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Music Video Two-fer Tuesday: Stephen Chopek and Paul Taylor

It’s a very special Tuesday edition of Music Video Monday. Two of Memphis’ finest musicians sent in videos for Music Video Monday marking big changes in their lives. Stephen Chopek and Paul Taylor are moving out of Memphis, at least for the time being. Since they’re friends in real life, I decided to pay tribute to them together.

Chopek not only has a prolific recording career, he is also a one-man music video factory. The no-budget auteur has been Music Video Monday’s most frequent feature, and his videos never fail to wow with their creativity. He’s decamping to Atlanta to be with his family, so he made this video for his song “Unspoken Hopes” as a symbol of planting a new seed and hoping it grows. “There’s only so long that you can ignore intuition,” he says.  “Recurring ideas, plans, and dreams have a way of finding their way out the unconscious mind and into waking life. ‘Unspoken Hopes’ is about your inner voice manifesting itself into reality through repetition. This song deals with leaving 2020 behind and allowing our instincts to guide us into the future.”

Music Video Two-fer Tuesday: Stephen Chopek and Paul Taylor

“Fun fact,” says Chopek. “The very first gig I played after moving to Memphis in 2014 was drumming with Paul Taylor at the Blue Monkey.” (See Alex Greene’s record review here.)

Taylor is Memphis music royalty. He was the “T” in seminal Antenna punk band DDT, along with Cody and Luther Dickinson. Since then, he’s had a an extensive solo career and been a trusted, in-demand sideman both in the studio and on stage. Trust me, the man plays literally everything better than you. He’s leaving behind the Bluff City to head north, and he’s nostalgic about the Midtown he leaves behind. He says his video for “So Long, Rembert” is “an homage to a special house on a special street; the end of a critical chapter, as my wife and I have relocated to Wisconsin for the time being. So many important things happened in my life in this house, so many things came together for me musically in this room, I can’t help but feel sentimental and want to pay tribute to these four walls! This street, Rembert, right off Poplar Ave, has been home to everyone from Alex Chilton to Jeff Buckley. It’s been one of the last vestiges of bohemian midtown Memphis. Now, half the street is being torn down for condos and the MCA dorms are being replaced with a high rise. This music for me reflects the dismal yet hopeful nature of time moving forward! This video was made by literally screen recording while i slid my thumb to move the frames of a paused video to make my own homemade time lapse.”

Music Video Two-fer Tuesday: Stephen Chopek and Paul Taylor (2)

Paul and Stephen, we’ll miss y’all. Don’t be strangers. After all, everybody knows, once you’re in the Memphis Music Mafia, it’s for life. You’ll always get pulled back in. 

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Music Record Reviews

Stephen Chopek: Daring to Listen to the Unspoken Hopes

Stephen Chopek is a drummer’s drummer who has made a name as a Memphis sideman over recent years, but that’s not the half of it. As we reported in 2018, he’s quietly pursued a parallel path as a solo singer/songwriter. Since that year’s album, Begin the Glimmer, he’s continued to hone his minimalist songcraft, often touring the country alone, with naught but his guitar, a carrot or two, and other vegan delights.

Since this summer, and now into late fall, he’s been releasing material one song at a time on Bandcamp, and the past four encapsulate the full spectrum of his minimalism. Two of them, like October’s “Don’t Go, Stay Home,” or November’s “Looking for a Sign,” are very sparse indeed. The former features an appropriately homey-sounding acoustic guitar and his vocals, with only a tiny drum machine as accompaniment; the latter is even sparser, a redo of a track from 2012 that features new lyrics and only the stark sound of electric guitar and voice. The bare arrangements serve to highlight his wistful melodies all the better.
[pullquote-1-center] But these two songs are book-ended by two others that sport more ambitious arrangements. Of course, even these are exercises in restraint. The earlier number, “With Every Love Lost,” from August, features drums and broad chords that hang like clouds over the landscape. But they’re enhanced by his finely tuned harmonies, to which his voice is well-suited. The resulting textures are reminiscent of, say, the Proclaimers, with an accent that’s not from Scotland, but from New Jersey. The plainspoken approach suits the simple, compelling observations of his lyrics, and continues to offer a breath of fresh air in an indie sea of vocal affectations.

And that brings us to “Unspoken Hopes,” his latest release. It’s gaining a bit more recognition, from both Magnet and Brooklyn Vegan, and rightly so. Combining a martial rock beat, power chord guitar and prominent, pulsating bass, it might be the most Proclaimers-esque of the batch, all while retaining his unique personality. There’s even, gasp, a lead guitar line, which chimes in with a beautiful cascade of notes. And it suits the, well, hopefulness of the track beautifully. And, truth be told, it suits the current zeitgeist: Even in these dark days of December, we’re daring to hope a bit more, and Chopek’s chiming guitars and soaring harmonies beam over the landscape ahead in sympathy.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Stephen Chopek

Music Video Monday got junk in the trunk.

Low-fi music video auteur Stephen Chopek is no stranger to Music Video Monday. His new clip for “With Every Love Lost” introduces something new: A location shoot. Chopek and his stuffed bear friend explore the junkyard on a brilliant sunny day.

“‘With Every Love Lost’ is about shedding old skin when moving from one chapter of life to the next,” says Chopek. “We leave part of us behind, but always hold on to our true selves (and sometimes make a new friend along the way).”

Music Video Monday: Stephen Chopek

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Stephen Chopek

Hit the (virtual) road with Music Video Monday.

Memphis’ one-man music video studio, Stephen Chopek, is back — or should we say, there and back again. Chopek has spent a lot of time on the road as a touring musician. He made the video for “Cherokee Arms” from clips he shot in transit.

“I moved to Memphis six years ago, and I was ready to write a song about living in Midtown,” Chopek says. “Cherokee Arms is an apartment building on Madison Avenue that looks how Midtown Memphis feels to me — rough around the edges with strong character, understated with a solid presence, attitude with class. This video is all about getting there.”

Music Video Monday: Stephen Chopek

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Stephen Chopek

Catch a fire with Music Video Monday!

Stephen Chopek, Memphis’ favorite one-man minimalist music video auteur, is back with a song about putting in the emotional work to overcome past traumas. If that makes “Dig a Well” sound like work itself, well, it’s not. It’s a lovely, lilting melody that will beautify your morning.

Of the video which sees Chopek letting go of the past in a very literal way, he says, “Old letters feed the fires that keep us warm.”

Music Video Monday: Stephen Chopek

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com. 

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Film/TV Film/TV/Etc. Blog

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway

Shannon Walton in Sweet Knives video for ‘I Don’t Wanna Die’

You’re going to be hard pressed to see everything great on Indie Memphis Sunday, so some triage is in order. We’re here to help.

First thing in the morning is the Hometowner Rising Filmmaker Shorts bloc (11:00 a.m., Ballet Memphis), where you can see the latest in new Memphis talent, including “Ritual” by Juliet Mace and Maddie Dean, which features perhaps the most brutal audition process ever.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway

The retrospective of producer/director Sara Driver’s work continues with her new documentary Boom For Real: The Late Teenage Years of Jean-Micheal Basquiat (1:30 p.m., Studio on the Square). Driver was there in the early 80s when Basquiat was a rising star in the New York art scene, and she’s produced this look at the kid on his way to becoming a legend.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (2)

The companion piece to Driver’s latest is Downtown 81 (4:00 p.m., Hattiloo Theatre). Edo Bertoglio’s documentary gives a real-time look at the art and music scene built from the ashes of 70s New York that would go on to conquer the world. Look for a cameo from Memphis punk legend Tav Falco.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (4)

You can see another Memphis legend in action in William Friedkin’s 1994 Blue Chips (4:00 p.m., Studio on the Square). Penny Hardaway, then a star recruit for the Memphis Tigers, appears as a star recruit for volatile college basketball coach Pete Bell, played by Nick Nolte. It’s the current University of Memphis Tigers basketball coach’s only big screen appearance to date, until someone makes a documentary about this hometown hero’s eventful life.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (5)

The Ballet Memphis venue hosts two selections of Memphis filmmakers screening out of the competition at 1:50 and 7:00 p.m., continuing the unprecedentedly awesome run of Hometowner shorts this year. There are a lot of gems to be found here, such as Clint Till’s nursing home comedy “Hangry” and Garrett Atkinson and Dalton Sides’ “Interview With A Dead Man.” To give you a taste of the good stuff, here’s Munirah Safiyah Jones’ instant classic viral hit “Fuckboy Defense 101.”

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (3)

At 9:00 p.m., the festivities move over to Black Lodge in Crosstown for the Music Video Party. 44 music videos from all over the world will be featured on the Lodge’s three screens, including works by Memphis groups KadyRoxz, A Weirdo From Memphis, Al Kapone, Nick Black, Uriah Mitchell, Louise Page, Joe Restivo, Jana Jana, Javi, NOTS, Mark Edgar Stuart, Jeff Hulett, Stephen Chopek, and Impala. Director and editor Laura Jean Hocking has the most videos in the festival this year, with works for John Kilzer, Bruce Newman, and this one for Sweet Knives.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (6)

If experimental horror and sci fi is more your speed, check out the Hometowner After Dark Shorts (9:30 p.m., Playhouse on the Square), which features Isaac M. Erickson’s paranoid thriller “Home Video 1997.”

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (7)

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Stephen Chopek

Music Video Monday is gonna rock you!

Stephen Chopek, Memphis’ one-man music video studio, is back with his latest epic. “Yeah Yeah Yeah Yeah Yeah Yeah” is from his new EP, “Songs of Shane”, a collection of covers of songs by Irish rockers the Pogues. Chopek arranged, performed, and recorded the album, and displayed an impressive acting range in the music video.

Music Video Monday: Stephen Chopek

If you’d like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com. 

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Film/TV Film/TV/Etc. Blog

Music Video Monday Valentine’s Day Special Thursday Edition: Stephen Chopek

If Valentine’s Day were three days ago, this would be a more appropriate Music Video Monday.

But we go with the calendar we’re given, not the one we wish we had, and Stephen Chopek’s new video is ideal for Valentine’s Day. MVM’s favorite minimalist auteur covered Shane McGowen and the Popes “The Song With No Name” for his upcoming EP, which drops next month. It’s an Irish “dirge for Valentine’s Day,” says Chopek. So this one’s for all you lonely hearts out there in music video land. Keep searching ’til you find the right channel.

Music Video Monday Valentine’s Day Special Thursday Edition: Stephen Chopek

If you’d like to see your music video on Music Video Monday that are actually on Mondays, email cmccoy@memphisflyer.com

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Music Music Features

Stephen Chopek Finds His Memphis Groove

Four years ago, the music scene lit up with news of a fresh face in town, hungry to play gigs. Stephen Chopek was clearly a drummer’s drummer, having cut tracks and toured with Charlie Hunter, John Mayer, and Jesse Malin, among others. Any fears that this Jersey City native wouldn’t get the Memphis groove were quickly laid to rest, and he has become a fixture with some of the great performers around town.

Says Chopek, “New York City was going through a lot of changes. So I was ready for the move, and it worked out great. I’ve worked with some great musicians: John Paul Keith, Amy LaVere, David Cousar. It’s been fantastic as a drummer, and also in having the time and space to do my own thing, too.”

That last comment is something you don’t often hear from drummers. But even before his move south, Chopek was exploring his own thing — as a songwriter. Ultimately, it was part of his larger attitude toward personal growth.

Jamie Harmon

Stephen Chopek

“As a gigging drummer, sometimes you’re creating things with people, and other times you’re just learning somebody else’s parts and playing gigs. Which is great fun, but there was something that was missing. Songwriting has helped me not just as a musician, but as an overall creative person, to have that balance of building something from the ground up, something I could direct on my own. As I go on in my career, and I grow as a human being, I’m seeing the importance of those situations that make you uncomfortable at first.”

Now, with his third full-length album dropping Friday, it would seem Chopek has hit his stride. Begin the Glimmer is not a typical do-it-yourself clutch of demos. It sports one perfectly crafted tune after another. They’re all built on a solid foundation of Chopek’s acoustic guitar strumming, which nestles in with his drum parts so perfectly that each song churns forward with aplomb. The songs were painstakingly constructed, as Chopek layered bass, keyboards, and lead guitar over his basic rhythm tracks. With Chopek’s plainspoken lyrics floating over it all, and everything kept in the kind of perfect sync only a drummer can create, the end result is a shimmering folk-pop gem that leaps from the speakers.

Some listeners may be familiar with two of the album’s tracks, released earlier this year as a seven-inch single. While many of Begin the Glimmer‘s tracks are of a personal nature, the single’s two tracks have a more historical bent. “The Ballad of Cash and Dean” is a kind of fantasia about two icons of the 1950s, Johnny and James. But the real period study is the A-side, “Radio Caroline,” an exuberant celebration of American rock-and-roll hitting the United Kingdom.

“Radio Caroline was a pirate station in the early ’60s in the U.K.,” says Chopek. “It was a time when the BBC saw rock-and-roll as this crass fad. So Radio Caroline was this pirate radio station on a boat off the coast that played all the blues and soul that young people of the time were interested in. I first heard about it in interviews and things, and then I did some additional reading. There was something about it that resonated with me. Something romantic about their DIY ethos, championing this new music.”

As a whole, the album’s sparkle is a refreshing break from “the Memphis Sound,” whatever that may be these days. But Chopek considers it part and parcel of his adopted home. “This is my first real Memphis record,” he notes. “I recorded it with Harry at 5 and Dime; I mixed it with Doug Easley; I mastered the vinyl with Jeff Powell at Sam Phillips. And working with Doug, with his contribution to Memphis music, was really something. I’m glad I didn’t know too much about him when I first started working with him, because I think there would have been an intimidation factor. I just got to know him as a person, and then slowly realized all the things that he had his hand in with Easley-McCain Studios: Sonic Youth, Pavement, Cat Power, the White Stripes, Wilco. All these things that were formidable in my development as a musician. So just getting to know Doug and working with Doug was a great Memphis experience.”

Begin the Glimmer‘s record release show is Saturday, November 10th at Otherlands.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Stephen Chopek

Music Video Monday throws it in reverse.


No budget music video auteur
Stephen Chopek will release his next album Begin The Glimmer on October 12th. The lead song on the album, recorded by Harry Koniditsiotis at 5 and Dime and mixed by Doug Easley at New School, is called “Made Of Puzzles.”  I’m going to go out on a limb and say that this the first music video ever made with an automotive backup camera. Chopek says the theme of the song and video is  “Don’t look back; but if you do, be aware your surroundings and use caution.”

Music Video Monday: Stephen Chopek

If you would like to see your music video appear on Music Video Monday, email cmccoy@memphisflyer.com