Categories
Music Music Features

Remembering Lily Afshar

October was a grim month for Memphis music, and lovers of the arts will have a few more souls to mourn on this Thursday’s Día de los Muertos. Case in point: the passing of one of the brightest beacons in the classical guitar tradition, Lily Afshar, who succumbed to cancer last week at her home in Tonekabon, Iran, on the Caspian Sea. Having led the classical guitar program at the University of Memphis since 1989, she was deeply woven into the fabric of Memphis life. Yet her kudos, including a Board of Visitors Eminent Faculty Award and a Distinguished Teaching Award at the university, barely convey the depth of her artistry and the degree to which she touched those who heard her play.

Ward Archer was a fan the minute he first heard her, and soon thereafter he would begin releasing the bulk of her recorded work. Indeed, it was Afshar who inspired him to launch Archer Records. I spoke with him last Friday about Afshar’s commitment to her art and her lasting legacy.

Memphis Flyer: You’ve been recording and releasing Lily Afshar albums for over 20 years now. How did you first encounter her work?

Ward Archer: I first met Lily at the Botanic Garden. I was playing in a band outside and she was playing inside at some function. I walked in and listened to her and we started talking. I was just starting to get back into recording after having gotten out of it, and we decided, “Let’s see what we can do with the classical guitar.” There was no Archer Records at that point. We just started recording and we both really liked what we were doing. I didn’t know much about classical guitar recording, but, being a Memphis guy, we like the microphones close, right? She talked me into releasing it and really talked me into starting the label. Later, I started getting calls to produce other classical guitar artists. Which I smartly declined, having barely survived the recording of Lily!

“Barely survived” in what sense?

It was challenging to make her happy with her own performance. She was really demanding about making sure there was no buzzing [from fretting notes] and would want to do a whole new take if there was the slightest buzz on any single note. She was the most demanding recording artist I’ve ever worked with, and very determined. I mean, she was the first woman to get a Ph.D. in classical guitar performance.

How would you characterize her repertoire?

She was a big fan of [Cuban guitarist and composer] Leo Brouwer. And it wasn’t all solo guitar. On the album Musica da Camera, some of the tracks had eight or nine instruments on it. And it’s really interesting stuff, based on Pushkin’s Eugene Onegin. Hemispheres, which was the second album that we did, had some pretty good originals — not stuff that she wrote, but stuff that was written for her. And she was mostly her doing her own arrangements. On her last album, Bach on Fire, she arranged all of that. It’s 25 or 30 pieces — it’s huge. Later in her career, she became a pioneer in arranging Persian folk songs for the classical guitar. No one could really touch her in playing Persian music, or anything in that genre.

Her Iranian heritage was very dear to her, wasn’t it?

I don’t think she had any immediate family left there, but her family had a place on the Caspian Sea, north of Tehran. I’ve seen pictures and it was really beautiful. She had six dogs there that she would go visit every year. She loved her dogs and was often doing benefits for the Humane Society. When she found out she had the cancer, she retired from the university and went back home to Iran to recuperate from the chemotherapy, but the cancer came back so aggressively. Yet she wanted to come back to Memphis one last time. The doctor [in Iran] told her, “Don’t get on that airplane because you won’t make it back.” But she came here anyway, and when I saw her she asked me if I thought she could make it back home. I said yes — I wouldn’t have said that to anyone else. She was always so determined, you know? And she did get back home in the end.

Categories
Music Music Features

Calm Down, People: Livingston Taylor on Acoustic Sunday Live

Acoustic Sunday Live: It’s a Memphis tradition over three decades old now, and this year’s iteration is perfectly in keeping with its predecessors. The series, curated by Bruce and Barbara Newman, makes use of the couple’s deep contacts in the folk music world, typically bringing in multiple artists who could fill a room on their own in support of a local cause. “This concert series has benefited the Memphis community in various ways for many years,” Bruce Newman says, “but I’m especially pleased to work with Ward Archer and his team at Protect Our Aquifer — and their associated community partners — to protect the environment in our own backyard.”

This year’s concert, at the First Congregational Church on December 5th, features Grammy-nominated and Blues Music Award winner Shemekia Copeland, Nashville singer-songwriter Will Kimbrough, Grammy-nominated country/Americana singer-songwriter Jim Lauderdale, Memphis’ own hip-hop legend Al Kapone, and the iconic singer-songwriter and folk musician Livingston Taylor.

Taylor, one of five musical siblings, has been making records nearly as long as his famous brother James, having signed with Capricorn Records in 1970. When we spoke, he was in Tampa, Florida, to film a video on the craft of stage performance, something he knows a thing or two about. “You have to be able to not only write a song; you have to be able to present it,” he says. “I’ve been a professor at the Berklee College of Music for 30 years, where I teach a course I wrote called Stage Performance. It’s about the minutiae of how to go on stage, what your responsibilities are as an entertainer, and why people should be willing to pay attention to you.” Former Berklee students who have put his guidance to good use include John Mayer and Susan Tedeschi. “It’s been a wonderful course to teach over these years, though I’m winding that down a bit and turning into a professor emeritus.”

But music is far from an academic exercise for the veteran pop/folk performer. Indeed, there’s a strong current of uplifting spirituality to his music, though only a small portion of it is technically gospel. “Like all human beings, I’m a spiritual fellow,” he says. “I have no sense of a strong Christian upbringing or anything, but I was raised in North Carolina, with a lot of those Black gospel sensibilities around. So it seems to fall pretty easy, to write gospel songs. I love writing songs like ‘Oh Hallelujah’ or ‘Step by Step,’ or one called ‘Tell Jesus to Come to My House,’ which are all strong, ‘paint the barn red’ gospel songs.”

His ultimate goal, though, is more of a nonsectarian call for peace. “My music is designed to calm people down. These days, we’re being pretty hard on one another, and I’d really like to see that calm down. Certainly the forces that are around us profit from us being agitated and at each other’s throats. They get viewers and listeners by being inflammatory. And to me, that’s a discouraging trend. I would love it if we found a way to be a little gentler with one another. What I’d love my music to emphasize is that we are well and strong and, at the basis of all of it, we like each other.”

It’s a message appropriate for any grassroots-oriented gathering, and Taylor is enthusiastic about playing the upcoming benefit. “It’s obviously a worthy undertaking. I’m delighted to know about Protect Our Aquifer. Yet my real enthusiasm is for the musical event itself.”

That enthusiasm is only compounded by bringing his music to the Bluff City. “Memphis is certainly my favorite city in Tennessee,” Taylor says. “Not taking away from Chattanooga or Nashville, but Memphis is the strong one. It’s got a very mighty heartbeat, and the idea of coming back there to make music is a real thrill for me. Just to make music in Memphis, with all the beautiful spirits of that great city, will be a lot of fun. There’s a lot of musical energy there. I find when I play in Memphis, my playing gets reinforced by all those ghosts.”

Acoustic Sunday Live! presents The Memphis Concert to Protect Our Aquifer at 7 p.m. on Sunday, December 5th, at First Congregational Church. $50 and up. Visit acousticsundaylive21.eventive.org/schedule for details.

Categories
Music Music Blog

Director Seeks Dancers/Singers for Music Video for John Kilzer’s “It”

Almost exactly a year after John Kilzer’s death at 62 last March, award-winning Memphis director/producer/editor Laura Jean Hocking is seeking friends and fans of Kilzer to appear in a music video for his song “It” from 2019’s Scars — all from the safety of their own homes.

Kilzer, the former University of Memphis basketball player who later created a music career and a beloved ministry at St. John’s United Methodist Church, died Tuesday, March 12th, 2019, before Hocking could finish a series of music videos they had discussed.

“This will be my fourth Kilzer video I have directed,” Hocking says. “This was actually one of the first songs I wanted to do a video for off of Scars. After ‘Hello Heart,’ I had come up with a concept for the ‘It’ video that Kilzer had liked, but we obviously never got to make it.”

John Kilzer

For the video, Hocking is recruiting dancers, singers, and Memphis musicians and artists who, she hopes, will film themselves dancing or singing along to “It.”

The method of music video-making is particularly suitable to life in the midst of the soft quarantine to help slow the spread of the novel coronavirus, COVID-19. Dancers can safely participate while observing social distancing guidelines — and still manage to come together via the connectivity offered by music.

“I like the idea of a bunch of different people contributing to the whole piece, creating some connection especially now when we are all so separated,” Hocking explains.

Laura Jean Hocking

“Love is light, love is strong, love is right here in this song,” Kilzer sings on “It.” The song is warmly optimistic, a balm in these uncertain times.

Though minor chords and a progression that walks the melody down the scale give the song a gravitas that seems to acknowledge the challenges inherent in embracing love, Kilzer’s lyrics are an affirmation of love’s power.

That spirit is lifted up by simple, elegant instrumentation, lighthearted piano runs, and even, at one point, a whistled melody. Life can be challenging, the song seems to say, but love gives us the strength to face those challenges with courage and grace.

“I’ve often said that Kilzer sounds great whether unaccompanied or with a full band backing him,” says Ward Archer, founder of Archer Records and Music+Arts Studio, where Scars was recorded. “In this instance, ‘It’ arrived fully formed via his iPhone with just John playing the ukulele, which I didn’t know he played. It’s classic Kilzer. Less is more.”

Ward Archer

“It all goes back to love,” Hocking adds. “I hope if people don’t want to lip-sync, they can dance with their kids or their cat or just by themselves and express some love for life. The world is upside down right now; it’s hard to conceptualize what the other side of this might look like, and it’s scary. Hopefully, the opportunity to ham it up and dance around will be good medicine.”

Scars

“I also want to add that if there are any local musicians/artists who would like to participate, we’d love to link to their website/Bandcamp/etc. in the credits,” Hocking says. “It’s really important to me that we all lift each other up right now.”

Hocking has some helpful suggestions for those ready to dance or sing along for the video.

“Set up your phone in landscape mode (that’s sideways, or horizontal),” she says. “Open your camera app and record video. Rehearse it a couple times. Lip-sync to part or all of the song. Dance by yourself, dance with your kids, dance with your pet!” Her last piece of advice is perhaps the most vital: “These are difficult times; let loose and have some fun!”

Submissions should be uploaded to musicartsstudio.com/it-video-release

Categories
News News Blog

New State Bill Could Remove Local Control of Water Protection

Tennessee Valley Authority

TVA workers install water quality monitoring wells near the Allen Fossil Plant.

A new Tennessee bill could ”un-protect our aquifer,” removing Shelby County’s ability to control wells drilled into the Memphis Sand Aquifer, the source of the area’s famously pristine drinking water.

The bill was filed last week by two West Tennessee Republicans, Sen. Delores Gresham (R-Somerville) and Rep. Curtis Halford (R-Dyer). The bill would prohibit cities and counties from exercising authority over a landowner’s water rights on “certain drilling requirements.”
[pdf-1]
A detailed explanation of the bill was not available on the Tennessee General Assembly website Monday. The legislature was not in session Monday, thanks to the Presidents Day holiday, and lawmakers could not be immediately reached. Also, request for comment on the bill was not immediately returned by Tennessee Senate Republican Caucus.

Scott Banbury, Conservation Programs Coordinator for the Tennessee Chapter of the Sierra Club, said he had not spoken to the bill’s sponsors as of Monday afternoon. But the bill is “about whether or not Shelby County has the authority to regulate groundwater wells within its jurisdiction.”  Facebook

Scott Banbury of Sierra Club Tennessee

“If this were in effect when we fought the (Tennessee Valley Authority), the (Shelby County Health Department) would not have been able to take their groundwater wells away from them,” Banbury said.

The TVA had drilled five wells into the aquifer near its now moth-balled Allen Fossil plant and intended to pump about 3.5 million gallons of water from them each day to cool its new gas-fueled power plant. Those wells were close to contaminated areas of the TVA site. TVA agreed to not use the wells in December 2018. By February 2019, the health department placed explicit rules on TVA using the wells in the future.

If the new bill was made law, Banbury said landowners would have to apply to the state for a permit. Shelby county would likely administer the program but local authorities would not be able to deny permission for any well being drilled here as long as it met state code. He said the proposed law would “remove Shelby County’s ability to do the right thing” in regard to protecting its water.

Ward Archer, president of Protect Our Aquifer, said the bill would “un-protect our aquifer” and “set us way back about 50 years” before local well controls were established here.

JB

(l) Ward Archer of Protect Our Aquifer displays some of the sand particles which, at several deep layers (this sample from 400 feet down) filter the near-pristine drinking water enjoyed by Memphis and Shelby County; (r) Jenna Stonecypher and Linda Archer sell a T-shirt to the Sierra Club’s Dennis Lynch. The shirt, bearing the non-profit group’s logo, says, ‘Save Water/Drink Beer.’

“We need (local regulation) because we are the largest city in the country getting all its water from the ground,” Archer said. “It’s not that way in Nashville. It’s not that way in Knoxville. It’s just not the way they get their water; theirs is mostly surface water.

“What we’re trying to do is not just conserve our water but to protect it from getting contaminated. So, that’s why you have to have a well program.

“We’ve got to manage that process tightly to make sure that if someone drills a well 800 feet down into the aquifer — and doesn’t do it properly — it can become a conduit for contaminants.”

The Senate bill was passed on to the Energy, Agriculture, and Natural Resources Committee but is not on the calendar for this week’s meeting. The House is not on the agenda for Tuesday’s meeting of the House Agriculture and Natural Resources committee.

Categories
News News Blog

TVA Finds High Arsenic, Lead Levels Near New Wells

High levels of arsenic and other toxins have been discovered in ground water beneath monitoring wells near the Allen Fossil Plant in south Memphis. According to the TVA, which first reported the levels to Tennessee Department of Environment and Conservation department in mid-May, arsenic levels were more than 300 times higher than federal drinking water standards. Lead levels in the water were also higher than federal safety standards. The pools were originally installed to monitor pollution from nearby ponds containing slag and ash generated by the plant’s coal-burning.

The TVA’s old Allen coal plant

The polluted groundwater is little more than a quarter mile from five recently drilled TVA wells that will provide cooling water for the agency’s soon-to-be-completed gas-fired power plant. While TDEC officials contend that the polluted groundwater is constrained from contaminating the Memphis Sand Aquifer by a layer of clay, local Sierra Club spokesman Scott Banbury begs to differ.

Here is a statement from the Sierra Club:

The Tennessee Valley Authority has found high levels of arsenic,
lead, and other toxins in groundwater beneath the Allen Fossil Plant, where thousands
of tons of coal ash and boiler slag are stored in massive ponds.
The arsenic was discovered in monitoring wells at the plant at levels more than 300
times the federal drinking-water standard. Excessive amounts of lead were also
detected.

Scientists have linked long-term arsenic exposure to health problems including heart
disease, diabetes and several cancers. Exposure to high lead levels can severely
damage the brain and kidneys in adults or children, and can also be fatal.
The tainted groundwater was found about a quarter-mile from where TVA recently
drilled five wells into the Memphis Sand aquifer, the primary source of local drinking
water. TVA plans to draw 3.5 million gallons a day from the aquifer to cool its gas plant,
though their original plan was to cool the plant with “grey water” from the nearby
Maxson Wastewater Treatment facility.

Tennessee Department of Environment and Conservation officials said they don’t think
the arsenic and lead are impacting drinking water, but have asked the Memphis Light,
Gas and Water to test samples anyway.
Justin Fox Burks

Scott Banbury (file photo)

In response to the findings, Scott Banbury, conservation program coordinator for
the Sierra Club in Tennessee, released the following statement:
“This contamination is exactly what we feared when TVA decided to use our pristine
drinking water source to cool its fracked gas plant. We still don’t have enough
information about existing breaches of the clay barrier that protects the aquifer, or about
whether pumping from these wells could pull contaminants into the Memphis Sand
Aquifer.

“TVA should immediately contract with MLGW to use municipal water to cool their new
plant, or reconsider their original plan to use grey water, and should contract with the
University of Memphis Center for Applied Earth Science and Engineering Research to
do an extensive geophysical study of the area around TVA’s ash ponds to make sure
there’s absolutely no risk to the drinking water and public health of Memphis families
and children.

“We also call on the Shelby County Health Department to immediately reconsider their
decision to issue TVA’s well permits in light of this new data.”
Ward Archer, president of Protect Our Aquifer, also weighed in on the findings:

“We suspected the groundwater beneath the Allen plant was already contaminated, but
this is even worse than we had imagined. TVA’s plan to pump Memphis Sand Aquifer
water from beneath this contaminated site is irresponsible and endangers our drinking
water supply.

“These contamination findings reinforce our commitment to encourage TVA to find an
alternative cooling water solution, and we will continue to work to protect our drinking
water aquifer by supporting scientific investigation, raising public awareness, working
with our elected officials, and, when necessary, initiating legal action.”

Categories
Politics Politics Beat Blog

Kelsey, Harris File Legislation to Regulate Future Water Policy in West Tennessee (UPDATED)

UPDATE: (Bill would not directly affect already approved applications like proposed new TVA wells, though ongoing lawsuit from Sierra Club and Protect Our Aquifer might.)

Though currently approved projects like the Tennessee Valley Authority’s plan for operating five wells to draw water from the Memphis Sand Aquifer won’t be affected, a piece of legislation filed by two Shelby County legislators could substantially affect future water policy locally.
JB

Senators Lee Harris (l), Brian Kelsey

State Senators Brian Kelsey (R-Germantown) and Lee Harris (D-Memphis) have filed a bill that would establish a Memphis Sand Aquifer Regional Development board with approval powers over any pumping of more than 10,000 gallons of water from the aquifer, source of the Memphis area’s drinking water.

A TVA plan to drill into the aquifer via five new wells has been sanctioned by the Shelby County Water Quality Control Board but is still opposed by a group of environmentally minded citizens, who are concerned about possible leak-through contamination of the aquifer, among other issues.

The expressed purpose of the TVA drilling is to obtain some 3.5 million gallons of water daily from the aquifer to serve as coolant for the Authority’s forthcoming natural-gas power plant. Though the bill presented by Kelsey and Harris will not offset the Shelby County Water Control Board’s previous approval of that project, it was directly inspired by environmental concerns and would impose stringent new conditions for any future such proposals.

And a current lawsuit filed in Chancery Court by The Sierra Club and the Protect Our Aquifer nonprofit group challenges the Water Quality Board’s action and offers a possible means of reversing TVA’s license to pursue with its aquifer-drilling project.

As Ward Archer, founder of Protect Our Aquifer, explains in a memo to the Flyer:

“On February 1, 2017, Protect Our Aquifer, along with the Sierra Club, filed a petition for a writ of certiorari in Shelby County Chancery Court seeking judicial review of the Shelby County Groundwater Quality Control Board’s decision upholding the issuance of well permits to TVA to draw potable water directly from our Memphis Sand Aquifer.

“The case was assigned to Chancellor Jim Kyle. On February 9, 2017, Chancellor Kyle signed an order instructing the clerk of the court to issue the writ requiring the board to submit the record from the administrative proceeding to the court within thirty days.

“This is the first step in the appeal process.”

The petition from Sierra Club and Protect Our Aquifer can be accessed here:

[pdf-1]
And here is the news release announcing the Kelsey/Harris bill:

(NASHVILLE), February 14, 2017 — State Senators Brian Kelsey (R-Germantown) and Lee Harris (D-Memphis) have filed legislation in the Tennessee General Assembly setting up a Memphis Sands Aquifer Regional Development Board to protect water supplies in West Tennessee. Senate Bill 776 also requires board approval to pump more than 10,000 gallons of water from the aquifer to ensure its long-term viability.

It is sponsored by Rep. Ron Lollar (R-Bartlett) and Rep. Curtis Halford (R-Dyer) in the House of Representatives.

“Clean drinking water is very important to our citizens and our future,” said Sen. Kelsey. “This legislation aims to ensure the aquifer remains a clean and reliable source for future generations.”

The action follows approval given to the Tennessee Valley Authority (TVA) to pump approximately 3.5 million gallons of aquifer water each day to cool its new power-generating plant in Southwest Memphis, a move which is deemed controversial by some scientists and environmentalists.

Under the bill, the board would have all of the powers, rights, and privileges necessary to manage, conserve, preserve, and protect the aquifer, and to increase the recharge of, and prevent the waste or pollution in, the aquifer. The nine-member board would be fairly comprised of the mayors of Shelby and two other West Tennessee counties overlying the aquifer. The governor would appoint the remaining members with two from the agricultural community, two from commerce, and two from the environmental/research community.

“This board would also help ensure that the flow of rain and water into the aquifer prevents pollution and waste,” Kelsey added. “I believe this legislation provides a well-balanced approach to ensure the aquifer is protected for many years to come.”

In addition, Senate Bill 886, sponsored by Harris and Kelsey, requires anyone planning to drill a well to give at least 14 days advance notice to the state commissioner of the Department of Environment and Conservation with the notice published on department’s website. Rep. G.A. Hardaway (D-Memphis), Rep. Lollar and Rep. Halford are sponsoring the bill in the House of Representatives.

Senator Harris said, “Everyone should know that our aquifer makes West Tennessee a very special place, as compared with other areas of the country. We need to work to preserve that asset. We know that there’s enough drinking water for today’s generation, but that’s not the worry. We want to make sure that the aquifer is preserved for future generations. That means we need to be careful with respect to the precedents we set today, since those precedents have a funny way to leading to negative consequences later. Because this aquifer is so special, we also want to do what we can to make sure that the public knows what’s happening with it and how it’s being utilized. When there are proposals to use that resource, we need to have a serious conversation with the public, and sometimes we need to be able to modify or even reject some of these uses.”

The water stored in the Memphis sand aquifer, which is also known as the Middle Claiborne, first fell as rain 332 BC. It covers 7,500 miles in portions of seven states, including 20 West Tennessee counties. Although aquifers are used for drinking water by more than 100 million Americans, Kelsey said the quality of the Memphis aquifer is unsurpassed.

The bill itself (SB0776/HB0816) may be seen here:

[pdf-2]

Categories
Politics Politics Feature

Wellspring Politics in Memphis

As Scott Banbury, the indefatigable conservation program coordinator for the Sierra Club, has it, the Shelby County Groundwater Quality Control Board is an honorable and capable enough group, comprised of business people, conservationists, public officials, and just plain citizens, but up until now it hasn’t wielded the clout that the county’s Land Use Control Board, in theory, an equivalently purposed and composed group, has.

The difference undoubtedly lies in the fact that the latter group is, with reasonable frequency, asked to judge on zoning matters relating to commercial or residential developments, while issues relating to groundwater control are correspondingly rare and hardly ever regarded as so momentous.

All that is due to change next Wednesday, November 30th, when the Groundwater Control Board meets at Shelby Farms [9 a.m. at the Construction Code Enforcement Office, 6465 Mullins Station Road] to hold a hearing on the Tennessee Valley Authority’s intent to drill two new wells into the natural Memphis sand aquifier that is the source of the famously pure drinking water available to Memphis-area citizens via MLGW.

Public reaction against that intent has not yet reached the intense 24/7 focus of previous (and ongoing) Save the Greensward efforts, but, to judge by the turnout at a Protect the Aquifier meeting Sunday at the Abe Goodman Golf Clubhouse at Overton Park, one of several recent meetings to protest TVA’s plan, it’s quickly rising to that level.

Next week’s hearing with the board is the result of an appeal filed by Banbury back in August when he learned that TVA, without advance public notice and with non-existent fanfare, had issued a supplement to its existing plans for a source of water to cool the operations at a planned new natural gas power plant, one that is set to open in 2018 to replace the old TVA coal-burning plant, which is being phased out because of pollution concerns.

Jackson Baker

Dennis Lynch provides illumination as Scott Banbury reads out the names of Groundwater Control Board members.

The supplement called for a total of five wells to be drilled into the natural sand aquifier. This was an abrupt change from the TVA’s original proposal to use wastewater from the nearby Maxson Wastewater Treatment Plant as its basic coolant. Arguably, nobody would have regarded that original TVA proposal to use wastewater as constituting a problem for Shelby County.

But the TVA began to see the wastewater plan as economically problematic, given what spokespersons for the authority said would be the millions of dollars necessary to spend in detoxifying the wastewater. Accordingly, TVA reversed course after consulting what Banbury describes as a “slim document” from the U.S. Geological Survey concluding that the Memphis aquifier could without undue strain supply the same amount of water for the authority’s purposes.

For the record, that would be around 3.5 million gallons of water a day, an amount that Randy Blevins, who, with Banbury and Ward Archer, conducted Sunday’s meeting, called “preposterous” and dangerous and —  the authority’s protestations notwithstanding — a strain upon the capacity of the aquifier. At Sunday’s meeting, Archer highlighted an additional grievance — that the natural-gas plant being constructed  by TVA was being “over-built” to larger specifications than necessary, apparently for the purpose of selling electricity to geographical areas far outside the immediate service area of the plant.

And, as Banbury demonstrated at some length on Sunday, the TVA wells into the aquifier would be clustered and operating at such levels as possibly to strain the clay walls surrounding the aquifier, inviting seepage into the city’s drinking-water supply of “young” and relatively polluted water from the Mississippi River alluvial basin. (Incidentally, the alluvial basin itself has been suggested by critics of the new TVA plan as an environmentally acceptable source of water for the new plant’s coolant purposes, but, as Banbury noted Sunday, has apparently never been considered that way by TVA.)

In any case, the Shelby County Health Department — which, according to existing county policy, rules on all requests to drill wells into the aquifier — had, by the time Banbury or other citizens at large learned of it, already given approval this year to five separate requests from TVA  for permits to drill as many wells. “As far as I can tell, the approval was done by a single individual,” said Banbury.

The statutory time limit for anyone to appeal such a permit is “within 15 days of its issuance,” said Banbury, who added, “Nobody has ever appealed wells before because there was never any public notice of them.” The time limit for any public questioning had already expired for three of the wells, the permits for which were issued in May, June, and July. It is only the permits for the last two wells, issued in September, that Banbury was able to file a timely appeal against.

And it is that appeal which is to be considered next Wednesday by the Shelby County Groundwater Quality Control Board. The hope for those protesting is that a turn-down by the board not only would abort the two new wells whose permits are still hanging but might cause TVA to reconsider the idea of using the three acquifier wells that have already been drilled but are not yet in operation.

In answer to a question from one of the attendees at Sunday’s meeting, Banbury said it was the hope of the Protect the Aquifier ad hoc group that TVA might be moved to reconsider the idea of using wastewater as a coolant for the new plant, or, failing that, to use water from the Mississippi River alluvial basin.

The three organizers of the ad hoc Sunday meeting at Abe Goodman — Archer, Blevins, and Banbury — urged those attending to contact members of the Groundwater Control Board prior to next Wednesday’s hearing, and to recruit friends and neighbors to the cause. “Protect the Aquifier” T-shirts were on sale Sunday at Abe Goodman.

If that kind of preparation suggests something like a political process, it’s because it is. It’s true grass-roots politics — or perhaps “wellspring politics” is a better name for it — geared not to an election day as such but to a day of reckoning all the same. As Banbury explained, whichever way the hearing goes, the loser — be it the protesting citizens or TVA — is sure to appeal, and the case will likely move on to Chancery Court.

A further political aspect of the protest is that elected officials and public bodies are becoming actively involved in the outcome. Both the Memphis City Council and 9th District Congressman Steve Cohen have formally suggested that TVA consider alternatives to its intended aquifier drilling, and the Shelby County Commission, which has the power to alter the rules by which groundwater drilling permits are issued, has indicated it will place that matter on its agenda in the near future.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: John Kilzer and Kirk Whalum

Today’s Music Video Monday has a message. 

Solly Phillips

“Until We’re All Free (Ain’t Nobody Free)” is a collaboration between Memphis folk rocker John Kilzer and saxophonist Kirk Whalum. Archer Records tapped director Laura Jean Hocking to bring its egalitarian message to life. “Ward Archer and I went through several ideas before settling on this one,” Hocking says. “When we got Amurica photography owner Jamie Harmon and director of photography Sarah Fleming on board, they helped flesh out the concept. Jamie’s kind of like the Wizard of Oz, promising these children things that are supposed to be their inalienable rights, but which are not available to a lot of Americans. I didn’t have much experience working with children before this, so I had a little trepidation going in. But I was so fortunate to get a great cast. They made my life easy. Our hero kid Solly Philips was a dream. He took direction better than a lot of grown ups do.” 

Music Video Monday: John Kilzer and Kirk Whalum

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Amy LaVere

Today is Music Video Monday, and we’re flashing back to 2007. 

“Nightingale” was the first video from Amy LaVere‘s debut album This World Is Not My Home. This video, which takes us behind the scenes of the recording sessions that produced the album, was directed by Christopher Reyes and debuted at Live From Memphis’ Music Video Showcase. LaVere is one of the most successful Memphis musicians of the 21st century, and here we see her flashing her thousand-watt smile at the beginning of her solo career. Also in the video are Music+Arts owner Ward Archer and multi instrumentalist extraordinaire Paul Taylor. 

Music Video Monday: Amy LaVere

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
Film Features Film/TV

Fresh Skweezed

On the one hand, short films tend to get short shrift. Aside from a few Pixar animated shorts, they are rarely seen in theaters outside of a film festival setting. But on the other hand, thanks to YouTube, short films have never been more popular — even if most of them are cat videos. Distributors are usually reluctant to take on shorts, which makes it remarkable that one of the best Memphis-made short films of the past few years, Fresh Skweezed, is getting an internet release by Music+Arts on December 16th.

The 22-minute film stars Haley Parker as Maggie, the 11-year-old spelling-challenged proprietor of a trailer park lemonade stand. Writer/director G.B. Shannon created the role specifically for Parker after seeing her act in another short film at the 2010 Nashville Film Festival. “She was fantastic,” he recalls. “She just had a small part, but she stole every scene she was in. She had such great command of the screen, and I think at the time they shot it, she was just 8 years old. So I turned to Ryan Parker and said, I’m going to write something for her.”

Haley Parker stars in Fresh Skweezed.

He came up with the concept for what would become Fresh Skweezed while driving to work at Beale Street Studios one morning. “I thought, ‘A crooked lemonade stand! She’s the flim flam man of the neighborhood.'” He wrote the screenplay over Soul Burgers upstairs at Ernestine & Hazel’s.

“When I first read the script, I cried,” says Parker. He is an amazing writer.”

Parker’s portrayal of Maggie, a tough little firecracker who uses her wits to fight off a bully named Cody (Caleb Johnson), is remarkably poised and expressive. Even with a cast of some of the best screen actors in Memphis, including Lindsey Roberts, Billie Worley, Kim Howard, and Shannon himself, she owns the screen. The audience thinks they know exactly what’s going on in her mind, right up until the script pulls the rug out from under them. “When we started casting the other parts, I got worried,” says Shannon, who co-directed the piece with cinematographer Ryan Parker (who is no relation to Haley). “Did we put too much on this little girl? It’s 20 pages long, and she’s in every scene.”

But Shannon was amazed when she came into auditions with a fully realized character. “I had worked on it quite a bit before the audition process rolled around because I didn’t want to let anyone down,” Parker says. “Maggie was a lot like me. She was easy for me to play, and I really had fun with her.”

The script originally called for a suburban setting, but the crew had trouble finding a suitable place that looked good and would allow filming. Then they stumbled upon a trailer park in Millington that had been evacuated during the floods of 2011. “It was like we had our own sound lot,” Shannon says. “Everything was there.”

Filmmakers love to regale each other with stories of onset disaster, but Shannon says “it was one of those magical shoots where nothing went wrong.”

The film was shot on a few consecutive weekends. “I wished it had lasted longer, because we had a really great time on the set,” Parker says.

Editor Eileen Meyer was brought in for the cut, because, Shannon says, “we wanted a female perspective. She added a couple of elements that we never would have thought of.”

It was during the sound mixing and scoring that Ward Archer’s Music+Arts became involved, supplying music by Amy LaVere, Robby Grant, Rick Steff, and Roy Berry. “Because he has these great artists at his disposal, it’s pretty great how it works out,” Shannon says. “Having that here is pretty amazing.”

The film won both jury and audience awards at its Indie Memphis premiere and went on to play in 18 festivals across the country, winning several more accolades including a Best Actress award for Parker at the Newport Beach Film Festival. After its almost two-year festival run was over, Shannon reconnected with Archer at the premiere of Mike McCarthy’s Cigarette Girl, which was Music+Arts’ first film release, and they worked out a deal to distribute Fresh Skweezed on internet streaming video services such as iTunes, Amazon, and VUDU. Shannon says they are enthusiastic about the possibilities: “If he can keep doing this — having a cinematic sound mixing operation and then releasing as well — it will be fantastic.”

Parker, now 15, has acted in several more films and is currently trying her hand at writing. “I am so proud to be a part of Fresh Skweezed. It’s just been an amazing experience all around — the filming, the production, the film festivals have just been amazing.”