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Opinion

Confederate Parks: “It’s Done” but It’s Not Over

Forrest

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Could there be a more fiendishly designed story than Confederate parks and General Nathan Bedford Forrest to insure that Memphis forever trips over its own feet (well, maybe the Ford family saga)?

As City Councilman Lee Harris said, “It’s done” as far as renaming the parks. But it’s not over. This story has legs, as we say in the news biz. It also has horses, troops, and a cavalry. There are editorial revisions yet to come for the generic placeholder names, assuming a panel can be assembled that will agree on anything. But the real secret to the longevity of this story is no secret at all. It embraces the themes of race that Memphis loves so well.

If Forrest were alive today he would be coaching football at the University of Alabama. He would have figured out a way to beat Texas A&M, and he would be the darling of ESPN and the bane of reporters if he could not have them all flogged. As my colleague Chris Herrington says, a lot of people ignore the cause and confuse “war hero” with “great general”. Forrest is a war hero to unreconstructed white southerners like the ones writer Tony Horwitz described in his book “Confederates in the Attic: Dispatches from the Unfinished Civil War.” He is an annoyance or worse to black Memphians for his ties to Fort Pillow and the Ku Klux Klan.

Shelby Foote, the great Memphis Civil War historian and author, wrote a lot about Forrest in Part Three of his trilogy. Forrest, who was in overall command at Fort Pillow, “was widely accused of having committed the atrocity of the war. ‘The Fort Pillow Massacre,’ it was called, then and thereafter, in the North.” Foote wrote that, in fact, Forrest “had done and was doing all he could to end it, having ordered the firing stopped as soon as he saw his troopers swarm into the fort, even though its flag was still flying and a good part of the garrison was still trying to get away.”

Foote died in 2005, shortly before the last (as in last one before this one) Forrest fight was staged. He opposed renaming Forrest Park as well as Confederate Park and Jefferson Davis Park. The statue of Jefferson Davis in Confederate Park (yes) was placed there in 1964 during the heat of the civil rights era and desegregation, the year after Martin Luther King’s “I Have a Dream” speech in Washington and the year three civil rights workers were murdered in Neshoba County, Mississippi. It is impossible to imagine that its backers were not aware of the context. The Davis statue is more a political statement of those times than a monument to the Civil War. Davis could be in greater danger than Forrest.

If Nathan Bedford Forrest Park was on a less prominent street than Union Avenue, or if the general’s grave had not been moved in 1905 from Elmwood Cemetery where he was originally buried, the general would not get so much attention. But the park, with its equestrian statue of Forrest, is in the heart of the downtown medical center shared by the University of Tennessee and Baptist and Methodist hospitals that is finally showing renewed signs of life and investment. The Forrest grave site is a perfect spot for his admirers, whatever their motives, to put a thumb in the eye of the general’s critics, especially if they happen to be black.

Moving the monument and the graves of Forrest and his wife back to Elmwood, as some have suggested, would be one of the great media events of our time. Reenactors in full uniform would line the streets every foot of the way. Counter-demonstrators would turn out in equal or greater numbers. And every national news report would herald “Memphis Relives The Civil War.”

The City Council will revisit the issue soon. Councilman Myron Lowery has suggested adding a statue of Ida B. Wells to the park, a sort of one-of-ours-and-one-of-yours compromise. The problem with that is that some Memphians may not wish to identify with either one. If you are white, was Forrest “ours”? He belongs to history. His monument and grave have been there for 108 years. Moving them would make the annual Shiloh reenactment in April look like a church picnic. Union Avenue between Manassas and Cleveland is prime real estate that, hopefully, will one day look more like a medical center on the order of Nashville or Jackson, Mississippi. It’s complicated, fiendishly complicated. And not over by a long shot.

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Opinion

Million-Dollar Weekend for Downtown Memphis

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Author Shelby Foote wrote in his novel “September September” that the three hardest dates in show business were “Christmas, Easter, and Memphis.”

Good line, but Foote’s novel was set in Memphis in the 1950s, and Memphis has earned a different reputation. Last weekend, the Memphis Grizzlies played at FedEx Forum Friday night and Saturday night, sandwiched around a Memphis Tigers basketball game Saturday afternoon. All of the games reported ticket sales of over 15,000, and Flyer writers who covered the games said the arena looked nearly full.

And on Sunday, “Million Dollar Quartet” played two shows at the Orpheum, closing out a six-day run of sellouts. Pat Halloran said total attendance was around 17,000.

The recession may not be over but Memphians and visitors are coming downtown and spending money. At the Majestic Grille on South Main Sunday night, people were waiting for tables or walking away when they saw the crowd, so I assume it was a good night in general for restaurants and bars.

I thought “Million Dollar Quartet” took off after the midway point when the blow-up of the famous black-and-white photo dropped down from the ceiling and the actors recreated the pose around the piano and the audience collectively thought, “Hey, it all happened about a mile away at Sun Studio.”

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Special Sections

The Craver Family’s Unusual Birth Announcement

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My serfs (okay, they prefer to be called “interns”) are still cataloging and filing away the more than 43,000 items I purchased at the recent Shelby Foote estate sale.

Every few hours, they will clamber out of the basement to show me something of interest, but I think that’s just an excuse to get a sip of water, a spoonful of porridge, and a breath of air. But occasionally, they really do find something intriguing, and this is a good example.

It’s a birth announcement, but cleverly written and designed as if it were introducing a new model car. “The Craver Production Company of 1900 Mignon Avenue, Memphis, Tennessee,” it reads, “Announce the 1935 Craver Baby Girl, Model Number One.”

This particular “model” was released on June 19, 1935. The proud parents are H.A. Craver, “designer and chief engineer,” and Dallas Craver, “production manager.” Even the good physician who helped with the birth gets a mention, with Dr. J.J. McCaughan listed as “technical assistant.”

It’s curious, at least to me, that the baby girl’s name is not given on the announcement. Even so, she came fully equipped with such special features as “two-lung power, double bawl bearing, free squealing, economical feed, scream-line body, water-cooled exhaust, and changeable seat covers.”

This was apparently the Cravers’ first child, and they wanted to make sure that everyone understood there would be no additional children anytime in the immediate future: “The management assures the public there will be no new models brought out during the balance of the year.”

I wanted to find out more about this rather clever family, but so far I’m stumped. I’m sorry to admit that the Lauderdale Library is missing some copies of old city directories, such as the 1935 edition. But later editions, from the late 1930s through the early 1940s, do not show this family as living in Memphis, and another family entirely is occupying 1900 Mignon. Birth, marriage, and death records online at the Shelby County Register’s Office don’t show this family, but that’s not too unusual because most of those records don’t cover the 1930s anyway.

I’ll have to do some further research before I can tell you just who the Cravers were, and where they went.

In the meantime, I just wanted to share this with you. Now, back to the basement, serfs!

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The Shelby Foote Estate Sale – Empty Rooms Now

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I made a return visit to Shelby Foote‘s former home on East Parkway today, just to see what wonderful treasures were still left for the taking.

Well, not much. An original Carroll Cloar oil painting, whose title now escapes me, was still available (a bargain at $45,000) along with a somewhat battered authentic “Indian Wars” sword ($750), a few pieces of furniture (a bed, some tables), some celluloid bridge markers ($65 each), and a box of old postcards and letters (none of them, as far as I could see, relating to Memphis).

Most of the glass-topped boxes containing the butterfly collections were still for sale on Monday, though priced at $195 to $265, so you had to really like butterflies if you wanted to take these home. (I have to admit, these really were magnificent butterflies.)

Just about the only books left were an 18-volume set of James Branch Cabell ($195).

Even so, it was certainly a treat to wander through the interesting old house, which is constructed inside and out in a rambling Tudor style, with uneven brickwork, tile floors, massive rough-hewn beams, hand-carved mantels, and curious creatures (is it a deer or a dog?) carved into the plaster door moldings here and there.

The most fascinating part of the house, to me, was Foote’s former study, a vaulted room with a massive brick fireplace. I had seen plenty of images of him sitting at a low desk, ink pen in hand, with a mosaic of photos and letters neatly pinned to the wall behind him. Here’s the same desk (above) as it appeared on Monday afternoon, looking rather forlorn and empty, with just sun-faded outlines showing where he had mounted his things to the wall. Rather depressing, yes.

PHOTO BY GREG AKERS

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Treasures from the Shelby Foote Estate Sale!

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More than 4,000 people lined up to peek inside the charming Tudor-style mansion of Civil War historian Shelby Foote today, and I was one of them. Foote died in 2005, and his family held an estate sale on East Parkway so history buffs could purchase treasures from one of the greatest writers of our time. And the “star” of Ken Burns‘ fine Civil War PBS series, remember.

The house was packed with precious books (many signed by Foote himself), lovely sculptures, beautiful paintings, vintage photographs, old guns and canes and pottery and even a stunning collection (more than 40 glass cases) of butterflies.

The trouble is, I already have all that stuff, as anyone who has tried to walk through the Lauderdale Mansion can attest (along with the fire marshalls).

So instead, I concentrated on the odd and unusual, such as this old decal that carries the cryptic message, “It’s TOTEM POLE.” The pretty blonde lady seems to be landing in some form of helicopter (look out for those whirling blades!), and the fellow on the ground seems to be wearing an army uniform. But what it means, and being a decal, where it was supposed to go — well, that’s a mystery.

If anyone can explain this, I would be mighty grateful.