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Film Features Film/TV

Music Video Monday: “Don’t Break The Dam” by Turnstyles

Today, we have a world premiere music video by two of the hardest-gigging musicians in Memphis. Seth Moody and Graham Winchester are Turnstyles, and if you’ve been out and about in the last few years, you’ve probably seen the garage-surf duo.

“As a band, and particularly a duo, Turnstyles has played so many random shows, from big stages to the corner of someone’s humid basement,” says Winchester, an acclaimed drummer who has accompanied everyone from Jack Oblivian to Devil Train. “But we always try to see the positive with every single show, and with that mentality, the music always takes us to a higher spiritual place.”

“Don’t Break The Dam,” is the first of many planned singles from their upcoming double LP on Black and Wyatt records. The video was conceived and directed by Coco Moody, and features cameos from Coco and Seth’s daughter Sulli and son Baker.

“I’m so glad Coco conceptualized a fun and funny video out of the lyrical message,” says Winchester. “Seth had the lyrics to the song over 20 years ago, but we just recently teamed up and put the words to music. I suppose the message here is that you can take a bad situation and gripe your way into a much worse place, hence ‘breaking the dam.’ I love how Coco used a blacklight room in the video to depict that preferred headspace. I’m also glad to have her making videos for us in general.”

Hop in the van for this world premiere from a pair of Memphis originals!

If you would like to see your music videos featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Music Record Reviews

The Turnstyles’ Two-Cylinder Engine Revs To Life

Duos hold an honored place in the rock-and-roll pantheon. In the ’80s, the concept seemed obscure, though the moderate success of the Flat Duo Jets and House of Freaks served as a proof of concept that duos could indeed rock. Before those bands, aside from folk duet singers or other non-rock arrangements, who was there? Suicide, featuring Marin Rev and Alan Vega, formed as early as 1970, but it was a keyboard-led affair. For that quicksilver sound of a guitar paired only with drums, you would probably have had to rely on North Mississippi’s She Wolf herself, Jessie Mae Hemphill.

The turn of the 21st century, of course, made the rock duo mainstream, with the ascension of first the White Stripes, then the Black Keys, to legit celebrity status. Many lesser-known bands have followed their example, but it’s still relatively rare. Which makes the Turnstyles that much more refreshing.

Seth Moody (guitar) and Graham Winchester (drums) both play in other incarnations, including Jack Oblivian and the Sheiks, so they know a thing or two about a good arrangement. They’ve played local stages for some time now, but it was only this April Fool’s Day that their debut, Cut You Off, was released on Bandcamp. Now the vinyl edition, pressed by Black & Wyatt Records, is out as well.

And the results are a true shot in the arm during these troubled times. If the White Stripes demonstrated that guitar/drum duos could be as heavy as Led Zeppelin, making much use of all that empty space between notes, the Turnstyles’ approach is to swing the pendulum back to the frenetic, upbeat sound that earlier duos mined.

Yet, for all that, the basic sound is just good ol’ rock-and-roll. The stylistic wheelhouse of the band seems like a less-is-more version of, say, the Flaming Groovies: basic riffs and chord changes evoking all the foundations of rock, from surf to country to Chuck Berry-esque story songs.

A few key elements ensure that these songs come across. For one thing, these guys are together, having tirelessly worked the club scene for so long, honing their arrangements. They can snap out of an unhinged noise wash into a tight chorus or bridge at the blink of an eye. Secondly, the guitar sounds are pitch-perfect. Perfecting a guitar tone is not an obvious thing, yet Moody has clearly done so. It’s not gimmicky, in a cruddier-than-thou manner, just a solid, gritty twang that can jump from country to surf in a heartbeat. Fourthly, Winchester’s architectural playing lends each song’s different sections distinct personalities, elevating the sound beyond some ill-defined noise wash. And finally, both of these guys can sing, so even if it’s just them yelling “Fish Taco!” in unison, it cuts through the wash and jumps out of the speakers.

All in all, it’s a great party record, propelled by their familiarity with the breakneck pace of some Jack Oblivian tunes. If the doldrums are making you feel claustrophobic, it’s the perfect platter to put pep in your step. 

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Faux Killas

Music Video Monday is on film!

To create their video for the Faux Killas’ “Do What You Gotta Do” video, Jason Leigh and Reed Mitchell decided to go back to the future and shoot on 16mm film. Compared to digital video, film is a complex and uncertain process, but the results Leigh and Mitchell get with both color, as when they’re shooting dancer Ashley Volner, and black and white, as when they’re shooting Jeremiah Jones, Jason Rice, Sam Shansky, and fresh Faux Killa Seth Moody, are spectacular.

Leigh and Mitchell are members of The Artist Commons, a new grassroots arts organization whose goal it is to help “ignite local creative minds”. Faux Killas’ latest album Chiquita is available on Bandcamp, Spotify, Amazon, and Apple Music.

Music Video Monday: Faux Killas

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Music Music Features

Cassette Set: Nashville Meets Memphis

Less than two years ago, Seth and Coco Moody — the musical power couple that fronts Cassette Set, a new-ish local project featuring a pair of well-known Memphis musicians, Graham Winchester and Jack Oblivian — were gearing up for a big move from Wilmington, N.C., to Nashville to pursue new jobs and musical opportunities. As luck would have it, for what would be their last night in town, one of Seth’s bands, Deadly Lo-Fi, got offered a gig opening for a touring Memphis act, Jack O and the Sheiks.

“That was a pretty random card throw,” he says. “We were packed and about to move to Nashville, and Travis (Burdick, Deadly Lo-Fi frontman) hit me up to do a Monday night show, opening up for Jack and the Sheiks. We were literally driving the U-Haul on Tuesday, so my inclination was to skip it.” His wife, however, would have none of it.

“Coco, I remember, said, ‘Come on, it’s Jack Oblivian. You gotta do it!’ So I did the show. [Jack O and the Sheiks] had me sit in on sax, and we had a blast of a night, musically, and those guys are a blast without the music.”

A week later, when the tour rolled through Nashville, Seth sat in with the band again. Friendships and a musical bond were formed, and for six months, Seth traveled from Nashville to Memphis for gigs.

“After the Nashville show, I came down and did Gonerfest with them, stayed the weekend, and played a DKDC show as well,” he says. “Then, I guess every show after that, I’d get asked to come down. I’d stay the weekend, so it was fun despite the commute.”

Wary of the music industry infrastructure and unable to make connections in the local underground scene, the couple grew restless in Nashville. After only six months in “Music City,” Seth and Coco relocated to Memphis.

“Every time I’d come to Memphis, I’d meet more and more oddballs like myself, who were also coincidentally good musicians and songwriters,” says Seth. “I’d stay at Jack’s, and he’d drive me around the city, showing me the good thrift stores, where to get a goat burrito, etc. So as the six-month lease on our expensive Nashville apartment started nearing renewal time, we made the decision to get ourselves here.”

Winchester, one of Seth’s new bandmates, takes credit for playing at least somewhat of a role in that decision.

“Every time I saw Seth, I would tell him how much more of a Memphis dude he was than a Nashville one and how we were going to steal him one day.” 

Seth has quickly become a local staple. In addition to playing with Jack O and the Sheiks, he’s performed live and/or recorded with Kelley Anderson, Jesse Davis, and Faux Killas, to name a few, and has two original projects — Turnstyles, a duo with Winchester, and Moped 10, a trio with Coco and Oblivian.

Last year, Seth and Coco decided to start a covers band with Coco as the lead singer and Seth on guitar and keyboards. Winchester and Oblivian were quickly recruited to play bass and drums, respectively, and Cassette Set was born.

“The idea of the band is to do songs from the ’70s and ’80s but not to worry about the details so much,” says Seth. “If you’re coming up to a part that’s intricate, just plow through it like the Kool-Aid guy entering a kid party.”

Cassette Set has built a repertoire of over 40 revved-up versions of songs by Tears for Fears, Soft Cell, the Cure, the Cars, and Tom Petty and the Heartbreakers, adding a “Memphis garage-rock flair” to new-wave classics.

“These are songs we grew up with. They’re fun,” says Seth. “We have a good time, and that’s the whole point, right?”

Cassette Set, Loflin Yard, Saturday, March 18th, 10 p.m. Free.