and one person as a jammer. That’s for each team, so it’ll be 10 people on the track.”

A jammer must first get through a group of blockers before they’re able to score points by passing them.

“For every person you pass, you get a point,” Clary says. “It’s really easy to count points because you’re like, ‘How many people did they pass?’ That’s the big thing.” 

Each team also has a “pivot” who wears a stripe on their head. The jammer can take their star off and give it to the pivot if they’re struggling to break past the other team’s blockers.

While popular culture is often people’s first introduction to the sport, Kendall Olinger (aka Choke) notes that these representations tend to conflate the sport to being “gimmicky” and akin to phenomena like wrestling.

The MRD league started here in 2006. “It’s evolved over the past 20 years to really stand alone as a serious sport with serious athletes,” Olinger says. “A lot of the stuff you see in the movies — or a lot of people bring up from watching roller derby from the ’70s or ’80s — it’s really gotten a lot more serious and way more focused on the sport. Lots of rules have changed, and a lot of those gimmicks have disappeared.”

Dylan Miller, an MRD jammer, says she didn’t know much about the sport aside from the 2009 film Whip It starring Elliot Page. Her journey beyond seeing derby on screen started at the league’s skate school in March 2023. 

“I skated when I was a kid and I do think there was some ‘getting back on the bike’ type of thing,” Miller says. Through skate school she was able to master skills that she was “okay” at as a kid, like turning around and stopping. While these things may sound simple, Miller says the ingenuity of skate school is that it teaches and reinforces the basics of the sport to older audiences in a supportive environment.

“You’re getting lessons on all the basics and there’s somebody presenting the lessons, but you’re also getting one-on-one help from skaters in the league,” Miller says. “And we try to make sure it’s as accessible as possible to everyone regardless of their income.”

The league has taken this a step further by introducing Derby School, a program designed to refine their technique for derby readiness.

It’s been gratifying for Miller to see her growth from someone getting back on her wheels to joining the league. She notes it’s a “hard shift,” yet the league’s welcoming environment propelled her confidence. As a self-described “classic overthinker,” derby has given her the opportunity to get outside of her head and “leave it at the door.”

(left to right) #5 Choke, #17 Don’t Blink, #72 Jem, and #30 Dyl Pickle (Photos: Michelle Evans Art)

Don’t Blink

This transformation occurs in real time as Miller goes into bout mode, a conspicuous contrast from our pre-practice conversation. Miller takes a back seat, and “Dyl Pickle” takes over — one of the stars Clary told me to watch for. 

On the track, Dyl is joined by the “other” team’s jammer “Don’t Blink.”

Prior to this moment, multiple players told me that Don’t Blink is a force to be reckoned with. Her name is a nod to her affinity for Doctor Who, a canonical yet witty reference to her lightning speed and prowess.

“‘Don’t Blink’ is like a warning,” Stacy Bautista tells me. “In the show, there’s a Weeping Angel statue and when you blink it comes to life and it’ll send you back in time and you die in the past. So, ‘Don’t Blink’ was kind of like a warning, like if you blink I’m going to hit you or come right past you — something bad is going to happen to you.”

She laughs at the irony of how her teammates sometimes shorten the moniker, calling her “Blink.” In some ways, it’s an inviting dare for opponents to see who they’re up against.

Aside from MRD, Bautista also plays for a borderless team called Fuego Latino Roller Derby. The league features a number of Latino skaters from across the globe, who will be playing in the Roller Derby World Cup in Innsbruck, Austria, this summer.

Bautista likens it to an Olympic-level derby competition composed of teams from all over the world. She reflects on her half-white and half-Cuban background, initially thinking there weren’t enough Cuban players to make a team that could play at the “World Cup level.” 

“I was like, ‘the World Cup is not for me,’ because I don’t have the right background to get on a team and get to play,” she says.

But about two years ago, the borderless team was created. The team is not defined by country of origin but by culture. She adds that the goal was not specifically to be World Cup-bound, but an extension of efforts for skaters to form a community with people with shared cultural backgrounds.

Bautista was encouraged by MRD league members to apply, and with “help from a lot of people [in the league],” she was chosen for the World Cup Team.

“I’m super excited,” Bautista says, speaking of the opportunity. “The team has been really welcoming. When you’re only half-something, sometimes you don’t fit into either group very well, so both groups can be ‘you’re not really this or you’re not really that either,’ but a lot of my [Fuego Latino] teammates have that same kind of experience.”

Derby exists as a special place that invites interracial and intergenerational bonding, allowing skaters to build something “really fucking solid. It’s always an active thing,” Bautista says. “We try to create a space that is welcoming for all different backgrounds, who are inclusive of people who are also from other backgrounds.”

Why Skate

Beyond the requisite moxie, inclusivity seems to be an appealing tenet of derby culture. League members share that the search for community in adulthood can be surprisingly complex. Many found that the sport satisfies a hunger for togetherness, while also satiating the desire to achieve something real.

Bautistsa, for example, says that life after college graduation leaves much to be desired. For her, derby revives the thrill that sports like rugby and softball impressed on her while growing up.

“I loved a full-contact sport,” she says. “When you get out of college it’s like, ‘What now? You’re going to work a job and that’s it?’”

Initially that’s what her post-grad life led to — all work with little opportunity to meet people. She tried joining a book club for a minute but admits, “That wasn’t it. It was fun, but it wasn’t giving me the same connections to people.” 

Ironically, it was through working as a carhop at Sonic that Bautista says the “roller derby seed” was planted. Yet, while derby was appealing as a return to the full-contact nature she grew to love, she was hesitant to go for it. A friend helped her overcome those initial jitters, and she’s now been engaged in the sport for 13 years.

“You’re playing offense and defense at the same time,” she says. “There are always new plays, people figuring different things out, people doing different footwork. It’s like a puzzle, but at high speed. You just keep leveling up.”

People like Bautista and Olinger note that the sport is appealing because it features full-contact play, but it also invites people to find community. 

Similar to Bautista, Clary found the routine of working after graduation to be less than satisfactory. For her, post-grad life meant adjusting to her friends leaving Memphis and losing the community that college facilitates.

Clary says skating had “been her thing” since college, so enrolling in skate school was “something to do” as opposed to an introduction to the skill. And while she was looking for a way to pass time, she found a refreshing way to make friends in this new stage in life.

“I didn’t even come in wanting friends,” Clary says. “I joined and everyone’s just so friendly and welcoming. Roller derby is [also] like a pretty big queer space. I never really had fellow queer people around me, and it’s a lot of people that are older than me. It’s a pretty heterogeneous mixture of people, and people who are truly Memphians.”

These intergenerational spaces have proven to be invaluable. Not only does it contribute to league culture, but it’s what keeps the community thriving. The shared passion of skating permeates participants — both newcomers and seasoned skaters alike.

“It’s an honor to be able to skate with all these people,” Clary says. “I feel like over the past season we’ve been creeping up in the ranks and getting better and better, and everyone here who shows up regularly is super dedicated, not only to the sport but to the league and the community we have formed.”

The league operates as a nonprofit driven and run by skaters and league members. Members like Bautista and Olinger are not only team members but work as the heads of training and marketing, respectively. Along with sponsors and community support, members and participants help keep the culture and sport alive. 

“We all like [derby] but there’s more to it than that,” Olinger says. “We have a really supportive community. We all understand that we all have to work together, not just on the track, but off the track, too.”

Olinger recognizes this as a privilege, especially in “elective hobbies and activities.” And she says the league hopes to impress their emphasis on respect and togetherness not just on participants, but on the city.

Whether it’s through skate school or a bout, the skaters invite others to learn about derby. While each player may have a personal reason they keep returning to the track, they recognize their presence builds upon a legacy that lasts long after their wheels stop turning. 

MRD’s next bout is the Home Double Header on June 14th at the Pipkin Building. Follow @MemphisRollerDerby on Instagram to find out about upcoming events.

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Special Sections

Roller Skating on WKNO’s “Southern Routes”!

Mr. Lauderdale with his bicycle skates

  • Mr. Lauderdale with his “bicycle” skates

On the April edition of WKNO’s fine program, Southern Routes, I journey back to the glory days of Skateland, Skatehaven, Rainbow Lake, and many of the other roller-skating palaces that were hugely popular with Memphians in the early to mid-1900s.

Not to give too much away, but back in those days, there was a whole lot more to roller-skating than just strapping on some skates and rolling around a wooden track. Rinks put on pageants, plays, races — even full-scale weddings. And skating wasn’t just for ma, pa, teens, and the little kiddies. They made special skates for dogs, monkeys, and even BEARS.

The show will even feature rare photos of me (such as the one here), taken in my younger days, when I was a veritable Flash at rinks around the Mid-South. Why, it took servants almost a day just to polish all the trophies I earned. Or were those bowling trophies? I can’t remember, since the Lauderdales were pretty much good at everything.

Tune into Southern Routes or you’ll be very sorry (and so will I). The show will air Thursday, April 8th at 8 p.m., and then it will repeat on Saturday, April 10 at 2:30 p.m., and again on Sunday, April 11 at 12 noon. It also airs on WKNO-2 Saturday, April 10 at 9 p.m., so I really don’t want to hear any pitiful excuses about, “Uh, I missed it.”

And I’ll be quite candid with you. Either watch the show, and admire the hard work done by my WKNO pals Kip Cole and Bonnie Kourvelas, or face the dire prospect of being cut out of my will. It’s that simple.

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News

Roller Derby Looking for New Home

For the last four years, I’ve been privileged to know some of the most interesting, assertive, intelligent, bad-ass women (and men) I’ve ever met as part of Memphis Roller Derby (MRD). But now they’re in a bit of a bind.

For the last season, the league has been practicing and bouting at the Youth Building on the Mid-South Fairgrounds. But with the city’s effort to clean up the property for redevelopment, the Youth Building will be demolished.

As of this week, MRD’s contract to lease the building has expired, and the new season is set to start in February.

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The league plans to bout temporarily, at least back at the Funquest in Collierville. But the league is also interested in finding a more permanent and centrally located home.

MRD is looking for a space that’s about 12,000 to 15,000 square feet with a large, open expanse without poles (Poles, while good for support, are not great for roller girls or their hardworking referees). The venue should also have ample parking and restroom facilities.

If you know of such a place or better yet, own or lease one the league asks that you email contact@memphisrollerderby.com.

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Special Sections

Memphis Roller Derby – in 1939

01f1/1243718693-rollerderby1930.jpg When Roller Derby came to Memphis in 2006 — organized into teams with such catchy names as the Legion of Zoom and the Priskilla Presleys — lots of fans thought it was a reincarnation of the matches they watched on television back in the 1960s. But it turns out the sport is actually much older than that, and the Lauderdale Library has recently acquired a souvenir program for a 1939 event with the long-winded title of Leo A. Seltzer’s Trans-Continental ROLLER DERBY or Coast-to-Coast Roller Skating Race.

This is a pretty amazing document, because Seltzer, it seems, is the fellow who pretty much invented roller dergy. I have no idea how this particular race could take place “coast-to-coast” since the participants, then as now, raced around in a circle. But that’s how they promoted it, anyway. And this entertainment spectacular took place here in Memphis every night from 7 to 11 p.m. for two entire months — January and February 1939 — at the Municipal — better known to Memphians as Ellis — Auditorium.

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Music Music Features

Reigning Sound Returns

Reigning Sound ringleader Greg Cartwright played an impromptu acoustic set at Goner Records Friday, November 30th, in part to celebrate the completion of the band’s most recent album. The former Memphian, now comfortably ensconced in Asheville, North Carolina (asked before his set if he were tempted to move back, he charitably responded that he loves visiting Memphis), played with his band at the Gibson Beale Street Showcase over Thanksgiving weekend, then spent the following week holed up at Ardent‘s Studio C, with Doug Easley engineering.

The newly bearded Cartwright said during his Goner set that the new album would be released via the In the Red label in late spring. After spending time in the past year backing up (and, in Cartwright’s case, producing and writing for) former Shangri-Las singer Mary Weiss and keeping the Reigning Sound section of record-store racks stocked with outtakes (Home for Orphans) and live (Live at Goner, Live at Maxwell’s) discs, this will be the band’s first album of new material since 2004’s Too Much Guitar.

The Reigning Sound isn’t the only high-profile Memphis-connected band that’s been in the studio working on an early-2008 release. The North Mississippi Allstars have announced that their next album, titled Hernando, will be released on January 22nd. The band’s first studio album since 2005’s Electric Blue Watermelon, Hernando will also be the first released on the band’s own label, Sounds of the South. The album was produced by Jim Dickinson in September at his Zebra Ranch studio.

If you missed ambitious local rock band The Third Man‘s record-release party for its new album Among the Wolves at the Hi-Tone Café, you can make up for it this week, when the band plays an early-evening set at Shangri-La Records. The Third Man is set to play at 6 p.m. Friday, December 7th, and it’ll be interesting to see how the band’s epic, guitar-heavy sound translates to a more intimate setting.

The Memphis Roller Derby will take over the Hi-Tone Café Saturday, December 8th, for their second annual “Memphis Roller Derby Ho Ho Ho Burlesque Show.” In addition to skits featuring the Derby gals, there will be plenty of musical entertainment as well. Longtime local-scene drummer/commentator Ross Johnson, fresh off the release of his “career”-spanning Goner compilation Make It Stop: The Most of Ross Johnson, will be backed by an “all-star” band he’s dubbed the Play Pretteez. Johnson also will retreat back behind the drum kit alongside Jeff Golightly, Lamar Sorrento, and Jeremy Scott in a British-invasion style band called Jeffrey & the Pacemakers. Rounding out the music will be electronic dance act Shortwave Dahlia and DJ Steve Anne. Doors open at 9 p.m. Admission is $10.

Australian Idol winner and MemphisFlyer.com celebrity Guy Sebastian has released his Ardent Studios-recorded debut The Memphis Album, crafted with MGs Steve Cropper and Donald “Duck” Dunn headlining a terrific Memphis studio band. Sebastian clearly loves Memphis soul, but his take on the genre is too respectful and too unadventurous for his own good. He sings only the most identifiable hits (“Soul Man,” “In the Midnight Hour,” “Let’s Stay Together,” etc.) and mimics the original recordings too closely. Still, it’s a better Memphis tribute than actor Peter Gallagher’s. Sebastian will be taking the core of his Memphis band — Cropper and Dunn along with drummer Steve Potts and keyboardist Lester Snell — on an Australian tour starting in February.

The Stax Music Academy‘s SNAP! After School Winter Concert will take place at 7 p.m. Saturday, December 8th, at the Michael D. Rose Theatre at the University of Memphis. Stax Music Academy artist-in-residence Kirk Whalum will be performing alongside the kids, as will soul singer Glenn Jones. Tickets to the SNAP! concert are $5 and are available through the Soulsville Foundation development office. Call 946-2535 for details.

Finally, congratulations to the New Daisy Theatre‘s Mike Glenn, who is the only Memphian receiving a Keeping the Blues Alive award from the International Blues Foundation this year. The awards will be presented February 2nd during International Blues Challenge weekend.

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The Grind

Oh sure. Everybody knows the notorious Bettie Page, whose exotic beauty has inspired generations of punk-rock girls to pluck their eyebrows and cut their hair into bangs. But who remembers Lorraine Lane, the bawdy puppeteer who danced, quite literally, with the devil, to the amazement of anyone fortunate enough to catch the scantily clad illusionist’s astonishing act? Who can recall Sally Rand and her cleverly placed fans, or the gravity-defying antics of Tempest Storm, or the extraordinarily sweet Candy Barr? Who’s ready to give it up for the great ladies of burlesque’s golden age, the women who, with nothing but a shimmy, a shake, and a whole lot of sequins, once defined sexiness? The hard-skating girls of the Memphis Roller Derby, that’s who.

On Saturday, December 8th, the lovely, if somewhat intimidating, ladies of the Memphis Roller Derby will turn the Hi-Tone Café into an old-school shake shack with (ahem) artistic dancing and burlesque skits performed throughout the evening. The roller girls will be joined in their ironically erotic endeavors by the Memphis Belles, a group of local models who enjoy re-creating the look, and more importantly the mood, of classic pin-up images by artists such as Gil Elvgren and glamour photographer Bunny Yeager.

DJ Steve Anne will get the party started, and punk patriarchs Ross Johnson and Jeff Evans have assembled an all-star lineup of local garage rockers to keep the fringe shaking and the tassels twirling deep into the late night.

Memphis Roller Derby’s second annual “Ho, Ho, Ho Burlesque Show” at The Hi-Tone Café. Saturday, December 8th. Admission $10.

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News

Roller Derby Girls Calendar for Sale

The ladies of Memphis Roller Derby can clean your clock, and now they’ll stuff your stocking, too!

The local roller derby is selling its very own 2008 pin-up calendars, featuring your favorite roller girls in very skimpy outfits. Er, we mean, their uniforms.

To order one for your favorite derby enthusiast or one for yourself, to go memphisrollerderby.com and click on “Merchandise.”

And don’t forget — the season opener is this Saturday, December 1st, at the FunQuest on Highway 72 in Collierville!

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Cover Feature News

Derby Days

Robin and Stealin, a cute brunette with black-framed glasses, has a linebacker’s gleam in her eye. She skates right at me, as if we’re playing chicken — and as I pass her, just inches of space between us, she cackles in my ear.

It is early summer at Collierville’s FunQuest skating rink, and the women of the Memphis Roller Derby (MRD) are playing a dangerous game. Wearing tiny skirts and shorts, fishnets or knee socks, some of the skaters are human targets, moving side to side, backwards and forwards. The rest of the women are trying to miss them.

Bam! I run into Manda Malice, a heavily tattooed and pierced young woman. We both stop dead in our skates, but neither of us fall. “You’re supposed to miss me,” she says teasingly as we try to regain our balance.

I skate off, still shaken, and as I come back around near Robin and Stealin, I crash into her. I apologize, but she’s laughing. “That was so much fun!” she says.

Justin Fox Burks

(From left) The Victator, Hustlin’ Flow, and Auntie Bactery’all are skaters and board members of MRD.

If that’s what she thinks, I need to get away from her. I change course, moving to the outside of the rink where there’s more room to maneuver. Brooken Bones and Auntie Bactery’all are holding hands and urging girls to skate under their entwined arms. No, thanks. I avoid them but, instead, slam into league founder Tran Sam, a 30-year-old artist with an Amazonian build. I am relieved that she looks as dazed as I feel.

By the time the drill is over, Kinky Kenevil has given Robin and Stealin a black eye and Manda Malice’s helmet is cracked down the middle.

“Vicki [the Victator] was looking straight down at her feet, and I was like, ‘Vicki, Vicki, Vicki!'” Malice explains. “She hit me full force, full speed. We hit heads like two ramming yaks.”

As we roll off the rink for water, someone lets out a whoop and yells, “You’re now officially initiated into the roller derby!” Most of the other women scream in response. Together, they’ve endured months of twice-weekly skating practices, sprinting, falling, jumping, and now, with this weaving drill, hitting each other — on skates.

The Game

“Roller derby is like Fight Club for women,” says Hustlin’ Flow, an art teacher with long, blond dreads.

Justin Fox Burks

WMD jammer Your Mom looks for an opening.

The sport began as an offshoot of dance marathons in the 1930s, but its heyday came in the 1970s, with stars such as Ann Cavello and Joanie Weston of the San Francisco Bay Bombers. Most recently, the TXRD Lone Star Rollergirls — and the reality show that followed the league, Rollergirls on A&E — has sparked a national revival.

Each hour-long bout consists of two-minute “jams.” Each team has five members on the track: a pivot, two blockers, a power blocker, and a jammer. The pivots and blockers make up the pack and begin skating before the jammers. The pack’s job is to block the opposing team’s jammer while helping their jammer through.

During the first lap, the jammers are vying for the position of lead jammer, which gives them the power to end the jam. During each subsequent lap, jammers get a point for every member of the opposite team they pass.

“From the time the whistle blows to the time the whistle blows again, it’s a total adrenaline rush,” says Tran Sam. “My objective is to play the game as hard as I can. That’s all that is going through my mind: I need to block as hard as I can, knock people over, and get my jammer through safely.”

The Girls

The skaters don’t come across as “nice girls.” The look is black, with skulls and tattoos. The women are both beautifully aggressive and aggressively beautiful. Together, it’s a look that seems to say, I will rip your heart out, smash it on the pavement, and yes, I will enjoy every single minute of it. Love me if you dare.

In “real life,” many of the women are mothers and wives. Ranging in age from 21 to over 40 years old, they work at law offices, for insurance companies, and as teachers at area schools.

After watching Rollergirls, Tran Sam enlisted the help of two friends who would later become known as Snark Attack and the Victator. (Derby girls pick names based upon a variety of factors: their real names, physical attributes, personality traits, or things they like. Sometimes derby girls don’t even know each other’s real names.)

Justin Fox Burks

Angel of Death Brooken Bones (left) blocks PrissKilla Prezley jammer Bloody Elle.

“She called me with this big idea: Let’s start a roller derby team,” says the Victator. “I was like, ‘Okay, Sam. No problem. Let’s do that.’ I thought she was crazy.”

The women scheduled the first practice for February 12th at the Skateland off Summer Avenue, but the rink caught fire the night before the first practice. After a frenzy of e-mails and phone calls, the women — many of whom had never met — held practice at the Skateland in Raleigh.

“I think 44 women showed up for our first practice, and I remember thinking to myself, Where am I going to fit in with these women with all their tattoos and piercings?” says Zell Bent, a sales and marketing representative who grew up skating at Lollipops in Southaven. “To me, they were really intimidating”

The Victator, in particular, scared a few of the potential skaters. With her long, jet-black hair, band T-shirts, and familiarity with skate gear, she looked — and sounded — like she’d been doing derby forever.

“The first time I met Vicki, I was a little bit intimidated by her,” says Manda Malice, a former competitive roller-blader. “I was thinking she’s going to kill me.”

The Victator laughs about that, well aware of the impression she created. “I was excited that so many girls showed up, but in my own way, I was excited that I could intimidate so many girls,” she says.

The mood was tentative that evening. None of the skaters knew exactly what to expect and spent the time just rolling around the floor, familiarizing themselves with the old-school roller skates, “quads,” which the women’s flat-track derby association (WFTDA) requires. Referees are allowed to wear in-line skates.

“I was real wobbly on my skates. It was like someone walking a tight rope with their arms flailing beside them,” says Jill B. Nimble, now captain of the PrissKilla Prezleys.

A fan of Rollergirls, she had already decided to buy a pair of skates when she heard about MRD, but she didn’t really know how to skate:

“I was always the one that on every single turn, trying to do cross-overs, I fell. I fell in every single turn. My feet would just fly out from under me and down I’d go.”

But she, like many of the skaters, has come a long way since that first night. Now with two bouts scheduled before the end of the year — one on November 18th and one on December 9th — the only time the girls have trouble staying up is when somebody runs into them full-force.

Talk Derby To Me

“When I first heard about roller derby, I looked at some pictures online and I saw a lot of girls in really skimpy outfits,” says Whorecules, a coach who wears full gladiator regalia. “And I’m a big girl, so I thought it was cool, but I didn’t think it was something I could do.”

In some ways, roller derby is a mischievous mix of sport and show business. The skimpy uniforms and striped socks are as much a part of derby as learning how to skate in the pack. As are the playful names.

According to WFTDA rules, no two skaters can have the same name, unless the first gives written permission. And many girls in the league found that the name they wanted was already taken. Whorecules originally wanted Alotta Fhagina, Ivana Humpalot, or Mike Hunt, but those names were all taken.

When she was interviewed for WKNO’s Southern Routes, she had to be identified as her second-choice name, Shorty McShovenstuff, because Whorecules was deemed inappropriate.

All of which makes the name even better.

“It pleases me that it would be the source of little old ladies fainting and stuff like that,” she says. “I think derby is kind of supposed to do that.”

Despite its fun and rebellious nature, roller derby is not wrestling on skates. The outcome is not pre-determined. Fighting is not allowed. Arguing with refs is not allowed. And when a skater falls, believe me, it hurts.

“I see myself more as an athlete than a rollergirl,” says Rolls Royce, a quiet apartment manager who jams for the Legion of Zoom. “To me, [Rollergirls was] like theater.”

“My friends had all these preconceived notions about what it’s like,” she says. “They asked me, ‘Do you really jump on someone and beat them up?’ I had to break them of this idea that it’s women swinging bats on skates and beating each other up.”

Some, like Rolls Royce, played sports in high school or college. Others have no athletic background. But roller derby combines the pace of speed-skating and the brutality of rugby. It takes speed, endurance, balance, and, at times, a little luck.

Smashimi, captain of the Legion of Zoom, played soccer at White Station High and Rhodes College before blowing out her knee. “I really like team sports,” she says. “Running or aerobics or anything like that is just not as fun as being part of a team.”

Several years ago, before she had kids, Smashimi played for a local women’s soccer league. “It was okay,” she says, “but we never practiced. We just had to show up and play. For me, half the fun of being on a team is practicing.”

Bruises, Abrasions, and Breaks

After a month of practices that had league members skating for eight minutes then resting for two, MRD began learning more complicated skill sets: jumping, falling, and skating together in a pack.

I remember the first time Tran Sam said we were going to fall when she blew the whistle. Hustlin’ Flow demonstrated, dropping forward on her knees and hands. Tran Sam advised us to try to fall and get back up without using our hands.

“There’s going to be a lot of girls out there,” she says. “Using your hands is a real good way to break all of your fingers.”

I’m still thinking about other skaters running over my fingers when we take the rink. I fight a rising panic, wondering how well my cheap kneepads will buffer my fall, or if I’ll be able to fall at all.

Twwweeet!

I slow down and girls start dropping around me — whomp … whomp … whomp, whomp, whomp — their heavy kneepads thump on the floor. I lean forward, and as my knees hit, I slide five feet across the floor painlessly and smile.

Justin Fox Burks

Legion of Zoom jammer Machine Gun Kelly is known for her unique skating style.

That was fun. Most of the skaters are still resting on their knees, laughing and talking excitedly. Suddenly we are jolted back to reality. “GET BACK UP!” yells Tran Sam.

“I will never forget the sound of 60 women’s knees hitting that wood floor,” says Hustlin’ Flow. “Now it’s nothing, but for all of us doing that together … I’ll never forget it. Derby asks you to do so much sacrificing. You have to be willing to let your body fall to the ground.”

Between the physical exertion, the hits, and the falls, injuries are a way of life for derby girls.

“Every time we scrimmage, I put my foot on the line and ask myself: Is today going to be the day? Because it’s just a matter of time,” says Zell Bent. “Then there’s the part of me that’s like, if I get injured, it will heal. It will hurt, but it will heal.”

Most of the injuries are nothing serious: rink burns, bruises on arms and thighs. You get 10 women skating within inches of each other, and, despite calling fouls when skaters touch members of the opposite team, accidents happen.

Justin Fox Burks

League founder Tran Sam started skating at Skateland in Raleigh when she was 7 years old.

“When I’m jamming, it all goes so fast,” says Jill B. Nimble. “Vicki [the Victator] busted my lip the other day. I didn’t have a clue who touched me or how it happened. [When we scrimmage] I walk away with marks all over me, and it’s like, dude, how did I get that?”

Other injuries have been more serious: pulled groin muscles, broken arms, knees popping out of joint during practice, mild concussions.

For Moxie Dynamite, an easygoing artist and arts administrator, joining derby was a little out-of-character. But she could only think of one reason not to — that she was scared — and that simply wasn’t good enough.

Even when she broke her arm very early on, she knew she couldn’t quit. “I didn’t want to chicken out,” she says. “It was really just a freak thing. I fell and landed weird.”

Whorecules began as a blocker for the Legion of Zoom. But during the first intra-team scrimmage, she tore her posterior cruciate ligament, effectively ending her derby career. Now in physical therapy, she had to wear an immobilizer for weeks and will probably need surgery one day. But she has also found a new role for herself in the derby: as a coach for her former team.

THERE ARE NO BALLS IN DERBY

A member of TXRD’s Hellcats once said: “Being in the derby is like being in a cross between a sorority and a gang,” and I can’t think of a more apt description. Leagues are female-owned and -operated. Women spend two or three night a week together. The few men there are support staff: coaches, referees, and rink employees.

Heather Smashcraft, the head of the league’s mentoring committee, says derby is both liberating and empowering.

“I like the idea of a women-run organization,” she says. “I think there’s a certain energy and attitude that surrounds the whole concept. It’s this I-can-do-anything attitude.”

And in some ways, the women have found kindred spirits in each other.

“The reason I was attracted to it was because of all the women with tattoos who live alternative lifestyles. It was like, finally, a group of women who live the same way I live, says Auntie Bactery’all. “It’s like a sisterhood.”

Perhaps because it is female-operated, the league seems like one big family. The four teams — the party girls of the PrissKilla Prezleys, the metal and punk chicks of the Angels of Death, the precision-trained Women of Mass Destruction, and the easygoing Legion of Zoom — were not just divided by skill level but by who was friends with whom.

“I feel like no matter where I was or what happened I could call someone from derby and they would help me,” says Smashcraft. “This network is at our disposal. If I was stranded somewhere, someone from derby would come and get me.”

But just like a sorority or a gang, those on the outside often feel left out. Skaters talk about their friends being derby and non-derby or about having hardly any non-derby friends left.

“It got to the point where I couldn’t have a conversation unless it was about derby,” says Zell Bent. “There was so much that needed to be done and so much excitement about it. I found that my friends didn’t have the same excitement.”

Husbands, boyfriends, and girlfriends probably get the worst of it. Since the league started, some of the skaters have found their relationships in trouble. Others follow “No Derby” rules at home. “It came down a couple of times to my boyfriend saying, ‘It’s derby or us,'” says Manda Malice.

For the Love of Quad

Despite the injuries, the physical and mental toll, and the strain it puts on relationships, the women say they can’t imagine life without roller derby.

“The first time I realized it is exactly what I wanted to do was the first time we actually laid down a track,” says Malice. “We got in that pack, and I had a girl run into me. I hit back, and she slid across the floor. And I thought, This is it. This is why we’re here.”

And skaters have found some surprising changes have occurred in their lives. They talk of being more independent, more assertive, in better physical shape, and enjoying life more since they started derby.

Hustlin’ Flow drummed in a metal band for four years and, at the time, thought that was the most hard-core thing a girl could do. “I think roller derby has given me permission to be more feminine,” she says. “It’s like, if I can kick this much ass, it’s okay to wear pink. All the parts of me that I’ve kept kind of tomboyish, I’m expressing that part of myself somewhere else. I’ve never felt sexier or more confident in my life, and I see that happening to a lot of women in derby.”

“I think it brought out more of me that was there before I had kids,” says Smashimi. “I was very much about being a mom, but since derby, I’ve had a chance to be Stacey again or this new person, Smashimi.”

And then there are the women who, perhaps understandably, have found a part of themselves that is aggressive and tough.

“What I love about it now is the hitting,” says Moxie Dynamite, the petite and even-tempered artist. “I crave it. It reminds me of when my brother and I would fight but there would be an element of play. I’m hitting you, but you know I like you.”

“I find people in general less intimidating,” she says. “I know I could just hit them with my upper arm and be done with it. [If someone’s bothering me], I think, I could take his ass out.”

The Angels of Death take on the Women of Mass Destruction Saturday, November 18th, at FunQuest Entertainment, 440 Highway 72 in Collierville. Doors open at 6:30 p.m. Bouting begins at 7:30 p.m. Tickets are $10 for adults and $5 for children. Kids under 4 get in free.

“Angelina Rolie” is a member of the Legion of Zoom and an associate editor of the Memphis Flyer.