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Theater Theater Feature

Orpheum Theatre Announces 2024-2025 Broadway Season

The Orpheum Theatre has announced its 2024-2025 Broadway Season of eight shows. On the docket are MJ (September 17-22, 2024), Girl from the North Country (October 8 – 13, 2024), Moulin Rouge! The Musical (October 29 – November 3, 2024), Peter Pan (November 26 – December 1, 2024), Hamilton (February 18 – March 2, 2025), Some Like It Hot (April 8 – 13, 2025), Kimberly Akimbo (June 24-29, 2025), and The Wiz (July 22 – 27, 2025).

“I’m all excited about all of them,” says Brett Batterson, Orpheum president and CEO. “I can give you a reason why I’m excited about each one. I use a formula to basically make sure that I’m covering all my bases when I pick a season. I want to make sure I have a family show — Peter Pan. I want to make sure I have a classic, which is The Wiz this year. I want to make sure I have the newest and the best from Broadway, which we have a lot of this coming year, and then I like to make sure I might bring some shows that the people in Memphis would like to see.”

The Orpheum’s 96th season kicks off with MJ, the new Tony Award-winning musical centered around the making of Michael Jackson’s 1992 Dangerous World Tour. Girl from the North Country, which follows in October, reimagines 20 legendary songs of Bob Dylan to tell the story of a boarding house in Duluth, Minnesota in 1934. Then Moulin Rouge! The Musical will bring the magic of Baz Luhrmann’s film to the stage in a musical mash-up extravaganza. Peter Pan will close out the fall, but with a spin to the well-known musical that has been thrilling audiences of all ages for close to 70 years.

“I’m Flying.” (from left) Micah Turner Lee as John, Reed Epley as Michael, Hawa Kamara as Wendy, Nolan Almeida as Peter Pan in Peter Pan (Photo: Matthew Murphy)

“I’ve always loved the musical Peter Pan, but the portrayal of the Indians was always problematic,” says Batterson. “This particular Peter Pan, they hired a native playwright Larissa FastHorse to rewrite the Indian sections to make it respectful, and so I’m really excited to bring that and to see how that plays out.”

In the spring, Hamilton returns for a third time, to be followed by Some Like It Hot, a Prohibition story of two musicians forced to flee the Windy City after witnessing a mob hit. The 2023 Tony Award Best Musical winner Kimberly Akimbo about growing up and growing old takes the stage in June. Closing out the season is The Wiz, the groundbreaking twist on The Wizard of Oz that changed the face of Broadway.

Kyle Ramar Freeman as Lion, Nichelle Lewis as Dorothy, Phillip Johnson Richardson as Tinman, Avery Wilson as Scarecrow in The Wiz, 2023 (Photo: Jeremy Daniel)

Season ticket packages include seven shows and one optional show (Hamilton) that can be added to any package. Current season ticket holders can renew now. Ticket packages for new season ticket holders will be available starting Thursday, April 18th. New this season, those interested in becoming a season ticket holder can join a special priority list starting now until April 12th to secure access to a 48-hour presale ahead of the public on-sale. For more information about season tickets, visit orpheum-memphis.com/season. The public on-sale for individual shows and group tickets will be announced later.   

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Film Features Film/TV

Fast X

Ever since I first looked at the release schedule for 2023, I have been dreading Fast X. The tenth Fast & Furious film seems completely pointless. I love a good car chase as well as the next guy, but Dom (Vin Diesel) and his “family” long ago exceeded both the bonds of Newtonian physics and cinematic decency. In the last one, F9, they literally drove cars into space. When a long-running film series that does not take place in space suddenly decides to go into space, it means they’re out of ideas. That’s called the “Moonraker Rule.”

Given Fast X’s running time of 141 minutes, it looked like a bad weekend was brewing for me. Then, a stroke of luck. On Saturday night, my wife LJ and I went to the monthly Time Warp Drive-In for Singalong Sinema: Mad Musicals in May, a triple feature of Little Shop of Horrors, The Blues Brothers, and The Wiz. It was a perfect night to camp out at the Malco Summer Drive-In’s Screen 4 with several hundred of our closest friends. Next door, Screen 3 was also filling up with a crowd who favored muscle cars and giant trucks.

At dusk, the films started. A miscommunication led to the Time Warp films being played out of order, so The Wiz rolled first. From our lawn chairs next to our parked car, we could see both screens 4 and 3. That’s when I got the idea. It’s highly unethical to review a film without watching it. But the truth is, nobody who is going to go see Fast X cares what a critic like me has to say about it. You’re either down with $350 million and 141 minutes worth of explosions and big guys in muscle cars going vroom, or you’re not. But technically, I was watching Fast X, even if the sound I was hearing was the Tony Award-winning score of The Wiz. If the other Fast & Furious films were anything to go by, it’s not as if hearing the dialogue would shed any light on the plot that was allegedly happening between car chases. I have seen at least five of them, and I have never understood what is going on. Is Dom a street racer? A bank robber? Some kind of super spy? All of the above?

The first big improvement I noticed in Fast X is that Aquaman himbo Jason Momoa is the big bad, a drug lord named Dante who is dead set on revenge for Dom’s crimes against (what else?) his family. This information comes from an extended opening flashback taken from Fast Five, where Dom and the crew steal a bank vault and drag it through the streets of Rio. Aquaman’s exquisitely-styled locks mean that, unlike earlier installments with Dwayne “The Rock” Johnson and Jason Statham, the story does not boil down to bald guys punching each other. Momoa’s performance is so excessive it lands like a silent film actor’s pantomime — especially when accompanied by the dulcet tones of Diana Ross as urban Dorothy Gale.

At roughly the time in The Wiz when Michael Jackson is introduced as the Scarecrow, Charlize Theron is reintroduced in Fast X as Cipher. I hope she got paid a lot of money. Same for Rita Moreno and Helen Mirren, both of whom have scenes with Dom which I think are supposed to be motherly, but come off as romantic. You go, ladies!

As Diana Ross and Michael Jackson explode into the radio hit “Ease on Down the Road,” Fast X travels to Rome, where Dante is planting a bomb that looks like a giant metal ball. Naturally, automotive hijinks ensue, with Dom and fam chasing the big ball through the streets of the Eternal City. By the time Nipsey Russell is introduced as the Tin Man, the giant ball is on fire; it eventually explodes in the Tiber River in a way that is somehow both good and bad for Dom.

In conclusion, The Wiz, a box office bomb widely credited as ending the ’70s golden age of blaxploitation cinema, is flawed, but much more fun than its reputation suggests. The disco-era bass work in Quincy Jones’ soundtrack is especially choice. Fast X is elevated by the presence of Aquaman and a flagrant disregard for human constraints like “good taste.” It’s the best film in the Fast & Furious series to kind of watch out of the corner of your eye while doing something else.

Fast X
Now playing
Multiple locations

(But unfortunately not alongside The Wiz again)