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Tony Holiday Debuts Motel Mississippi

Tony Holiday didn’t gather a bunch of blues artists to perform on his upcoming album, Motel Mississippi, like he did on his 2019 Porch Sessions album.

“It’s not the porch concept,” says the blues harpist/singer. “It’s just me. It’s just my record. But it was written by A.J. Fullerton. There are a couple of covers.”

And Holiday co-wrote a song with Victor Wainwright. “But I really chalk it up to A.J. Fullerton, a really cool artist out of Colorado. He moved to Memphis about a year ago.”

Holiday wasn’t looking for songs when he contacted Fullerton. “I called A.J. one day ’cause he’s a great hill country guitar player. I was going to make a new record and wanted to do more of a hill country thing. I called him and asked if he’d play guitar on the record. He said he would love to.”

Holiday says that Fullerton also said, “But I have these tunes.”

Fullerton thought they would be “a good fit” for him, Holiday recalls. “That’s when he moved to Memphis and we sat down with the material for about a week.”

The songs matched Holiday’s concept, Fullerton says: “He wanted to still have that Memphis feel, but he wanted it to be a lot more rural, south of the Mississippi border kind of thing.”

“A.J. is a killer songwriter,” Holiday says. “It’s impossible not to like A.J.’s songs. They’re very catchy.

“I don’t know what it is about the songs he writes. It’s just if I knew what it was, then I would write the damn things myself.

“I can’t say if he’s a wild man or not, but he writes the songs from the perspective that is my wild life. And I was taken by that.”

He told Fullerton, “You wrote my life.”

Like Fullerton’s “Get By.” “Everybody just needs a little bit to get by. Whatever that is. Little bit of money, little bit of love, little bit of pain to get by.”

Describing what compels him to write, Fullerton says, “It’s about day-to-day things. It’s about life. It’s about love. It’s about losing people. For me, writing is just as natural as breathing. That’s why it’s so cool when somebody like Tony connects with my material.”

Holiday and Wainwright wrote “No Trouble.” “It’s like, ‘Don’t call me on the phone. Don’t come around my home,’” Holiday says. “It’s basically telling trouble, ‘Don’t come around.’”

Wainwright is “the Grammy-nominated piano player that ruled Beale Street for a few years back in the day. Victor Wainwright and the Train.”

“No Trouble” was conceived when Wainwright was “playing a little groove on the piano” at Holiday’s house. “We just came up with it sitting around the house being lazy.”

Mississippi Motel was engineered by Kevin Houston at Zebra Ranch in Coldwater, Mississippi. In addition to Fullerton on guitar, Lee Williams Jr. plays drums, and Terrence Grayson plays bass.

Dave Gross co-produced the album with Fullerton and mixed and mastered it at his Fat Rabbit Studios in Montclair, New Jersey.

“We signed with Forty Below Records out of Los Angeles. They have the release date at April 14th.”

Born in South Jordan, Utah, Holiday, who moved to Memphis three years ago, says, “Still happy in Memphis. I’m just a student here in Memphis. I just came here to listen and learn.”

He likes to spend as much time as he can with his family, but he’s got “cool projects coming up.”

Holiday already recorded 70 percent of a “Tony Holiday and friends record. I have eight to 10 really special guests on it.”

He adds, “I do have another record in the bank, as they say. That record is essentially a soul record, soul R&B.”

Holiday, who has three daughters, has a new daughter on the way. “I’ve got six sisters. I’m the only boy.”

The new baby’s name will be Barbara Mae Holiday.

“The release date for the baby is May 22nd,” he says.

To hear the single, “Rob and Steal,” from the new album Motel Mississippi, visit fortybelow.ffm.to/rob-steal.

A. J. Fullerton and Tony Holiday (Credit: Michael Donahue)
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Music Music Blog

Tony Holiday Releases “The Hustle” Music Video

Jamie Harmon

Tony Holiday



Memphis bluesman Tony Holiday will release the video to his single, “The Hustle,”  on December 4th — the same day he will celebrate his 35th birthday.

The song, which is from his Soul Service album, is “about getting off tour, coming home,” Holiday says. “A guy who gets off the road and he notices all the things in his house that were broken are now fixed when he got home. He’s noticing changes around the home and his relationship. And all that needs to be fixed.”

Jamie Harmon shot the video, which begins with footage of Holiday’s Stacy Adams two-tone shoes tapping to the beat, and then blends into Holiday sitting in the bed of Harmon’s red 1971 Volkswagen crew cab truck. “He drove the truck. The bed on the truck is wide open. I’m not one for rollercoasters or anything like that. We’re logging 45 miles an hour sometimes going around the corner and I’m trying to stay relaxed. He mounted a camera in the bed of his truck and hit record and he said, ‘Well, I hope it works.’ He drove around Memphis and that was it. A one-take shot.

Jamie Harmon

Tony Holiday from ‘The Hustle’

“I was able to sing a few times through. It was a 45 minute drive.”

While this was his first video, it won’t be his last, Holiday says. “I find something that works and I really dive in deep. And that’s why I can’t stop playing banjos and harmonicas and everything else. Now that I’ve learned from this video, I’m definitely going to put out some more.”

Holiday’s second video, which was shot in Clarksdale, Mississippi, is for his single, “Good Advice.” The song, also from his Soul Service album, is “about all the great things your grandma told you. All the sayings.”

Like his first video, Holiday will keep “things simple” on “Good Advice.” “I’m not an actor or anything like that. I’m sitting on a porch in Clarksdale. There’s a few more angles, a few more cameras. It’s a little bit more complex than the last one.”

Holiday is currently working on his Porch Sessions Vol. 2 album, which he plans to release next year. The album includes Willie Buck, Bobby Rush, John Nemeth, Watermelon Slim, and “lots more,” he says.

Jamie Harmon

Tony Holiday

During the pandemic, Holiday has been “pretty much bunkered” at home. “I went out and did the video. I sneaked over to Nashville to this recording studio, Wild Feather Recording, and spent time doing two-day writing sessions. I was invited by these people to come down and share my ideas. And it’s cool because I’ll just get an idea and they’ll get on the phone and call in session musicians or another musician, and all of a sudden you have this song that comes to life.”

He also got heavily into the banjo. “I was looking for one and Kit Anderson  — he’s a famed blues guitar player  — said, ‘Man, I’ve got one laying around. I’ll just send it to you.’

“I’m just kind of getting back to my country roots. And that involves hill country. I’m transposing these hill country guitar lines over to the banjo.”

Holiday pretty much has his daily routine down. “I play guitar and harmonica every day. I get up early before my baby wakes up and I get that time in. I go to the park with her. I walk the Mississippi River a lot with her. And I spend time with my wife. I do the whole family thing. My days are just spent writing music and spending time with the family.”

He and his wife, Camille, are expecting another baby around June. Holiday already has two daughters: 18-year-old Elizabeth Rose and four-year-old Bonnie Rae.

“This year has had a chemistry that’s like no other. And it’s been a self-reflecting year. A lot of creativity came with this year. I just started playing a lot more of my stuff that I used to play. I think a lot of people have had to look at themselves this year. At least people in my circles. It’s been an opportunity, if you’re willing to take it, to look at yourself.

“I think people want to feel good now. It was hard to have the joys you were used to. People had to find it within themselves to feel good again.”

Watch “The Hustle” here

Jamie Harmon

Tony Holiday

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Music Music Blog

Listen Up: The Harbert House Band

Shelby Kennedy

The Harbert House Band: Max Kaplan, Jad Tariq, Andrew McNeill, and Danny Banks.

The Harbert House Band is a band of the times.

Max Kaplan, 22, recently put the group together because of the COVID-19 outbreak. The band, which includes his roommates, is based at their home on Harbert, where all except one of the musicians are quarantined.

Most of them play in other bands. “All our gigs have been cancelled,” Kaplan says. “In an effort to generate some income we devised a plan to record a small EP and put it out on Bandcamp and make as much money as we can for it.”

The Harbert House Band, which includes Kaplan on guitar and vocals, Danny Banks, 27, on bass, Andrew McNeill, 24, on drums, and their friend Jad Tariq, 23, on lead guitar, basically is the lineup of the Max Kaplan Band. McNeill also is in Ghost Town Blues Band and Banks plays drums in the Nicole Atkins Band.

“The Harbert House Band” is “an all-encompassing name to give credit to everybody and split the money,” says Kaplan, who wrote and sang all the songs on the EP, Eponymous: The Harbert House Band.

The Harbert House Band will perform its second live stream show from 6 to 7:30 p.m. April 4th on the Ruthie’s BBQ & Pizza Facebook page. That’s his dad and stepmom’s restaurant in Montclair, New Jersey.

The Harbert House Band live streaming March 28th.

As for the music, Kaplan says, “What we’re trying to do is take that old soul music that’s been coming out of Memphis for decades and put a little pop sensibility to it.”

They want to adapt it “for the modern listener. We want to touch on things that matter to us. The feelings everybody feels, like loneliness, sorrow, joy, fun.”

“Read Your Letter,” one of the songs on the EP, is about a man who gets a letter in the mail addressed to his loved one, but it’s not from anyone he knows. “He reads his partner’s secret letter. And it’s all the pain that comes from an experience like that.”

Kaplan’s “feel good song” is “Hey Baby Look,” which he describes as a “party blues song meant for having a good time. A quicker, shuffle beat.”

“Lonely Boy,” which will be featured on Kaplan’s upcoming Max Kaplan Band album, is “about being far from your original home, New York City, where your parents live. It’s about living away from the people that love you the most.”

Kaplan, who was born in New York City, grew up sitting in with blues bands at Ruthie’s BBQ & Pizza.

Max Kaplan selfie

Max Kaplan relaxes with a cup of coffee on Harbert House porch.

He stood out on stage. “I was always an eclectic kid when I was young. I had a big red ‘Jewfro.’ We’re Jewish. I’d always wear colorful clothes back then. I’ve tamed down some. I had these high top purple Converse.”

His dad, a chef as well as a guitar player, wanted Kaplan to learn to play the guitar, but Kaplan was more interested in “socializing, playing outside with other kids.”


Kaplan gave in when he was 10 years old. “He bought me a Stratocaster for my 10th birthday and the rest is history.”

Recounting his music influences, Kaplan says, “It started with Hendrix. After Hendrix, the Beatles. And from the Beatles I found the Rolling Stones. And from there I found the blues.”

He discovered the blues while listening to records in his dad’s vinyl collection. “I came across a song, ‘Have You Ever Loved a Woman’ by Freddie King. I was sitting in the living room. I heard that song and I said, ‘This is it. This is what I want to do.’ It wasn’t only do blues, but do rock at that point. ‘I have to be a musician.’”

When he was 17, Kaplan moved to Memphis to major in music at Rhodes College.

“When I got here, it was a huge culture shock. People don’t talk or move the same as they do in the North, for sure. I think what originally enticed me when I got here was the expansive music scene. I think when I got here I expected to see a lot of soul. I expected to see a lot of Stax and American Studio style soul music. And what I got was a lot of different things: rock, punk, rap, indie rock stuff, jazz. I think I was surprised about how deep and well-done each genre of music is in this town.

“After I graduated and started playing professionally, what surprised me the most was how welcoming this town is to professional musicians. How well they treat them.”

Originally, Kaplan was going to move back to New York City after he graduated to take a job as a booking agent. He then was offered a job in blues player Tony Holiday’s band in Memphis.

Kaplan recorded bass and background vocals and he co-wrote songs on Holiday’s Soul Service album, which was produced by Ori Naftaly, who Kaplan describes as “an incredible producer, songwriter.”

Now that Kaplan is in quarantine, the emphasis definitely is on music at Harbert House. “It definitely helps for all of us to be musicians. We’re all professionals.

Max Kaplan

Jad Tariq plays guitar in Kaplan’s bedroom at Harbert House.

“Really, what it all boils down to is we’re getting all this free time and we’ve been using it to make the best possible recorded music we can from our house. I’ve been setting up these sessions in my living room and running them through Innerface into my laptop. I’ve been recording everything myself.”


So, what will happen to The Harbert House Band after the quarantine? “I don’t think it will necessarily be a thing of the past, but it is our quarantine project right now. I think I could definitely see us getting together and deciding to create another project ‘cause we do love each other very much.”

And, he says, “I see us recording Harbert House Band again under lighter circumstances.”

Kaplan and the other musicians don’t constantly play music at Harbert House though. “We’ve been watching Harry Potter. I’ve never seen it before.”

To stream the EP click here: harberthouseband.bandcamp.com

Max Kaplan

Harbert House living room studio, where the EP was recorded.