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Music Video Monday: Top Ten Music Videos of 2019

Music Video Monday is counting down the hits!

The Memphis Flyer is proud to feature music videos from Memphis artists on Music Video Monday. Judging from the mind-bending difficulty of putting together this top ten list, 2019 was a good year. I scored the year’s videos on concept, song, look, and performance. Then, I shook my head at all the ties and did it all over again. It was so close, it was an honor just to be in the top ten, and I had to include three honorable mentions. Congratulations to all our winners!

HONORABLE MENTIONS:

A. Frog Squad’s live space jazz epic “Solar System in Peabody”, directed by Brett Hanover, earns an honorable mention as one of the most incredible pieces of music that came across our threshold this year.

B. Stephen Chopek’s cover of the Pogues “Yeah Yeah Yeah Yeah Yeah” came with one of the DIY video auteur’s cleverest videos yet.

C. Louise Page’s “Future Runaway Bride,” directed by Joshua Cannon and Barrett Kutas, will get you to the church on time, but what happens then is on you.

TOP TEN:

10. PreauXX – “Steak and Shake ft. AWFM”

The Unapologetic crew gets behind the counter of a sandwich joint in this video from director 35 Miles. This is one of those videos where you can just tell that everybody had a great time making it, and the fun is infectious. 

Music Video Monday: Top Ten Music Videos of 2019

9. Uriah Mitchell – “Might Be”

Everything is wound up tight in Waheed AlQawasami’s video of a surreal night at the club with Uriah and his friends.

Music Video Monday: Top Ten Music Videos of 2019 (2)

8. Heels – “King Drunk”

Director Nathan Parten transforms Midtown into a D&D fantasia in this incredible animated video for Memphis’ hardest rocking duo.

Music Video Monday: Top Ten Music Videos of 2019 (3)

7. Talibah Safiya – “Healing Creek”

Director Kevin Brooks brought out Talibah Safiya’s beauty and charisma in this spiritual video, which won the Hometowner Music Video award at Indie Memphis 2019.

Music Video Monday: Top Ten Music Videos of 2019 (4)

6. Sweet Knives – “I Don’t Wanna Die”

Shannon Walton is outstanding as a stranded aviator in this video by director Laura Jean Hocking for the reunited veterans of the Lost Sounds, led by Alijca Trout.

Music Video Monday: Top Ten Music Videos of 2019 (5)

5. The Poet Havi – “Shea Butter (Heart of Darkness)”

Director Joshua Cannon and cinematographer Nate Packard took inspiration from Raging Bull for this banger from The Poet Havi, who clearly has more and better dancers than Martin Scorsese ever did.

Music Video Monday: Top Ten Music Videos of 2019 (6)

4. Impala – “Double Indemnity”

Director Edward Valibus and actress Rosalyn Ross created a heist movie in miniature for the kings of Memphis surf’s comeback record.

Music Video Monday: Top Ten Music Videos of 2019 (7)

3. John Kilzer – Hello Heart

Memphis lost an elder statesman of music this year when John Kilzer tragically passed away in January. Director Laura Jean Hocking created this tone poem in blue for his final single.

Music Video Monday: Top Ten Music Videos of 2019 (8)

2. Al Kapone – “Al Kapeezy Oh Boy”

Director Sean Winfrey knows how large Al Kapone looms in Memphis music, and he finally blew the rapper up to Godzilla size in this video for one of Kapone’s best jams since “Whoop That Trick”.

Music Video Monday: Top Ten Music Videos of 2019 (9)

1. Louise Page – “Harpy”

When this one dropped in October, MVM called it “an instant classic.” Animator Nathan Parten transformed Louise Page into a mythological monster and sending her off to wreak havoc on Greek heroes. Don’t feel sorry for Odysseus. He got what he deserved. Memphis, look upon your best music video of 2019: 

Music Video Monday: Top Ten Music Videos of 2019 (10)

If you would like to see you music video on Music Video Monday, and maybe in the top ten of 2020, email cmccoy@memphisflyer.com. Happy New Year! 

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Film/TV Film/TV/Etc. Blog

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway

Shannon Walton in Sweet Knives video for ‘I Don’t Wanna Die’

You’re going to be hard pressed to see everything great on Indie Memphis Sunday, so some triage is in order. We’re here to help.

First thing in the morning is the Hometowner Rising Filmmaker Shorts bloc (11:00 a.m., Ballet Memphis), where you can see the latest in new Memphis talent, including “Ritual” by Juliet Mace and Maddie Dean, which features perhaps the most brutal audition process ever.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway

The retrospective of producer/director Sara Driver’s work continues with her new documentary Boom For Real: The Late Teenage Years of Jean-Micheal Basquiat (1:30 p.m., Studio on the Square). Driver was there in the early 80s when Basquiat was a rising star in the New York art scene, and she’s produced this look at the kid on his way to becoming a legend.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (2)

The companion piece to Driver’s latest is Downtown 81 (4:00 p.m., Hattiloo Theatre). Edo Bertoglio’s documentary gives a real-time look at the art and music scene built from the ashes of 70s New York that would go on to conquer the world. Look for a cameo from Memphis punk legend Tav Falco.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (4)

You can see another Memphis legend in action in William Friedkin’s 1994 Blue Chips (4:00 p.m., Studio on the Square). Penny Hardaway, then a star recruit for the Memphis Tigers, appears as a star recruit for volatile college basketball coach Pete Bell, played by Nick Nolte. It’s the current University of Memphis Tigers basketball coach’s only big screen appearance to date, until someone makes a documentary about this hometown hero’s eventful life.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (5)

The Ballet Memphis venue hosts two selections of Memphis filmmakers screening out of the competition at 1:50 and 7:00 p.m., continuing the unprecedentedly awesome run of Hometowner shorts this year. There are a lot of gems to be found here, such as Clint Till’s nursing home comedy “Hangry” and Garrett Atkinson and Dalton Sides’ “Interview With A Dead Man.” To give you a taste of the good stuff, here’s Munirah Safiyah Jones’ instant classic viral hit “Fuckboy Defense 101.”

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (3)

At 9:00 p.m., the festivities move over to Black Lodge in Crosstown for the Music Video Party. 44 music videos from all over the world will be featured on the Lodge’s three screens, including works by Memphis groups KadyRoxz, A Weirdo From Memphis, Al Kapone, Nick Black, Uriah Mitchell, Louise Page, Joe Restivo, Jana Jana, Javi, NOTS, Mark Edgar Stuart, Jeff Hulett, Stephen Chopek, and Impala. Director and editor Laura Jean Hocking has the most videos in the festival this year, with works for John Kilzer, Bruce Newman, and this one for Sweet Knives.

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (6)

If experimental horror and sci fi is more your speed, check out the Hometowner After Dark Shorts (9:30 p.m., Playhouse on the Square), which features Isaac M. Erickson’s paranoid thriller “Home Video 1997.”

Indie Memphis Day 5: High Art, Music Videos, and Penny Hardaway (7)

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Uriah Mitchell

This Music Video Monday might be for you.

Uriah Mitchell‘s got music in his blood. As the son of Lawrence “Boo” Mitchell and great-grandson of Willie Mitchell, he’s the fourth generation to make music at Royal Studios.

He’s got a new album, No More Lullabies, which he wrote, produced, engineered, and performed. The first song, “Might Be”, spikes a jilted lover’s brush-off with anime references and dope beats. The video was directed by Waheed AlQawasmi, and kicks off with some eye-popping visual effects. Check it out:

Music Video Monday: Uriah Mitchell

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.