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Film Features Film/TV

The ’Vous

The night The ’Vous won the Best Hometowner Feature Award at Indie Memphis 2022, director/producers Jeff Dailey and Jack Lofton missed the awards ceremony. The film had premiered that afternoon to a sold-out Playhouse on the Square, and the crew had trekked Downtown for a reception at The Rendezvous, the storied barbecue restaurant whose inner workings Dailey and Lofton spent seven years documenting. Figuring they had missed the awards ceremony, the duo headed to The Lamplighter, where my wife Laura Jean Hocking and I were hosting our annual filmmakers’ party. Naturally, the Indie Memphis awards ceremony went way over its allotted time, so Lofton was giving up and leaving the Lamp at the exact moment I was walking in the door. “We didn’t know where everybody was, so we were about to bail,” recalls Lofton.

“Where are you going? You won!” I half yelled at him.

It took a moment for the news to sink in, so I got to watch the realization that all their hard work had paid off play out on his face. It’s definitely a top-five Indie Memphis memory for me — and for Lofton, it’s number one. “Then Larry Karaszewski, the writer of Man on the Moon, walked in, and I said, ‘What are you doing here?’” Lofton continues. “He said, ‘Who the hell are you?’ And I said, ‘I’m the guy who made The Rendezvous documentary, The ’Vous,” And he’s like, ‘Oh my God! You won! Where the hell were you? I was supposed to give you the award!’ It was a great time. I respect him tremendously. He said some amazing things about the restaurant, and he called it [The ’Vous] ‘a beautiful American story.’”

Lofton and Dailey are both from Arkansas and have fond memories of eating at The Rendezvous while they were visiting Memphis with their families. “It was always for the farm convention,” says Lofton. “My dad was a farmer in Hughes, Arkansas, and we’d go to church in Memphis and eat at The Rendezvous.”

When they read a Commercial Appeal article about longtime Rendezvous servers “Big Robert” Stewart and Percy Norris retiring, Lofton and Dailey realized they had a story to tell. “It’s an institution, it’s about the people. What they’ve built there, the stories that they’ve lived, and these guys are stepping down, retiring, and passing the torch. We’ve got to get in there right now. So, within three days, we had — with Jeff and some of his friends and people that we knew — a full film crew down there.”

Filming would continue for years, with film crews acting as fly-on-the-wall observers for bustling nights on the restaurant floor, personal moments with the Vergos family, and endless stories about the history that happened in the restaurant. “We’re a seven-year overnight success,” says Lofton.

“A lot of the new films that are coming out these days, they don’t have the budget or the time to spend time with the participants, with their characters,” says Dailey. “What we wanted to do was immerse ourselves and get to know the people personally as well as professionally. Yeah, it’s a lot more challenging that way, but I think it’s a richer product in the end.”

Against the backdrop of famous diners and pivotal deals sealed over a plate of ribs was the everyday drama of a family business navigating change. “It’s an important story to tell when we were at the crossroads of a company during Covid and the retirement of some of our Rendezvous originals,” says Anna Vergos, whose grandfather founded the restaurant. “I’m proud to look back on this documentary and see how much growth we’ve all felt and continue to embrace.”

One of the film’s most compelling storylines regards Calvin, a novice busboy trying to get his foot in the door. “It just sort of wrote itself once we were down there,” says Lofton. “The story of the busboy, and how the institution works, and the family dynamics — it was all there.”

After a rapturous reception at Indie Memphis, The ’Vous completed a festival run that included a sold-out screening at DOC NYC, the biggest documentary festival in North America. This week, Memphis will get a chance to see The ’Vous when it kicks off its theatrical engagement at the Malco Paradiso.

“We were so fortunate that people across the spectrum of The Rendezvous, from waitstaff to the family to many others, opened their personal lives to us — you really can’t predict what’s going to happen when you dive into people’s lives! We’re just so grateful to them, and to the city of Memphis. It’s a place that we both love.”

The ’Vous is showing at Malco Paradiso through February 1st.

Categories
Film Features Film/TV

Indie Memphis 2022 Wrap-Up


The 25th Indie Memphis Film Festival concluded last Monday with a film that made a case for the importance of the 1970 Blaxploitation wave, and a film that proved its point. Is That Black Enough For You? is the first movie by Elvis Mitchell, a former New York Times film critic and cinema scholar turned documentary director. Mitchell traced the history of Black representation in film from the era of silent “race” pictures and D.W. Griffith’s pro-KKK, proto-blockbuster Birth of a Nation through the foreshortened careers of Harry Belafonte and Dorothy Dandridge to the wave of low-budget, Black-led gangster, adventure, and fantasy films which started in the late 1960s and crested with The Wiz. Films like Superfly and Coffy, Mitchell argues in his voluminous voice-over narration, presented the kinds of rousing heroes that attracted film-goers while the New Hollywood movement presented visions of angst-filled antiheroes.

Blaxploitation films also introduced a new kind of music to films and the concept of the soundtrack album, which was often released before the movie itself in order to drum up interest. The prime example was Shaft, which featured an Academy Award-winning soundtrack by Isaac Hayes. Mitchell introduced the classic with Willie Hall, the Memphis drummer who recorded the immortal hi-hat rhythm that kicks off Hayes’ theme song. Mitchell revealed in Is That Black Enough For You? that Hayes had been inspired by Sergio Leone’s score for Once Upon a Time in the West, and the score he penned for Shaft still holds up, providing much of the detective film’s throbbing propulsion.

The winners of the competitive portion of the 2022 film festival were announced at a hilariously irreverent awards ceremony Saturday evening at Playhouse on the Square. After a two-year hiatus, Savannah Bearden returned to produce the awards, which were “hosted” by Birdy, the tiny red metal mockingbird which has served as the film festival’s mascot for years. But amidst the nonstop jokes and spoof videos, there were genuinely touching moments, such as when Craig Brewer surprised art director and cameraperson Sallie Sabbatini with the Indie Award, which is given to outstanding Memphis film artisans, and when former Executive Director Ryan Watt was ambushed with the Vision Award.

The Best Narrative Feature award went to Our Father, the Devil, an African immigrant story directed by Ellie Foumbi. Kit Zauhar’s Actual People won the Duncan Williams Best Screenplay Award. The Documentary Feature award went to Reed Harkness for Sam Now, a portrait of the director’s brother that has been in production for the entire 25 years that Indie Memphis has been in existence.

The Best Hometowner Feature award, which honors films made in Memphis, went to Jack Lofton’s The ’Vous, a moving portrait of the people who make The Rendezvous a world-famous icon of Memphis barbecue. (“We voted with our stomachs,” said jury member Larry Karaszewski.) The Best Hometowner Narrative Short went to “Nordo” by Kyle Taubken, about a wife anxiously waiting for her husband to return from Afghanistan. Lauren Ready earned her second Indie Memphis Hometowner Documentary award for her short film “What We’ll Never Know.”

In the Departures category, which includes experimental, genre, and out-of-the-box creations, This House by Miryam Charles won Best Feature. (This House also won the poster design contest.) “Maya at 24” by legendary Memphis doc director Lynne Sachs won the Shorts competition, and “Civic” by Dwayne LeBlanc took home the first trophy in a new Mid-Length subcategory.

Sounds, the festival’s long-running music film series, awarded Best Feature to Kumina Queen by Nyasha Laing. The music video awards were won by the stop-motion animated “Vacant Spaces” by Joe Baughman; “Don’t Come Home” by Emily Rooker triumphed in the crowded Hometowner category.

Best Narrative Short went to “Sugar Glass Bottle” by Neo Sora, and Best Documentary Short went to “The Body Is a House of Familiar Rooms” by Eloise Sherrid and Lauryn Welch.

Some of the Special Awards date back to the origin of the festival in 1998, such as the Soul of Southern Film Award, which was taken by Ira McKinley and Bhawin Suchak’s documentary Outta The Muck. The Ron Tibbett Excellence in Filmmaking Award went to Me Little Me by Elizabeth Ayiku. The Craig Brewer Emerging Filmmaker Award went to Eric Younger’s Very Rare.

The IndieGrants program, which awards $15,000 in cash and donations to create short films, picked Anna Cai’s “Bluff City Chinese” and A.D. Smith’s “R.E.G.G.I.N.” out of 46 proposals submitted by Memphis filmmakers.

Categories
Food & Wine Food & Drink

The Rendezvous Adapts During Quarantine

When you think of the Rendezvous, you think of lots and lots of people. People standing around outside waiting for their name to be called by microphone telling them their table is ready. People lining the steps as they enter and leave. People crowded in front of the hostess station waiting to eat. And then just about every checkered-tablecloth-covered table is laden with food and more people eating it amid loud conversations and music from the jukebox.

Now, the popular Downtown restaurant is quieter. Tables and chairs stand empty. Your favorite server is drawing unemployment. No one is marveling at the collection of photos, paintings, newspaper articles, and eclectic memorabilia covering the walls. Photo courtesy of The Rendezvous

The Rendezvous, which opened in 1948, now is doing takeout and delivery.

“We have office staff ’cause we had to help our employees with unemployment,” says John Vergos, one of the owners. “We have our cooks. And we have some other miscellaneous people. We have eight or nine.”

Vergos no longer works nights. “I come in about 9 and make sure we’ve got food ordered and answer phones, help with the takeout. And then my sister comes in later and helps with takeouts and get food to the customers.”

Takeout and delivery has been successful. “One thing that’s going on with us that is good is our shipping business has actually done quite well. So we increased our staff down there.”

Vergos spends his time between the shipping kitchen and the restaurant. “We ship in the United States, but we haven’t shipped anything to Alaska or Hawaii. We ship all over the United States.

“There’s been an enormous amount of paperwork my staff is handling — applying for SBA disaster loans, and for the employee protection loan, which required a lot of paperwork. And we’re constantly on the phone with our insurance company. Our goal is to keep our health benefits to all of our employees. We’ve already had to pay health care for all our employees, which we’ve been doing since the beginning of time.

“We’ve got about 15 servers, but we’ve got — between the shipping kitchen and the Rendezvous — 80 employees. And we also had to lay off part-time employees at FedExForum. There weren’t that many games left. We wrote them all checks for $150.”

People still want that Rendezvous cuisine, Vergos says. The entire menu — with the exception of the Greek salad, red beans and rice, and lamb ribs — is available, he says.

Their ribs, of course, are the most popular, but their ribs and brisket combo also is popular, he says.

Rendezvous brisket was introduced at the restaurant about 15 years ago, Vergos says. “I was at the South Beach Wine and Food Festival in 2004. We were with the barbecue people. There were about seven of us who catered a huge party at the Delano hotel. And one of the people was doing brisket. I’ve always liked brisket, so he kind of told me how he cooked it. The key to brisket is how you cut it. When I came back to Memphis, we made a point of doing the brisket.

“I take pride in the fact that we have people from Texas come and compare ours favorably to theirs. We smoke it for 14 hours. We cover it with salt, pepper, and Rendezvous seasoning. Not a lot you can do with brisket. Serve it with a little bit of salt and seasoning. It’s almost good without anything on it.”

Describing the ribs and brisket combo, Vergos says, “You get beans and slaw with everything. You get the equivalent of a small order of ribs and six ounces of brisket. It’s a full meal. Two people can share it, I think, unless they’re lumberjacks.”

Their iconic cheese and sausage plates are the second most popular, Vergos says. The plate contains cheese, Polish sausage, dill pickle, and hot peppers. “It’s one of the first things my dad started selling besides the ham and cheese sandwich. In those days, it was cheese, pickles, peppers, and pickled sausage on the side. When he started grilling, he started the Polish sausage. We even had pickled pig’s feet in those days. One of the few things I can’t eat.”

The business keeps going, but Vergos says he’s never experienced anything close to what the Rendezvous now is going through. “We’ve had two major fires. None of which were our fault, but they don’t compare because number one, we had insurance. Number two, pretty much we knew there was a definite date when we would reopen. And when we reopened, there was an ongoing economy.”

Vergos supports local restaurants. “I do takeout and I’m impressed how good the food is. My colleagues in the restaurant business are serving real quality food. The only difference is you can’t eat it there.”

But, he says, “What is the restaurant business going to be like in June or July or whenever we open? I know the Rendezvous will always be the Rendezvous, but we’re already looking at ways we’re going to have to do things different. We’re probably going to space our tables further. We’re looking to add dessert. We’re looking at taking reservations. We’ve even contemplated we may start serving mixed drinks. We may want to add items like my mother’s spanakopita. We’re going to do a lot more catering. We’ll probably continue to do delivery.”

Why so many changes? “To probably increase our average check charge to broaden our customer base. We probably lose some people who can’t get a mixed drink when they come down. We may lose people who don’t get dessert. We don’t have enough dishes — we may lose people.

“We operate at such a fairly fast pace that it’s difficult for us to add those things. But I think the restaurant will be at a more leisurely pace that will enable us to do different things we’ve liked to have done, but we didn’t have time. Trust me, we know how to cook other things. My mother is a wonderful chef, and she’s passed down some wonderful recipes.”

The Rendezvous already was making changes before the mandatory shutdown, Vergos says. They removed the paper napkins from the table so customers had to just use their linen napkins. “If you don’t put paper napkins in front of them, they’ll use the linen napkin.”

Instead of putting bottles of barbecue sauce on the table, the server brought extra sauce in a cup upon request. “We found it interesting that so many people take the sauce and pour it over everything. It drives you crazy.

“We’re going to save a ton on barbecue sauce and paper napkins. And it’s a much neater table.”

They will hire back all their servers, Vergos says. “We’re probably more fortunate than many in that we own our own building. And we had no debt. Many other restaurants are in the same situation, but I think we’re in the minority of being in that situation.”

Vergos doesn’t anticipate “opening to packed crowds” after the quarantine is over. “So, it’s doing shifts for our waiters so they can still make a living.

“In my opinion, I think it’s going to start off slowly and build. But it’s going to be a whole new world.”

For information on ordering Rendezvous takeout and delivery, go to hogsfly.com.

Categories
Cover Feature News

Legends of Memphis Barbecue

Travel outside Shelby County, and the Memphis brand boils down to two things: music and barbecue. Name the city’s music legends. (Go on. We’ll give you a minute. Jeopardy! music plays.) Elvis. Al Green. Otis Redding. B.B. King. Yes, there are many, many others. But your average Bostonian could probably guess at least one of those names. 

But what about barbecue? 

With a sniff of the wind, Memphians can tell if there’s a legit barbecue joint nearby, and, depending on geography, we can probably tell you which one it is and what’s best on the menu. Barbecue is a religion here, and fierce battles rage among devotees of wet ribs or dry rub or whether cole slaw belongs on a pulled-pork sandwich. 

But what do we know about the minds and hands behind those rubbed ribs, those smoky butts, or those sausage-and-cheese plates? Who are the legends of Memphis barbecue? 

The folks we’ve profiled here are big-name barbecue veterans. If you don’t know them, you know their restaurants — Central BBQ, Interstate Barbecue, Charles Vergos’ Rendezvous, Memphis Barbecue Company, and the Bar-B-Q Shop. 

These are not the only legends of Memphis barbecue, of course. Memphians are lucky enough to have platoons of pitmasters working their magic under billowing cloaks of smoke and heat. But if you have to narrow it down to five, these folks are a good place to start.

This week’s Memphis in May World Championship Barbecue Cooking Contest will shine a spotlight on the city’s second-biggest cultural export. Expanded now to four days, the contest (which locals simply call “Barbecue”) will bring teams, swine connoisseurs, and revelers of all sorts to Tom Lee Park. Barbecue is the second-biggest weekend on the MIM calendar, behind Music Fest in the number of total visitors. But don’t tell that to the hardcore barbecue believers. To them, it’s a time to let your hair down and to celebrate that simple food that ties us all together. It’s in that spirit that we share the stories of those who made (and keep making) barbecue a big part of our city’s cultural definition.  — Toby Sells

Jim Neely

Jim Neely — Interstate Barbecue

In 1979, native Memphian Jim Neely, an ex-serviceman, was in his mid-40s and operating insurance agencies in Memphis, Nashville, Baton Rouge, and New Orleans. It was a network of offices he’d developed from a single Memphis-based unit seven years earlier, and he was spending a humongous amount of time on the road overseeing them all.

Driving back to Memphis, usually late at night, he’d often find himself coping with a serious appetite, and he would think back to when he was growing up in Memphis and, as he puts it, “Every neighborhood had their own great little barbecue place.” 

Not the big chains nor even large restaurants as such. Just little store fronts, each with a distinctive delectable home-grown menu. But, as Neely noticed, “By the mid-’70s, all the owners of those places had begun to die out, and the places with them.”

So, Neely decided to switch career tracks and bought a mom-and-pop grocery store at the intersection of Third and Mallory. He converted an unused space on the property into a makeshift barbecue stand, all the while experimenting with recipes in an effort to recapture the flavor of those long-gone neighborhood places.

Here it is, 38 years later, and that mom-and-pop grocery store has expanded and morphed into a state-of-the-art barbecue restaurant, “Jim Neely’s Interstate BarBQ,” as the sign on it and three other Neely-owned restuarants (in the airport area, on Winchester, and on Stateline) will tell you. 

Such is their renown that most Memphis residents (and many tourists) would likely answer “barbecue” if given the name “Neely” on a word-association test. In fact, for many years some Neely nephews used the family name on a local barbecue chain of their own. But, as visitors are instructed by a sign on the side of the flagship Third Street place (“My Holy Grail,” Neely calls it), it was Jim Neely who “Put the Name in BBQ” and “Before Me There Was None.”

Everything about the Neely restaurants bears an individual touch, including the locally celebrated cole slaw, which his wife, Barbara, makes fresh every day. In the matter of cooking, Neely says, only half-facetiously, “I am like a Marine drill sergeant. There’s only one way to do things — my way.” 

Neely devised his own pits, using a combination of steel plates and brick (“both fire bricks and common bricks”) and cooks with “natural gas combined with hickory wood and charcoal.” He boasts that no fire ever touches the meat, which is cooked with indirect heating via a tunnel in the pit. The process generates a natural moisture that marinates the meat, which is “tenderized in its own juices.”

Besides the various ways in which one can order and eat barbecued pork, Neely offers an elaborate menu of other items, including spaghetti, chicken wings, and beef. He takes great pride in the latter, maintaining that his was the first barbecue place in this area to offer beef brisket, and that his beef ribs, “which I get shipped in,” are twice as thick as anybody else’s. 

His barbecue sauce, too, prepared from a closely guarded recipe, is the product of years of experimentation.

Neely is both a chef and the same dedicated entrepreneur he was in his insurance-business days. He’ll be 80 in October and has no intention of slowing down. 

— Jackson Baker

Eric Vernon

Frank and Eric Vernon — The Bar-B-Q Shop

As I’m interviewing Frank and Eric Vernon, the father-and-son team behind the Bar-B-Q Shop, Eric suddenly jumps up to greet a man coming in the door. It’s James Alexander, the legendary bass player of the Bar-Kays. 

“He’s been coming here since it was Brady and Lil’s,” Eric says. 

Frank Vernon says he started as a backyard pitmaster. At the time, the Vernons had their own small restaurant, called Frank’s. But Brady and Lil’s was a family favorite. 

“When I didn’t cook, I would go by there and get my ribs, barbecue, and barbecue spaghetti,” Frank recalls. “It was a favorite of Willie Mitchell. All the Stax people used to go there because it was just down the road.” 

Mr. Brady and Frank became close friends. When it came time to retire, he asked the Vernons if they would take over the restaurant. 

“The sauce came from Mr. Brady,” Frank says. “At one time, he didn’t want to give it to us. He wanted to make it for us, which was a bad idea. We told him we wanted to think about it.”

Brady called them over to his house later. “He said, I’m just going to give you the sauce when you buy the business,” Frank said. He then signed a Bible and presented it to the Vernons, sealing the deal.

Frank tweaked the sauce recipe over the years to make it cling tighter to the ribs. Now, Eric makes more than 40 gallons per week from scratch at the Madison restaurant, and the bottled version is sold in more than 140 Kroger stores from the Missouri bootheel to the Delta. But the Shop first gained notoriety for barbecue spaghetti. 

“That spaghetti has been around over 50 years,” Frank says. “It’s something unique. Everybody’s got a barbecue spaghetti now, but they don’t have the one that we have.”

The shop’s Texas Toast barbecue sandwich was Frank’s invention. He says the entire meal is carefully balanced. 

“That Texas Toast and the slaw and the meat, they all complement themselves and enhance themselves,” Frank says. “I don’t care if [another restaurant] goes and uses the Texas Toast. They ain’t gonna get the same flavor.”  

Frank developed a glaze for barbecue chicken and then became curious how it would taste on pork ribs. In 2015, the glazed ribs were named Best Barbecue Plate in America by the Food Network.  

The Shop’s proximity to Ardent Studios has made it a favorite of musicians, from Mavis Staples to Bobby “Blue” Bland to ZZ Top’s Billy Gibson, who has a favorite table. 

“DJ Paul and them would pull up in a Range Rover and order ribs with the dry seasoning, back in the day when they were recording down the street,” says Eric. “We fed Justin Timberlake’s crew when they did a concert here.” 

Frank recalls when “We used to close at 2 o’clock on Monday. One Monday, at about five minutes to 2, Luther Vandross’ bus drove up. They came in here and got every rib we had in the house.”

The Vernons are consummate restaurant professionals, and it’s the loyalty of their customers that keeps them going. “The great thing about this business is when you walk out of the kitchen and see customers that you’ve been knowing for years,” Frank says. “Or you go up to a table that has never been here before, and they say, ‘This is great! Keep doing what you’re doing!’ And then you see them again.” — Chris McCoy

Roger Sapp & Craig Blondis

Craig Blondis & Roger Sapp — Central BBQ

Barbecue was a byproduct of kicks and cleats, says Craig Blondis, who co-owns Central BBQ with Roger Sapp.

“Roger and I knew each other from playing soccer, which is really how this whole thing started,” he says.

Both had cooked on other barbecue teams, but as members of the Vagrants soccer team, Blondis and Sapp participated together in a barbecue cooking team in the Memphis in May World Championship Barbecue Cooking Contest. 

“Roger and I and all the soccer guys had a cooking team that, basically, we would enter as a Dutch international team, because a couple of guys we played soccer with were from Holland,” Blondis says.

They called the team “Keujes Van Doorenburg,” which means “Pigs from Doorenburg” says Hans Bermel, who was one of the Dutch members of the team. Bermel is now an owner of Bermel Hair Salon.

The barbecue restaurant began after Sapp bought the old Tony’s Pizza building and property on Central. He didn’t know what to do with it, so he said, “Let’s open a barbecue joint.”

A couple of high profile Midtown barbecue restaurants had closed. “The Public Eye closed,” Sapp says. “John Wills closed. Central BBQ was the perfect name,” he says, because “everybody goes up and down Central.”

The first Central BBQ opened on April 1, 2002. Blondis and Sapp later opened locations on Summer and on Butler in the South Main area near the National Civil Rights Museum. 

Along with Ryan Trimm of Sweet Grass, they are currently in the process of opening Sunrise Memphis, a breakfast restaurant in the old Neely’s restaurant on Jefferson. A 250-seat event center is going to be built on property behind the Summer restaurant within the next two months, Sapp says.

Why did Central BBQ catch on so fast? 

“We didn’t copy the Rendezvous,” Sapp says. “We had our own style, and we went and stuck with it.”

“We use a rotisserie convection-style pit,” Blondis says. “It’s basically gas-fed. The smoke source comes from the wood. It’s like a furnace or a heater in your house.”

They cook their ribs “dry style,” rubbing the meat with spices, then letting it marinate overnight, before smoking it. 

“By doing that, you’re creating a thicker bark,” Blondis says. “You’re going to get more flavor in the bark as well. That’s really where you’re getting the smoke, but you’re also getting the flavor of the spices that are in there. And it creates a much better product. 

“Sauce is meant to be an accompaniment. People who cook with sauce are hiding the fact that they’re not cooking their barbecue properly.

“Down in Helena at King Biscuit [Blues Festival] I’ve taken grand championship first place in ribs a couple of times,” Blondis says. “But my contest is opening these doors every day at 11 a.m.” — Michael Donahue

Melissa Cookston

Melissa Cookston — Memphis Barbecue Co. 

It was a cold wet weekend in Greenwood, Mississippi. The tent poles had been lost, so Melissa Cookston slept on a tarp under a warm grill. She was seven months pregnant. It was her first barbecue competition. 

“It was terrible,” she says. 

But she’d been practicing for weeks to get up the nerve to enter, and she didn’t want to quit. She persisted, and eventually, a shaft of golden sunlight cut through the dreary scene; she and her team won fifth place in the shoulder category (the only one they entered).

“Back then, you’d have 100 teams in a small competition; it was crazy!” Cookston says, with traces of that original excitement still in her voice. “I will tell you that was like winning Memphis in May to me.”

That victory ignited a flame inside Cookston. She and her husband eventually quit their jobs to focus on competition barbecue and later opened a barbecue restaurant (Memphis Barbecue Co. in Horn Lake). Her team competed and won on TLC’s BBQ Pitmasters. Cookston was later asked to join the show as a judge for two seasons. 

She’s written two books, Smokin’ in the Boys’ Room and Smokin’ Hot in the South. Along with tips and recipes, both books include Cookston’s best-known and well-earned titles, the “most winningest woman in barbecue” and “the only female barbecue world champion.”

Winning the Memphis in May World Championship Cooking Contest is, arguably, like winning the Super Bowl. Cookston’s team has won that title twice (2008, 2010). They’ve come in second (2012), won ribs (2012), and the whole hog category four times (2010, 2011, 2012, 2014). 

But it was that first win on that cold, wet weekend in Greenwood that hooked her.

“Competition barbecue is an addiction,” she said. “You win, like, third place in baked beans, and, before you know it, you’re rolling down the road with a $30,000 rig. It’s terrible. It worse than crack.” 

But competitive barbecue is a business for Cookston. Regular practice sessions are staged, timed, and judged just like a real cooking contest. In the past seven years, no alcohol was allowed in her MIM tent (though, she’s making an exception this year). 

And this year, Cookston is coming to Tom Lee Park with a secret weapon. Over the last two-and-a-half years, she has bred, fed, and raised hogs of her own. Calling herself Frankenstein, Cookston says she cross-bred two types of hogs “to see if I could create the utopian hog for whole-hog cooking.” 

Symbols of Cookston’s competition cooking success — trophies, plaques, and more — adorn the walls of her restaurant, where dozens of customers were already seated just a few ticks after noon on a recent weekday visit. 

“We made a promise when we opened this place that we’d do things the right way, and we’ve kept that promise,” Cookston says. “People have appreciated it. Everybody’s happy to be eating good barbecue.”  — Toby Sells

Bobby Ellis

John Vergos — Charles Vergos’ Rendezvous

Thanks to a coal chute, the Rendezvous, begun by the late Charlie Vergos in 1948, now sells 8,000 pounds of ribs five days a week.

“It started out as a tavern with ham and cheese sandwiches,” says Charlie’s son, John Vergos. “It wasn’t until he discovered the old coal chute that he started to experiment. I don’t know if it was behind bricks or what, but once he started burning something, he could see that it drew and he knew that he was in business.”

His dad had some racks built and “started experimenting with all kinds of things. Ribs were actually a by-product. They were thrown away. He would get them for 10 cents a pound.”

At that time, people ate ribs on the Fourth of July and Memorial Day. They also were sold in some grocery stores. But his dad was the first in Memphis to sell them “in a regular commercial restaurant,” Vergos says, and the restaurant still uses his father’s “exact same recipe.” 

“He first started cooking them Greek style, where you baste them in lemon and vinegar, salt, pepper, oregano, and garlic,” Vergos says. “But then he went to New Orleans and got all the Cajun spices, and he mixed them together. So, that’s the same recipe we use today.”

They don’t use a barbecue pit at the Rendezvous. “They’re grilled; they’re smoked; and they’re charcoaled,” Vergos says. “It’s all happening at the same time. They’re cooked over charcoal, but the smoke’s created. So, you have that flavor. Plus, they’re being grilled.”

Asked to describe the ribs, Vergos says, “First of all, they don’t fall off the bone. We think ribs need to be chewed.” As for the taste, he says, “I love the taste. It’s not a heavy taste. Beause of the vinegar in it, it’s a fresh taste. There’s about 12 spices in our seasoning and they just all go together. The sum of the whole is much better than the individual parts. When you put it together, there’s just an indescribable taste. It’s sustained us for almost 70 years.”

People call Bobby Ellis the “pit master,” but Vergos says, “He’s not a pit master. He’s our kitchen manager. Bobby’s cooked for years and years, but now he runs the place. Bobby’s probably the most important person in the restaurant because he’s been here 46 years. He knows every outlet, every door. He knows every vendor, every maintenance person. He knows where he can get things done. I’m much easier to replace than Bobby.”

Each night, three people do the cooking at Rendezvous, Vergos says. “There are more than that working in the kitchen.”

In addition to ribs, the Rendezvous serves barbecued chicken, pork chops, and brisket. Charlie Vergos once served barbecued bear to Buford Ellington, who was Tennessee governor at the time.

“My dad didn’t realize when you cook bear meat you’re supposed to boil it first to get a bunch of fat out of it,” Vergos says. “If you don’t, once you start eating it, it expands in your mouth.” And that’s what was happening to Ellington when Charlie looked at him. 

“He was turning green because he was choking,” Vergos says. “It had gotten lodged in his throat. [Charlie] claimed he invented the Heimlich maneuver because he grabbed [Buford] and pushed his chest.”

His dad was relieved when everything came out okay. 

“He was just [imagining] the headlines: ‘Governor Dies. Chokes at Rendezvous.'”  — MD

Categories
Food & Wine Food & Drink

For your gift list: Good Ham, Memphis Flavor, and Frost.

“When you were a little girl, was it your dream to work with ham?”

Suzanne Bryan Sampietro of the Good Ham Company laughs and says no.

But, yes, meat is a family trade. Her grandfather founded a meat company, Bryan’s Market, in 1936. That business was sold, and about three years ago, Sampietro and her father started the Good Ham Company, which sells five-pound smoked, boneless hams seasoned using an old family recipe.

Good Ham’s good ham

Hams were sold initially through word-of-mouth, then Good Ham got into a food show and then a catalogue. They were picked up by a distributor that got the ham into restaurants such as Aldo’s Pizza Pies.

Good Hams ($35) are available online at goodhamcompany.com with free delivery in Memphis. The last day to order for the holidays is Friday, December 18th. The hams are sold at Buster’s as well.

Sampietro says the hams are pretty much a no-brainer: They’re precooked and have a long shelf life (five to seven days in the fridge; six to eight weeks in the freezer). Plus, she says, “Even people who don’t like ham, love it.”

goodhamcompany.com

JC Youngblood, manager of Central BBQ downtown, has what he calls a “cheat sheet.” The list, filled with restaurants and must-see points of interest, is printed out whenever tourists ask him where they should go next. It’s his way of spreading the love.

Memphis Flavor, an online store Youngblood founded with a silent partner, could be considered an extension of the list. The business sells barbecue sauces and spices, T-shirts, jewelry, jams, candy, cocktail mixers, books, and stickers — all sourced in the 901.

Products from Sache, Felicia Suzanne’s, Huey’s, Dinstuhl’s, the Rendezvous, Germantown Commissary, Crazy Good, Brother Juniper’s, The Cupboard, Makeda’s, and more are all sold on the Memphis Flavor site.

Memphis Flavors also offers gift baskets. The 3Peat ($29.95) is a trio of sauces, from the Rendezvous, Central BBQ, and Germantown Commissary. The Competition Set ($29.95) features barbecue sauces and spices from barbecue teams Killer Hogs and Victory Lane BBQ. Then there’s the Memphis Flavor Holiday Sampler ($79.95) with sweets from Dinstuhl’s, hot sauce from Crazy Good, a bag of Makeda’s butter cookies, a jar of Flo’s, and barbecue sauces and spices.

“I thought it was a lamebrain idea,” says Youngblood, recalling when he first heard the pitch for Memphis Flavor. “But then we got to talking about it … ” Youngblood is the face of the business; his partner handles the logistics. Initially, the idea was to focus just on barbecue sauce and spices, but Youngblood thought they should broaden the scope. He is thinking of expanding further — offering vinyl records, perhaps, or maybe even starting a Birchbox-like monthly subscription service.

memphisflavor.com

Need a gift for those faraway sweet tooths (sweet teeth?) on your list? Don’t forget that goodies from Frost Bake Shop are now offered through Williams-Sonoma.

Frost’s strawberry cake

Pretty vanilla layer cakes, the Gooey Cookie Sampler, the decadent-looking salted caramel cheesecake (plus pumpkin, classic, chocolate, lemon, and turtle), a colorful birthday cake, strawberry cake, chocolate silk mousse pie, frozen cookie dough — all can be had from the site. Of course, you’ll want to order a little something for yourself too.

williams-sonoma.com

Categories
News The Fly-By

New Art Center for Kids Opening in Overton Square

Anna Vergos Blair is the mother of two creative toddlers, but when they make art in her house, they leave a mess behind. She figured other moms must have the same problem, so she and her sister Katherine Vergos Riederer decided to open an art center for kids in Overton Square.

“It’s a space where kids can get messy,” Blair said. “My little ones love all the stuff that makes a mess — paint, glitter, glue, the stuff you don’t want all over your house. So we want this to be a space where kids aren’t scared to drop a container of glitter on the floor.”

The Art Project is set to open this summer at 2092 Trimble Place in Overton Square. The center will operate like a gym but for art. Parents can buy monthly or annual memberships and stop in with their kids any time. Or they can pay a one-time drop-in fee to check it out. The center will cater to kids ages 18 months to 12 years old.

Anna Vergos Blair and Katherine Vergos Riederer

There will be classes in various mediums — like painting or woodworking — led by local artists. But the main studio at The Art Project will be a bit of a free-for-all where kids can work without instruction.

“Kids can just create whatever they want in all different kinds of mediums. It’s not project-driven. It’s more Montessori-style,” Blair said.

All manner of art materials — paint, glitter, chalk, crayons, markers, feathers, googly eyes, etc. — will be available. Kids can choose whatever they want, pick a workstation, and let their little imaginations run wild.

Parents can help their kids if they want to be involved, but if they’d rather sit back and get some work done, there will be free wifi, coffee, and, if all goes as planned, beer and maybe wine. Artist facilitators will be available to assist or inspire kids.

Additionally, The Art Project will offer digitization services, so parents can have all their kids’ artwork scanned and saved.

“Parents have piles and piles of their kids’ artwork. We want to digitize that for parents, so they can create photo books or notecards or posters,” Riederer said.

Blair and Riederer’s family owns The Rendezvous restaurant, and they both grew up helping out there. Blair, now an attorney, began toying with the idea of opening an art center for kids around Christmas. She didn’t know where to start, so she reached out to local entrepreneur Taylor Berger.

“I emailed Taylor in January, and I said, ‘I don’t know you, but I see you’re always launching new businesses.’ So I asked for guidance on starting a business. We met for coffee, and he said, ‘Let’s do it,”‘ Blair said. “He and his partner Michael [Tauer] have little kids, and they signed on to help us right away. They had a space ready for us two days later.”

Riederer, who has a degree in apparel design, sees The Art Project as an opportunity to put her artistic skills to use. She spent some time designing clothing in New York, but since she’s moved back to Memphis, she’s found herself working again with the restaurant. She says she’s ready to pursue something in the creative realm.

“I always assumed I’d start my own company, but I kind of got hooked into the family business. I’ve lost my way for creating art,” Riederer said. “Plus, I have a baby on the way, so I thought this would be a good way to do something I really enjoy, something more fun and creative.”

The sisters enlisted their friend Dom Price, an architect in San Franciso, to design the space.

“There’s a center area that we call the ‘scribble space.’ It’s a rounded area on the inside with tables and chairs and an easel. And the outside of the circle will house the art supplies,” Blair said. “On the opposite wall, there is an area for hanging and drying art, and there’s a wash-up station. We want kids to be wowed when they walk in.”

The sisters are aiming for a June opening. The Art Project is online, Facebook, Twitter, Pinterest, and Instagram at @artprojectmemphis. The organizers can also be reached by email.