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News

Me and Jennifer Biggs

Jennifer Biggs and I used to say we were going to be the first two people to never die.

We said (not sure if we really thought it) that we were going to be the exception to the rule. It had never happened before in history. But who was to say — besides everybody — that it couldn’t happen?

Jennifer, the food editor for The Daily Memphian, died August 16th. Cancer. It was for me, like everybody I know, a shock. It just doesn’t seem like it was time for her to go. Not yet. She was always there for everybody who loved her. And even for those who just knew her from her newspaper writing, and appearances on TV and radio.

We met when we both worked at The Commercial Appeal. We shared the same sense of humor. We worked on stories together a few times. I remember both of us tag-team covering food stories where we’d set out early and eat at six or seven places from Memphis to Mumford, and then back to some places on Winchester Road. And we’d still squeeze in one more place before we called it quits.

When we weren’t working, we’d go out to eat. Sunday night dinners at Sakura on Poplar Avenue — usually, with John and Missy Stivers — were common. Or we’d go to fancy places with Peggy Burch. And then sometimes with Jennifer’s daughter, Megan Brooks Biggs, and Jennifer’s grandchildren, Jack and Chloe. Every time I went to her house before dinner her dogs Henry and Rouxby (both rescues — by Jennifer) would bark and bang on the inside of her front door.

Often it was just me and Jennifer at The Pancake Shop. We both religiously ordered the “Everyday Special.”

It was always fun to make Jennifer laugh. She loved pratfalls. There was a two-wheeler in the features department one afternoon at the CA. I told photographer Dave Darnell I was the “King of the Two Wheeler.” I told him to stand on the two wheeler and lean back. I announced I could pull anything on a two wheeler. He stood on it, leaned back, and we both immediately fell down. My head clanged when it hit a metal wastebasket. Dave and I immediately jumped up to show we were tough and this didn’t hurt us at all. Even though it did. Jennifer shrieked.

She also shrieked when I showed up for work one afternoon with coffee all over my shirt. I told her a guy at the paper decided to empty the rest of the coffee in his mug at the same moment I was walking by the truck garage. He threw the coffee on me.

I remember when I moved to the Memphis Flyer and Jennifer was still at the CA. She said she hated the idea of us competing with each other instead of being on the same paper. When I began covering food more for the Flyer, Jennifer and I were very competitive. We both loved scoops. We wanted to be the first to announce some restaurant opening or food news. But it was understood between us that was our job. We tried to get the story first for our own newspaper.  I will admit, though, it felt so good to scoop Jennifer.

Jennifer became the acclaimed food editor for The Daily Memphian. I watched her become an even bigger celebrity than she already was at the CA. She was in the top three “Best Columnist” category in the Flyer’s “Best of Memphis.” Her photo was on the side of MATA buses.

We never talked about our newspaper stories much. We’d get together at Sakura and talk about other things. People usually. 

I recently realized I don’t know Jennifer’s favorite book, favorite song, favorite band, or favorite movie. We  never talked about that kind of thing. We just talked, texted, and laughed about whatever.

We had a poster someone made in the features department at The Commercial Appeal. It read “WWJD.” It stood for “What Would Jennifer Do.” She had all the answers. And she usually was right. It seemed like she knew everything. She was the person I first asked what “AI” stood for. She calmly explained. “Artificial Intelligence.”

One more story. … Jennifer and I ran into each other in New Orleans many years ago. A buddy of mine, Blakney Gower, and I were there doing a get-out-of-town-go-to-New Orleans-weekend-bar-and-restaurant thing. Jennifer and her then-husband, Bob Brooks, and Blakney and I had dinner at Antoine’s, my favorite New Orleans restaurant. Many Beefeater gin martinis on my end. Lobster Thermidor, probably, for dinner. And Baked Alaska.

After dinner, our server took us on a tour of Antoine’s. I saw a piano in a ballroom and, of course, sat down and began playing. Jennifer and Bob danced. It was just one of those magical nights. Like you dream that your favorite restaurant just happens to also have a ballroom upstairs and you never knew it before. It was also a happy night.

And now she’s gone. No more new adventures with her to turn into memories.

But I keep seeing Jennifer at different places. Not the person. Just reminders. Like a plastic bag jammed full of metal — not plastic — forks she gave me a few years ago when I had a family Easter dinner at my home. They’re on top of a cupboard in my kitchen. Jennifer always took care of whatever you happened to need. All you had to do was ask her.

I went by to visit Jennifer the day she died. When I saw her, I knew that was the last time I was going to see her alive. She was in bed. Her head was turned to one side.

 I walked up to the bed and I said, “Jennifer, it’s Michael. Let’s go eat at Sakura.” She opened her eyes wider. I’m not sure she was able to physically smile. But I think she was smiling just the same. I said, “I love you, Jennifer.” And then I left. This was family time. I didn’t want to be in the way.

I didn’t know until the next morning that Jennifer was gone. I was charging my phone when the texts and phone calls about her death began.

That morning, I had to write a Flyer story on deadline. It was a self-imposed deadline. It was about an artist, Alexandra Baker. I could have waited, I guess, but I wanted to post the story before the opening of her art show, which was the next night. Like every reporter has had to do at least once, I wrote the story even though I was very sad. It’s never an easy thing to do. 

While writing the story about Alexandra, I came upon a quote in my notes. It suddenly took on more meaning.  Alexandra said, “I lost some friends along the way in life. And family members. But friends hurt more because they’re so young. And I felt life was kind of softened by them.”

Jennifer softened my life as well as the lives of countless others.

And I’ve now learned that Jennifer was right — as usual — when she said she was never going to die. She won’t. My memories of her will continue to live as long as I do.

See you later, Jennifer.

Categories
Music Music Blog

WYXR 91.7 FM Goes Live Today, Radio Flyer to Air Every Friday at Noon

WYXR

New radio station WYXR’s initial staff includes (from left) Shelby McCall, Robby Grant, and Jared Boyd.

As Toby Sells reported in July, there’s a new kid on the block, and its name is WYXR. It’s the latest activity stirring in Crosstown Concourse, which has partnered with The Daily Memphian and the University of Memphis to make the station a reality. Today, paper covering the station’s broadcast room windows, which face out onto the Concourse atrium, will come down before the station begins broadcasting at 5 p.m.

Program director Jared Boyd spoke to the significance of the station’s location in July: “When you walk into Crosstown Concourse, it won’t be hidden. The nuts and bolts of the operation will be showcased behind glass right in the lobby of the Central Atrium. By design, this community-minded radio station will not just broadcast to its audience, but live and breathe alongside it.”

The frequency 91.7 FM was formerly used by U of M’s WUMR, the city’s premiere jazz station. Re-imagining the university station last fall led to the partnerships that helped create WYXR. And from the beginning, the new non-commercial station has kept community service at the heart of its mission. Also at the center of that vision is cultivating a sense of freedom.

As executive director Robby Grant said this summer, “By taking a free form approach, we want to begin finding personalities and DJs who have their own tastes and things they’ve grown up loving and sharing with people.” Since then, the station has indeed recruited a diverse stable of DJs, covering a multitude of genres and aesthetics.

For those who relied on WUMR’s jazz programming, never fear: the new station will feature plenty of jazz of all stripes, including DJ Jim Duckworth’s return to spinning rare pre-World War II jazz platters. Much indie rock, blues, rock ‘n’ roll, gospel, hip hop, avant garde, and even “unpopular pop” will be highlighted as well, with DJs running the gamut from Goner’s Zac Ives to Juan Shipp, former pastor at the Greater Abyssinia M. B. Church for over forty years and founder of the Memphis-based D-Vine Spirituals record label.

Every Friday at noon, tune in to Radio Flyer, an hour’s worth of news and music from The Memphis Flyer, hosted by associate editor Toby Sells and music editor Alex Greene. In the first half hour of every show, Sells will interview guests and other Flyer reporters about their beat for the week. The second half will be devoted to music, with Greene spinning cuts reflecting that week’s reporting and the Flyer‘s entire history of arts coverage, including exclusive excerpts from interviews.

In today’s Daily Memphian, Boyd summed up the experience of preparing for launch in the age of quarantine, and the payoff of manifesting community bonds today, now that it’s all going live. “Every exhausting step up a U-Haul ramp with a box of records; every trip to a large, whirring transmitter in a suburban shed; and every angry email from a jazz-lover devoted to the station’s old format,” he writes, “was manageable once I saw the eager eyes peering back at me over the cloth face-coverings of Memphians, many of whom I’ve admired in my own comings and goings, but never imagined I’d see in a room together, working toward a common goal.”

WYXR 91.7 FM goes live today at 5 p.m. with a special on-air party hosted by Robby Grant and Jared Boyd.
Special Inaugural Broadcast Schedule:
• 5-9 p.m. – Robby Grant & Jared “Jay B.” Boyd Kickoff Party
• 9 p.m. 11 p.m. – Time Passage w/ Andrew VanWyngarden of MGMT
• 11p.m. 12a.m. – The Mado Experience / Mado
• 12 a.m.- until … – *SPECIAL GUEST DJ*

Categories
News News Blog

Project Would Transform U of M’s Radio Station

WUMR/Facebook

The University of Memphis radio station, WUMR FM 91.7, could transform if a deal with the station, The Daily Memphian, and Crosstown Concourse is approved by the university board.

The station would become a new nonprofit radio station, broadcasting from a new home at Crosstown. The tower will remain at the U of M, it would still feature student talent, and it would still be found at 91.7. But the all-jazz outlet would expand its music, culture and news content to have “broad appeal to the U of M student body and the wider Memphis community.”
WUMR/Facebook

The station would have news programming from The Daily Memphian. The station would also have the capability to broadcast concerts from the Green Room at Crosstown Arts, Crosstown Theater, and the U of M’s Scheidt Family Music Center.

The station would also “work with arts, music, and other cultural organizations throughout the city as the station will strive to give voice not just to the three partner entities but to a wide array of people and organizations in Memphis.”

“The visibility of Crosstown Concourse will be tremendous for our radio station and will provide an even more professional work experience for our students,” said U of M president David Rudd.

The spirit of collaboration and community found at Crosstown and the Memphis community at large will inform the new station, said Dr. Todd Richardson, president of Crosstown Redevelopment Cooperative.

“Three entities come together to create a true Memphis musical and cultural experience,” Richardson said. “At the heart of it will be local DJs bringing their unique and diverse voices to a world-wide audience.

“Crosstown will serve as the hub, while the University of Memphis will extend the organization’s resources to include students, professors and guests. The Daily Memphian will provide regular news, information, and interviews to round out a true community resource for the Memphis area and beyond.”
WUMR/Facebook

Eric Barnes, president and executive editor of The Daily Memphian, said the station “is a natural extension of The Daily Memphian’s partnership with the U of M’s Institute for Public Service Journalism as well as our internship program, which includes students from the U of M’s journalism school getting real-world work experience in our newsroom.”

Pat Mitchell-Worley, executive director of Stax Music Academy, would serve as a board member of the new WUMR.

“It was on the Memphis airwaves that artists from Elvis, B.B. King, and Big Star to the Bar-Kays, Wendy Moten, and Yo Gotti connected with large groups of local fans,” said Mitchell-Worley. “Radio in Memphis has always been about community. With diverse listener-powered programming, the new WUMR will continue the tradition of serving savvy music lovers from local curators exploring how artists and songs relate to one another.

“Expect legacy and new art from diverse genres. Expect to celebrate Memphis sounds alongside independent international music moving the world.”

Categories
Cover Feature News

Going to Pieces

“We don’t have the backup we used to have, and the agencies know it,” Jacinthia Jones says, assessing the tough reality of independent journalism in the 21st century. During her 20 years working for The Commercial Appeal, Jones watched the paper’s education beat shrink from a team of a four full-time journalists to a single writer with additional editorial responsibilities — a change that’s definitely contrary to public interest in a community where education concerns run high.

Today, Jones is the Memphis bureau chief for Chalkbeat.org, a digital nonprofit newsroom focusing on education policy, with an eye toward correcting the coverage gap wrought by modern newspaper economies. Chalkbeat’s commitment to sharing free education-related content in partnership with relevant media organizations places Jones at the bleeding edge of conversations about Memphis’ print journalism future.

Jacinthia Jones

“When I worked for The Commercial Appeal, if you requested information and somebody told you ‘no,’ we’d call in the lawyers,” Jones says, reflecting on the daily paper’s financial resources and its historic role in forcing transparency and institutional oversight. “If you look at a lot of the court cases, The Commercial Appeal was filing the suit. Now these agencies are calling our bluff,” she says. “What are you going to do?”

Gather round the campfire, friends, and I’ll spin a tale of suspense, brimming with drama, comedy, and carnage. Information economies are anything but dull, and the ongoing demise of local and regional newspapers affects you personally and everybody you know, whether you’re a serial subscriber or only care about coupons and crossword puzzles. It’s a story about digital triumphalism and unintended consequences disrupting everything from how the Centers for Disease Control and Prevention tracks the spread of infectious diseases to consumer education and government oversight.

Local and community newspapers are a vanishing species. Among the survivors, many, like The Commercial Appeal, have become so diminished by layoffs, consolidation, and circulation loss (not to mention the steady shedding of tangible assets and influence), a spooky-sounding term has been coined to describe them: “ghost papers.”

Many articles have valorized print journalism and warned about the important things communities will lose if local papers go dark. This isn’t that kind of story. This is more like Game of Thrones, with Gannett, the CA‘s corporate parent, squaring off against MNG Enterprises (aka Alden Global Capital), a hedge-fund-backed media group formerly known as Digital First.

“If Alden gets Gannett, I think it will be a disaster for The Commercial Appeal,” says Eric Barnes. As the publisher of Memphis’ digital startup The Daily Memphian, Barnes wants to be clear: “That would not be a good thing for Memphis.

“Their track record is clear,” Barnes says of Alden’s infamous path to double-digit profitability. “People are so used to cuts, they may not be fully processing the level of cuts this could mean.”

Eric Barnes

Although its initial purchase offer was rejected and characterized by Gannett as “not credible,” Alden Global Capital/MNG/Digital First, is a minority shareholder and can stack Gannett’s board with Alden-friendly directors. That means the company might change its business philosophy, even if it never changes hands. So, if the takeover stalls or fails, it’s not impossible that the surviving CA could still be reduced to a West Tennessee edition of The Tennessean. It could also just as easily vanish like an apparition and never be heard from again.

And if it disappears, what then? Is the not-for-profit Daily Memphian positioned to replace the city’s historic paper of record? What’s the role played by community newsletters? Or social media? What about all the other news/lifestyle publications like the Memphis Flyer, StoryBoard, the Memphis Business Journal, Memphis Parent, La Prensa, or The Best Times? What about smaller, digital-only newsrooms like the neighborhood-focused High Ground News and the justice-oriented MLK50? Are Memphians equipped to sift through the clutter, internet noise, and propaganda to access the range of information and basic utility daily newspapers still bundle in print and online? Can other local news sources fill the void? That’s the big question.

About the Carnage …

The media-consuming public craves blood, so here it is: During the period between 2008 and 2017, newspapers shed nearly half their editorial workforce, according to data from Pew Research. During roughly the same period, one in five newspapers shut down nationwide.

The Expanding News Desert comprehensive report put out by the University of North Carolina’s Center for Innovation and Sustainability in Local Journalism in 2018, pegged the number of U.S. newspapers closed since 2004 at just under 1,800. The negative trend continues uninterrupted due to media consolidation, and the one-two-punch of changing technology and reader habits. But hedge funds also fundamentally changed the nature of newspaper ownership when they bought in during the Great Recession, circa 2008. During that period, advertising revenues and the price of newspaper companies bottomed out, transforming the market from a predictable “buy/hold” environment into a five-year flipper’s game.

The UNC report shows more than half the country’s newspapers changed hands in the last 15 years: “Many have been sold two or more times.” The Commercial Appeal, for example, a Scripps-Howard product since 1936, was merged with Journal Communications in 2015, then, just a few months later in early 2016, Journal Communications was obtained by Gannett. In January, 2019, Gannett received an unsolicited acquisition proposal from MNG/Digital First Media, the newspaper company owned by Alden Global Capital.

Self-inflicted Wounds

You’ve probably read stories about the newspaper industry’s decades-long struggle to staunch its slow readership bleed-out. Most of these stories focus on technological change or popular ideological narratives, and every one of them is misleading. Without a doubt, the most drastic newspaper consumer loss of the past 20 years was self-inflicted.

In 2008, for the purpose of reducing costs related to wages, ink, gasoline, and newsprint, The Commercial Appeal curtailed its delivery in Arkansas, Mississippi, and outlying parts of West Tennessee. This change fit a national pattern, as major city dailies ended rural home delivery. This deliberate shedding of the newspaper’s most expensive customers heralded a new emphasis on digital distribution while killing readership that was never resurrected online. The change hedged calculated consumer loss against variable cost savings and the promise of virtually free digital distribution. The change aimed to save money but also made it harder to cover costs associated with newsrooms and the creation of original news content.

Ending rural and regional home delivery also contributed to the nationwide rise of what are now being called “news deserts,” a dynamic that worsened with corporate acquisition and subsequent shuttering of hometown and family newspapers in places where 40 to 60 percent of the population may not have broadband or wi-fi access. News deserts are most common in Southern states, according to the UNC report, and less likely to affect younger, whiter, and more affluent communities.  

Profit-minded investment companies with no historic ties to publishing or local media markets have been more inclined to sell or shutter underperforming acquisitions than previous ownership groups. Which brings our story back to Alden/MNG/Digital First’s bid to acquire Gannett’s papers. Ironically, The Commercial Appeal — in spite of being turned out of its landmark Union Avenue offices, and frequently embarrassed by insensitive, out-of-town editing — is producing some of its most relevant, energized work in years.

Nostalgia for a mythic golden age of journalism makes it fun to believe that relevant work pays the bills. It doesn’t. And it’s not hard to understand why critical evaluations of the newspaper business and its confusing impact on content, quality, and meaning can be experienced as an attack on weary editors and reporters doing the best they can with fewer resources and less material support.

Simply put: News reporting that changes policy at Juvenile Court or shows us how TVA may have endangered Memphis’ water supply or that equips readers to make better choices as citizens and consumers doesn’t create subscription or advertising revenue. Investigative reports and in-depth explanatory journalism may be the result of hours of interviewing, weeks of research, and months or years of institutional knowledge and beat coverage. The first draft of history is always expensive to make. But none of this is especially interesting to advertisers or general-interest readers.

“We’re used to writing an article and thinking all these people are reading because we had all this circulation,” Jones says, recalling her time at the CA. “Now, with digital metrics, we know that’s not always true,” she says, illustrating an important point: The most important newspaper reporting isn’t always the best-read or most desirable for web traffic or circulation. It’s always been subsidized by softer content in a diverse bundle of professionally edited and curated information. This unpleasant fact makes the prospect of starting a fully digital, general-interest daily especially daunting — in an environment where only one in four digital news startups make it.

A New Hope

The Daily Memphian doesn’t yet share its number of paid subscribers, but the publication says monthly page-views clock around 1,400,000, and every morning the paper sends a news digest to 23,000 email accounts. Stories about University of Memphis basketball coach Penny Hardaway do very well. Stories about government and public affairs sometimes do, and sometimes don’t.

“Paid subscribers broke through the first year’s projections in a couple of months,” Barnes says. But he worries The Daily Memphian‘s big rollout may have set expectations too high. “We didn’t cover something on the first weekend, and got a ton of criticism,” he says. “People really thought we were going to cover everything right away, top-to-bottom, 24/7.”

Looking for an experience like the traditional print newspaper bundle, readers have asked for obituaries, comics, puzzles, and national and regional news that may be available elsewhere, but hasn’t been a regular part of the DM‘s mix.

Barnes responded to his first round of criticism by adding five reporters to pick up night and weekend work. He plans to eventually include AP news and additional soft content.

The riddle of the digital news Sphinx goes something like this: “How can an online startup produce enough original content across a broad enough range of consumer interests to build a big enough subscriber base to support a newsroom able to produce original content across a broad range of consumer interests?” Repeat that enough, and you’ll start to see the economic dilemma in an information environment where it’s tough to put content behind a paywall if comparable goods are available free, elsewhere.

Newspaper stories and digital posts are what economists call “experience goods.” You can’t know if a story will be interesting or useful unless you read it, so news organizations rely on columnists and star-reporters to give consumers and potential consumers some idea of what to expect before they buy. As a startup, The Daily Memphian had no brand recognition, so it hired marquee names from The Commercial Appeal: sportswriters Geoff Calkins and Chris Herrington, and food guru Jennifer Biggs. Barnes thinks bringing these known commodities onto a team rounded out with younger but experienced reporters is one of his fledgling newsroom’s big success stories.

“They already knew Memphis,” he says of his team. “There was no learning curve.” Additionally, The Daily Memphian distributes content acquired via partnerships with education policy newsroom Chalkbeat.org and the University of Memphis’ Institute for Public Service Reporting.

By now, at least some of you are probably asking, “Who cares about newspapers?” It’s taken as an article of faith the traditional models are dying, right? But remember Jacinthia Jones’ opening comments about how the agencies know when you’ve got “no backup.” Now figure in a related piece of collateral damage: Between 2005 and 2010, while so many newspapers were biting the dust, the number of Freedom of Information Act requests being filed by government watchdogs dropped by half. This data was reported by James T. Hamilton, the Hearst Professor of Communication at Stanford, in his latest book, Democracy’s Detectives: The Economics of Investigative Journalism.
Hamilton answered questions for this story, and the data reviewed in Democracy’s Detectives and his earlier economic critique, All the News That’s Fit to Sell, inform much of this article. Hamilton’s work shows how trends like the ones outlined in this story, “point to a lower chance” of accountability stories being told by professional news organizations about local institutions.

“If the costs of discovering and telling stories drops radically, then it may be the case that subscriptions at the local level would support a smaller newsroom that would survive online,” Hamilton wrote in an email exchange, offering a ray of hope about the viability of local newsrooms. “If a nonprofit or local online service generates other goods, such as events that are ticketed or sponsored, that could also generate income,” he said, allowing that use of artificial intelligence may eventually make story discovery and assembly cheap enough that, “local subscription or nonprofit [models] might support a local bundle.”

Savages at the Gate

In late February, Senate Minority Leader Chuck Schumer sent a sternly worded letter to Alden Global Capital, expressing concern about what could happen if the hedge fund acquired Gannett newspapers. He’d already weighed in on the Senate floor, noting that Gannett was a troubled example of newspaper consolidation, plagued by layoffs and delocalization.

Schumer’s worries were at least a little ironic, considering what Memphis stands to lose if there’s a takeover. Hedge fund-backed owners like MNG/Digital First depend on deep layoffs and cost-cutting, including the outsourcing of back office, sales, and certain editorial duties to central hubs, far removed from the places where news is gathered and where the paper is circulated and primarily read. They sell a newspaper’s real estate holdings and other tangible assets, squeezing all the assets for cash. As the UNC report shows, there’s always been a willingness to sell poorly performing properties or to close them entirely, “not so much to inform the public or hold officialdom to account, but to supply cash to use elsewhere.”

In other words, so much of the worst that might happen has happened already. And yet, to borrow from Bloomberg.com columnist Joe Nocera, when MNG/Digital First moves in, the layoffs aren’t just painful, “They’re savage.”

Epilogue

All newspaper news appears to be bad news. The trends are terrible. The outlook is grim. And yet, most of the people engaged in the act of gathering, organizing, delivering, and paying for the news seem determined, if not optimistic about finding a way forward. Barnes is hopeful he’s found the right business model to go paperless. Jones is excited about using text-based news delivery to close the digital divide. MLK50, a justice-oriented not-for-profit led by former Commercial Appeal columnist Wendi Thomas, expanded its capacity by joining the local reporting network for ProPublica, a national, not-for-profit digital newsroom.

Karanja Ajanaku says he has “some awareness” of what’s happening in the newspaper industry, but the executive editor of the Tri-State Defender takes a unique perspective. “We’re in growth mode,” he says, describing a plan to move the historically black newspaper’s online content behind a paywall. Diverse representation in Memphis newsrooms has sometimes been called out as problematic, and in a majority-black community he thinks the Defender has been underperforming its potential to serve everybody. “But we have to be able to do a deeper dive into the community, and to do that we’ve got to have reporters,” he says, returning to a more familiar theme. “We’ve got to have journalists. We’ve got to have editors — local people telling local stories. So we’re asking the community to help us help them, and we think they will respond to that.”

Excerpts from conversations with Jacinthia Jones of Chalkbeat, Eric Barnes of The Daily Memphian, Karanja Ajanaku of the Tri-State Defender, Wendi Thomas of MLK 50, and Mark Fleischer of StoryBoard: Memphis will be made available online at Memphisflyer.com. Commercial Appeal Executive Editor Mark Russell did not respond to requests for comment for this story.

Categories
Letter From The Editor Opinion

Keeping the Light Alive

“If you hate democracy and think local governments should operate unchecked and in the dark, then today is a good day for you.”

That’s a tweet from New York Daily News editor Jim Rich, in response to his newspaper’s management’s announcement Monday that it was cutting the paper’s newsroom staff in half, leaving the DN with just 45 reporters and editors. Rich was among those who got the ax.

The Daily News owners, the Chicago-based Tronc, announced in a staff memo that it would refocus its remaining staff on breaking news about “crime, civil justice, and public responsibility.” Whatever that means.

It’s become an all-too-familiar story in recent years, as daily newspapers around the country get squeezed for profits by out-of-town corporate owners. Most newspapers are now about as local as your nearest Walmart.

The Denver Post is another example. The newspaper’s owner is “vulture capitalist” Randall Smith, whose company, Digital First Media, also owns major daily papers in St. Paul, San Jose, Orange County, California, and elsewhere. Smith’s “business model” is to lay off massive numbers of editorial staffers and wring profits from the shell of what’s left. His 17 percent profit margin is the envy of the industry. His company’s newspapers are pathetic.

Closer to home, the Gannett Company has stripped The Commercial Appeal newsroom back to a small cadre of journalists and editors, most of whom you’ve never heard of. The paper still does some excellent reporting (see its recent election preview coverage), but too often it’s stuffed with Nashville-centric copy and odd non sequitur stories from around the country. Last week, for instance, readers were treated to a big story in the weekly entertainment and dining section about the Homegirl Cafe … in Los Angeles, complete with an “if you go” info box.

And the Flyer‘s alt-weekly compatriots around the country are not immune to corporate pressures either. Many have been corporately “chained” and, for the most part, have suffered mightily for it. Even local ownership can be perilous. At the Nashville Scene, once a proud and vital journalistic force in the state capital, new owners have forced out several respected writers, reporters, and editors, and the paper’s future direction and prospects are in question.

Even so, all is not lost. Some papers have figured out a business model that works. The New York Times and Washington Post are doing fine; paywall revenues have largely replaced advertising as their primary source of funding. But will that model work for papers that aren’t national in scope? We may soon find out.

Here in Memphis, for example, a new, much-discussed journalism venture is on the horizon — The Daily Memphian — staffed with a plethora of Commercial Appeal ex-pats, including Geoff Calkins, Jennifer Biggs, Chris Herrington, and many other familiar CA bylines. It will be run as a nonprofit with a paywall and charge $7 a month for access. There will be no print product.

Other news options hereabouts now include the Tri-State Defender, the Memphis Business Journal, and the Memphis Daily News. None of these publications are free.

In a poor city like Memphis, where 49 percent of the population doesn’t have broadband access, we at the Flyer believe having a free news option is important. Being able to pick up a free paper all over town means that access to news and information is available to anyone. Our website is free, as well. That’s been our philosophy for almost 30 years, and we’re sticking with it, thanks to our advertisers, who recognize that our 90-percent-plus pickup rate means their ads are being seen by tens of thousands of Memphians each week — and our hands-off local owners.

This year, we’ve launched a series we call the “Justice Project.” Thus far, we’ve published JP cover stories on food deserts, wealth, poverty, race, and the city council’s secrecy, with three more to come in 2018, including a story tentatively titled “Information Justice,” that will take a look at how Memphians get their news, and how that process is affected by their education and poverty levels.

We’ve also begun a “Frequent Flyer” membership program to help support our journalism (support.memphisflyer.com) and help keep it available for all, even those who can’t afford anything but a literally free press.

The Memphis media landscape is in flux, but I’m hopeful that all these options — old and new — will help keep the city’s residents informed and enlightened, because the fewer of us who are left “in the dark,” the better off we all are.