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Music Music Blog

A new live release from Valerie June

Though Valerie June has moved on from Memphis, the city was and will always be the place where she cut her teeth as a performer. And her fans here are legion, often left wondering when her next ‘hometown’ show will be. While June is in the area, playing St. Louis tomorrow night and Nashville on September 12th for Americana Fest, she won’t be stopping in the Bluff City. The good news is that fans can enjoy a live performance anyway, released today via Spotify, Apple Music, and GooglePlay.

Most Los Angelenos have a soft spot in their hearts for the KCRW program, “Morning Becomes Eclectic.” Living up to its name, it’s full of musical surprises. This past June, appropriately enough, the program hosted Memphis’ own June as she ran through eight songs from her latest album, The Order of Time. Her appearance was recorded beautifully by KCRW, and as of today anyone can hear her crack band lay down choice selections from the album with fresh energy.

“To me it’s kinda similar to a trance, a meditation of sorts,” June drawls to introduce the song “If And.” And it’s in her drawl that so much of the charm lies. Somehow evoking a cross between a New Age Jessie Mae Hemphill and a long gone mountain woman from Appalachia, June’s singing is perfectly suited to the simple drones of her compositions. Her voice wouldn’t sound out of place on the classic Anthology of American Folk Music. (Perhaps that’s why Bob Dylan name checked her as one of his favorite recent artists in an interview this year).

Her singing makes ventures out of the folk genre especially unique, such as the swaying soul of “Slip Slide on By”. Once you’re in June’s world of countrified caterwauling, the precision of the pitch is irrelevant. The heartfelt delivery carries it, and it’s a welcome contrast to the acrobatic melisma that plagues so much contemporary soul.

Midway through the set, there’s an interview with June that offers a glimpse into what makes her tick. All in all, it’s a charming gift to the fans out there who may not see as much of her as they’d like. Here’s a sample of it on YouTube:

A new live release from Valerie June

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Valerie June

Good morning from Music Video Monday.

Here’s something to get your week started off right. It’s a brand new video from Valerie June. “Got Soul” is the ecstatic closer to her album The Order of Time, and the songstress has never looked or sounded so good. Val’s on the road for the rest of the year, playing tonight in Zurich, Switzerland before returning to the states for a Los Angeles show next week. If you missed her Hi Tone show earlier in the year, the closest she’ll be to Memphis is Franklin on Sept. 24 and the Austin City Limits festival in early October. As for the video, all we can say is yasss!

Music Video Monday: Valerie June

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

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Music Music Features

Memphis Magic at SXSW

Rolling into Austin last week for South By Southwest (SXSW) was both exotic and familiar to me. Having first played there in 1990, this year offered more than five times as many bands, with more tech-oriented attendees (due to the growth of the non-musical conference) and a more pronounced Memphis presence than ever.

Right out of the starting gate, Austin saw a full slate of local favorites at The Memphis Picnic. Sponsored by the nonprofit Music Export Memphis, it featured catering by the new Austin branch of Gus’s World Famous Fried Chicken, as well as the new Austin branch of the Amurica photo booth and “a line around the block before we opened,” according to organizer Elizabeth Cawein.

The crowd flooded in to see opener Emi Secrest, a onetime Memphian now living in Los Angeles, who featured much-admired Memphis drummer Stanley Randolph, now playing for Stevie Wonder. One musician waxed enthusiastic about Randoph’s playing with Secrest, noting that their set pulled in the audience and “set a tone of ‘oh shit, this is good!’ for the day.” The show also featured Chris Milam, Marcella and Her Lovers, Dead Soldiers, and a fervent, soulful closing set by Southern Avenue. “It felt like being home,” said Marcella Simien. “Every guest felt that energy, and that’s why people stuck around all day. It was magical.”

Dead Soldiers, who release a new album on March 31st, reprised their set the next afternoon with wild abandon, in songs ranging from anthemic rock to klezmer-like frenzy. Show-closer “Sixteen Tons” culminated in soaring group harmonies and drummer Paul Gilliam leaping over his kit: One could only feel for the band that had to follow them.

Amid all this talent, foremost in my mind was Cory Branan and the Low Standards, for whom (full disclosure) I was playing bass. A North Mississippi/Memphis native who has recently returned to Bluff City life, with a new album coming in April, Branan led me and drummer Shawn Zorn through one full band show per day, along with many solo sets. The highlight of the latter was his appearance at the Moody Theater (home of Austin City Limits) for the Country Music Awards’ Songwriter Series, where his pithy lyrics and fiery picking brought the crowd to a standing ovation.

Scores of Memphians filtered into Austin as the week wore on, from new arrivals China Gate to the pedigreed Tommy Stinson-led Bash & Pop, featuring hometown guitarist extraordinaire Steve Selvidge, wrapping up their West Coast tour at Austin’s Hotel Vegas on Wednesday. The next night was capped off by rock-and-roll lifers Joecephus and the George Jonestown Massacre. And Saturday featured an unofficial celebration of bands on the Goner label, including Memphis’ own Aquarian Blood.

Bands rushed from one show to another, working themselves and crowds into a sweaty furor. Truckloads of tacos and coffee and alcohol were consumed, hearts and ears and minds caught in the sonic energy. Yet amid the clamor, more delicate moments also thrived. Mystic groove goddess Valerie June, now based in New York, was seemingly the toast of the town, with massive buzz and press coverage celebrating her new release. Coco Hames, newcomer to Memphis via Nashville, spun her classic pop songs with an assist from fellow Memphis transplant Mario Monterosso at the Merge Records Day Party, and again in a midnight show the following night. Meanwhile, Milam enlisted cellist Elen Wroten to add unique textures to his band. Both Hames and Milam have new albums arriving soon, as does Shannon McNally, another local favorite based in Oxford, Mississippi.

For her appearances at SXSW, McNally assembled a dream band featuring Memphian Stephen Chopek and the remarkable Charlie Sexton, best known for his guitar work with Bob Dylan. (Full disclosure #2: I joined them on keyboards at her Auditorium Shores show). Her liveliest show was at Lucy’s Fried Chicken, where her eclectic energy brought cheers from a packed house. “Who else can go from Stevie Wonder to JJ Cale at the drop of a hat?” Sexton asked the crowd, to which McNally replied, “Same station, baby! Same station.”

The most commercially promising acts at SXSW were arguably Memphis’ hip-hop artists. The genre is more fully embraced at SXSW than in the early days, and rappers Blac Youngsta, Javar Rockamore, and Don Trip all represented the Bluff City well. The king had to be Yo Gotti, whose Thursday show had crowds crushing the edge of the stage, as he pounded out his direct-message-themed hit, “Down in the DM,” as well as jams from his recent White Friday (CM9) album.

Finally, what could better evoke Memphis than the unique collaboration known as Big Star Third? Centered on original Big Star drummer Jody Stephens, with indie-rock luminaries such as Mitch Easter, Chris Stamey, Mike Mills, and others trading off vocals and instruments, supplemented with a string ensemble, the group recreates the lush and inventive sounds of the once-obscure band’s Third/Sister Lovers LP, as well as selections from earlier Big Star and Chris Bell records. Their SXSW show, in Austin’s Central Presbyterian Church, was reverent and tragic, occurring as it did on the seventh anniversary of Alex Chilton’s death. There was something magical in hearing Stephens’ powerful drumming echo from the church’s arched chancel. His singing captured the vulnerability of friendships formed in his teens; and Stamey and Mills captured the wry, blunt delivery of the band’s chief composer well. Yet one could almost sense Chilton himself, slouching in the back pew, making wisecracks about the gigantic crucifix hanging over their heads, wishing he could have a smoke.

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Music Music Features

Valerie June Comes Home

Valerie June announced her return with “Shakedown,” a hill-country drone textured with keys and handclaps over a minimal, driving beat. The song stays coiled like a spring until the bridge, where the band cuts loose for a few wailing bars before settling back into the swing.

The Valerie June who is sporting glamorous polka dot slacks and a gold, low-slung electric guitar is very different from the woman who, only a few short years ago, was strumming an acoustic and singing her tunes in Midtown’s Java Cabana. But she says the songs she sings on her new album, The Order of Time, have their roots in the Bluff City. “I wrote the songs over the course of 10 or 12 years. Some when I was living in Memphis, some when I was on the road, some when I was in Brooklyn, and some when I was off in different places. That was about a decade of my life. It all takes time.”

Valerie June

Her songs emerge intuitively, bubbling up from her subconscious. “Normally, I just write by hanging out and being around. As I’m living my life, I hear voices. The voices come and they sing me the songs, and I sing you the songs. I sing what I hear.”

“Astral Plane” highlights a new confidence in her voice, which ranges from thin and ethereal to a soaring mezzo-soprano. She says during the six-month recording process for The Order of Time, which ranged from Vermont to Brooklyn to her parents’ living room in Humboldt, Tennessee, she found her footing as a bandleader.

“I had a lot more confidence in the studio than I did with Pushing Against a Stone. That was my first record, so I was still in a place of learning what being in the studio was really supposed to be like. I learned from some pros. So by the time I hit the studio this time, I was like ‘Yeah! I’m ready! Let’s go! I’m going to express myself, say what’s on my mind, dance, and have fun.’ Before I was more quiet and reserved. So it’s two very different approaches.
“On this record, you hear the musicians learning how I speak. I don’t read or write music, so I just have to tell them in colors and feelings and ideas, kind of getting them in the places where they can really absorb the songs. When I get the songs, I go to places. They take me places. I wrote my favorite songs in Memphis, and some of them are on this record. Some of them were in dream states, some were in waking states. These are beautiful places where the songs take me, and I have to take the musicians there with me in order to be able to get them to feel it so much that they can work with me.”

Valerie June recently kicked off a year on the road with sold-out shows in London and Paris, but the excitement of the new record is tempered with loss. On the same day, she lost both her father, music promoter Emerson Hockett (“He was amazing. He was so good, and he encouraged me all the time. He would run down to Memphis just to be with me.”) and one of her musical mentors, soul legend Sharon Jones. “It’s been a lot of loss in the last couple of months.”

On Friday, Feb. 17th, Valerie June will return to Memphis with a show at the Hi-Tone. “Please just tell Memphis that I love them. I love them very much, and I wouldn’t be who I am and where I am today without Memphis.”

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Valerie June

Happy Martin Luther King, Jr. Day from Music Video Monday!

Singer/songwriter Valerie June developed her chops in the coffee shops of Midtown before moving to New York and finding international success with her album Pushing Against A Stone. Now the songstress is getting prepped for the release of her new album The Order Of Time with sold-out shows in London and Paris, and a new music video. Steve “Flip” Lipman directed this aces studio performance video for Valerie’s hill country stomper “Shakedown”. It’s sure to get your juices flowing as you march towards freedom.

Music Video Monday: Valerie June

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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Music Music Features

New Memphis Music

Brandon Taylor — Radio Ghost (Madjack Records)

Release Date: Available Now

Mississippi transplant Brandon Taylor camped out at Jack Oblivian’s place while recording the album Radio Ghost, but don’t expect to hear any garage-rock guitar licks on Taylor’s folky debut. Radio Ghost was released last December, a truly dismal month to release new music, so we’re going to pretend that Radio Ghost is a 2017 release for Taylor’s sake. Recorded at Royal Studios, Taylor has an A-list of guest appearances, including Luther and Cody Dickinson, Shannon McNally, and Boo Mitchell in the producer’s chair. The album is available at all local record stores.

Terry Prince and the Principles — You Are Here (self-released)

Release Date: Available Now

Terry Prince and the Principles dropped this four-song EP on the second-to-last day of 2016, and the songs on You Are Here are just as indebted to later-era Lou Reed as they are to “Blue Album”era Weezer, especially the song “Time Warp at the Drive-in, Part II.” The other three songs on You Are Here are just as likely to get stuck in your head. Fun fact: Flyer copy editor Jesse Davis plays guitar and sings in this band.

Valerie June — The Order of Time (Concord Music Group)

Release Date: January 27th, 2017

The first new album from Valerie June in three years drops at the end of this month. After debuting the song “Astral Plane,” NPR ran a lengthy interview with June in which she revealed that she originally wrote the song for Massive Attack, and Ann Powers compared June’s writing to Alice Walker or Bell Hooks. June will be on tour with Sturgill Simpson and Norah Jones to kick off the year, but hopefully a Memphis date is in the works.

Aquarian Blood — Last Nite in Paradise (Goner Records)

Release Date: February 10th, 2017

The Midtown family-freak band, Aquarian Blood, will release their debut album on Goner Records next month, and if you enjoyed either tape the band has released, or their singles on Goner and Pelican Pow Wow (New Orleans), then this LP is probably already on your radar. If you’ve missed the band’s live show but you’re a fan of JB Horrell’s previous offerings (Noise Choir, Moving Finger, Reginald), “weird punk” earth-shattering guitar riffs, or megaphones, this is the group for you. The perfect band for inducing an acid flashback. Look for a track premiere via Noisey sometime this week.

Southern Avenue — Southern Avenue (Stax Records, Concord Music Group)

Release Date: February 24th, 2017

Named after the city street that runs from the easternmost city limits all the way to Soulsville, Southern Avenue have been making waves since their formation, and singer Tierinii Jackson graced the cover of our Summer Music Issue last July. Since then, the band landed a deal with Stax, did some extensive touring, and somehow found time to record their debut album. Produced by Kevin Houston (North Mississippi Allstars, Lucero), the 10-track debut from Southern Avenue features guest appearances by Luther Dickinson (do we see a trend developing here?) and Marc Franklin of the Bo-Keys, among others.

Southern Avenue is a band that needs little introduction at this point, but you can expect this album to show Stax fans far and wide that Memphis soul is still very much intact. While the band will do some pretty extensive touring following the release of their new album, they do have two dates at Lafayette’s Music Room and the Rum Boogie Café booked early in the year.

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Cover Feature News

Memphis 2017: The Year to Come

Business and Development …

Memphis ought to be used to crazy, impossible blockbusters by now.

For example, it may be tough to remember that the Pyramid was once a dim, vacant, hopeless reminder of good times gone by instead of a game-changing outdoor retailer, hotel, restaurant, bowling alley, shooting range, and gator pit with the best view in town. Weird, right? Who saw that coming?

The coming year promises a ton of similar projects, the kind of projects that make you marvel that someone could imagine the thing in the first place — and that teams of people had the guts and determination (and money) to pull it off.

But taking something old and making it new again is just how we do. You can call it “adaptive re-use” if you want. We’re just going to call it the Memphis Way, something that sets us apart from, ahem, other cities of music.

Crosstown Concourse

This is without a doubt the blockbuster-est of 2017 blockbusters. Crosstown is a $200 million renovation project for 1.1 million square feet, about 17 football fields spread across 10 floors. The mammoth structure closed in 1993 and sat dormant, vacant, and hopeless for years, until energy formed around the project, beginning with the formation of the nonprofit Crosstown Arts in 2010. More money was raised, tenants were signed, and work crews have mobbed the place since 2014.

Crosstown will officially open on May 13th, with a day-long celebration of music, food, speeches, and all the rest. But residents of Parcels at Crosstown, the apartments inside the building, will begin moving in on January 2nd, according to Todd Richardson, project leader for the Crosstown Development project.

Crosstown Concourse

Business tenants, including Tech901, Memphis Teacher Residency, the Poplar Foundation, Pyramid Peak Foundation, and Church Health Center will start moving in next month, as well. Richardson expects all of the 31 business tenants, except Crosstown High and the American Lebanese Syrian Associated Charities (ALSAC), to be moved in by May.

“We have a healthy panic about us, in terms of shifting from construction to operations,” Richardson said. “I always say once we finish construction we’re about 50 percent done.” The other 50 percent, Richardson said, is the “magic” of Crosstown, the people, the programming, and the activity of the place.

Expect construction inside the building to last at Crosstown for a full year and a half after the celebration — on tenant projects and the high school. Construction of the new, 425-seat performing arts theater will begin next month and continue through June of 2018.

Here’s a list of all the other tenants expected to move into Crosstown: A Step Ahead Foundation; Daniel Bird, DDS; the YMCA; Christian Brothers University; City Leadership; The Curb Market; Crosstown Arts; Crosstown Back and Pain Institute; FedEx Office; French Truck Coffee; G4S; Hope Credit Union; Juice Bar; Methodist Le Bonheur Healthcare; Mama Gaia; Madison Pharmacy; nexAir; the Kitchen Next Door; So Nuts and Confections; St. Jude Children’s Research Hospital; Tanenbaum Dermatology Center; Teach for America; and Teacher Town.

Trader Joe’s

“Coming 2017” is all the Trader Joe’s website offers Memphians about its plans for a store here. However, a building permit was pulled this month for a $2.5 million renovation of the former Kroger store on Exeter in Germantown. The project has been on again and off again since officials announced the move here in 2015. So, Two-Buck-Chuck fans, keep your fingers crossed for news in 2017.

Poplar Commons

That old Sears building close to Laurelwood has been razed to make way for a new $15.5 million, 135,000 square-foot shopping center called Poplar Commons, to be anchored by Nordstrom Rack. Store officials said to expect Nordstorm Rack to be open by “fall of 2017.”
Ulta, the beauty products retailer, has also signed on as a tenant at Poplar Commons. Nordstrom officials said the center will include “national retailers, specialty retail, and several well-known restaurants.”

Wiseacre Brewing

Will they or won’t they? Wiseacre Brewing officials have until early 2017 to tell Memphis City Council members if they will convert the long-vacant Mid-South Coliseum into a brewery, tasting room, event space, and retail location.

The idea was floated to the council this summer by brewery co-founder Frank Smith. The council approved the lease terms for the Coliseum, and Memphis Mayor Jim Strickland lauded the deal.

But Wiseacre would have to bring the 104,000 square-foot building up to code. They’d also have to retrofit it for their uses. It all comes with a price tag of about $12 million, brewery officials said earlier this year.

ServiceMaster

Crews have been hard at work converting the former Peabody Place mall into a new headquarters for Memphis-based ServiceMaster, parent company of Terminix, American Home Shield, Merry Maids, and more. The company says about 1,200 employees will be moved to the new location by the end of 2017.

The transformation will bring light and life to a long-darkened corner of Peabody Place in downtown Memphis. The company, which reported $160 million in profits for 2015, received about $24 million in taxpayer-supported incentives.

South City

Demolition will begin on the Foote Homes housing complex sometime early next year, said Marcia Lewis, executive director of the Memphis Housing Authority. When it’s gone, the massive, $210-million South City project will revitalize the area, which is a stone’s throw from Beale Street and South Main.

Only 40 Foote Homes residents were still living in the complex in mid-December, Lewis said. Those residents all have housing vouchers, are looking for new housing, and will all have moved out by early 2017. Once it’s gone, there will be no more “projects” in Memphis.

Foote Homes will be replaced with an apartment complex, to be filled with tenants of mixed incomes. The apartment campus will have green space, retail, and on-site education centers. Developers and government officials hope the new apartment will spur further economic growth in the area.

Lewis said no solid timeline for construction exists, since some federal government approvals are still being sought.

Tennessee Brewery

Work continues at the former Tennessee Brewery site, and the project’s developers say the brewery — slated to become an “urban apartment home community” — will be “re-established in 2017.”

Tennessee Brewery

Construction crews have spruced up the old brewery, completed the parking garage across the street, and have raised the bones for the two other new apartment buildings that will complete the project.

The brewery building was saved from the wrecking ball in 2014, when developers bought it for $825,000. The planned mixed-use development will cost about $28 million.

Central Station

The 100-year-old train station at Main and G.E. Patterson is getting a major, $55-million makeover, and parts of that project will become visible in the new year. Construction of the new Malco movie theater on G.E. Patterson will begin in January as will the major improvements at the Memphis Farmers Market, including the construction of a more-permanent market plaza area that will front Front.

Work is in full swing on the new South Line apartment buildings on Front, which are expected to be completed in February. Design work has begun on the concourse area around Central Station, which will connect trolleys, buses, bike riders, and pedestrians with Central Station from Main Street, the South End, and Big River Crossing. Dirt should move on these projects in the next few months.

ALSAC/St. Jude Children’s Research Hospital & the Pinch District

No formal plans have been revealed for the St. Jude/ALSAC hospital campus or the long-dormant Pinch District. But one thing is clear, the plans are really big.

ALSAC/St. Jude officials say they are investing between $7 billion and $9 billion to expand the organizations’ facilities and operations. Leaders there say the newly expanded ALSAC/St. Jude will bring an annual $3.5 billion economic impact to the city.

The expansion is expected to bring about 1,000 new jobs, more beds for more patients, and officials hope to double the amount of patients in the hospital’s clinical trials.

The Pinch got $12 million in state funds this year. City leaders have promised to invest $25 million in the area with funds from the already-approved Tourist Development Zone. Again, no final plans for these infrastructure investments have been made public. City leaders wrapped up a series of public meetings on Pinch development last month.

Also Upcoming for 2017

The Hampline should break ground on a project to connect Broad and Tillman.

New plans for the skyline-changing One Beale project are expected to be revealed to city leaders.

Plans for upgrades at the Cook Convention Center should come into focus.

Work on a new luxury boutique hotel called Teller (with a rooftop bar called Errors and Omissions) on Madison should be finished.

Construction should begin on a new Hilton Garden Inn Downtown at the former Greyhound bus station site on Union.

The fully-restored Memphis Grand Carousel is expected to open at the Children’s Museum of Memphis.

The Memphis Bike Share program will launch with a networked system of 60 stations throughout Memphis — and about 600 bikes. — Toby Sells

Theater and Dance …

Prediction #1: You will see a lot more dance in 2017, even if you never go to the theater. All you have to do is go to the Overton Square area.

For years, Ballet Memphis has been hidden away on Trinity Road in Cordova where “street life” is limited to cars zipping by. “Transparency” was the word most frequently used by architect Todd Walker on a late November media tour of the construction site for Ballet Memphis’ new Midtown home on Overton Square, one of the city’s most heavily pedestrian areas. The 38,000 square-foot building will literally bring dance to the corner of Madison and Cooper.

Ballet Memphis

The Ballet’s new, glass-walled home has five studios, all linked together by a series of courtyards. It will house business offices, conference rooms, a physical therapy room, and an egg-shaped cafe. Dancers rehearsing in Studio A will be visible from the street.

There’s also limited retractable seating in Studio A, and an observation area. This brings the number of available stages in Memphis’ growing theater district to six. Eight if you include the Overton Square amphitheater and Circuit Playhouse’s cabaret space. Ballet Memphis has a long history of scheduling public rehearsals in places where they are accessible to pedestrians. This takes that idea a little further.

Prediction #2: You’ll see a lot more of everything else. Memphis’ performing arts community has been experiencing a growth spurt, and that trend promises to continue. The Hattiloo Theatre, which moved to its Overton Square facility in 2014, will complete its first expansion in 2017, creating additional rehearsal and office space. A little further to the west, Crosstown Arts will begin construction on a new, versatile 450-seat theater in the Crosstown Concourse community.

Byhalia, Mississippi, which co-premiered in Memphis last year, went on to become one of the best reviewed and most talked about new American plays of 2016. Memphis continues to cultivate its reputation as a fertile environment for new work with Playhouse on the Square’s January 6th world premiere of Other People’s Happiness, a family drama by Adam Seidel. Haint, a spooky rural noir by Memphis playwright Justin Asher gets its second production at Germantown Community Theatre starting January 27th.

Although she will continue to direct, Memphis’ Irene Crist will retire from the stage in June, following her performance in David Lindsay-Abaire’s comedy, Ripcord. — Chris Davis

Politics …

The year 2017 will be an off year as far as elections go, and the politics that really counts may happen in our state capital. The venerable (if indelicate) political adage that “money talks and bullshit walks” may come in for an overhaul in Nashville in 2017. The second term in that expression may, in fact, be on as firm a footing as the first.

For the second year in a row, the State Funding Board in Nashville is projecting a sizable budget windfall — stemming from an increase of almost $900 million in revenue growth for 2017-18. And for the second year in a row, the forecast of extra money is actually complicating, rather than facilitating, some overdue state projects — the most vulnerable of these being overdue infrastructure work on increasingly inadequate and dilapidated state roadways. 

Governor Bill Haslam, who, with state transportation director John Schroer, went on a fruitless statewide tour in 2015 trying to drum up support for a state gasoline-tax increase, is almost certain to raise the idea of upping the gas tax when the General Assembly reconvenes in January. 

But the projected revenue windfall may actually undercut his hopes. Not only does all the windfall talk create a difficult atmosphere to talk about new taxes. There are also indications that the governor’s Republican party-mates in the GOP legislative super-majority see the dawning surplus as an excuse to dream up new tax cuts and eliminate existing ones — a double whammy that would sop up such financial gain as actually materializes.  

Democratic legislators (five in the 33-member state Senate and 25 in the 99-strong state House of Representatives) are too few in number to do much about the matter, and even some members of the Republican majority are troubled. State Representative Ron Lollar (R-Bartlett) touched on the problem at a recent forum of the National Federation of Independent Businesses (NFIB) in Memphis, when he lamented that the ongoing elimination of the state’s Hall tax on interest and dividends — slated for staged reductions and final abolition over a five-year period — will mean the ultimate loss to financially struggling local governments of the fairly significant portion of the Hall tax proceeds that they are accustomed to getting annually.

At that same NFIB meeting, state Senator Lee Harris of Memphis, leader of the Democratic minority in his chamber, pointed out another fiscally related conundrum that he thinks has escaped the consciousness of the GOP super-majority. 

In their categorical rejection of Haslam’s “Insure Tennessee” proposal to permit state acceptance of federal funding of as much as $1.5 billion annually for Medicaid expansion under the Affordable Care Act (Obamacare), Republican leaders like retiring state Lieutenant Governor Ron Ramsey always said their attitudes would likely be different under a Republican president, who would surely reapportion such funds as block grants for the states to dispose as they saw fit. 

Harris maintains that the new block grants would be converted from the previous A.C.A. outlays and could be extended only to those states that had already opted for the federal funding. The truth could be even harsher; with congressional Republicans and President-elect Donald Trump both having sworn to “repeal and replace Obamacare” as a first order of business in 2017, it is uncertain just how much federal bounty — if any at all — would actually be available for the states, in whatever form.

Money is at the root of another pressing issue sure to be vented in the General Assembly. At the very moment that the state’s short-changed urban school districts, including the Shelby County Schools system, are entertaining a variety of legal actions to force the state to honor full-funding commitments to them under the Basic Education Program (BEP), word is that enough steam may have finally gathered among legislators to allow passage of long-deferred school voucher legislation that would re-route a significant proportion of the state education budget toward private institutions and out of public schools altogether. 

Under the circumstances, even a rumored bipartisan willingness among legislators to at least begin the consideration of medical-marijuana legislation may not be enough to ease such doldrums as continue to afflict the state’s population. — Jackson Baker

Food and Dining …

Old Dominick

For those keeping your eye on the Old Dominick Distillery, Alex Canale tells us, “We’re 100 percent, well, 99 percent, sure we’ll be open by late spring. We’ll definitely be open in 2017.”

Old Dominick

Old Dominick will sell bourbon, a nod to forebear Dominico Canale. There will be a tasting room, and the distillery will be open for tours. Construction is currently wrapping up, and all licenses have been secured. Shipments of grain and malt are currently on the way. Bourbon takes a few years to age, so Old Dominick will be selling vodka at first. They hope to have stock ready to sell by the spring.

Sunrise

The breakfast concept by Sweet Grass’ Ryan Trimm and Central BBQ’s Craig Blondis and Roger Sapp now has a name: Sunrise. They hope to have both places — one on Central, one on Jefferson — up and running by January or February. The Central location will serve breakfast from 5 to 11 a.m. and then switch to a Central BBQ to-go. The Jefferson location will open at 5 a.m. as well and will serve lunch.

Trimm says the coffee program they’ve come up with is particularly impressive. Cold-pressed and nitro will be on the menu, as well as “normal hot coffee.”

“The biscuit sandwiches will be more interesting than your typical sausage and egg biscuit,” says Trimm. Think bologna and house-cured meats and house-made sausage.

The lunch at Jefferson will offer hometown cooking and large sandwiches piled high with house-cured meats. The meats will also be available for purchase.

Crosstown Concourse

The Crosstown Concourse will be one of the biggest food stories of the upcoming year. The revitalized Sears building already has a stellar list of food and drink venues: I Love Juice Bar, Next Door, Mama Gaia, French Truck Coffee, Curb Market, Crosstown Cafe, and Crosstown Brewing Company.

“Our vision was to curate a really great mix of offerings to add to the food scene,” says Crosstown’s Todd Richardson. Richardson says that about 65 percent of the retail space has been rented. He’s in talks with what he calls a “really great ice cream concept” and a pizzeria.

With all that plus a bank and barber and apartments, it seems like there would never be a reason to leave the Concourse. Richardson says that’s not the goal at all. “We’re not trying to create a city within a city. We want something that draws interest and has the greatest impact on the neighborhood.”

South Main Market

Shooting for a summer opening is the South Main Market. Rebecca Dyer has been busy converting the building at 409 S. Main into an event venue. Once she has the third floor ready, she’ll then re-renovate the first floor into the market. (“If I survive,” she says.)

The market will feature 12 to 15 kitchens. Think Boston’s Faneuil Hall. Dyer says she’s already got 11 chefs signed on, all local. “It’s going to be very varied,” says Dyer. That means each kitchen will serve a distinct cuisine — no three cupcake spots or duplicate falafel shops.

“We don’t want our chefs to compete with each other,” Dyer says. “We want to give our customers the best opportunity for dining.”
The Liquor Store
Lisa Toro, who owns City & State with her husband Luis, estimates that 50 percent of the businesses on Broad Avenue are owned by women. In that ladies-doing-for-themselves can-do spirit, Toro helped form an all-woman angel investment group. Their first investment is the Toros’ latest project The Liquor Store.

Toro describes it as a modern take on a diner. There will be blue-plate specials but with cured meats and fresh vegetables. There will be a bar as well, offering boozy milkshakes and soda fountain cocktails. The diner is being carved out of an old liquor store space. Floors are being ripped up, electrical and plumbing added.

The Toros hope to be open by early spring. — Susan Ellis

Film …

It’s safe to say that 2016 was a less than stellar year in the world of film. Will 2017 be better? Early signs point to probably not. The slate of announced films for the year so far is more of the same: Franchises, sequels, reboots nobody but a branding specialist could possibly want, and superheroes, superheroes, superheroes.

In January, a few 2016 films currently in limited release will make it to Memphis, such as Hidden Figures, starring Taraji P. Henson and Janelle Monáe as unsung black women engineers and mathematicians who helped America land on the moon, and A Monster Calls, a modern Irish fairy tale about loss and grieving. Then there’s Monster Trucks, a big-budget film so bad Paramount took a preemptive $100 million write-down on their earnings report. I have to see it, but there’s no reason you should.

In February, the pop S&M sequel Fifty Shades Darker is sure to both light up the box office and contribute to this reviewer’s depression. Hopefully The Lego Batman Movie will cheer me up. If that doesn’t work, there’s the Oxford Film Festival, which just announced a stellar lineup, and Indie Memphis’ new Indie Wednesday series, which will bring in quality arthouse and indie films from all over the world to Studio on the Square, Malco Ridgeway, and Crosstown Arts.

March brings Logan, Hugh Jackman’s final turn as X-Man Wolverine; Kong: Skull Island, a King Kong spinoff with an all-star cast; and the controversially Scarlett Johansen-led anime adaptation Ghost in the Shell. In May, the Marvel drought ends with Guardians of the Galaxy Vol. 2, which will be answered in June by DC’s Wonder Woman movie. Pixar’s weakest series, Cars, gets a third installment before Marvel fires back with Spider-Man: Homecoming, which looks promising in previews. Later that month, I’m looking forward to War for the Planet of the Apes, which concludes the underrated Planet of the Apes reboot trilogy, and the Stephen King epic The Dark Tower.

All I know about August’s Baby Driver is that Edgar Wright of Scott Pilgrim fame is directing, but that’s enough to get me excited. September looks bleak except for the unexpected remake of the ’90s cult film, Flatliners, and the only oasis in the wasteland of October is Denis Villeneuve directing Harrison Ford in Blade Runner 2049.

November will kick off with the Indie Memphis Film Festival, before Marvel and DC go at it again with Thor: Ragnarok and Justice League. The holidays will bring the as yet untitled Star Wars: Episode VIII, directed by Breaking Bad badass Rian Johnson, and Mark Wahlberg going bionic in The Six Billion Dollar Man.

Basically, the year in film will be like everything else in 2017: Hope for the best, cherish the bright spots, but expect the worst. — Chris McCoy

Music …

As productive as this year was for Memphis music, you can expect 2017 to be just as fruitful for the local scene. From where to be to who to watch, here are some early tips for following Memphis music in 2017.

What to Buy and Why:

Valerie June will be releasing her new album, The Order of Time, on January 27th, her third full-length and first for Concord Music Group. June recently toured with Sturgill Simpson and Norah Jones, but she’ll come back home for a show at the Hi-Tone on Friday, February 17th. As for her new album, the song “Astral Plane” is already being heralded by NPR, which is a good indication that the three years that have passed since Valerie June released an album weren’t in vain. Expect big things in 2017 from one of our city’s most intriguing songwriters.

Another band with a considerable amount of hype behind them that’s releasing a record in 2017 is Aquarian Blood. The band’s debut effort will be released through Goner and is expected to be out in February. Aquarian Blood has released singles on Goner and New Orleans label Pelican Pow Wow, but their first LP has been months in the making, and should showcase the Midtown supergroup and musical freak show.
Southern Avenue is also set to release a new record in 2017, after burning up the Midtown bar circuit with their take on modern Memphis soul. Their debut record is coming from the fine folks at Stax. Being promoted as the first Memphis band to be signed to Stax since the ’70s, you can expect Southern Avenue to kill it in 2017, but don’t count on the band being in town very often.

Where to Be

The FedExForum has an impressive lineup early next year, including the Red Hot Chili Peppers on January 12th and Garth Brooks doing an entire weekend February 2nd-4th . Minglewood also continues to impress, with Lil Boosie, Juicy J, and Ben Folds all scheduled to play in the first few months of the new year. You can also expect shows to start cropping up at both the Galloway House and the Clayborn Temple downtown, and don’t forget about the excellent River Series at the Maria Montessori School; the laid-back, all-ages shows are becoming a staple for live music enthusiasts. And you can always catch a good mix of local and traveling talent at Overton Square and on Beale Street.

Memphis music will be well represented at the largest music festival on planet Earth — South by Southwest — this year. Music Export Memphis will host the Memphis Picnic at SXSW on March 14th in Brush Square Park. The lineup is still being finalized — expect an announcement around mid-January — but the event promises a totally Memphis experience, complete with the Amurica photo trailer booth and Gus’s Fried Chicken on site. — Chris Shaw

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Sing All Kinds We Recommend

Bonnaroo 2014 Slideshow

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To read about the 13th annual Bonnaroo Music & Arts Festival, check out Shara Clark’s post on Sing All Kinds.

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Sing All Kinds We Recommend

The Flyer (and Valerie June) Does Letterman

As you may have heard, Memphis-bred singer-songwriter Valerie June made her national television debut last night on The Late Show with David Letterman. And the Flyer was there with her, sort of.

This morning, we received this photo from Mark Kates, the manager for another Memphis-connected act, MGMT. (Yes, even MGMT has a manager.)

Valerie June outside Late Show with David Letterman studios.

  • Courtesy of Mark Kates.
  • Valerie June outside Late Show with David Letterman studios.

Kates was apparently on hand prepping for MGMT’s own Letterman appearance tonight and ran into June and, we’re presuming, her mother outside the studio, where they were happy to show off June’s Flyer cover from last week.

If you missed June’s Letterman appearance, here is is, while it lasts:

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Letters To The Editor Opinion

Letters to the Editor


Valerie June


I just have to say that that Valerie June cover image was one of the best the Flyer‘s ever done (August 15th issue). Really striking. And I’m looking forward to checking out her music, too.

Randy Frist

Memphis


Congrats, Memphis


On behalf of more than 200 nonprofits, businesses, and government partners across the state of Tennessee, the Safe Routes to School National Partnership, Tennessee Network, congratulates Mayor Wharton and the city of Memphis for passing the country’s 500th Complete Streets policy. Complete Streets polices are an important aspect of the Tennessee Network. Complete Streets improve safety by providing dedicated facilities for pedestrians and bicyclists, helping to make it safer for our children to walk and bike and be more physically active.

Adoption of Memphis’ Complete Streets policy comes from the hard work and dedication of walking and bicycling advocate groups, like Bike/Walk Tennessee, as well as local leaders in health, education, and business, the staff who work with the Memphis bicycle and pedestrian coordinator, and nonprofits like Livable Memphis.

The Complete Streets policy adds to a growing list of achievements that are making Memphis more active and healthy including: bike lanes on 51 miles of city streets during the last two years, 15 miles of protected “green lanes” that will be added in the next two years, and a two-way, protected, cycle-track project that will connect Overton Park to the Shelby Farms Greenline — just to name a few. 

Memphis’ adoption of the policy provides inspiration and encouragement to advance policies across Tennessee. We look forward to more great things from Memphis with the knowledge that Mayor Wharton will continue to support all modes of transportation across your city to improve the quality of life. 

Christy J. Smith,

Tennessee Advocacy Organizer

Safe Routes to School National Partnership

Chattanooga, Tennessee


A Different Reality?


I’ve decided I live in a different reality than my Republican friends. Most still insist that it’s our biracial president’s fault that America still suffers from high unemployment.

Facts seem to roll off their minds like water off a duck’s back — facts like the jobs bill being held in the House for almost two years. They are too busy voting to kill the Affordable Care Act. Forty votes to repeal Obamacare, but not one to create jobs. Over in the Senate, Republicans seem to be proud about their success in blocking the Veterans Job Bill. At the same time, these cowards call for more involvement in Syria.

It’s clear now that the most important issue on the GOP’s agenda is to block any of the president’s initiatives — even when he calls for corporate tax cuts!

They are so out of touch with the needs of ordinary people: Wanting to cut health care for millions. Denying care to those with preexisting conditions who cannot afford insurance. Refusing to pay for the rebuilding of our roads, bridges, and other critical infrastructure.

And now, they are planning to once again blackmail the nation by threatening to shut down the government. It’s like we have nothing but Neros running the GOP. America can burn unless they get their way. 

Jack Bishop

Memphis


Sequester Danger


Our national security could be in jeopardy if the $500 billion in sequestration defense cuts are implemented. Our military has had to absorb $80 billion in prior cuts and is now cutting another $487 billion over 10 years to comply with the Budget Control Act.

That $487 billion translates to the Army reducing its forces by 80,000 soldiers over the next five years. The Marines will cut 20,000 troops. Other cuts include early retirement of ships, with the possibility of having 11 carrier battle groups instead of the 12 currently in place; the retirement of the Air Force A-10 Warthog aircraft; and the possible closure of our only tank production facility in Lima, Ohio. These cuts are occurring while leaving the Pentagon’s civilian workforce of 750,000 unscathed. DOD added 62,000 civilian employees during the past four years.

If the additional billions of dollars in sequestration cuts are implemented, over a million civilian full-time jobs with contractors, subcontractors, and ancillary businesses will be lost. The unemployment rate could increase nearly 1 percentage point, and the U.S. gross domestic product could decrease by $85 billion.

The Obama administration and Congress have to find other ways to reduce the deficit without adversely impacting our national defense.

R.K. Middleton

St. Louis, Missouri