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“FISH” at Crosstown Arts

“FISH,” opening at Crosstown Arts on Friday, is a collaboration between Christopher Reyes, Sarah Fleming, and Laura Jean Hocking (Chris McCoy, the Flyer’s film editor is Hocking’s husband). Originally conceived as an experimental film project, the show morphed into a multi-media immersive installation.

Guests enter a cool, dark, shimmering space, much like an aquarium. On the north wall is a mural by Reyes with seahorses and gumball machines and martini glasses and cats and fish that bounce on the surface. On the opposite wall are portholes with films by Hocking of fish, Jacques Cousteau, coral reefs, and floating astronauts. The east wall shows more films of fish; these by Fleming are more subtle, less frenetic, she says. A soundscape completes the under-the-sea mood.

“FISH”

“There’s so much stress and uncertainty in the world,” Hocking says. “This show doesn’t have an agenda except beauty and joy.”

Blue drinks with Swedish fish, sushi, and Goldfish crackers will be served during the opening.

A gallery talk is set for August 5th, 5:30 p.m.

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Film/TV Film/TV/Etc. Blog

Happy 4th of July from Music Video Monday

This week’s Music Video Monday falls on the 4th of July, and we’re here to instill you with pride. 

Last week, The Memphis Grizzlies released a video they commissioned from director Craig Brewer called “Mike Conley – Our Conductor“. The video was a tribute to the baller, who was up for contract renegotiation, and a plea to stay. It must have worked, because Conley signed a $153 million dollar, 5-year contract to stay in Memphis. 

To make “Mike Conley – Our Conductor”, Brewer enlisted a who’s who of Memphis film talent, including producers Morgan Jon Fox and Erin Freeman, cinematographer Ryan Earl Parker, assistant director Sarah Fleming, Brandon Bell, and Firefly Grip and Electric. Prolific composer Jonathan Kirkscey was tapped to write an inspiring score, which would be performed by musicians from the Stax Music Academy and members of local orchestras, and the Grizzline drummers. Dancers from Collage Dance Collective, joined jookers from the Grit N’ Grind Squad. The conductor is Dr. James Gholson. 

Editor Edward Valibus says the first step in assembling the video was to lay down the music bed and edit together footage from a shoot at the FedEx Forum. Before any of the interviews with Conley’s friends and teammates were added, a cut was circulated to the Grizzles PR team, who went bonkers for it. “The first rough cut got such a tremendous response, we wanted people to see it it so the individual artists could get some recognition,” Valibus says.   

So here it is, the “Artist Only Remix”, showcasing some of the best musical and filmmaking talent our city has to offer. Happy Independence Day! 

Happy 4th of July from Music Video Monday

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Film/TV Film/TV/Etc. Blog

2016 Oxford Film Festival Winners

Big crowds attended an expanded slate of films at this year’s Oxford Film Festival, which stretched through Sunday in the Mississippi college town.

Outstanding films among the more than 130 entrants screened during the five-day festival were recognized at Saturday night’s gala award ceremony at Oxford’s Lyric Theater. The big winner was Embers, the science fiction film by Claire Carré which took home two Hokas: Best Narrative Feature and the Alice Guy Blaché Female Filmmaker Award. 

Memphis filmmakers Joann Self Selvidge, Christopher Reyes,and Sarah Fleming celebrate their Best Editing win for the short documentary ‘Viola’.

Memphis filmmaker and video artist Christopher Reyes was awarded a Hoka for Best Editing for his work on Joann Self Selvidge and Sarah Fleming’s documentary “Viola: A Mother’s Story Of Juvenile Justice”.

Best Documentary Feature was awarded to Nick Brandestini’s Children Of The Arctic, with Best Documentary Short going to “The House Is Innocent” by Los Angeles director Nicholas Coles. The Narrative Short Hoka was awarded to the Belgian film “Blazing Sun” by Fred Castadot. The Mississippi awards went to the narrative short “The Gift” by Gabriel Robertson and the documentary “Finding Cleveland” by Larissa Lamb. Clay Hardwick’s “Fallen Star” won the music video award. The Experimental prize went to André Silva’s “cyberGenesis”. The Special Jury Award for Best Director went to Kostadin Bonev for “The Sinking of Sozopol”, and the Lisa Blount Memorial Acting Award went to Robert Longstreet. Other special jury prizes were awarded to “Three Fingers” by Paul D. Heart, “They Crawl Amongst Us!” by Sihanouk Mariona, and “Fitting The Description in North Portland” by Jarrat Taylor. The ensemble acting award went to the cast of the Los Angles comedy “The Week”.

The Hoka awards are named for a Chckasaw princess, and this was the 13th year the festival has awarded them to outstanding films entered in the film festival’s competition.  

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Film/TV Film/TV/Etc. Blog

Indie Memphis Day 7: A Bloody Good Time

Charisma Carpenter gets bloody in Girl In Woods

After a fantastic weekend filled with great films and events in Overton Square, Indie Memphis returns to the Orpheum Theatre’s Halloran Centre tonight with the documentary Breaking A Monster. Director Luke Meyer followed Unlocking The Truth, a talented metal band of 12- and 13-year olds whose talent and verve got them a record deal and thrust them, unprepared, into the swamp of the 21st century music industry. 

Indie Memphis Day 7: A Bloody Good Time

The second film at the Halloran Centre is Jeremy Benson’ horror tour de force Girl In Woods. You can read about the harrowing production in my interview with Benson in last week’s Flyer cover story. 

Indie Memphis Day 7: A Bloody Good Time (2)

Also tonight at the Halloran Centre is one of the many great panel discussions that Indie Memphis has been hosting this festival. If you’re a woman who works in video production or has interest in filmmaking, come out the Women Filmmakers In Charge panel with Indie Memphis Hometowner Feature Award winner Joann Self Selvidge; Orion: The Story Of The Man Who Would Be King director Jeanne Finlay, who is in town from Nottingham, England; veteran producer/director Sarah Fleming, who shared the Short Documentary award with Self Selvidge this year for “Viola”; and producer/director/editor Laura Jean Hocking. 

Back at Studio On The Square, there are two encore presentations. The first is Barge, this year’s Best Documentary award winner, and the second is the wild comedy Tangerine, which played on opening night of the festival. 

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Film/TV Film/TV/Etc. Blog

Indie Memphis 2015, Day 3: Meet Memphis

After a strong start, tonight’s Indie Memphis programming takes a deep look at the city through the eyes of 11 of its filmmakers. 

Memphis artist Tom Wuchina

The Hometowner Documentaries block of shorts screens at the Halloran Centre beginning at 6 PM. Among the 9 films on the bill are “Tom Wuchina Art Of Memphis”, which highlights the work and life of an artist whose public pieces you have seen, but may not have known where they came from. Brian Manis’ 20-minute “Brewhouse: The Tennessee Brewery Story” fills in the gaps on one of Downtown’s most storied and prominent buildings on the eve of its big comeback. “Viola: A Mother’s Story Of Juvenile Justice” is the second work in the festival by Joann Self Selvidge, the documentarian whose film The Keepers wowed audiences on opening night. This time, she’s partnering with past Indie Memphis winner Sarah Fleming for an 8-minute preview of their upcoming feature documentary about the school-to-prison pipeline and how groups in Memphis are working for reform. 

Viola: A Mother’s Story of Juvenile Justice

Tonight’s narrative feature is Sean Mewshaw’s Tumbledown, starring Rebecca Hall as a widow collaborating with a writer, portrayed by former Saturday Night Live player Jason Sudeikis., to create a book about her late, eccentric artist husband. 

Indie Memphis 2015, Day 3: Meet Memphis

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Bryan Hayes

Country comes to town in this week’s Music Video Monday. 

Bryan Hayes’ new video highlights some familiar Memphis landmarks. Directed by Melissa Anderson Sweazy, “Farther Down The Line” features some excellent cinematography by Sarah Fleming of locations such as The Arcade, the Downtown skyline, and the Mississippi riverfront. Today marks the world premiere of this song by the Iraq War veteran, in which the singer ponders the present and future of America. 

Music Video Monday: Bryan Hayes

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Film Features Film/TV

Bikesploitation Returns For More Cycle Films at the Metal Museum

The fourth annual Bikesploitation film festival is about more than just film. “I think a lot of communities that are embracing the bicycle are having film festivals. We’re seeing them pop up all over the place,” Christopher Reyes says. Reyes and his partner Sarah Fleming have been putting on the festival since their days as co-creators of the music, art, film, and culture website Live From Memphis.

The goal of the event is to both entertain and educate the public about the world’s most efficient mode of transportation. “It’s really popular, the bicycle genre, among filmmakers,” says Fleming, whose bicycle-themed short documentary Training Wheels was a hit on the indie festival circuit in 2011. “If you’re looking for feature films, it’s kind of hard, but if you’re looking for good, short bicycle films, there are lots to choose from.”

valibus.com

Art, music, races, and more at this year’s Bikesploitation

Curated by Memphis filmmaker Edward Valibus, the film competition includes selections from all over the world. “We try to have a really good collection, so there’s BMX stuff, and there’s mountain bike stuff, road bike stuff, fixes, you name it,” Fleming says. “And there are all different genres, like narrative films and documentaries, so you can get a great overview of films from around the world and locally.”

Films from as far away as Australia and Israel will screen at the festival. Walnut documents craftsman Geoffrey Franklin’s process of making bike accessories from wood by hand. The spectacular Dust in the Chain from Germany follows a daring stunt rider’s trick-filled trip through an abandoned industrial building. Canadian director David Phu’s six-part film on Vancouver’s bike culture is an inspiration to those trying to make Memphis more bike-friendly.

“Most of the films are geared to inspire,” Reyes says. “That’s what we want the whole festival to be. We want people to approach biking with creativity, with film, music, and art, so it’s easy for people to tap into the scene and find something that interests them.”

Live From Memphis’ multimedia approach will be alive and well at the Metal Museum during the all-day festival. Events include a massive bike-related art show, a number of races and time trials, and interactive sculptures. “If you’re an artist and you have something that is somehow bicycle-related that you want to be in the show, we wanted to include it in the show,” Fleming says.

The location is new this year. “We’ve been wanting to do it at the Metal Museum for a long time, but part of the issue was getting there safely on bikes,” Fleming says. A series of group rides (“slow jams,” as Reyes calls them) has been organized from all over the city to help riders find the best route to the bluff-side festival.

“The ride leaders are stoked,” Fleming says. “There’s one is South Memphis, one in East Memphis, one in the University of Memphis area, one in Midtown, and one in downtown. It’s not about, ‘Oh, I ride a fixie’ or ‘I like to race.’ It’s about the bicycle in general. We want all kinds of people who ride bicycles to get together.”

Bikesploitation 4

Saturday, May 17th

National Ornamental Metal Museum

Free

bikesploitation.com