The annual Raised By Sound Fest that WYXR stages in cahoots with Mempho Presents every December has become a destination for national tours that might not typically visit Memphis. Last year, Cat Power made Memphis one of their first stops when they began touring their Dylan tribute album, The 1966 Royal Albert Hall Concert. In 2022, when Jody Stephens’ reconstituted Big Star planned only a few shows in honor of #1 Record, the Raised By Sound Fest was a pivotal performance for them.
This December 7th, WYXR will have outdone itself once again, as it presents an incredible cinematic/photographic sound experience for Raised By Sound Fest: a live score to the William Eggleston film, Stranded in Canton, performed by J. Spaceman and John Coxon of Spiritualized.
Eggleston, of course, is known primarily for his still photography, but in 1973-74, he began experimenting with the then-new Sony Porta-Pak video recorder, more portable than any film or video camera preceding it, and, due to its sensitivity to the infrared spectrum, able to film in very low-light conditions. That not only allowed Eggleston to take the Porta-Pak into his regular nightlife haunts in Memphis, Mississippi, and New Orleans, it gave an eerie glow to the subjects he encountered. That they were often Eggleston’s friends, drinking buddies, and fellow artists only added to the easy naturalism of their behavior on-camera, complemented by the great photographer’s unflinching eye in the face of their uninhibited antics.
“Whiffs of Southern Gothic are not new to Mr. Eggleston’s work, but here they rise to the surface — fierce, tragic and proud,” as The New York Times observed upon the film’s release. And that release came long after the video was shot, its 30-odd hours of footage lying in storage for decades until Robert Gordon edited a feature-length version that premiered at the Toronto Film Festival in 2005, subsequently leading to a deluxe package by Twin Palms Publishers.
While the film is galvanizing, it is also a hot mess, with little in the way of narrative structure. Yet that very meandering quality lends itself to a musical interpretation, and that’s exactly what Spaceman and Coxon created. But that, too, was hidden away for far too long.
In 2015, Spaceman, Coxon, and friends premiered their original score live at a special film screening of Canton at the Barbican Gallery in London, as part of Doug Aitken’s Station to Station festival. The recording sat on a shelf for 10 years, but it will finally be unveiled through the Fat Possum release, Music for William Eggleston’s Stranded in Canton, due out this October 18th.
And then the duo will conduct a very limited tour. As a press release states, “Spaceman and Coxon will perform the work in London, New York, Los Angeles, and Eggleston’s hometown of Memphis, on the invitation of the photographer’s son Winston Eggleston.” Once again, it’s a coup for WYXR and an indication of the global reach of our thoroughly modernized, internet-savvy community radio station. That also means that seats at their events get swiped up fast: on Thursday, August 8th, tickets to the live score by Spaceman and Coxon will go on sale to the general public. Interested parties should act quickly.