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We Recommend We Saw You

WE SAW YOU: Strangewaze Wednesdaze

Strangewaze Wednesdaze was held each Wednesday in May. But the final one was held June 5th because it was the rain date for the May 8th event. “There was a chance for tornadoes,” says event co-founder Emily Todd. “And, of course, that didn’t happen.”

Alex Turley and Jamie Harmon
harnae Lee and Hasani Madlock
Zach El-Oglah and Magda Sakaan

Attendance reached 725. Guests dined on free food, listened to music from Yesse Yavis and Tennessee Screamers, and sipped Memphis Made Brewing Company’s Srangewaze pale ale.

Emily and her dad, Mike Todd, began the event, originally known as “Hump Day Happy Hour,” in 2021 as a way to revitalize The Edge and Medical District. “The Edge had a lot of development momentum and interest in the neighborhood prior to Covid. When Covid hit, it slowed down a lot of that momentum.”

Emily Todd
Morgan Erdman and Chris Liberto

May events are geared toward people with money, Emily says. “Nothing is really accessible that is free and fun for the majority of residents of Memphis to do. We wanted an equitable, fun, community-activated experience. And we wanted to continue to grow in The Edge and the Medical District because of all the important growth that is happening there.”

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Film Features Film/TV Film/TV/Etc. Blog

Music Video Monday: “Maria” by The Tennessee Screamers

The trio of Keith Cooper, Frank McLallen, and Graham Winchester have been playing together since high school. They rock as The Sheiks, they’ve backed up Jack Oblivian, and, with the addition of Jesse James Davis, they play both kinds of music — country and western — as the Tennessee Screamers.

“Maria” was written by McLallen and recorded at Sun Studios by Crockett Hall, with Eric Lewis guesting on pedal steel.

Davis (who is often mistaken for Memphis Flyer editor Jesse Davis, and vice versa) directed this music video in 2021. “Almost a year ago, we invaded the drive-in to make a music video,” says Davis. “I finally finished it after a busy year back gettin’ educated at U of M. A lot of thanks to throw out on this one: Leanna Carey for shooting some vid on the river one fine spring day; cameos from Michael Jasud, Linton and Grace; thanks to Laurel and Charles for letting us shoot at the Lamplighter

Cooper says, “The city of Memphis once again proved to be a fine palette for the various locations needed to be shot. From the muddy banks of the Mississippi to the commode that Jasud’s ass rested upon at the Malco Drive-In.”

The lo-fi video drama sees McLellan being chased by Cooper and Winchester, presumably for eating beans and stealing the affections of the titular Maria. “I am glad I can use my position as editor of the Memphis Flyer to promote my own work,” says Davis*.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

*Jesse James Davis, musician, comedian, and filmmaker, not Jesse Davis, musician and editor of the Memphis Flyer. I know. It’s complicated.

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Music Music Blog

Contents of Spaceman’s Wonderbox to be Revealed at Black Lodge

It was a year ago to the day that I first heard the words “Spaceman’s Wonderbox.” I was speaking with songwriter and musician Michael Graber, and he intimated that such a box had been created, using bits of twine, corn stalks and rusty hinges discovered during a barn dance. But mere words couldn’t quite convey what was in the box.

Come tomorrow night, the box will be opened for all to see. Indeed, the event will be a bit of a barn dance in its own right, although it won’t happen in a barn, but a lodge. Black Lodge, to be exact. The brilliantly curated video rental shop on Cleveland Street will open its doors to live performance for the first time since lockdown went into effect last year, with three bands, culminating in a performance by Graber’s venturesome bluegrass/Americana group, Graber Gryass.

It all begins on May 22 with Ben Abney and the Hurts at 7:15 p.m., followed by the beloved Tennessee Screamers, no strangers to bluegrass and harmony singing themselves. And then, finally, in real time, the box will be opened.

Okay, to be fair, there may be no literal box. Because Spaceman’s Wonderbox is more of a state of mind. More than just the title of Graber Gryass’ new album, released today, it’s also the concept that ties the album together, and helps to distinguish it from the group’s previous album, Late Bloom.

That 2020 release was called “An impressive album … an absolutely entertaining experience … fully fueled grassicana, riveting and robust” by Bluegrass Today, and favored a more traditional approach. But while recording it in the throes of quarantine life, the band went to seed a bit. They “cut gravity’s string,” to quote one lyric from the new album’s lead track, and their imaginations became slightly unmoored.

The result is a box that’s full of surprises and left turns. “We planted ourselves within bluegrass tradition with our first record,” says Graber, “with the intention of branching out and pushing boundaries on our second.” A year ago, he referred to it as “shamanic spoken word and ecstatic love poetry,” and so it is, but there are still plenty of traditional arrangements to ground the proceedings.

The album’s opener, with all its abstract musings about what keeps us earthbound, adheres to a fairly familiar song structure. So does the next cut, “It Was Always You,” a mystical, generational ode sweetly sung by Graber’s adult daughter, Rowan Gratz.

Many tracks hew close to these traditional vines, combining ancient forms with more free-ranging lyrics, much in the style of the Incredible String Band. Other tracks become more unhinged. But let’s let that be a surprise. Venture out as the Spaceman does. Go out to see and hear the box revealed, tomorrow night at the Black Lodge.

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We Recommend We Saw You

Graham Winchester – at Home


Erica Winchester

Graham Winchester in his home studio.

In place of parties and gatherings, We Saw You will focus on what people are doing at home. This week: singer-songwriter-musician Graham Winchester.

Graham Winchester didn’t know he was going to be stuck in his home studio a good part of the day after he and his wife, Erica, and their children Miles and Everlee moved into their Midtown house last November.

Winchester, 31, a drummer, pianist, bass player, guitarist, and vocalist who performs in Turnstiles, Sheiks, Jack Oblivian Band, the MD’s, Cassette Set, Devil Train, and So Gung Ho, is at home because club gigs have been canceled and Sun Studios, where he is a tour guide, closed until further notice because of COVID-19 virus precautions.

“My two ways to make a living are selling records — dropping them off at people’s doorsteps, selling records online — and the live-stream thing,” Winchesters says.

He recently spent four or five hours dropping off records. “To people who had tipped me Venmo money or PayPal money. People send me money and I drop the record off at their doorsteps. It’s personal, but it’s also social distancing.”

He’s selling his recent 45, “I’ll be the One/People,” which is on Madjack Records, as well as his albums.

Winchester began live-streaming from his home studio March 14th on his Facebook page, with a show featuring himself performing original songs on acoustic guitar. He held a record release party the night before at DKDC.

He held his first Facebook live stream with himself and another band March 19th. Winchester played drums with the Tennessee Screamers, which includes Frank McLallen, Jesse James Davis, and Keith Cooper. The Tennessee Screamers is an acoustic group, but when Winchester plays with the trio, the group is called “Electric Screamers.” McLallen converts to electric bass and Cooper, electric guitar. “We bring in some amps and I get on the drums.”

The sound was better on the Tennessee Screamers show, Winchester says. On his first show, he says, “I was stomping my foot real hard which was making the camera glitch. Last night, we had studio microphones recording direct audio so it wasn’t your usual bad cell phone audio. We spent more time on the audio and the visual last night, so it was more successful.”

McLallen is my nephew, and the others on the screen are my “nephews,” so, of course, I wasn’t going to miss the show. Based on the comments, the guys noted that all the parents were watching. So were the uncles.

I listened and watched on the last night of winter while, sitting in my yard. The balmy weather, which was in the 70s, was perfect. The music from where I sat was accompanied by the singing of frogs.

The best part about the experience besides the music and the performance, with all the jokes and back-and-forth banter by the band members, were the Facebook comments. People made wisecracks, complimented the band, talked about what the musicians were wearing, and about what they themselves were doing at home. Someone was frying chicken. Others were on their porch. It was like you were at a big party even though everybody was miles away.

Tennessee Screamers with Graham Winchester on Facebook live streaming March 19th.

I read and commented while I listened and watched the guys perform. It felt like I was at a big party with old and new friends, even though everybody was miles away. With no parties happening right now, it was great to enjoy a “happening.”

“We definitely got that vibe,” Winchester says. “Even though it was just the four of us in the actual room, it felt like all of our friends were in there with us. It felt very personal. Very real.”

The show, which featured original music as well as material by Waylon Jennings, Roy Orbison, Mississippi Fred McDowell, Bobby Helms, Carl Perkins, Warren Zevon, and Alex Chilton, went on for two hours. They planned to only play an hour and a half. “But we had so much fun we decided to keep going. And the longer your stream, the more engagement you get, naturally.”

Ross Wiley, who lives in Montgomery, Alabama, commented: “This is by far the best thing I’ve seen in a long time.”

Comments were from all over the world. “We had people from Germany, Japan, tuning in. Canada. Holland. Norway. France. We had friends from 20 different countries tuning in.”

And, he says, “We’re up to 4,000 views in less than a day. Usually these things pick up a couple of more 1,000 as the week goes on. If you think about it, 4,000 people watching is like filling out the Orpheum twice. It’s pretty crazy.”

Winchester was pleased with the overall experience. “It felt like the best we’ve got, you know. It felt as social as we can possibly be right now.”

To hear the March 19th show, go to Graham’s Facebook page, which is public: Facebook.com/gwinchester3.

Winchester’s next Facebook live show from his home studio will be a performance with Seth Moody at 6 p.m., March 21st. “We’ll be trading songs back and forth and playing some together as well.”

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Music Music Blog

Jack Oblivian at the Buccaneer Saturday Night

Don Perry

Jack Oblivian returns to a familiar place this Saturday when he performs with Data Drums and the Tennessee Screamers at the Buccaneer. In case you’ve been living under a rock for the past 20 years, Jack Oblivian got his start in The End (Punk from Corinth, MS) before doing time in the Compulsive Gamblers, The Knaughty Knights, The Oblivians and about 50 other bands. Jack practically has the keys to the city at this point and shouldn’t be missed, but make sure to get to the Buccaneer early to check out Data Drums (featuring Chuck Vicious of the Oscars) and The Tennessee Screamers. $5 gets you in.  The video below from Rocket Science Audio should hold you over until its time to rock.

Jack Oblivian at the Buccaneer Saturday Night