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Best of Memphis Special Sections

Best of Memphis 2023: Staff Picks

Best Camarones al Mojo

Okay, granted, El Toro Loco isn’t the kind of hipster-beloved “authentico” Mexican joint you find on Summer Avenue, but if you can find a tastier dish than this grilled shrimp, garlic, rice, melted cheese(!), onions, tomatoes, avocado, peppers, etc. concoction, well, go for it. For my money, a frosty margarita and ETL’s camarones al mojo is hard to beat. — Bruce VanWyngarden

Bruce VanWyngarden sure loves him some camarones al mojo. (Photo: Bruce VanWyngarden)

Best Movie Reference

It’s been dangerous out on these roads the past couple years, what with the reckless driving, drag racing, and donuts being spun around intersections and in the middle of the street. Surely there’s a reason for this ceaseless vehicular tension. Well, according to one mayoral candidate who shall remain unnamed, the root cause of all these out of control drivers is … the movie Grease? Watch out for those Memphis youth, adorned with pompadours and black T-shirts, cigarettes rolled up in their sleeves, taking to the roads in their pink 1948 Ford De Luxe “Greased Lightning” convertibles. It’s chaos out there, I tell ya! — Samuel X. Cicci

These hooligans are behind all the reckless driving in Memphis.

Best Indictment

The Brian Kelsey circus continues. After a federal indictment by a grand jury for violating campaign finance laws, the former Tennessee senator eventually pleaded guilty, was sentenced to jail time, and had his law license revoked. But then he pointed the blame at his original attorneys, before firing them, and hiring new representation, and then this month claiming prosecutors violated his plea deal. Lots of finger-pointing going around, but who is really at fault here? Hopefully there’s a mirror in his cell. — SXC

Best Spelling

Earlier this year, the 36th annual Africa in April Cultural Awareness Festival decided to honor the Republic of … Rawanda? That big ol’ typo was front and center on a festival billboard, with the people of Rwanda left to rue the fact that no one conducted a spell-check. To double down, the billboard featured the green, yellow, and red colors of the country’s old flag, which had been discontinued in 2001. — SXC

Rwanda really got a raw deal from this billboard. (Photo: Reddit by u/Hungry-Influence3108)

Best Beer

The best craft brewers come up with some interesting concoctions, and Memphis has some of the best breweries around. But Meddlesome takes the cake this year with its Mashed Potato & Gravy black and tan, basically a Thanksgiving side dish in a can, that released on April 1st. The only downside is that this beer isn’t, well, real. Oh well, April Fools! — SXC

Too bad these mashed potato beers by Meddlesome aren’t real. (Photo: Meddlesome Brewing via facebook)

Best Solo Debut

A lifelong musician — and member of local bands Spacer and Magik Hours — multi-instrumentalist Cheyenne Marrs released his solo debut in late August. While upon first rotation, moments may give a reminiscent glimmer of The Beatles, Elliott Smith, The Strokes, or The Beach Boys, Everybody Wants to Go Home carries a depth and breadth all its own.

Cheyenne Marrs (Photo: Anna Rose Williams)

A pensive lyrical exploration of isolation and loss, it simultaneously encompasses loneliness and connection, melancholy and hope. The listener is set adrift with sleepy, sweeping guitar riffs that circle like a carousel and build into raucous fits like mood swings, dragging us low only to lift us up again. There’s a playfulness that eases the weight of it, brought in with shimmery synth, the stray jingle of bells, the clang of a xylophone, or the floaty flit of a flute.

In the opening track, Marrs commiserates, “You don’t have to stay down in your hell all alone.” And throughout the album, he muses on the state of not knowing — upon wrestling with the void left when processing a death, fighting one’s way through the darker parts of life, or navigating the shifting landscapes of our innermost thoughts and emotions.

Our editor listened to this full album three times in a row without interruption.

The catchy melodies on standout tracks, “Tweedy Bird,” “Fortune Faded,” and “Call Out” (they’re all standouts, tbh), implanted themselves as earworms for me, and as I write this, the line “I don’t have it all together, but you do — ain’t that what it seems?” is on a loop in my head.

After a few playthroughs, I’m reminded of the not-directly-translatable Welsh word, “hiraeth,” which embodies a grief and longing for a home that no longer exists, or maybe never did — a nostalgic yearning for a time, place, or feeling that cannot be reached.

Recorded in longtime Memphis musician/producer Graham Winchester’s home studio and released on Memphis-based Red Curtain Records, Everybody Wants to Go Home is both a lullaby and an alarm call that takes us on a journey from confusion and desperation to consolation and acceptance as we dig through the shadows and find the light. — Shara Clark

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Music Music Blog

Staff Picks: Top Releases of 2016

Nick Cave and the Bad Seeds made our Staff Picks for Top Releases of 2016.

In no particular order, here are music staff writers Josh Cannon, Andrew Earles, and J.D. Reager’s favorite non-local releases of 2016.

Blood Orange — Freetown Sound
On Freetown Sound, Devonté Hynes (AKA Blood Orange) takes the harrowing blemishes woven into America’s identity — the rampant police brutality, the growing inequality in a country divided — and creates a searingly beautiful album. Blood Orange’s third LP is arresting, too, in dynamic. Hynes, a multi-instrumentalist, utilizes it all, weaving tracks together that call on funk and pop in a timeless way that’s all but gone in today’s music climate. — Josh Cannon

Staff Picks: Top Releases of 2016 (4)


OCTAGRAPE – Aura Obelisk

Prior to founding Octagrape in 2012, Glen “Galaxy” Galloway had already spent two decades building one of the most enigmatic and exciting bodies of work (that also remains unburdened of a grossly-deserved reexamination/reassessment) with Trumans Water and then Soul-Junk. Considering the sound he got for the Spray Paint album listed below, it’s worth mentioning that Chris Woodhouse also recorded and mixed half of this record. Note: One of these 19 songs is an amazing cover of the Swell Maps’ “Vertical Slum” and the Octagrape feature-length documentary, Why Are We Doing This In Front of People? was just released and is available here. – Andrew Earles

Staff Picks: Top Releases of 2016

Nada Surf- You Know Who You Are and Peaceful Ghosts
Anyone who really knows me, knows that my favorite band of the last decade or so has been Nada Surf.
My wife and I have travelled to relatively faraway places such as Vancouver, B.C., Seattle and Chicago
(among others) to see the band on tour, and earlier this year we even got matching Nada Surf tattoos –
so maybe take this with a grain of salt: 2016 has sucked in lots of ways, but it was a fine year for Nada
Surf fans.

Not only did the band deliver an excellent new studio album (You Know Who You Are) in
March, but they also released Peaceful Ghosts, a live set with the Babelsberg Film Orchestra that was
broadcast earlier in the year on German radio, in October. For the uninitiated, or those who only
remember Nada Surf for the 1996 alt-radio hit “Popular,” Peaceful Ghosts’ mix of new and classic
material would be a fine place to start discovering a truly under appreciated American rock band. -JD Reager

Staff Picks: Top Releases of 2016 (2)


Nasa Space Universe- 70 AD

The opinion that hardcore stopped being important, exciting and forward-thinking at some point in the distant past is the “I don’t own a TV” of punk/HC-based conversation. This notion is usually posed by people who first need the reminder that when they speak, others can hear it, and secondly to block out however many hours might be needed to achieve an appreciation and understanding of what this band has been doing over the last eight years. 70 A.D. is NSU’s final release. – AE

Staff Picks: Top Releases of 2016 (3)



The Posies- Solid States

Seattle power-pop legends and Memphis music Hall-of- Famers (as latter-day members of Big Star) Ken
Stringfellow and Jon Auer released their eighth studio album as the Posies this year, and, despite the tragedy of losing longtime drummer Darius Minwalla in 2015, it did not disappoint. Highlights include the
grandiose rocker “Squirrel vs. Snake,” and the album’s revved-up, dance-y opener, “We R Power!”
P.S., new drummer Frankie Siragusa is a powerhouse. -JDR

Staff Picks: Top Releases of 2016 (5)


Kanye West — The Life of Pablo

What makes worship music so beautiful is that it takes an open mind. The Life of Pablo, Kanye West’s seventh studio album, is a turbulent derailing of the rapper’s psyche — a “gospel album with a lot of cussing,” as he dubbed it. It’s messy and full of grace. It features some of the best songs he’s ever written (30 Hours on repeat) and some of the best features on any album he’s released. Pablo’s been widely-panned, and though it’s not as definitive as other albums in his discography, it’s definitively Kanye. He’s always growing, lifting up a mirror to the fans and shit talkers looking up at him through their smart phones, demonstrating — on some level — we share the same self-aggrandizing traits we criticize him for. — JC

Various Artists-Brad Neely’s Harg Nallin’ Sclopio Peepio Music

This miiiight be a bit of a stretch for this list, because it isn’t exactly an official band album, but for my money the music on the new late-night Adult Swim comedy show Brad Neely’s Harg Nallin’ Sclopio Peepio is more fun to listen to than anything on the actual pop charts this year. There’s no way to describe it, really. My favorite moments are the ‘70s soul band of hamsters excited about getting fed sesame seeds, and the numerous iterations of Fruit Blood, an S&M/Carnivale-tribe pop group whose biggest fan seems to be Stripe from the movie Gremlins for some reason. Get ready for pure, absurd, pop-culture satirist joy. -JD

Staff Picks: Top Releases of 2016 (6)


The Body- No One Deserves Happiness

Well, that may be the case, but everyone  deserves to hear what it might sound like if melodies and hooks were incorporated into The Body’s proprietary amalgam of noise-rock/doom-metal/harsh-noise/experimental-whats-it. -AE

Staff Picks: Top Releases of 2016 (7)


Bon Iver — 22, A Million

Following a five-year absence, Justin Vernon’s return to Bon Iver with 22, A Million feels like a sensible progression and also a deconstruction of the band. Vernon’s third release under the moniker, 22 takes the sparse singularity of For Emma, the ethereal, orchestral arrangements of his second Self-Titled LP, and manipulates them into structureless songs layered with samples. His vocals, drowning in autotune, take on the life of an instrument all their own, and heighten a record that’s as numb as it is alive. — JC

Staff Picks: Top Releases of 2016 (8)


Boris- Pink

Boris is misunderstood as simply a “Japanese doom metal band” when in reality at least half of their massive (and still rapidly growing) discography is a masterclass on making gold-standard examples of so many disparate styles of under and above-ground music. 2005’s Pink was the album that broke them through to American audiences….one listen to, say, “Farewell” and the 18-minute “Just Abandon Myself” (candidate for “most intense and powerful garage-punk song ever” up to that point) and it’s easy to see how. – AE

Staff Picks: Top Releases of 2016 (9)


Nick Cave and the Bad Seeds — Skeleton Tree

Sometime in 2015 while the Bad Seeds were writing their 16th studio album, Cave’s 15-year-old son Arthur died after falling from a cliff in Brighton, United Kingdom. What followed would become Skeleton Tree, a record that listens like a candle burning out. And, 16 records in, it’s the Bad Seeds best album yet. It’s a tormenting lesson in being transformed by unforeseen grief, the power it holds over you, and how to possibly move past it. Cave, his voice quivering, explores that here, in the supermarket aisles, the mundane day to days, and finds a way to keep going. It’s a slow-moving triumph, unlike anything they’ve released, and it leaves a mark. — JC

Staff Picks: Top Releases of 2016 (10)


Conor Oberst — Ruminations

Ruminations
was recorded in just two days, the urgency in Conor Oberst’s voice apparent. Ten songs capture Oberst alone at a microphone, and he’s never sounded more alone, with a guitar, a piano, and sometimes a harmonica. An abundance of musicians taken the same avenue in recording, but Ruminations is raw in some way that most are not. These songs are sung like Oberst had to get something off his chest, unpolished, like thoughts desperate to exist openly in the world. — JC

Staff Picks: Top Releases of 2016 (11)


The 1975 — I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It

The 1975 is a punching bag for indie elitists who might come at ‘em with an open mind given they caught their show in a small club or living room. But their second album, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It, is so unreasonably titled that I can understand the hate. Funny though, that before they garnered praise as The 1975, they were a bedroom band just like so many others before and after them. The difference: There was a stride in their sound lacking everywhere else. Even when written off as teenpop, The 1975 is good. Their sophomore LP is ambitious and ridiculous, with six-minute instrumental tracks resting between shiny pop, and it’s worth your attention. — JC

Staff Picks: Top Releases of 2016 (12)


Frank Ocean – Blonde
Channel Orange’s concentrated pop structure introduced us to an ineffable power in Frank Ocean. His debut gave us a taste and then he disappeared. In his silence, Ocean deconstructed every expectation placed on pop stars climbing fame’s ladder. And now there’s the enigmatic Blond(e), a highly-anticipated follow up of which there’s too much to be said and, yet, not enough words to do the album justice. Blond(e)’s 60 minutes transcend genre: Ocean’s vulnerability made bare over ever-changing soundscapes — a definitive statement told through queer perspective that will be digested for years to come. — JC

Kevin Abstract — American Boyfriend: A Suburban Love Story

It’s doesn’t serve American Boyfriend to categorize it as a hip-hop record. There’s so much happening on Kevin Abstract’s sophomore LP, tracks free flowing with multi-layered instrumentation — it shouldn’t be confined in a box. Abstract’s second record is autobiographical and hyper-personal, a pursuit of self-discovery reminiscent on growing up in the suburbs of Texas. On American Boyfriend, Abstract analyzes his race and sexuality and how their intersection is lived and perceived. Musically, Abstract said artists like Vanessa Carlton and Sunny Day Real Estate influenced the album. Spanning 16 songs, where it doesn’t succeed, it at least remains one of the more interesting and ambitious releases this year. — JC

Staff Picks: Top Releases of 2016 (13)

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Music Music Features

Top Local Releases of 2016

This year was another great one for Memphis music. We got reissues from the Grifters and Big Star, new music from Julien Baker and NOTS, and newcomers like Beige Curtains and Jon Waltz also wowed us. In no particular order, here are our favorite local releases of 2016. — Chris Shaw

Julien Baker — “Decorated Lawns” (from the Christmas album Jingle Yay!)

No musician in recent memory touches Julien Baker’s gentle ability to construct songs both devastating and unalloyed. Baker lent her one-off “Decorated Lawns,” engineered by Calvin Lauber at Ardent Studio, to a recent holiday compilation. It’s a heartbreaking track and reaffirms that the 20-something artist is operating in a caliber all her own. — Josh Cannon

Top Local Releases of 2016

Alicja-pop — Rats (Home Recordings 2009-2013) (Certified PR Records)

Don’t let the recording origin or “some stuff I had sitting around” implication in the subtitle give the impression that Rats is lacking in the rock or anything fleshed-out, as this selection is all over the place and deserves a spot next to her better-known works. — Andrew Earles

Top Local Releases of 2016 (2)

Jon Waltz — “Riot” (single)

For as much as Memphis-based R&B artist Jon Waltz has accomplished, his output is limited. Waltz is hyper-focused on quality over quantity. Apple’s worldwide Beats 1 radio show premiered his latest single, “Riot,” earlier this year. On “Riot,” 21-year-old Waltz sounds wise beyond his years, serving warm hooks that are prodigious and insightful. Pay attention — you’ll be hearing him everywhere before you know it. — JC

Top Local Releases of 2016 (3)

The Grifters — One Sock Missing and Crappin’ You Negative (Fat Possum)

Despite an unimportant handful of stylistic/aesthetic choices that have aged like a Happy Meal in a hot car, the Grifters’ second and third albums define what made this band a special and important entry to the early-to-mid-’90s indie-rock sweepstakes.

A sampling of proof: the emotionally catastrophic “Dead Already” (actually one of the band’s rare ventures into “lo-fi”), the aggro, urban-psych desperation of “Encrusted,” the never-leaving-the-house-again hangover destitution of the infectious tease “Just Passing Out,” some deconstructed power-pop rolling around in hot garbage (“Bummer,” “Cinnamon”), the atmospheric dirge of pre-heroin-problem lament “Junkie Blood,” or the gorgeous Sabbath-meets-Red-House-Painters anti-slowcore of “Felt-Tipped Over.” — AE

Top Local Releases of 2016 (4)

Yo Gotti — The Art of Hustle (CMG)

“It’s your boy Yo Gotti” is a phrase that we’ve heard in Memphis forever, but this year, rap fans around the world got to know Yo Gotti — the undisputed king of Memphis rap — when he released The Art of Hustle in February. The album reached No. 1 on the Billboard R&B and hip-hop chart, and introduced the world to the phrase “It goes down in the DM,” in the process. — Chris Shaw

Top Local Releases of 2016 (10)


Beige Curtains —
S/T (Self Released)

Beige Curtains landed on the local music scene last month, releasing an EP titled S/T that the three-piece recorded at 5 and Dime Recording. On “Arrangement,” track one, the lyrics “I feel aimless” are repeated. Their songs feel like that, too, often falling apart midway through and building back up again. Fans of Pavement and Joy Division, or the many bands they’ve inspired, will dig this. — JC

Top Local Releases of 2016 (6)

NOTS — Cosmetic (Goner)

To regrettably oversimplify with a single observation, the extended (in this context) difference-makers of medium tempo and organic artistic choice that anchor Cosmetic (“Entertain Me,” the title track, “Fluorescent Sunset,” and especially opener “Blank Reflection”) allow space for some structural secret (or not-so-secret) weapons in drumming that pounds harder, guitar that snakes around on a mission, and the reliable big hook of each song’s bass line. — AE

Top Local Releases of 2016 (7)

Jack Oblivian and the Sheiks — The Lone Ranger of Love (Mony)

I wrote a feature this summer about how in love with this album I was, and my feelings haven’t changed. A perfect album from a band at the height of their powers. CS

Top Local Releases of 2016 (7)

Angry Angles — Self-Titled (Goner)

One of Jay Reatard’s most overlooked bands — second only to the great Final Solutions — got the reissue treatment this year. It was the biggest release of the year for Goner, and the label pulled out all the stops making this record sound and look as great as possible. A must-have for any fan of Jay Reatard, the Goner Records scene, or Memphis music in general. Jay Reatard helped put Memphis punk back on the map during his reign of terror, and this record shows why. CS

Top Local Releases of 2016 (8)

Big Star —­ Complete Third (Omnivore)

What year-end list would be complete without a Big Star album on it? The fine folks at Omnivore gave us a nice Christmas present with this three-disc collection of every session that went into the making of Third, including a ton of previously unissued material. — CS

Top Local Releases of 2016 (9)

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Best of Memphis Special Sections

Staff Picks

Readers, you’ve had your say. Now it’s time for the Flyer staff writers to put in their two cents on what’s the best of Memphis.

Best Reason to Think Before You Vote:

John Ford

Second-Best Reason to Think Before You Vote:

Edmund Ford

Third-Best Reason to Think Before You Vote:

Rickey Peete

Best New Acronym: Until this year, S.O.B. was a nice way of calling someone the son of a really cranky lady. But leave it to Memphians to take the popular slur’s acronym and use it to define what some City Council members and county commissioners believe to be the scourge of our society: the Sexually Oriented Business. Couldn’t they have tried a letter combo that wasn’t already in use? Like BWHCBIA (Bars Where Hot Chicks Bare It All). Or better yet, TPWBOPBDTOW (Those Places We Blow Our Paychecks But Don’t Tell Our Wives). — Bianca Phillips

Best Addition to the Local Music Scene: The International Folk Alliance Conference, held at the Cook Convention Center and downtown Marriott in March for the first time since the organization relocated to Memphis last year, is scheduled to stay in Memphis for at least the next three years. At this terrific, user-friendly event that deserves to attract many more unaffiliated fans, roots music of many stripes spilled out of hotel rooms and makeshift venues into lobbies and into the street. Much of the Memphis music community engaged with hundreds of visiting musicians and industry insiders. — Chris Herrington

Best Hot-Water Cornbread: This soul-food delicacy at the Williams Street Grocery and Deli (755 Williams Avenue) is not a pancake, despite the resemblance, and the flavor and texture differ greatly from standard buttermilk cornbread. It’s hot, flat, smooth, and mouth-watering, whether buttered, hot-sauced, jammed, or plain. — Preston Lauterbach

Best Least-Known Athlete: Let’s hear it for Cindy Dyer. Cindy who, you might be wondering? It’s okay; most fans of this Memphis Roller Derby dynamo don’t know her real name. Known as Lil’ Cinner on the track, the diminutive jammer for the Angels of Death, sprints, weaves, ducks, and even leaps, often getting through her opponent’s blockers not just unscathed but untouched. Identified by national derby fans as one of the best jammers in the country — and unofficially breaking national records — Cinner has helped the Angels secure an undefeated inaugural season against the league’s other teams. And her talents haven’t just been noticed here. Cinner has also helped the Memphis Roller Derby travel team to an undefeated road record, beating leagues from New Orleans, Birmingham, Alabama, Knoxville, and Nashville. — Mary Cashiola

Best Contact High: Heaven just might be a place called Wayne’s Candy Company. Located in South Main, Wayne’s is a hidden Candyland of sweets and sours. From the outside, it looks like any small, squat warehouse. But inside … oh, inside. Lining the walls are every candy you’ve ever heard of — Lemonheads, Pixie Stix, SweeTarts, Laffy Taffy — and many you haven’t. As soon as you open the door, the smell of sugar hits you like a cotton-candy cloud. Go ahead, breathe it in; what can it hurt? Just a word to the wise: Leave the kids at home. — Mary Cashiola

Best Underrated Hire: When Chris Wallace, formerly second-in-command for the struggling Boston Celtics, replaced the legendary Jerry West as the Grizzlies’ hoops honcho, the hire was mocked near and far, with one national wag writing that “only in the NBA would someone from the second-worst team be hired to run the worst team.” But, faced with a skeptical, show-me fan-base, Wallace has been a revelation, replacing West’s cranky, Ivory Tower persona with down-to-earth, fan-friendly appeal, including taking calls from fans regularly on two local sports-talk-radio shows and even accepting one group of fans’ invite to hang out and talk about the team — actions virtually unheard of from pro-sports executives. Of course, Wallace’s PR skills won’t matter if he doesn’t back it up with results. But so far, his basketball decisions seem shrewder than those of the Logo he replaced. — Chris Herrington

Best Gospel DJ: Brother Ford Nelson has graced the Memphis airwaves for 56 years, the longest tenure for any local disc jockey. The former piano player in the B.B. King band spins current and traditional gospel — leaning toward the fast-paced, rhythmic gospel that influenced local soul musicians — from 6 a.m. to 2 p.m. every Sunday on WDIA AM-1070.

Preston Lauterbach

Best Drive: Despite Memphis drivers, the city has some beautiful, easy-to-drive streets. Take the case of North Parkway. With its graceful trees and gentle twists and turns, North Parkway makes driving in Memphis an improbable but absolute pleasure. Traffic moves at a steady pace, left-turn lanes are comfortably nestled between grassy islands, and the houses — though many have seen better days — look inviting.

Mary Cashiola

Best Dirty Martini: In most bars, martini drinkers who prefer their beverage on the savory side have two options — drink it dirty or down it dry. But thanks to the innovative folks at Side Street Grill, there’s another choice. The creatively named “Coonass Martini” has all the traditional flavor of a dirty martini with Absolut Peppar for a spicy kick. Imagine mixing olive juice with the water from the jalapeño jar and you get the idea.

Bianca Phillips

Best Use of Memphis Mojo: Pretend for a moment that you’re a tourist waiting in baggage claim at Memphis International Airport. The walls are institutional gray, made grayer by the flickering fluorescent lights. So far, you’re not too impressed by Memphis. Then, out of the corner of your eye, you spot a colorful ad for the Stax Museum of American Soul Music with a picture of what seems to be Isaac Hayes. We don’t have any mummies, the ad reads, just some bad muthas. You laugh. The trip is looking up. — Mary Cashiola

Best Worst News for Midtowners: Excitement brewed for months as Midtown health-food nuts eagerly awaited the new Jimmy’s Market, a health-food grocery store planned for the old Burke’s Book Store space on Poplar. But last month, Jimmy Lewis, owner of the former Squash Blossom, announced he wouldn’t open the market after all. He blamed construction costs, operating costs, and the recent purchase of the Wild Oats chain by Whole Foods. — Bianca Phillips

Best View of the New Bridge: Sure, it’s neat to look upon the bridge proudly straddling the Mississippi from Tom Lee Park or Mud Island. But for me, it

doesn’t get better than the view of the bridge from Poplar near Manassas, where all of sudden it’s directly in your line of sight, juxtaposed between tall buildings, with no context for its existence and not a speck of water to be seen. It’s almost apocalyptic and the only excuse to take Poplar downtown. — Greg Akers

Justin Fox Burks

Best Juke Joint: One Block North, at 645 Marble Avenue, has been a North Memphis institution for nearly 20 years with the guidance of owner Jesse “Rabbit” Herd. The music features Stax, Hi, and Goldwax Records alumni Leroy Hodges, Roy Cunningham, Kenny Kight, and Leroy Dotson and rotating guest vocalists. — Preston Lauterbach

Best Replacement: Last summer, Good Morning Memphis fans were shocked when former anchor Ron Meroney was arrested and charged with statutory rape. The cheerful host allegedly had sex with a 14-year-old in Maryland. Thankfully, he was replaced with Ernie Freeman, a younger, goofier sidekick for the always-smiling Valerie Calhoun. We like Freeman because he says whatever comes to mind, and he’s not afraid to ask the obvious. — Bianca Phillips

Best Place To Skip Class at the University of Memphis: In my wayward youth, I was known to skip a few classes while enrolled at the U of M. Skipping is not a recommended path to academic or financial peace. But if you’re going to skip, do it by parking your car in the lot at Highland near Poplar, in between Subway and the old Highland Quartet movie theater. There’s shaded parking in the back corner, so you can be cool while you crank your music and read or listen to talk radio while playing hooky. You’re also close enough to campus if your conscience wins the day. — Greg Akers

Best Mid-Week Social Gathering: With its posh tapas and costly cocktails, Dish isn’t the place you’d expect to cater to the lowbrow crowd. But every Wednesday night, broke Midtowners gather for White Trash Wednesdays, which features tunes by 1980s hair bands and a $5 all-you-can-guzzle beer bust. Until recently, the bar offered $1 Busch cans for the event. There just ain’t nothin’ like drinkin’ the official beer of NASCAR on a hot summer night while a DJ spins Poison and Ratt. — Bianca Phillips

Best Scandal: Back in June, Gwendolyn Smith went public with a scandalous claim that several prominent businessmen tried to hire her to do the nasty with Mayor Willie Herenton on videotape. According to Smith, the plot was conceived to prevent the mayor from winning a fifth term. One of the businessmen allegedly involved is attorney Richard Fields, and he claims the whole thing’s bogus. Herenton reacted by calling the supposed plotters “snakes.” True or not, the scandal created headlines and made for some damn good dinner gossip. — Bianca Phillips

Best Local Music Breakout: With a small speaking part in Craig Brewer’s Black Snake Moan followed by an excellent sophomore album, Anchors & Anvils, this has been Amy LaVere’s year. The up-and-coming roots-music chanteuse is suddenly becoming a household name among even casual local music fans. — Chris Herrington

Best 20 Inches: Black Lodge Video doesn’t just separate their movies into genres but also classifies them by director. The section for Akira Kurosawa is a one-stop repository for the best films from the best filmmaker there ever was. I find myself going to that shelf first every time I visit, just to make sure it’s still there. I sleep well at night knowing that shelf exists, visions of sugar samurai dancing in my dreams. — Greg Akers

Justin Fox Burks

One Block North: Best Juke Joint

Best Memphis Neighborhood Bar: The best Memphis neighborhood bar is actually in Heber Springs, Arkansas.

After selling his Memphis security business a few years back, Maurice Lipsey bought 250 acres along the Little Red River. But he never lost his love for Memphis, so he set about creating a place for his friends — and those who would become his friends. He built eight two- and three-bedroom houses, each with fireplaces, whirlpool baths, satellite television, and decks that overlook the Little Red.

He sells what he calls “quarter-shares.” If you buy a quarter-share in one of the houses, you get one week a month at Fat Possum Hollow, year-round. Business is good — there aren’t many shares left — and almost everybody who’s bought one is from Memphis. He also rents out a big bunkhouse.

Maurice will tell you all this at the Fat Possum Hollow bar, which he also built. It’s not a bar in the regular sense — it’s in a barn, and you have to bring your own poison, but Maurice will set you up, and if you’re from Memphis — and like I said, everyone is — you’ll feel right at home. The barnwood walls are covered with Tigers sports posters, CA front pages, old photos, and Memphis memorabilia. There’s a giant fireplace, a pool table, a television permanently tuned to ESPN, one of the world’s best beer-bottle collections, and a big friendly Airedale named Monroe.

Call Maurice and check the place out if you’re looking for a great getaway: 501-362-7738. — Bruce VanWyngarden