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Tom Lee Construction Pushed to Fall, Petition Aims for Pause on Park

Toby Sells

Tom Lee Park redesign.

The Mississippi River Parks Partnership (MRPP) pushed back the construction start for Tom Lee Park to this fall while a petition surfaced online to pause the park plan for more discussion.

MRPP unveiled its plan for the park in January. It includes hilly contours, built facilities, trees, trails, and more. The plan sparked concerns from some, worried the plan would shrink Memphis in May (MIM) events and move it to a new location for one year — 2020 — while the new park was under construction.

MIM officials said in February that the plan has “issues,” “challenges,” and “problems.” They said the plan would reduce the capacity for crowds, stages, and tents at Beale Street Music Festival and the World Championship Barbecue Cooking Contest.

The two groups have been working toward a compromise on the situation with former Tennessee Supreme Court Justice Janice Holder since March.

Before that mediation began, MRPP executive director Carol Coletta said construction on the new park would begin as soon as MIM ended this year. Tuesday evening, the group issued a statement saying they’ll soften that timeline.

“Construction on the new Tom Lee Park will begin this fall once construction documents are complete,” reads the statement. “The park, currently closed to the public for Memphis in May, is expected to re-open in June following a period of remediation to repair any damage resulting from the major festival weekends.

“Tom Lee Park’s construction schedule is now likely to align with a simultaneous project to fix and improve Memphis’ historic cobblestone landing, also scheduled to begin this fall. Aligning these projects will minimize disruption to Riverside Drive.
[pullquote-1] The new Tom Lee Park will join significant improvements to the riverfront already completed, including an enhanced Mud Island Park, the 5-mile River Line trail from Wolf River to Big River Crossing, and River Garden.”

This new timeline comes after a new petition began online to “Save ‘Tom Lee’ Park!” — though, the new construction start date and timing of the petition appear to be unrelated.

The petition, started Monday by Todd Adams, had 1,027 signatures as of late Wednesday morning. It needs 1,500 signatures before the request is formally sent to a raft of state and local leaders including Memphis Mayor Jim Strickland, the Memphis City Council, Shelby County Mayor Lee Harris, the Shelby County Commission, governor Bill Lee, and some federal lawmakers from Tennessee.

“Memphis River Parks Partnership reps have said several times ‘Memphis in May officials have been involved the entire time,’” reads Adams’ petition. “Yet, here we are in mediation because Memphis In May officials have publicly said that this current design brings many red flags and concerns.

Chris McCoy

Sunset over Tom Lee Park

“We are petitioning the city to stop any construction/demo until a joint statement is made by MIM/MRPP and until they reach an agreement. We are petitioning for the city of Memphis to be transparent with the citizens.”

However, petitioners say they are not against a newly re-designed Tom Lee Park. They say they want a “new, smart park design that allows the park and the festival to co-exist.”
[pullquote-3] “This is ‘Memphians’ sticking to our history, and our biggest festival and money-making weekends of the year — economic impact far beyond this so-claimed ‘park’ boom you speak of,” reads the petition. “We MUST AND INSIST on a park plan/model that will allow easy flow of people, logistics, safety, and convenience for our big MIM events. ANYTHING LESS IS NOT AN OPTION!!! [capitalization and punctuation their own].”

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News News Blog

Officials: Memphis in May Won’t Work at Other Downtown Sites

Bruce VanWyngarden

Tom Lee Park model at Beale Street Landing.

Memphis in May (MIM) officials say the six locations explored as an alternative sites for the festival next year won’t work and are calling for a phased construction schedule for the redesigned park to allow MIM to return to Tom Lee Park in 2020.

MIM officials said Thursday they were concerned the Memphis River Parks Partnership’s (MRPP) redesign of the park would cut the festival’s capacity. That redesign adds contours, trees, built facilities, and more to the now wide-open park.

MRPP officials want to begin construction of the new design in June, after MIM wrap-up this year. The construction would take 18 months. MRPP president Carol Coletta has said she’s not sure how MIM could operate in what would be a construction site. The suggestion has been to locate MIM to an alternative location for 2020.

The Downtown Memphis Commission (DMC) identified six sites that might work for MIM.

“We believe Memphis in May and Downtown Memphis are uniquely and inedibly joined,” reads the DMC document. “We believe Memphis in May belongs Downtown.”

In a DMC document shared to the press Friday, the DMC suggested Beale Street, Mud Island, Greenbelt Park, MLK Riverside Park, Georgia Avenue Elementary, and the grassy area north of Tom Lee Park at the corner of I-40 and Riverside Drive. (See our slideshow below for more details on the sites.)
[pullquote-1] “A cursory review of the sizes and infrastructure of the suggested sites reveals that these simply are not compatible to host our world-class events, and reaffirms our president and CEO Jim Holt’s assertion yesterday that — aside from Tom Lee Park — there are no other sites in Downtown Memphis that can accommodate Memphis in May,” MIM spokesman Robert Griffin said in a statement. “This is why we have requested a phased construction schedule to allow Memphis in May to remain in Tom Lee Park and downtown Memphis in 2020, as it is the only viable downtown location for our events.”

MIM and the MRPP are scheduled to have a meeting about Tom Lee Park on Monday.

[slideshow-1]

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News News Blog

Tom Lee Redesign May Affect Memphis in May

MIM- Facebook

Beale Street Music Festival at Tom Lee Park

Will Tom Lee Park’s redesign impact Memphis In May?

In its monthly newsletter, Memphis in May International Festival announced Studio Gang, the Chicago team creating a plan to redesign the Riverfront, met with MIM executives to discuss the Tom Lee Park design.

MIM has been working with Studio Gang and Memphis River Parks Partnership to, according to the newsletter, “ensure the redesigned park will protect Beale Street Music Festival patron capacity and full complement of World Championship Barbecue Cooking Contest team spaces — not to mention their accompanying economic impact — and preserve the future viability of the festival and its events in Tom Lee Park.”

The final park redesign plan is scheduled for release in December. The initial plan for Tom Lee Park is slated to have landscape and hardscape improvements, including pocket parks with grassy knolls, trees and hills.

The question is — after all this is set in place — how will 225 barbecue teams fit in the park for the Memphis in May World Championship Barbecue Cooking Contest? And how will more than 27,000 people fit into Tom Lee Park for the Beale Street Music Festival?

The festival would go as planned in 2019, but after that, construction begins. Memphis in May events would have to move beginning in 2020. Where would these events go? The barbecue contest was held in 2011 in Tiger Lane. But that’s a long way from the Mississippi River and downtown hotels. Shelby Farms is a possible site, but, again, that’s a long way from downtown Memphis and its restaurants and hotels. And the traffic problem is another question. Getting thousands of people out of Farm Road and Mullins Station Road?

In its annual report, Memphis in May said it brought in $133.7 million last year in economic impact. And three and a half million tax dollars. Reduced space or a new location is, obviously, going to lower both these amounts.

“For the Beale Street Merchants Association, all Beale Street and all downtown, Memphis in May and the month of May for the festival are clearly the biggest things that happen to us all year long,” says Joellyn Sullivan, vice-president of the Beale Street Merchants Association and owner of Silky O’Sullivan’s on Beale Street. “The hotel occupancy is significant and the economic impact has been very well documented.


“And, to be clear, I am not familiar with the plans for Tom Lee Park. I have no idea. What I read in a newsletter from Memphis in May was the first notice. I saw a little bit about what was going on, but I haven’t seen plans,” says Sullivan

Things are slated to stay the same in 2019 when Memphis will be the honored Memphis in May country, but the next year? “Not only construction, but the ultimate design could decrease capacity for those events and it’s very concerning. We had a little bit of a test with the flood that moved the barbecue (festival) to Tiger Lane. And that definitely had an impact on downtown economics.”

A “key part” of Memphis in May’s mission is “to promote Memphis and, secondarily, Downtown,” says Sullivan. “So, it’s a showcase we all have. And our riverfront. To think that venue might not be there for that mutual promotion, that is concerning. Tom Lee Park is what it is. It’s a great, open park that is very welcoming. It’s got sidewalks and benches and it’s already got a play area. It’s an established port that now handles riverboat traffic. People don’t give that riverboat traffic credit. We can tell Downtown when those boats are coming in and out. You can definitely feel the economic impact.”

And, Sullivan says, “Our riverfront has been improving anway. The RiverArtsFest was down here this past weekend. And now we’ve got dueling bridges in terms of bridge lights.

“To be able to have a big, open space downtown that can be a venue for the music fest and barbecue is amazingly special. To have those world class events on the Mississippi River at the foot of Beale where Downtown as a whole can be impacted and showcased is a wonderful, wonderful- thing.”

And if Memphis in May has to move somewhere else like Shelby Farms? “That is devastating. And it’s also probably festival busting. This is not a festival that belongs anywhere but on the Mississippi River. And the whole purpose of Memphis in May, its history, everything about it, is Memphis.”

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Fly On The Wall Blog Opinion

Tom Lee Park Redesign ‘Totally Unrelated To Atlantis’ New Riverfront Chief Says

Definitely not an irradiated Gill Man.

At a press conference in their Front Street headquarters on Tuesday, Carol Coletta, head of the Memphis River Parks Partnership (MRPP), previously called the Riverfront Development Corporation (RDC), told reporters that her organization’s plans to dramatically alter the landscape of Tom Lee Park have nothing to do with her predecessor’s ambitious project to raise the lost, subaquatic city-state of Atlantis from the depths of the Mississippi River.

“Our plan will activate the park space for all Memphians, and make it more attractive to Memphis In May festival goers,” said Coletta. “It’s totally unrelated to the RDC’s plans to raise Atlantis.”

Coletta joined the RDC in March, replacing Benny Lendermon, who had announced the public-private partnership’s multimillion dollar plan to spend millions of dollars on targeted nuclear explosives that would trigger powerful earthquakes bringing the long hidden city/state of Atlantis back to the Above World, presumably to rule over a golden age of peace and prosperity for Memphis and the Mid-South region.

“Now some people will say that the new undulating hills we’re building in the flood zone of one of the most powerful rivers in the solar system would be an ideal spot for burying the thousands of horribly burned gill-men cadavers that have been washing up on the banks of the Big Muddy, but you would be wrong,” said Coletta.
[pullquote-1] “We acknowledge mutation is an ongoing problem in this area of the river,” she added. “But we prefer to focus on making the riverfront great for everybody.”

Similarly, a rebranding effort that changed the name of a corporation devoted to riverfront development (RDC) to Memphis River Parks Partnership (MRPP), was in no way caused by news reports associating the RDC with the effort to raise Atlantis.

“Having a new name that doesn’t come up in Google searches next to the words ‘raise Atlantis’ and ‘nuclear weapons’ was in no way a factor in our decision to rebrand,” said Coletta. “Look, the truth is, there wasn’t much to the Atlantis thing. It was really overblown by the media, right from the beginning.

“When Benny’s crew of nuclear demolition engineers got to where they thought Atlantis was going to be, there wasn’t anything there. So, they left. That’s what happened.

“Those earthquakes you want to ask me about, we had nothing to do with those. Completely natural phenomenon.

“We’re just laser-focused on making the riverfront better by cleaning up all the radioactive material from the shoreline and disposing of it somewhere that’s not Tom Lee Park.”

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Cover Feature News

Down by the Riverside

The Downtown Memphis riverfront does not suffer from a lack of planning.  Over the last quarter-century, a good dozen documents that could rightly be called plans have been completed for the area between the A.W. Willis Bridge and French Fort. But very few built improvements have arisen from these efforts.
— executive summary, Memphis Riverfront Analysis and Recommendations, Jeff Speck 2013


Two words easily sum up the Memphis riverfront: “It’s complicated.”

“If the solution were obvious, it would’ve been done a long time ago.” That’s Alan Crone, chairman of the newly formed Riverfront Task Force (RTF), quoting Mayor Jim Strickland. And that quote refers only to Mud Island River Park. 

Crone called it all a Gordian knot. That knot is comprised of smaller knots including centuries-old land claims, historic places, parks, our iconic festival, pedestrians, cars, mayors, council members, developers, anti-developers, money, money, and money. Nevermind that the Mississippi River rises and falls each year by about 57 feet, enough to swallow Hotel Napoleon. All of this has made “doing something” on the river a knot that generations of Memphians just haven’t been able to unravel. 

But nearly everyone interviewed for this story talked about the “amazing opportunity” or the “fabulous opportunity” or the “incredible opportunity” the river presents. It was that promise of opportunity that pushed former Memphis Mayor Willie Herenton to form the Riverfront Development Corporation (RDC) back in 2000, according to RDC president Benny Lendermon. 

Justin Fox Burks

Benny Lendermon

Since then, squadrons of architects, engineers, and planners have been called to our shore of the Big River. They’ve produced piles of plans easier described by weight (or, perhaps, in spent dollars) than the outcomes they’ve produced. Ideas have come, and then they’ve gone, brought to us and carried away on the surging-then-waning current of political and community energy for action.

“Now, for the first time in many decades, the city finds itself in the opposite position,” reads the 2013 Speck plan for the riverfront. “As other American cities have successfully acted upon bold plans to enliven their waterfronts, the citizens and leaders of Memphis have come to recognize that their river’s edge is not all that it could be. There exists a strong sense that change is welcome, but no single past plan offers a clear path for this change … and the last thing the city needs is another plan.”

Yet, here we are. Once again, out-of-town consultants canvass our riverfront formulating what is called a brand new Riverfront Concept Plan. They’re offering more ideas (but new ideas) that will knit the nearly five-mile expanse into some cohesive destination for tourists and locals alike to generate excitement, pride, and, yes, money for the city. To make that happen, there is indeed a new surge of political and community energy for action, riverfront leaders said. 

Sound like déjà vu? Well, John Farris, chairman of the RDC, said this time is different. Two private foundations — the Kresge Foundation and the Hyde Foundation — have signed on to help. Also, Mayor Strickland has assembled a task force, which will serve as an arbiter of differing interests on the river and review and choose portions of that new plan, ensuring that “something” will happen.  

“It’s not going to happen instantly, but I think it’s going to happen soon,” Farris said. “In the next few years, you’re going to be seeing a lot of change down on the Memphis riverfront, and it’s all going to be good.”

But some barriers exist between ideas and real change. Here are a few of them:

East doesn’t meet West
To many Memphians, downtown and the riverfront are two different things. “That separation is key,” Crone said. “I started saying that in most Memphians’ minds, Riverside Drive is as far away from Main Street as it is from White Station.”

Call it the Bluff Effect; it’s physical and mental. Climbing the bluff from Riverside to Front and points beyond is a real physical challenge to many. It’s an anomaly Lendermon said he has had to explain to out-of-town consultants. “They look at it and go, ‘What elevation change?'” Lendermon said.

But it’s not just about a heart-pulsing walk. Lendermon said there’s also little that invites people to make that trip. “People like having things to do and walking in places that don’t look like they’re abandoned,” he said. 

But the Bluff Effect also relies on a deep, more intrinsic need in Memphis: a car. 

“Most of the surveys we do [about riverfront issues] say the same thing: parking, parking, parking,” Crone said.  

That was certainly on the mind of Tonya Gollat in January. She and two friends were walking the riverfront. When asked what advice she’d give leaders on the riverfront, she said “parking.” 

“You want people to come down here, but where am I going to park?” Gollat asked. “They do have all this [gesturing at the Beale Street Landing lot], but it’s pay parking and it’s blocked off. People are not going to do it. That’s a waste.”

The Promenade and the “Overton heirs”
Besides any ethereal barriers to connecting downtown to the riverfront, there is another that is, indeed, invisible but very real. 

To see it, let’s dial the wayback machine to the city’s beginning. The founders, including John Overton, decreed a wide, vacant space atop the bluff from Union to some point north (Crone said the deed is a little unclear) would remain dedicated to public use.

So, doing any development on the “promenade” has been a thorny legal bush that has entangled and, ultimately, bested development and developers stretching back to Reconstruction.

“The Chickasaw Bluff, once essential in protecting the city from the Mississippi’s rising waters, now makes it difficult for pedestrians to see or even get near the river,” reads a 2004 study on the promenade area by Cooper, Robertson, and Partners.  

Public comments in that document called for “unique restaurants like ESPN Zone,” “quaint shops,” “restaurants with river views,” coffee houses, sidewalk cafes, museums, a pier, and more. So, the Cooper, Robertson plan called for some private development. 

But the Supreme Court ruled against any private development on the promenade back in the 1960s. The notion was stymied here again around 2004 by public outcry against it. 

“So, you’ve got the Overton legacy,” said Crone. “Then you have the Army Corps of Engineers, who has sway on what goes on on the river. Then, you have the Coast Guard, which has sway on what goes on on the river. So, people say, well, I just don’t see why they just can’t XYZ? Well, it’s probably not because they (being the city) doesn’t want to. It’s because you’ve got a lot of hurdles to overcome, assuming price is no object. It’s just very complicated.”  

The RDC
Lendermon said that public opposition to private development on the promenade and the formation of Friends for Our Riverfront was “where the RDC starting going South.

“That’s where we started losing [Memphis City Council] support,” Lendermon said. “At first, everyone was behind [the RDC], then it became like guerrilla warfare to get projects done.”

Virginia McLean, who founded Friends for Our Riverfront (FFOR), said she formed the group to give Memphians a voice on the public lands of the Memphis riverfront. She said leaders began to see the riverfront as a money maker instead of a public amenity. 

“Our position has always been that we have incredibly great bones for our riverfront,” McLean said. “It doesn’t have to cost a lot of money. It doesn’t have to have big, silver-bullet projects.”

After the FFOR-led public outcry about the riverfront project, former Mayor Herenton, who appointed Lendermon to lead the RDC, fell out with the council, Lendermon said. “So, if you wanted projects to go through, you didn’t want Herenton to be there helping to support it.” The RDC was left walking a tightrope, Lendermon said, and all of a sudden his group and his work became controversial and, thus, an issue blocking the riverfront’s development.

That controversy certainly followed the RDC through the construction of Beale Street Landing, by far the biggest project the group has managed. The boat dock and public space started with a price tag of $10.4 million but ballooned to a final cost of $43.5 million. Lendermon said the cost changed because the project changed and was not over budget. 

Defending the Landing, Lendermon said dockings there this year will generate $42 million of economic impact. Also, he said, about $2.75 million will go to city tax coffers, which is about $500,000 more than the city is paying on the project’s debt every year. But Lendermon said that’s not the point. 

“It wasn’t built to be a break-even project,” Lendermon said. “It was built to be a park project. It was built to be an amenity.”

That project and many years of consecutive operating budget overruns have put the RDC in the crosshairs for some Memphis politicians. Former council members Wanda Halbert and Harold Collins both floated the idea of bringing RDC-controlled operations back under the city’s umbrella. In 2014, Memphis Mayor A C Wharton called for the organization to become more financially sustainable. By October 2014, the RDC began its “River Vision 2020” plan, which aimed to cut costs and find new revenue streams. 

Farris said the RDC is managing the riverfront for about the same price now that the city was paying 15 years ago. If the city were to do it, “They would’ve been paying a lot more money. From a pure contracting standpoint, we’re able to act a little bit quicker and more easily than the city as far as contracting and responding to issues that arise down on the riverfront,” Farris said. “We don’t have to go through a long procurement process to do work down on the riverfront.”

But the RDC has shrunk over the last few years. Revenue and expenses to the RDC basically halved from 2011 to 2015, according to tax documents. In 2011, the group brought in about $12.4 million and spent $13.2 million. In 2015, the RDC brought in about $6.6 million and spent $6.7 million.

During that time, Lendermon’s salary (another point on which the RDC has been criticized) has remained steady. In 2011, Lendermon made a base salary of $230,589. In 2014, the RDC paid Lendermon a total compesation package of $223,191.

City taxpayers have subsidized the RDC since its inception in 2000, and last year that contract cost $3.1 million. Though the IRS identifies the RDC as an economic development agency, Lendermon said the group hasn’t really done any development projects other than Beale Street Landing. He said the RDC mainly maintains the parks — making repairs, cutting grass, and providing security.

All of this was — before the RDC — the job of the now-defunct Memphis Parks Commission. If Lendermon’s job was to maintain the riverfront parks as a member of city staff, he’d be the highest paid person at Memphis City Hall. In 2016, Memphis Police Department (MPD) director Michael Rallings was paid $219,000. Mayor Jim Strickland was paid just more than $170,000. 

But RDC chairman Farris said comparing Lendermon’s salary to the mayor isn’t fair. “The mayor is not running the riverfront; he’s a public official,” Farris said. “He’s elected by the public. Benny works for a nonprofit.”

Farris said the RDC board chose Lendermon’s salary based on a 2014 report from the Memphis-based Centre Group. That report based his salary, in part, on RDC’s revenues of around $12 to $13 million, which are now around half of that. It also based it upon Lendermon’s length of time in the role. 

In 2014, the group said Lendermon should make between $203,000 and $230,000 wth a performance bonus of 25 percent. The firm compared Lendermon’s salary to other nonprofit executives at the time, including Memphis Convention and Visitors Bureau president Kevin Kane ($326,844), Memphis Tomorrow president Blair Taylor ($237,120), Memphis Chamber president John Moore ($352,539), Reid Dulberger, president of the Memphis and Shelby County Economic Development Growth Engine ($180,000), Downtown Memphis Commission (DMC) president Paul Morris ($175,000), and Laura Morris, executive director of the Shelby Farms Conservancy ($126,716).

Terence Patterson, the new president of the DMC, made $190,000 in 2015, his first year. For the last three years, his group has managed Beale Street for the city, maintaining facilities and coordinating security plans, finances, and events. Last year, the Memphis Zoological Society got $2.9 million to manage the city’s zoo animals and exhibits. In 2015, zoo CEO Chuck Brady made $404,023.

Farris said what the RDC pays Lendermon is “a pretty good value for what he brings to the riverfront. The key reason why I think Benny is so perfectly situated to lead that effort down there is because he has so much institutional knowledge about the riverfront,” Farris said. “He fishes out on the Mississippi River. He is a river guy. He knows all that stuff backwards and forwards. We’re very fortunate to have him right now.”

With a talented, connected, and independent board, well-paid staffers, and years of experience dealing with riverfront issues, some have asked: If we have the RDC, why do we need a task force for riverfront development?

“A task force appointed by the mayor is in a much superior position to say to everybody, to the RDC, to Memphis in May, to Friends for Our Riverfront, and the DMC: I don’t care who it is — everything is on the table,” Crone said. “It’s maybe trite to say, but we really need to throw away all the paradigms and throw away all the preconceived notions about what we think about when we think about the riverfront. We’ve got to be open to change, because I think we’ve maxed out our current use and vision of the riverfront.” 

Tom Lee Park
Tom Lee Park is the “worst,” said Lendermon. “Everyone knows I call [Tom Lee Park] the worst waterfront park in America, and it still is. And I built it.”

Lendermon was the city’s director of public works when the Army Corps of Engineers built a dyke at the base of bluff to protect South Bluffs homes. For about $4 million, Lendermon directed the building of the grassy, 21-acre section of the park atop that dyke. 

The construction allowed for the major expansion of the Memphis in May festival, which, up until the rest of the park was built, had been bursting at the seams at the original, four-acre Tom Lee Park where Beale Street Landing is today. 

Lendermon said Tom Lee Park is a “great festival park,” but there’s no shade, no restrooms, and no place to gather. He said, “It’s like pasture land on the edge of the river,” and it has “so much more potential.” 

But changes, like adding trees or buildings, would hinder the stages, crews, trucks, grills, and more that pile into the park in the weeks before, during, and after Memphis in May. That leaves the park in a state of halted development. 

Memphis in May president Jim Holt said his organization brings 160,000 people to the riverfront each year, and he looks forward to new plans for the area.

“We look forward to opportunities to expand our program activities in Tom Lee Park, our festival home for over 40 years, and other improved public space which may become available with an enhanced and developed riverfront,” Holt said.

Justin Fox Burks

looking South from Bass Pro Shops at the Pyramid

The Opportunities
Changes and additions, including Riverline, Civic Commons, and a new direction for the Beale Street Landing restaurant are all under discussion. Despite all the issues facing the riverfront, there is, indeed, opportunity there. Two projects are underway now that will bring real change to the Memphis riverfront — and probably this year. 

Work is ongoing to make walkable the river-facing stretch of trail on the west side of Bass Pro Shops at the Pyramid. That project is only one part of an overall plan that will stitch the entire riverfront into a connected, walkable stretch. 

Signs will soon be posted for the Riverline project, which will direct pedestrians along the walkway stretching from the north end of Greenbelt Park to Big River Crossing. The RDC hired Copenhagen-based Gehl, an urban planning firm, to thread together what they call “an unbraided cord” of a riverfront from north to south. “[The riverfront] ties together here and there, but the idea is to gather it together,” Lendermon said. “[Gehl has] come up with a neat symbolic marking system to do that.”

Also, that east-west/promenade situation is getting a little love. Last year the city got a $5 million Reimagine the Civic Commons grant from national foundations to tie together some of those assets on the public promenade. That project hopes to thread together the area that includes the Cossitt Library, Memphis Park, and Mississippi River Park in to the Fourth Bluff. 

One of those projects, unveiled at a RDC meeting last week, will create a new recreation area for Mississippi River Park. The new section would incorporate tree houses, climbing structures, and a large meadow for play. 

That plan, which is set for an area just south of the Memphis Visitor Center, could also bring a pop-up park to Riverside Drive which would include basketball courts, a skating rink, and a space for food trucks. That part of the plan, which has not yet received final approval, would be placed on Riverside Drive, shutting down one block of the street from May through August. Work is expected to start on the project this fall. 

The Riverfront Bar & Grill, the restaurant inside Beale Street Landing, could be reimagined soon with some fresh ideas by a Memphis-famous restaurateur. 

Lendermon told RDC members last week that the restaurant will likely open for the season in April, as it does each year. But this summer, things could change. Lendermon said he is working on a new concept for the spot with a restaurateur “that everyone in this room would know.” However, he said no major change would come until the consultants have finished their work.  

Studio Gang and the New Plan
In January, the RDC hired Studio Gang, a renowned “architecture and urbanism practice” based in Chicago, to form the new Riverfront Concept Plan. The firm will present its findings to the Mayor’s Riverfront Task Force at the end of that 12-week process. 

From there, the task force will review options from the plan in a series of public meetings. Crone said the group will prioritize the best (and, perhaps, easiest) recommendations and then set them forth to the Memphis City Council, which will have the final word on funding any riverfront projects. 

Crone said the riverfront needs Overton-Park-level passion. “We need someone … to create for us that kind of amenity that — 100 years from now — people will be so passionate about that they’re willing to lay down in front of a car to protect it,” Crone said.  “We have a world-class amenity in Overton Park, and that’s what we need down [on the riverfront]. Right now we don’t have that.”

Categories
Opinion The Last Word

It’s Barbecue Fest time, y’all!

One thing I love about people in New Orleans is the way they treat every seasonal event like a holiday. It’s totally normal, even custom, to be greeted with a “Happy Mardi Gras!” “Happy Jazz Fest!” or simply “WHO DAT!” depending on the season. Along with a trunkful of craft beers and several bags of locally-made tortilla chips my husband loves, I’ve decided to bring the tradition home with me after my most recent trip to that other river city.

So, Happy Barbecue Fest, errrbody!

Though the air feels a little less electric (and a lot less polluted by yellow towel lint) without a Grizzly contribution to downtown’s bustle and buzz, this time of year is peak Memphis. Barbecue Fest combines several of my favorite things: people watching, smoked meats, and pig puns galore.

Barbecue Fest is a time to take inventory of personal relationships. It’s about catching up with old friends, whom you may not have seen since the last drunken Thursday night spent at the terrifyingly wobbly three-story tent with the slushie machines. It’s best to send a text a few days or even weeks in advance so as not to seem too obvious, but there’s no room for shame when you’re on the prowl for wristbands. Those things are currency more precious than gold. If you can’t get into a tent, you might as well stay home. Once, I saw a woman salvage a discarded wristband from the dirt like she was Gollum and the One Ring was forged from a flimsy piece of paper from Oriental Trading Company. Now that’s shameless.

Susan Ellis

Hog Holiday

Speaking of tents, it’s a time to redefine what constitutes a “tent.” Fifty-one weeks out of the year, a tent is a 10×10-ish nylon dome you camp in. During Barbecue Fest, a tent is a massive structure with scaffolding, plywood floors, and two flights of steel stairs that ought to require a waiver to climb. Some have nicer televisions with bigger screens than the one in my living room. Some have sound systems that could fill a large nightclub’s dance floor with sound.

Barbecue Fest is a time for adventure and stepping out of your comfort zone. Try something new — like an entry in the “Anything But” category! Or a shot of Fireball, poured down an unsanitary block of ice, into the mouths of you and the new best friend you just met. It’s a time for hopeful optimism, as you say a quick prayer that the porta potty you choose is suitable for human occupancy.

Sometimes, Barbecue Fest introduces you to a new side of people. You might learn a longtime friend is actually a gifted barbecue chef who’s been holding out on you for years. Most people only reveal their drunk side, though. How many of us have watched in bemused admiration as Jane from accounting finally let her hair down after a few Jell-O shots? (Sorry, Jane — you only made me swear I wouldn’t tell your supervisor.)

It’s a time to create the memories that either last forever, or that are conveniently erased by the combined effects of power-drinking and neglecting to take advantage of the omnipresent pulled pork, ribs, and sausage that comprise the entire raison d’être for that glorious event. Maybe you’re on a team, and Barbecue Fest is about finally showing off the results of months spent testing temperatures and tweaking rub recipes. It’s about taking a few days off from the 9-to-5 grind of your day job to build a “tent” and enjoy some time down by the river.

I hate to use the term “only in Memphis,” but does any of the above sound like a good time anywhere else? Maybe not on paper. But there’s something about that view of the river, the aromatic haze that clouds several downtown blocks, and the growing assortment of clever civic-minded bootleg T-shirts. The sight of a lone flip-flop in the mud, left behind by someone who obviously enjoyed her first Barbecue Fest, evokes the comfortable familiarity of home.

So I’m looking forward to seeing y’all down by the river. Or if I don’t, remember to check the weather forecast before you head out. Bring toilet paper, just in case. Carefully consider your choice of footwear. Keep tabs on your Jell-O shot/mystery punch/brown liquor/all of the above consumption, and drink some water. Don’t forget to eat something: You’re surrounded by food, for heaven’s sake. Be prepared to spend big bucks on an Uber. It’s still cheaper than a DUI. Just take it all in, cut loose, and enjoy yourself. Happy Barbecue Fest.

Jen Clarke is an unapologetic Memphian and digital marketing strategist.

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Music Music Blog

Slideshow: Sunday at Beale Street Music Fest

Sam Leathers

Sam Leathers captured the final day of Beale Street Music Fest in all it’s glory, including moving performances by Yo Gotti, Courtney Barnett, and Beck. Check out his photos in the slideshow below. 

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Music Music Features

Beale Street Music Festival 2016: Sunday

FedEx Stage

 

Those Pretty Wrongs

2:15 p.m.

Those Pretty Wrongs feature Jody Stephens of Big Star and Luther Russell. The band’s debut album is out later in May via Burger Records, the hip California label that started as a cassette label and has morphed into a West Coast institution. Fans of Big Star, take note.

Blackberry Smoke

3:45 p.m.

Blackberry Smoke have blown up over the last few years, touring with the Zac Brown Band and having their music featured on the EA Sports video game Madden NFL 16. Their fourth studio album Holding all the Roses debuted at No. 1 on the Top Country Albums Chart, and their fan base just keeps growing. Expect this set to get rowdy.

The Arcs

5:25 p.m.

A side project of Black Keys vocalist Dan Auerbach, the Arcs bind soul and psychedelic rock to create something similar to EL VY or the Districts. Unlike, but not far from, the Black Keys, Auerbach’s new band relies more on rhythm than the blues. Their latest single, “Lake Superior,” was inspired by the Netflix documentary series Making a Murderer.

Cold War Kids

7:05 p.m.

 Cold War Kids have actively toured and cranked out piano-driven pop songs since 2004. Most likely, you’ll be singing along to a slew of songs you didn’t know you knew.

Beck

Beck

8:50 p.m.

Beck is back, only this time he’ll be at Tom Lee Park instead of the Mud Island Amphitheatre. The Los Angeles singer/songwriter always puts on a great show, and his collaboration with Jay Reatard was proof that while Beck is definitely big time, he still keeps his ear to the underground. Anyone who was at his Mud Island show knows that Beck is not to be missed.

Rockstar Energy Drink Stage

The Lone Bellow

2:45 p.m.

Brooklyn’s Lone Bellow bring their alt-country to a festival audience that knows a thing or two about the genre, but that shouldn’t stop the band from kicking off a great lineup on the Rockstar Energy Stage. The band’s latest album, 2015’s Then Came the Morning, was released on Descendant Records, a subsidiary of Sony Music Entertainment.

Indigo Girls

Indigo Girls

4:15 p.m.

Lesbian folk rockers Amy Ray and Emily Saliers have been besties since elementary school, and they began performing together when they were in high school. Since then, they’ve released 14 albums (the latest release came last year) and have remained politically involved in all sorts of causes ranging from LGBT equality and environmental protection to Native American rights and protesting the death penalty.

Nathaniel Rateliff & the Night Sweats

6 p.m.

There might not be a festival more fit for Nathaniel Rateliff & the Night Sweats than Beale Street Music Fest. Something reminiscent of the Stax sound is ingrained in their music, and the Night Sweats provide the palette for a pensive Rateliff to wail over. Do not miss this band.

Paul Simon

7:35 p.m.

Paul Simon has been a hit factory since the ’60s, cranking out songs like “Mrs. Robinson,” “The Sounds of Silence,” and “Bridge Over Troubled Water.” He was awarded the first Library of Congress Gershwin Prize for Popular Song in 2007 and has written music for Broadway and television. He’s been on Saturday Night Live 14 times and has 12 Grammy awards, making him one of the most successful artists on the entire Music Fest lineup.

Paul Simon

Bud Light Stage

The Band Camino

2:15 p.m.

These Memphians might be unknown now, but if they keep landing spots on music festival main stages, they may not be underground for long. Look for a debut album from the Band CAMINO sometime this summer.

Alex Da Ponte

3:40 p.m.

Alex da Ponte just released her latest album, and the local artist is one of many worth catching over Music Fest weekend. On All My Heart, da Ponte wears her emotions on her sleeve, making for an earnest and honest album that will get stuck in your head after only a couple listens. Her song “Nevermind” is already a local hit, but don’t expect da Ponte to stay local for long.

The Joy Formidable

5:15 p.m.

 Welsh alt-rockers the Joy Formidable recently released their third album, Hitch, and the band has a knack for recreating some of the things that made ’90s alt rock so memorable.

Courtney Barnett

6:55 p.m.

Courtney Barnett had a spectacular 2015 due to her amazing album Sometimes I Sit and Think and Sometimes I Just Sit. We had her album and her Third Man Records single as some of our favorites of the year, so we’ll take credit for this one. You’re welcome.

Bastille

8:35 p.m.

British indie rock powerhouse Bastille have sold over 5 million records, and their follow-up album to 2013’s Bad Blood is highly anticipated. With millions of fans across the globe, Bastille are definitely one of the biggest bands performing this weekend.

Zedd

Zedd

10:15 p.m.

Russian-­born/German-­raised electro-house DJ Anton Zaslavski (better known as Zedd) has made a name for himself in the EDM scene by combining the beat-driven nature of house music with catchy pop melodies and lyrics by popular artists, such as Selena Gomez, Foxes, and Paramore lead singer Hayley Williams. The Grammy winner’s late-night performance will likely turn Tom Lee Park into a giant rave, so bring the glowsticks.

Pearl River Resort Blues Tent

Barbara Blue 2:15 p.m.

Barbara Blue, the reigning queen of Beale Street, is a Beale Street Music Fest institution. She’s also the woman behind the piano at Silky O’Sullivan’s almost every night of the week. Simply put, a downtown show isn’t complete without a Barbara Blue appearance.

Brandon Santini 3:45 p.m.

Brandon Santini purchased his first harmonica at the age of 15 at a music store in Piedmont, North Carolina. Engulfed in the blues, Santini studied harp legends like James Cotton and Kim Wilson of the Fabulous Thunderbirds. After founding his band Delta Highway in 2003, Santini relocated to Memphis, where he became a regular performer on Beale Street. With three albums under his belt, Santini and his band continue to inject a fresh spirit into the Delta blues.

John Primer 5:20 p.m.

When it comes to no-frills blues music, John Primer gets it done and does it well. No surprise why — Primer learned slide guitar from Muddy Waters’ sideman Sammy Lawhorn. A steward of the Chicago blues, Primer has played with the likes of Waters, Willie Dixon, and Magic Slim.

John Németh 6:55 p.m.

Boise, Idaho, bluesman John Németh relocated to Memphis in 2013 and linked up with Scott Bomar at Electraphonic Recording, where he immediately began cutting an album. His latest record, 2015’s Memphis Grease, was named the “Best Soul Blues” album by the Blues Music Awards.

Bernard Allison 8:30 p.m.

Influenced by the likes of Jimi Hendrix and Stevie Ray Vaughan, as well as older players like Lightnin’ Hopkins and B.B. King, Bernard Allison grew up with the blues thanks to his dad, Chicago bluesman Luther Allison. Allison has been at it since 1990, releasing over 15 albums of his signature style of electric blues.

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Music Music Features

Beale Street Music Festival 2016: Saturday

FedEx Stage

Escondido

2:30 p.m.

Nashville indie rockers Escondido kick things off on Saturday at the FedEx stage. Formed in 2011, the band’s latest album, Walking with a Stranger, is out now.

Lunchmoney Lewis 

4 p.m.

LunchMoney Lewis represents a small but talented pool of hip-hop acts at Beale Street Music Fest. The Miami-born MC has had over 15 millon streams on Spotify, and his list of collaborations includes a song with Memphis’ own Juicy J.

Better than Ezra 

5:35 p.m.

New Orleans­-based ’90s alt­rockers Better Than Ezra are perhaps best known for their 1995 single “Good,” but the band has continued to make music over the years, and they’ve developed a loyal following of fans (who call themselves Ezralites — seriously, look it up).

Cypress Hill

Cypress Hill 

7:15 p.m.

Who can forget the group that sang “Tell Bill Clinton to go and inhale?” Other than Snoop Dogg, no other artist or group personifies what it means to be a stoner better than Cypress Hill, the group that brought you songs like “Hits from the Bong,” “Superstar,” and “Dr. Greenthumb.” Cypress Hill were the first Latino-American rap artists to go platinum, and their music is immediately recognizable, as is B-Real’s high-pitched vocal approach. Get ready to go insane in the membrane.

Barenaked Ladies 

8:55 p.m.

The Barenaked Ladies bring the ’90s nostalgia to the FedEx stage on Saturday night. These tongue-twisting Canadian lyricists are anything but one-hit wonders, having released their 12th album last spring.

Meghan Trainor

Meghan Trainor 

10:40 p.m.

It’s all about the bass when Saturday’s headliner takes the FedEx stage. Meghan Trainor has a Grammy nomination and two Billboard awards under her belt, and her second album Thank You will be released less than two weeks after her Beale Street Music Fest appearance.

Rockstar Energy
Drink Stage

Amasa Hines

2:20 p.m.

Little Rock, Arkansas, rock band Amasa Hines call their brand of music “psychedelic afro-futurism,” but get to the Rockstar Energy stage early to check out this relatively unknown band in person and decide for yourself.

The Front Bottoms 

3:50 p.m.

Since 2007, New Jersey-bred indie band the Front Bottoms have traveled from humble, DIY beginnings to the festival circuit — hitting Coachella and, now, Beale Street Music Festival.

Houndmouth 

5:25 p.m.

Rough Trade recording artists Houndmouth have been at it since 2011, but the band really started picking up momentum with the release of 2013’s From the Hills Below the City. Much like their label mates, Parquet Courts, Houndmouth has appeared on plenty of late night shows, including the Late Show with David Letterman and Conan.

Moon Taxi

7 p.m.

Nashville’s Moon Taxi also earned a spot on Coachella, and their Daybreaker tour sees the band getting a slot on Beale Street Music Fest. Active since 2006, the band played the Late Show with David Letterman and has had television placements from companies like BMW, HBO, the MLB, and the NFL.

Violent Femmes 

8:40 p.m.

Violent Femmes are no strangers to Memphis, having played the iconic Antenna club and, more recently, the Mud Island Amphitheatre. The band has been active since 1980 and are best known for their quirky hit “Blister in the Sun,” although they’ve also had hits with “Kiss Off” and “Gone Daddy Gone.”

Modest Mouse

Modest Mouse 

10:30 p.m.

Like this year’s other headliners, Modest Mouse is a band that needs no introduction. Formed in 1992, Modest Mouse continually reshapes rock music while simultaneously influencing wave after wave of indie bands. From well-known tracks like “Float On” to deep cuts from their earlier releases, point to any Modest Mouse album, and a devoted fan will give you something to appreciate. Study up, and be there when they take the stage.

Bud Light Stage

Will Tucker

2:25 p.m.

Memphian Will Tucker has been performing on Beale Street since he was 14 years old. He’s shared the stage with the likes of the Beach Boys and Charlie Musselwhite, and his band opened for B.B. King five separate times. Tucker has long been considered one of the best young blues guitarists in the region. His latest album Worth the Gamble came out last year.

Jonny Lang

Jonny Lang

4 p.m.

Jonny Lang had a platinum-selling record at the age of 15, and by 17, he’d been nominated for a Grammy. Since then, he’s been packing out venues and touring with the likes of the Rolling Stones, Aerosmith, and Sting.

Lucinda Williams 

5:40 p.m.

Americana-folk artist Lucinda Williams’ set will likely be a collection of the slow-burning country grievances and blues-infused, slice-of-life songs she does so well. In 2002, TIME named her “America’s best songwriter.” Any self-respecting country fan should catch her set while the sun sets over the Mississippi River.

Yo Gotti

Los Lobos 

7:25 p.m.

Grammy Award-winners Los Lobos need little introduction, having been at it since the ’70s. Their Tex-Mex rock-and-roll has been celebrated by fans for decades, and in 2015 the band was nominated for induction into the Rock and Roll Hall of Fame.

Yo Gotti 

9:10 p.m.

The king of Memphis has been on a tear lately, releasing hit after hit of club-ready, social-media-referencing rap songs. If Yo Gotti keeps up his summer show at Mud Island, this could mean that two epic outdoor Gotti concerts are heading your way soon. Yo Gotti put the city on his back, and his love for Memphis is well-known. Don’t miss Yo Gotti, and remember, it goes down in the DM.

Jason Derulo

10:50 p.m.

Jason Derulo spent years writing songs for artists like Diddy and Lil Wayne, but he always wanted to step into the spotlight. One of the few R&B artists coming to Beale Street Music Festival, Derulo’s radio-ready pop songs sound like he took notes from Chris Brown and Sean Kingston.

Jason Derulo

Pearl River Resort

Blues Tent

Duwayne Burnside

2:15 p.m.

As one of 14 children born to R.L. Burnside, Duwayne Burnside picked up the guitar at a young age. Since then, he’s played with the North Mississippi Allstars and Junior Kimbrough, in addition to playing big-name festivals like Bonnaroo.

Charles Wilson

3:50 p.m.

Charles Wilson, better known as Uncle Charlie to his fans, was the singer of the Gap Band before going solo and racking up 11 Grammy Award nominations. Artists like India Arie and Jamie Foxx have paid tribute to Wilson, but even without the admiration from big name musicians, Wilson’s extensive catalog speaks for itself. 

Jack Semple

5:30 p.m.

Another representative of Canada (the 2016 Memphis in May tribute country), Jack Semple was the lead singer of the band the Lincolns before forming the Jack Semple Band and releasing eight albums, including two live records.

Shun Ng & Magic Dick 

7:10 p.m.

Legendary harmonica player Magic Dick recently teamed up with Shun Ng to create one of the most unique duos in recent memory. The two play stripped-down versions of blues standards as well as originals, and Shun Ng’s staggering guitar work will leave you begging for more.

Luther Dickinson 

8:55 p.m.

Luther Dickinson might be best known as the lead guitarist and vocalist in the North Mississippi Allstars, but he’s made a name for himself as a solo artist as well. Keep your fingers crossed that Dickinson brings frequent collaborator (and Music Fest performer) Mavis Staples on stage for a song or two.

Ana Popovic

10:45 p.m.

Memphis guitar slinger Ana Popovic has shared the stage with the likes of Buddy Guy and Zakk Wylde. Her latest album TRILOGY was produced by Grammy Award-winner Warren Riker.

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Music Music Features

Beale Street Music Festival 2016: Friday

FedEx Stage

Julien Baker

Julien Baker

6 p.m.

Memphis’ biggest breakout star of 2015 keeps killing it, landing a spot on Beale Street Music Fest after a solid year of touring and seeing her name in every music-media outlet that’s relevant. Her first album, Sprained Ankle, made plenty of year-end lists, but we were already onto Baker before she became a media darling. See our cover story on her from last summer for proof.

Trampled by Turtles 

7:30 p.m.

Minnesota’s Trampled by Turtles have seen their fair amount of success since forming in 2003, and the alt-country band will be setting out on a long tour with the Devil Makes Three shortly after their performance on Friday night. No stranger to festivals, the band has also played San Francisco’s Outside Lands Music and Arts Festival, Bonnaroo, Lollapalooza, Austin City Limits Music Festival, Firefly Festival, Rock the Garden, and the All Good Music Festival.

Grace Potter 

9 p.m.

Multi-instrumentalist Grace Potter has collaborated with musicians like Kenny Chesney and the Rolling Stones. No stranger to the festival circuit, Potter’s band the Nocturnals played more than 200 shows on the road as they gained traction and signed with Hollywood Records.

Neil Young & Promise of the Real

Neil Young & Promise of the Real 

10:40 p.m.

Neil Young. On the river. The first night of Beale Street Music Fest. Do we really need to tell you to be there? Do you like music? Good answer. We thought we were about to have a problem. In all seriousness, if this doesn’t get you excited, you may need to check your pulse.

Rockstar Energy Drink Stage

The Struts

The Struts

6:10 p.m.

British rock band the Struts kick things off on the Rockstar Energy Drink stage, and you can expect these glam rockers to bring the heat to Tom Lee Park.

Young the Giant

7:40 p.m.

Young the Giant sound big enough to fill an arena and structure their songs in a way that feels fitting for a club. Their electric sound pulls influence from bands like Muse, while their indie sensibilities are akin to Grouplove.

Panic! At the Disco 

9:10 p.m.

Hot on the heels of the Fall Out Boy-led, mid-2000s emo wave, Panic! At the Disco released their debut 2005 album, A Fever You Can’t Sweat Out, when the band’s members were fresh out of high school. Since then, only one of the original members — Brendon Urie — remains in the band, but he and his new bandmates are still pushing out baroque pop that sounds like it was recorded in 2005 (which isn’t necessarily a bad thing).

Weezer 

10:50 p.m. These platinum-selling pop-punkers have been at it for over 20 years, releasing hit after hit in between throwing parties on cruise ships and collaborating with current stars like Best Coast. Weezer will be on tour with Panic! At the Disco, who are also playing Friday night.

Weezer

Bud Light Stage

Coleman Hell

6:10 p.m.

Coleman Hell wins the “coolest-named hometown” award this year, as he hails from a place called Thunder Bay, Ontario. Keeping with the Canadian theme of this year’s Memphis in May, Coleman Hell is sure to bring the thunder when he plays his brand of indie pop/EDM on Friday night.

Gin Blossoms

7:35 p.m.

If the 1990s had a soundtrack, it’d be filled with Gin Blossoms songs — “Hey Jealousy,” “Found out About You,” “Follow You Down,” “Til I Hear It From You” … the list could go on. Fun fact: Although the alt-rock band is from Tempe, Arizona, all of the above hit songs were recorded at Ardent Studios in Memphis.

Mavis Staples

9:15 p.m.

Memphian Mavis Staples will surely take the Bud Light stage by storm when she performs on Friday night. Staples was a late addition to the Beale Street Music Fest lineup, and she adds to an already stacked opening night lineup.

Train

Train 

10:55 p.m.

Roots-rock icons Train need little introduction since crafting the mega hits “Meet Virginia” and “Drops of Jupiter.” There’s a reason these San Francisco boys are headlining the Bud Light Stage on Friday night. Expect a moving performance from these platinum-selling artists.

Pearl River Resort Blues Tent

Ghost Town Blues Band

6:15 p.m.

Ghost Town Blues Band once again perform at Beale Street Music Fest, and their latest album, Hard Road to Hoe, is still a local favorite.

Larry McCray

7:45 p.m.

Blues guitarst Larry McCray has been cranking out albums since 1990 and now releases his music through his own record label, Magnolia Records.

Doyle Bramhall II

9:25 p.m.

Doyle Bramhall II has played with Eric Clapton, Roger Daltrey, and JJ Cale (among others), and his skillful guitar work is not to be missed.

Walter Trout 

11:05 p.m. Closing out night one at the Blues tent is guitarist Walter Trout, who joined the band Canned Heat in 1981. Since then, Trout has cranked out tons of albums under his own name and as Walter Trout and the Radicals.