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Slice, Slice, Baby

When the moon hits your eye, like a big pizza pie, that’s amore. It’s true that a good pizza, fresh out the oven, is akin to that warm, fuzzy feeling of love, but there’s no need to take one to the face to enjoy Italy’s culinary magnum opus. Memphis has long been cultivating its approach to the pizza game, with restaurants showing off their take on New York-style, to Chicago-style, to Bluff City-style (we’re always down for a barbecue chicken pizza).

For our 2023 pizza issue, we sent our intrepid reporters across the city to try out 10 different pizza joints. Their conclusion? Any way you slice it, Memphis’ pizza game is going strong.

Photo: Jon W. Sparks

Slim & Husky’s – P.R.E.A.M.

If you often think to yourself that “Pizza Rules Everything Around Me,” then you’re ready for Slim & Husky’s P.R.E.A.M.

The artisanal pie’s highlight is a splendid white sauce along with the S+H cheese blend on top of a perfectly prepared and crunchy thin crust. It’s festooned with spinach, pepperoni, pulled Italian sausage, mushrooms, and red onions.

As the onion bits were sparse and the mushrooms merely present, it was up to the other elements to carry the day. The sausage was particularly good, with a distinctive flavor, and the spinach and pepperoni rounded out the appeal of the dish.

The elongated pie is cut into squarish shapes and invites the hungry diner to dig in. If you eat inside, the atmosphere is welcoming, with soul music in the air and delightful artwork of luminaries such as Aretha Franklin and Isaac Hayes on the walls.

The staff is friendly and helpful, and it’s clear a lot of thought has gone into making dishes that go far beyond the standard offerings of the big chains. Nashville-based Slim & Husky’s is also a chain, but you’ll feel right at home chowing down on a well-made pizza. — Jon W. Sparks

Slim & Husky’s, 634 Union Ave., slimandhuskys.com

Photo: Chris McCoy

Little Italy – Grandma’s Pizza

Remember the pizza they served in elementary school? It was square because it baked on the cookie sheets the school kitchen already had. It was not great (or even good) by normal pizza standards, but it was the pinnacle of school kitchen culinary creation. Maybe, if you’re lucky, your grandma tried to recreate that magic at home with a scratch-made crust and an assist from Chef Boyardee.

Imagine that pizza made by a real pizzeria. That’s the Grandma’s Pizza at Little Italy.

“It’s a New York thing,” says owner Giovanni Caravello. “Somebody’s grandma used to make it like that. It’s a lot more popular up there than it is down here. If you tell people from the North it’s a Grandma’s pizza, they know what it is.”

On the menu, it’s listed as thin crust, but in practice, the Grandma rises a bit more than the standard thin crust. It comes basic with fresh mozzarella patches and exposed sauce, but it’s substantial enough to load on the toppings, if that’s what you’re into.

Another good thing: It has more crust (thanks, geometry!). And if you ask for it to be cut in smaller pieces, it can be good finger food for a party.

Little Italy opened in Midtown in 2004 and recently expanded Downtown. And a third location is expected to open in early April to spread Grandma’s comfort to East Memphis. — Chris McCoy

Little Italy, 1495 Union Ave., 106 GE Patterson Ave., littleitalypizzamemphis.com

Photo: Kailynn Johnson 

Slice of Soul Pizza Lounge – Al B. Green

When I first glanced at the menu at Slice of Soul Pizza Lounge, located at 1299 Madison Avenue, an instant feeling of FOMO fell upon me. I was bitten by the “New Year, New Me” bug, and this trickled down to my eating choices. There were so many appetizing options, with Memphis-themed names, such as the “Pyramid Parmesan Chicken” and the signature Bellevue loaded potato, that made my decision to settle for the vegetable pizza even harder. However, as I took a bite of the seven-inch Al B. Green slice, I realized I was far from settling.

According to Anthony Latiker, the owner of Slice of Soul, the Al B. Green is one of the most popular options, and it’s no surprise. Latiker explained that it can be hard to describe the style of their pizza, as it’s simply their own take on a classic food item.

The slice consisted of “obese deliciousness of spinach, black olives, green olives, mushrooms, onions, roasted red peppers, green bell peppers, and banana peppers.” Not only did this huge portion provide me with a filling dinner, but the presentation provided an aesthetic worthy of the “phone eats first narrative.” — Kailynn Johnson

Slice of Soul Pizza Lounge, 1299 Madison Ave., sospizzalounge.com

Photo: Abigail Morici

Dino’s Grill – Cheese Pizza

In 2018, at my first visit to Dino’s Grill, I fell in love, not with my date sat across from me for my freshman year sorority formal — the one who didn’t know how to properly punctuate contractions and who didn’t take kindly to constructive criticism. Oh no, I fell in love with the plate of spaghetti with marinara before me. And while my standards for choosing a formal date were low, my standards for spaghetti with marinara have always been high. And let’s just say Dino’s is now my new standard. It’s my favorite thing in all of Memphis. Seriously.

Blobby chows down on leftovers. (Photo: Abigail Morici)

And so as my deadline for this pizza issue loomed ahead of me, I dreaded ordering anything but spaghetti at Dino’s. How could I betray my love? And yet I did. For the sake of journalism. I ordered a cheese pizza. And hot damn, have I been missing out! The pizza comes with Dino’s signature marinara, the marinara I already love, and the pizza crust is thin just like my grandpa would’ve made it. How could I not love it? It’s simply delicious, and I had to withhold myself from eating all eight slices. Now, I fear that the next time I go to Dino’s, instead of immediately ordering my go-to pasta, I’ll have to make a decision between pasta and pizza. Lord, help me. — Abigail Morici

Dino’s Grill, 645 N. McLean Blvd., dinosgrill.com

Photo: Tamboli’s Pizza & Pasta

Tamboli’s Pizza & Pasta – Cacio e Pepe

Tamboli’s Cacio e Pepe is an extraordinary and unusual pizza — and well worth a trip to the funky and delightful mother-ship restaurant on Madison Avenue.

Cacio e Pepe is built on the premise that a pizza with courage and ambition can forge its own path, forgoing such conventional building blocks as red sauce, tomatoes, meat, or, you know, vegetables and stuff. This is a pizza with heart — and lots of chewy and spicy goodness that will win you over.

This is a pizza that begins its climb to greatness with a whipped ricotta cheese base which is topped by a thick, gooey layer of mozzarella, some edgy pecorino Romano, freshly cracked black pepper, and the piece de resistance — white truffle oil. Get back, y’all!

Let’s be real, here: This is basically a mixed-cheese dance party that’s oven-baked and wood-fired on top of Tamboli’s wonderful house-made dough. The pepper and truffle oil merely serve to elevate it to bliss level.

Pro Tip: Cacio e Pepe pairs beautifully with Tamboli’s Caesar Salad, which also features Pecorino Romano, plus toasted pine nuts with house-made dressing. — Bruce VanWyngarden

Tamboli’s Pasta & Pizza, 1761 Madison Ave., tambolis.com

Photo: Izzy Wollfarth

Memphis Pizza Café – Buffalo Chicken Pizza

Memphis Pizza Café has built its reputation on being one of the few pizza places that has mastered perfectly crispy and thin crust. But achieving that perfect crust harmony isn’t the only thing Memphis Pizza Café is famous for. What elevates this pizza joint is the balance of unique flavors found in every variation of pizza. Whether this is through their traditional subs, calzones, or cheese sticks filling bellies during happy hour (Monday-Friday, 4-6 p.m.), there is not one place where flavor is lost. And one of the most popular flavors is their Buffalo Chicken Pizza.

Taking a bite of their Buffalo Chicken Pizza will have diners begging for more. The secret of these flavors can be found in their marinated chicken tossed with mozzarella and cheddar on an olive oil-based pizza served with Frank’s special sauce and ranch dressing. While the contents of Frank’s sauce might not be known to us yet, our hunger for more will soon reveal the truth. — Izzy Wollfarth

Memphis Pizza Café, multiple locations, memphispizzacafe.com

Photo: Alex Greene

Boscos Squared – Palermo

Walking into Boscos on Overton Square, I feel a bit of nostalgia. Not only were they the first brew pub in Tennessee when they opened their Germantown location in 1992, they had the first wood-fired oven in the city. Pizza and beer are a sublime combination, and Boscos perfected both a long time ago. More than 30 years later, how well I remember the first wood-fired pizza I had there: It was a revelation.

I’m happy to report that Boscos hasn’t lost their touch. The only difference is that now you can see your pie being made at the pizza bar. Ordering a Palermo, I settle in to watch Chef Ashley roll out the crust, trim the edges, and apply the sauce, cheese, and other toppings. Then she slides it into the roaring heat of the wood-fired oven behind her. What emerges is transformed. The hard wheat crust rises ever so slightly, taking on an airy crunch, while the sauce tastes as fresh as farmers market tomatoes. The pepperoni and sausage crisp up nicely, but it’s the succulent portobello mushrooms that really make this pizza. Add a pint of Boscos’ own Famous Flaming Stone steinbier, and there you have it: a classic pairing done right, withstanding the test of time. — Alex Greene

Boscos Squared, 2120 Madison Ave., boscosbeer.com

Photo: Michael Donahue

Izzy & Adam’s – Chicago Dude

I invited singer-songwriters Dylan Dunn and Ava Carrington to try a deep-dish pizza from Izzy & Adams.

Only one slice of the 14-inch Chicago Dude pizza was left when we finished. Dunn took that slice with him in a to-go box to a band rehearsal. The pizza, obviously, was a hit. “It’s the best pizza I’ve ever eaten,” he says.

Carrington, who doesn’t like pizza, loved the Izzy & Adam’s pizza we tried. The Chicago Dude, which includes pepperoni, onion, garlic, and giardiniera pepper mix, is so mouth-wateringly delicious. It’s dense, thick, and so full of flavor. It’s one of six speciality pizzas from Izzy & Adam’s.

Owner Ryan Long, who named the restaurant after his sons Isaac and Adam, describes the two-inch-or-so deep-dish pizza as a “cheese lover’s pizza.”

As Long told me in an earlier interview, “There’s a lot of cheese on it. It’s kind of a different pizza. There’s more filling. And it’s just unique to Chicago because it was invented there.”

With deep dish, “you put ingredients on the bottom, then the cheese, and the sauce goes on top of it all. And it’s garnished with Romano cheese and Parmesan.”

They use raw Italian sausage on their deep dish, as well as their thin-crust pizzas, Long told me. “We put on quarter-size pieces and it cooks in the oven. The grease from that pork gets released into the sauce. That’s what makes it damn good.”

Long knows whereof he speaks. He grew up in Rolling Meadows in the Northwest suburbs of Chicago. — Michael Donahue

Izzy & Adam’s, 6343 Summer Ave., Suite 110

Photo: Samuel X. Cicci

Silly Goose – Farm Daddy

So many bars turned to pizza as their solution to the Covid-induced financial and operating woes. I was surprised as anyone several years ago when I discovered that Downtown’s Silly Goose — a bar/lounge where I’d before unwittingly stumbled into a sleazy-esque late-night poker tournament and had several shots bought for us by a blackout patron dressed as Woody from Toy Story — had reemerged as a gourmet pizza destination. (Don’t worry, it’s still a late-night hot spot.)

I posted up at the bar and ordered a Farm Daddy, which brought the farm-fresh tastes directly to my seat with a bevy of ingredients: scallions, mushrooms, smoked bacon, wood-fire baked chicken, mozzarella, and Parmesan tossed in a house-made roasted garlic cream sauce. Silly Goose’s pizzas are the perfect bar snack, enough heft to stave off that impending hangover, but just light enough to avoid feeling stuffed while downing beers at the bar.

As a bonus, it turned out I’d stumbled into Silly Goose during its Thursday “2 for $20” pizza deal, so I also snagged The Roni, their take on a classic pepperoni pizza with Grana Padano, mozzarella, and marinara sauce. All in all, it was a pretty good deal, and I think these pizzas make for a perfect late-night snack. And it’s easy to enjoy them in Silly Goose’s lounge area, combining the ski lodge aesthetic of rustic stacked log pillars with an airy walled garden vibe from a colorful sea of hanging wisterias. — Samuel X. Cicci

Silly Goose, 100 Peabody Pl., Suite 190, sillygoosememphis.com

Photo: Wiseacre

Little Bettie’s Pizza & Snacks – Thud Butt

Pizza and beer make for an iconic duo. And the crossover between two big names in Memphis’ hospitality scene made that combination even more enticing when Wiseacre’s Kellan and Davin Bartosch teamed up with Andy Ticer and Michael Hudman.

Little Bettie’s Pizza and Snacks, open at Downtown’s Wiseacre HQ, focuses on New Haven-style pizzas: thin-crust, wood fired pies with a bit of char and a chewier texture, almost made in a similar vein to classic Neapolitan pizzas. There are plenty of interesting choices to pick, but one pizza reigns supreme above all: the Thud Butt.

I haven’t quite found another pie around town like the Thud Butt. Whisking together both sweet and savory tones, the pizza blends the silkiness and rich, fatty taste of mortadella drizzled with black pepper honey and a pistachio stracciatella, with a heaping dollop of homemade cheesy mayo in the center for good measure. That’s a whole lot of different flavors combined together in a pretty innovative way.

But if, like me, you’re allergic to pistachios, fret not! Every pizza is a good pizza at Little Bettie’s, with the added perk of being able to enjoy a slice alongside Wiseacre’s top-notch brews. Now that’s amore. — SXC

Little Bettie’s Pizza & Snacks, 398 S. B.B. King Blvd., wiseacrebrew.com

Categories
Food & Wine Food & Drink

ThunderRoad Memphis Delivers Mason Jar Cocktails and More

David Parks and Jef Hicks of ThunderRoad Memphis

ThunderRoad Memphis is a “delivery service,” says founder David Parks. But even so, it’s not competing with FedEx or UPS.

The name came from “the old Robert Mitchum movie,” says Parks, who operates the business with Jef Hicks.

In the Thunder Road movie, which was released May 10th, 1958, Lucas Doolin (Mitchum) is a whiskey runner, or “transporter,” who delivers moonshine in his “tanker” — a 1950 two-door coupe — to Memphis and other areas.

Parks and Hicks deliver cocktails, with names like Tropical Deliciousness and Raspberry Sage Sipper, and food in a 1991 Isuzu Rodeo and a 1988 Jeep Wagoneer to people’s homes in Memphis and nearby areas. But the cocktails are transported in Mason jars. “Harkening back to the old days,” Hicks says. They also deliver wine, beer, and food. ThunderRoad Memphis began five weeks ago, “and it’s gone nuts.”

Parks is a bartender who was laid off at The Second Line because of the quarantine. Hicks was a bartender at Cafe Pontotoc. Since they were “no longer on the payroll,” Hicks says, they decided to do home delivery of their cocktails. They operate out of Midtown Crossing at 394 N. Watkins, where they are partnering with owner Octavia Young. They will deliver food from the restaurant. They also are partnering with local chefs.

Hicks and Parks contacted chef friends to join them and prepare food, which they can pair with their cocktails. “Sandwiches and small plates,” he says.

It was a way to help their out-of-work service industry friends “keep shelter over their head, their utilities on, and a little bit of food on the table,” Hicks adds. “We tried to give as many people a job as we could.”

The chefs include Jesse Parks, a baker who has been doing their bread; Jake Behnke, who was at Iris Etc. catering; and Amanda Hicks. 

They begin their day at 1 p.m. They load up about 2 p.m., and they’re done by 7:30 p.m.
ThunderRoad Memphis operates Wednesdays through Sundays. They recently added Germantown and Cordova to their route.

One of their most popular cocktails is the Tequila Mockingbird, a drink Parks created for a Mid-South Literacy fundraiser. It’s made of tequila, watermelon, lime, and a little spiced Agave. Another popular cocktail, Passionate Purple Drank, which was created by Hicks, is made with Butterfly Pea Blossom infused gin, lavender shrub, ginger syrup, and fresh lime juice.

As for the cuisine, Amanda’s brisket tacos are a big seller. It’s corn beef brisket in “drunken salsa,” which includes a dozen vegetables marinated in vodka for 21 days. The brisket is smoked by Brent McAfee, who was laid off from Cafe Pontotoc and Silly Goose. The barbecue pork butt sandwich with sriracha slaw on brioche bread is another winner.

ThunderRoad Memphis has a Facebook group, which now has more than 2,800 members. People take photos of ThunderRoad Memphis cocktails and food. Some people put the cocktails in their own fancy glasses for the photographs.

Hicks and Parks are pleased with the ThunderRoad Memphis response. “We built an enterprise that provides jobs, builds community, and reduces the instances of drunken driving,” Hicks says. “We need to change home delivery of cocktails from a temporary governor’s resolution to be permanent legislation.”

Parks says he’d “love to have a big, old ambulance and turn it into a mobile bar and we’d do your party.”

The ThunderRoad Memphis motto is “All this and a bag of chips,” Hicks says. “All customers are required to purchase some food item, be it chips, sandwiches, baked goods, etc. This keeps us legal. Also, we give everyone a fortune cookie and ask them to post their fortune.”

Customers have been returning the Mason jars, which are sanitized and re-used. “They get a discount if they return them,” Hicks says.

To contact ThunderRoad Memphis, call (901) 443-0502.

Categories
Music Music Features

Drew Erwin is Keeping It Simple

There was a time when Drew Erwin performed his original songs on an electric guitar, with a lead guitarist, keyboard player, bass player, and drummer behind him.

Times have changed. Simplicity is key.

“Normally, it’s just me and a guitar,” Erwin says. “A microphone. Most of the time I’m playing acoustic.”

He likes it that way. “I don’t have to rely on anybody else. I’m just kind of doing my own thing.”

He’s learned to savor his independence. Erwin, 21, first appeared on the music scene in 2012, when he was a semi-finalist on America’s Got Talent. The experience isn’t one of his favorite memories. He was told what to wear and what song to sing. He didn’t win. But he didn’t stop singing.

Erwin scaled things down when he began playing a weekly gig at Silly Goose, downtown. The owner saw one of his videos on YouTube and invited him to play. It turned into a regular Friday gig. “It’s been, seriously, probably the best thing for me as far as getting better and working at stuff,” Erwin says. “My ear has gotten so much better. I’ve really conditioned my voice, because I’m playing for three hours down there.”

Erwin also credits the University of Memphis music department, where he will graduate with a music business degree this spring. On November 5th, as the headliner at the fourth annual This Is Memphis festival at Clayborn Temple, he’ll perform selections from his new EP, Covers in a Bar, with a 16-piece string ensemble. The event, which showcases members of U of M music department, is produced by the university’s Blue Tom Records.

An old upright piano was the impetus for his new EP. “I had just purchased a 1960s Wurlitzer upright piano. I really liked the way that it was all beat up and banged up.”

“Covers in a Bar,” the title track, was the first song Erwin wrote for the EP. “I was teaching guitar lessons out in Collierville. I got home, made a cup of coffee, and just sat down at that piano. That was the first thing I came up with.” The autobiographical song alludes to his America’s Got Talent experience and is “about not wanting to die in Memphis playing covers in a bar.”

He liked the simplicity of his voice backed by one musical instrument and wanted to replicate that on the EP. “Instead of really geeking out, trying to make some big production, I just went on the floor live. Me and my guitar. I did the guitar and vocal live. No click track or anything like that. Then just overdubbed little stuff. But for the most part, it’s just acoustic guitar and a vocal, then some piano overdub and some electric guitar overdub on some of the songs.”

Erwin began “learning different chord progressions and what works melodically. I just kind of got a clearer, ‘Hey. I can do this. Just me. I don’t need a band.’ And honestly, I feel like I can rope people in better if it’s just me. When I take away all the distractions.”

The recordings are “all incredibly personal,” he says. “Like if a song’s about somebody, they know that that song’s about them. I wanted you to feel like you were in the room listening to the record. It was a live take, and instead of worrying about the production and stuff, it was more about the delivery and how I was saying things — even if I was flat on the note. If the note was emotional, I was like, ‘I’ll just keep that there.'”

Songwriting is more comfortable these days, he says. “When I was writing songs, I was trying to write a hit song or something. I just got out of the whole ‘I want to write catchy hooks’ and just switched to, ‘I want to write real things that I’m emotionally invested in and can be passionate about when I’m singing about them.’ I just want to do away with all the bullshit and just write things that mean stuff to me.”

Football took precedence over music when Erwin was growing up in Arlington, Tenn. He began playing the game when he was 5 years old.

He also loved music. “I think my favorite thing in elementary school was going to music class. Sports was always after school, but while I was at school I’d rather be hanging out doing that kind of stuff.”

Lisa Smith, his elementary school teacher at Macon-Hall Elementary School in Cordova, was an influence. “She made music so much fun. We had the little xylophone and glockenspiels and stuff. I remember in elementary school we had weeks that would be dedicated to the Beach Boys. And weeks that would be dedicated to the Beatles.”

Erwin was in a talent show when he was in the fifth grade. “I sang a song by The Fray. It might have been ‘Cable Car.’ But I remember everybody went nuts because nobody even knew that I liked to sing.
“I was always aware that I could carry a tune. But I never imagined that, literally, my daily life would revolve around it 24-7.”

The King figured into his musical life at one point. “I remember in the fifth grade we did a live wax museum. The little card I drew was Elvis. So, I had to dress up like Elvis and learn all about Elvis.”
In sixth grade, Erwin and other students wrote songs on their laptops. “They would pull up GarageBand and Apple loops and we would make songs: ‘Everybody make a song and we’ll play it at the end of class and we can see whose song we like best.’”

Erwin continued to play football at Arlington HIgh School. He played strong safety. But music wasn’t far away. “I always had software on a laptop and I would record and make little raps, make songs for fun. That’s when I realized I had a passion for the production side of things. That’s where I got a lot of my first exposure to recording.”

During a football game his sophomore year, Erwin shattered his hand and had to have a metal plate put in. Since he couldn’t play football, he picked up his guitar and began singing and writing songs.
He put a video he made of himself singing John Mayer’s “Slow Dancing in a Burning Room” on YouTube. Without telling him, his parents sent the video to “America’s Got Talent.” Erwin was chosen to appear on the show.

He wanted to play guitar and sing the song he put on the video, but one of the show’s producers said they wanted him to play piano – because they already had a guitarist on the show – and sing “Torn” by Natalie Imbruglia. In keeping with the boy band image Erwin felt they were going for, someone with the show even selected his outfit, which included a tight red shirt – something Erwin never would wear.

Judges included Howard Stern, Sharon Osbourne and Howie Mandel.

Erwin lost to a bird act.

Back in Arlington, Erwin continued to play football. His dream was to play for Holy Cross or Harvard, but during summer workouts going into his senior year, he tore his hamstring while overworking himself running the 40-yard dash. He wasn’t able to attend the key camps he wanted to attend. He gave up football.

Erwin enrolled at University of Mississippi at Oxford. “ In high school a lot of my identity was rooted in the fact that I was the captain of the football team. I was that guy. I was good at sports. I was one person. Just the sports guy. I was just all about sports and being competitive. Then I got to college and realized none of that matters anymore. I wasn’t on the football team. That’s such a big school nobody cares who you are. It was kind of a struggle to figure out who I was and who I wanted to be.

“I didn’t have football to do. I tried to do the whole partying, fraternity. Make friends that way. And I couldn’t. The thing that I fell back on was I still had a guitar. The only thing that I did was sing in my dorm at night and play guitar. I had a Yamaha keyboard.”

Erwin called up singer/songwriter/musician Ben Callicott. “I knew that he was at Memphis. I didn’t really know him, but I had his phone number. He was like, ‘Yeah, dude. I started my first semester. It’s kind of cool so far. You should think about it.’ And the next thing I knew Ben Yonas called me on the phone.”
Yonas, a U of M music business professor, persuaded Erwin to transfer to U of M.

Fitting in with the other music students wasn’t easy at first. “I was so new to the music crowd. I had come from a completely different world in high school. Trying to figure out what was cool or what kind of guitar do I need to play to fit in. Or what clothes should I wear. And this and that.

“I was trying to impress people for an amount of time. I just kind of realized I’m not this crazy good guitarist. I’m not this bluesy guy. I like to tell stories when I write. I just happen to have a guitar and sing on top of them.”

And, he said, “I was never really truly confident in my abilities as a musician and a songwriter because I never felt like it was truly who I was. I always felt like this football guy trying to pretend he knew what he was doing. Now, I’ve been doing it long enough and put in the hours and I’m just confident who I am. This is what I’m going to do with my life. There’s no doubt in my mind.

“I think I’m just a lot more comfortable now with who I am. Just because of the experiences. I’ve pretty much found myself over the course of my college career. I’m not pretending to be anybody anymore.”
That’s a testament to U of M. “If it weren’t for University of Memphis I wouldn’t speak the language. Because in high school i was never in choir. I was never in a band. I was always doing football. Now I don’t go a day without doing something with it. That’s what’s so cool.

“I’m not timid anymore. I’m not nervous of what somebody who is musically superior to me is going to think. Because it’s like, ‘OK. That’s just your opinion. There are other people who really enjoy what I’m trying to do right now.’”

The weekly Silly Goose gig also helped him, Erwin said. “I feel like a lot of this falls back on playing somewhere Friday night. Because there are nights when it’s not super fun or rewarding and people aren’t into it. But then there are nights when people can’t get enough of it.”

Being on “America’s Got Talent” doesn’t come up as much, Erwin said. “But I still feel like it follows me around.”

He cringes when he sees the video of the show. “Just because I was so not good. It’s just so green and so cheesy and so corny. But then part of me is like, ‘Yeah, but it was also five or six years ago. And that was my first time performing. And, yeah, I can cringe when I look at it.’ But I’m also like, ‘I’m confident in myself now that it’s like that video doesn’t define me.’”

Does Erwin ever wish he was never on “America’s Got Talent”? “All the time. I really do. But it’s one of those things. I met cool people through that. And it’s just a good way to get your foot through the door. But I also at the same time I just hate that if you Google my name it’s inevitable you’re going to find that video.”

If he could turn back the time, Erwin would do things differently on “America’s Got Talent.” “I would get up there and do what I wanted. I wouldn’t let them manipulate me. And then five years down, if it still gave me that clout and star quality, I wouldn’t be ashamed of it because it was authentically me. Even if Howard Stern trash talked me on live TV I wouldn’t care because it would be truly who I am.”

But, he said, “If it weren’t for that show, I don’t think Ben Yonas at the University of Memphis would have ever known about me and called me up on the phone while I was at Ole Miss asking what I was interested in. You know what I’m saying? Everything happens for a reason.”

Erwin will graduate with a degree in music business this spring. “I plan on pursuing my solo career the rest of my life. Writing songs. But, also, I’ve probably sunk – at least right now just in my college years – at least 30 grand into my own studio equipment and microphones. I probably have 13 guitars. I’m just really into the whole recording side of things. I’m already working on a couple of different records for people. I want to be a producer. I want to work with people who are just themselves and back it up with the songs that they write.”
Erwin wants to stay in Memphis. “Memphis is cool. Especially with local music. Really. There’s a lot of buzz that’s going on and people are getting excited in the community. I don’t want to be one of those guys who, as soon as I get done, goes to try to work for some office in Nashville. Or try to go up there and write songs. I like this city. And I’ve made my living in this city. I’m invested in it. I’m here.”

"Covers in a Bar" from Michael Donahue on Vimeo.

Drew Erwin is Keeping It Simple