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Letter From The Editor Opinion

Letter From An Editor: Time’s Up

Here it is: the chance to pen the Flyer’s famed “Letter From the Editor” column. This week, I hold the keys to this journalistic kingdom and can lead off with whatever topics I deem fit. At last, an opinion column! Sounds like fun, right?

The reality is that as press day ticked ever closer, my Google Doc remained the same, a lone cursor blinking steadfast in the upper left corner. What did I want to say? Do I have anything to say for a piece like this? There are already so many voices needlessly screaming into the internet ether; do I really need to add another one? Should I even be penning such a column? I’m an editor, sure, but for our sister publications Memphis magazine and Inside Memphis Business. My co-workers all expect a column about soccer, but no, I won’t give them the satisfaction.

But my existential pondering didn’t matter; deadlines still exist, and time was almost up. You may have noticed that the Flyer’s letter from the editor has featured several different names over the last month or so, mine being the fifth to appear in this “temp-editor” carousel. As we continue our hunt to find a new editor to help carry our alt-weekly forward, I like to think of us as a motley crew of mad hatters, each with a staggering variety of headgear piled high as we juggle myriad responsibilities and adjust to the demands of 21st century journalism. The writing, editing, social media, event planning, endless conveyor belt of irrelevant emails, and who knows how many other random miscellaneous tasks every week add up to quite a bit, but we soldier on.

That packed schedule that we all deal with has got me thinking about “time” lately. My perception of it has faded into dust since we entered Covid lockdown back in 2020, and it’s all hazy from there. That trip to Kentucky I took recently? That was actually in 2016. Didn’t I go to the Bar-B-Q Shop last month? Nope, that was back in March. But again, it’s the looming deadlines that fill me with the most anxiety.

I looked up at the calendar and, wow, it’s been almost seven years at Contemporary Media, a good bit longer than my initial two-year plan. My 30th birthday approaches in several months; does that milestone signal the end of fun, and a long, slow decline into bitterness? Or is that when the fun truly begins? When my lease expires in March, does that mean I buy a property and take on a mortgage that will stretch my finances to the brink, or do I re-up on an overpriced ramshackle apartment because “the rent is too damn high”?

The big decisions and milestones coming thick and fast get you thinking about your time, and what you do with it. I imagine it’s been easy for many over the past couple of years to just end up drifting as the world burns, as social media platforms demand our attention and try to dictate our lives, and as puffed-up malcontents in government try to dismantle our country piece by piece. What you do with your work, and what you do outside of it, matters greatly. It doesn’t necessarily mean big-picture, but rather, finding that thing which brings your zen or purpose.

Some might say you need to be constantly productive in your spare time. They’re wrong, of course, just as I’d be wrong to say that overloading on leisure time is key, because there is no one-size-fits-all solution. I head home after work and glom in front of a TV after booting up my PlayStation 5; others might grind out a side hustle or work on a passion project. Ignore all the noise and find what works best for you. It can be hard to tune it all out, but a small respite, even just a little peace of mind, goes a long way after the years we’ve had.

What we here at the Memphis Flyer choose to do with our time every day is to continue bringing you news, columns, and stories about anything and everything Memphis, and it means a lot when you pick up one of our issues and validate the hard work of our entire crew. If you really like what we do, consider becoming a Frequent Flyer and donating to the cause. Heck, you can even just give me cash directly (my Venmo is @Samuel-Cicci). And if you really, really, like what we do, then perhaps apply to become our new editor. If you’ve picked up this week’s issue, I hope the content is well worth your time. Anyway, looks like mine’s up for today.

The Memphis Flyer is now seeking candidates for its editor position. Send your resume to hr@contemporary-media.com.

Categories
Music Music Features

Sound of the Streets

The latest crop of local garage rock bands to grace the stages of places like Murphy’s and the Buccaneer is turning to a house behind the Kroger on Union Avenue to preserve their songs. Since moving in last August, Keith Cooper has offered his services to up-and-coming Memphis bands like Nots, Time, and Chickasaw Mound. Working under the moniker “Burgundy Sound,” Cooper offers a live-recording environment in his living room, where songs get cut in one take and smudges on the recording tape are considered psychedelic blessings. We caught up with the man behind the last three Goner Records releases to find out more about his home studio, his history of home recording, and what the people he shares a driveway with think of their new neighbor.

Memphis Flyer: When did you first start recording bands at home?
Keith Cooper: Every time I would try to record in a studio there just wasn’t a sound that captured what I wanted, so I started looking into tape machines and analog recording. I bought a reel and didn’t know how to use it for a long time, but then I got a mixer and when the Sheiks started getting rolling I got more serious about recording the bands I was in. I started talking to [local recording engineer] Andew McCalla because I knew he recorded bands, and he helped me out a lot in the beginning. This was all when I lived at my parents’ house. Mostly we were just testing out different recording ideas, turning knobs and figuring out sounds. We recorded the first Sheiks single at my parents’ house, and we’d be messing around until 4 a.m. before eventually my dad would come up and tell us to chill out.

When I moved into the “Burgundy Ballroom” I figured out how to make more weird psychedelic noises, and Chris Owen from Time asked if I would record his first album. That was my first hired job. There were some accidents during that recording session, but it had a human quality to it and Chris was really happy with the way it turned out.

When did you move into this new spot and how many different recording sessions have you worked on since moving in?
Since I’ve been recording at this new place, I’ve mostly been working with Jack Oblivian on his new album. I’ve also worked with Time, Aquarian Blood, Nots, Chickasaw Mound, Blackberries, plus all of my projects.

A lot of the equipment at your recording studio was either donated or loaned to you. Where did it all come from?
Andrew [McCalla] and I spent two days setting up the room, and Jack [Oblivian] brought over his tape machine and his drum set from when he was in the Compulsive Gamblers, and that’s when it became a real studio. I also got a lot of equipment from Kelley Anderson from Those Darlins. She had so much cool stuff, but when she moved to Memphis she couldn’t use any of it in her apartment, so she just unloaded all of this cool gear on me. She gave me a lot of tube pre-amps and a compressor, which is helping me keep this place strictly analog. Kelley’s also been coming over and showing me how to transfer things digitally, because that’s always been the chink in the chain for me. She’s been helping me get stuff completely ready to be mastered.

Because a lot of the recording equipment was donated, it seems like a co-op space to a certain extent. Does it have that kind of vibe?
I want it to be a relaxed, creative environment. At the same time, it is my house and I’d like to eventually soundproof this place. My neighbors don’t seem to mind, they like seeing the freaks roll in and play music. I guess it does have a loose co-op vibe.

With all the new bands cropping up around town right now, how busy are you with recording? Is there a limit or rules to the types of bands you work with?
Mostly I’ve been recording garage and punk bands because those types of bands seem to be the most comfortable with doing live, in-the-moment stuff. I try to make that option available to them, but I would definitely be interested in working with other types of bands. I’ve always told people that if they have something good to cut, bring it on. It’s really fun to preserve all this stuff going on right now, ya know? It’s going to be on tape forever.

Would you like to see your studio eventually move into a building other than your home?
That thought has crossed my mind, and that would be cool if this becomes something that big. The thing about living at home is that there are time constraints, so I definitely wouldn’t be against moving into a real space. On the other hand, I really like having all this stuff at my disposal when it comes to practicing and jamming. There are a lot of times when you’re in the zone and then later you’re like, “Wait, what the hell was I playing,” but that moment is gone forever. Being able to hit record whenever I want helps preserve ideas and late-night jams.

What are you working on right now?
We’ve been finishing up the latest Jack Oblivian album I’m pretty sure he’s done with it now and it’s been sent over to Hi-Low. Every song on his new album, besides a couple, were recorded at my house. Blackberries are coming back over, and Naan Violence might come over and get some stuff done.

Categories
Sing All Kinds We Recommend

Rocket Science Audio Rock for Love Telethon

Tonight at 8 pm Rocket Science Audio will be hosting a telethon to benefit the Church Health Center and Rock For Love Eight. Staying true to the theme that Rocket Science Audio has developed over the last two years, there will be comedy, live music and “all around tom foolery,” according to Rocket Science co-founder Robin Pack. visit www.rocketscienceaudio.com to stream the entire telethon for free. To get a feel for what’s in store for tonight, check out Rocket Science Audio performances by Memphis’ own Time and The Oblivians in the videos below.

Here’s the complete list of tonight’s performers and special guests:

Nick KnowledgeNick Hicks, The McStays featuring Lori and Jared McStay, Benny Elbows, Katrina Coleman, Joshua McLane, SUPER WITCH, J.D. Reager, Mark Stuart, Faith Ruch, Jason Pulley, Harry Koniditsiotis, vi, Ross Johnson ,and Many More! The telethon wil be hosted by Stephen and Michael Kline.