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We Recommend We Recommend

Playback Memphis Hosts Mental Health-themed Events

Mental health concerns seem to be on everyone’s minds these days, as evidenced in this week’s cover story, and Virginia Murphy, founder and executive director of Playback Memphis, has found that true within Playback’s group of professional artists who bring audience stories to life with improvisation, dance, and music.

“We consider our work to be healing work,” she says, “but we were in a moment when we recognized even within our own very healthy organization, by most respects, we had a number of stories where mental health was a central character. … And we didn’t really have a direct way of talking about that with each other. That was true before 2021, before the pandemic, and now it’s kind of on steroids.”

As such, the group has turned its attention to seeking clarity for the sake of mental health and has invited the community to join in this pursuit with its Listening for a Change Week. “It’s an initiative on our part to explore new pathways and partnerships for mental health and healing through the arts,” Murphy says. “We know that we have this incredible therapeutic tool, and we feel like it’s an untapped resource in our community.”

For the Listening for a Change Week, Chesney Snow, a New York City-based, award-winning performing artist and pioneer in beatbox culture, will lead a choreopoem workshop, open to the public, this Thursday. The workshop will give insight into sharing personal stories and using art as a medium for social healing. The event will also include excerpts of Snow’s original choreopoem performance, The Unwritten Law, which explores the artist’s personal journey “from a legacy of incarceration to fatherhood, homelessness to Harvard, to ultimately starring on Broadway.”

After the workshop, Playback will host a free community gathering with Snow at 5:30 p.m. at the Frayser Community Development Corporation garden. You do not have to attend the workshop to join, and light refreshments will be available.

On Saturday, Snow will join in a Playback performance with audience members sharing a personal story or reflection for the ensemble cast of actors, dancers, musicians, and poets to reimagine on the stage. “It’s done in the service of building empathy and awareness,” Murphy says. “You may share a story and see it played back and may see something you hadn’t really considered before. … Not everyone shares, and if you’re in the role of witness, that’s a really important role as well. It helps a lot with perspective.”

After the performance, Jennifer Balink of Kindred Place will facilitate a conversation to reflect on the shared experience of the performance. Murphy says, “We want people to walk out after and feel like they are taking away something that will nourish and support them out of the theater.”

Choreopoem Workshop led by Chesney Snow, Frayser Community Development Corporation, Thursday, August 25, 2-5 p.m.

Listening for a Change: Memphis Matters, TheatreSouth at First Congregational Church, Saturday, August 27, 7 p.m., $10-$30.

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Intermission Impossible Theater

Quark Theatre Provokes (Again) With New Production

Quark Theatre’s new show opening Friday, March 13th, continues its mission of staging “small plays with big ideas.”

The regional premiere of what happens to the hope at the end of the evening tells the tale of two friends who haven’t seen each other for years. The two — “Andy” and “Friend” — share some history but have taken divergent paths over time. Their sometimes rocky reunion, which works on different levels, reveals ideas about friendship and identity while in its way, shows the power of theater (one character reads from the script and addresses the audience).

British playwrights Tim Crouch and Andy Smith wrote the play that’s directed by Tony Isbell and packs a lot into the hour or so production. The performers are local stage veterans Marques Brown (pictured at left) and Brian Helm.

The production runs March 13-29 at TheatreSouth in the First Congregational Church in the Cooper-Young neighborhood. Showtimes are Friday and Saturday nights at 8 p.m. and Sunday afternoons at 2 p.m. Tickets are $20 at the door or in advance from quarktheatre.com. There is adult language. More info: 901-501-5921.

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Intermission Impossible Theater

Farce Meets Horror in a Top Notch Radiant Vermin

Michelle Gregory, Lena Wallace Black, Chase Ring in ‘Radiant Vermin’

Philip Ridley’s Radiant Vermin is a comedy about a newlywed couple discovering the dream-home they’ve always wanted can be theirs, if they’re willing to do what it takes. What it takes is both awful and potentially in the service of some grander, even more awful agenda. Think Whose Line Is It Anyway? meets American Psycho (but British), all rolled up in a gloriously ham-fisted metaphor for a related set of familiar urban plagues. 

Storytelling techniques eliminate the need for sets and costumes. Shocking events are shared directly with the audience via light narration and flashbacks, with three actors taking on all roles. Things come to a head in a climactic garden party from hell, when neighbors who’ve all recently moved into the almost mysteriously trendy area converge. With its terrific cast leading the way, Quark Theatre’s creative team plays every note in this darkly comic aria perfectly, delivering surprise laughter and even more surprising flashes of tenderness.   

Michelle Gregory, Lena Wallace Black, and Chase Ring make up the tightest ensemble in town. They pull off an energetic balancing act that threatens to soar too far over the top, but stays just grounded enough for the human stakes to matter. 

What’s the worst thing you ever did for security? Comfort? Luxury? Did you even know you were doing it? And who are the real rats? These are some of the questions at the core Radiant Vermin, a show that gets in its audience’s face bit, while spoofing some contemporary British problems that sound awfully American.

Radiant Vermin is a kind of Macbeth for moderns exploring creature comforts, and how they help us manage guilt and other unpleasant feelings.  It asks us who the real rats are.

Radiant Vermin is at Theatre South through March 31. I cannot recommend it enough. More details are available here