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Mempho Mingles Memphis Music with Megastars

With Memphis in May having canceled the 2021 Beale Street Music Festival entirely, back in those uncertain days of spring, concertgoers are thanking their stars that the city has a fall alternative. This Friday, the Mempho Music Festival launches its fourth iteration with a lineup that, true to form, mixes local luminaries with national acts. This year, it will be more convenient than ever, setting up shop in the Memphis Botanic Garden rather than Shelby Farms.

Everyone is pinning their hopes on their favorites. One friend is focused on Austin’s Black Pumas, described by some as “Wu-Tang Clan meets James Brown”; another lights up at the thought of seeing Memphis native Julien Baker; still others are dead set on hearing the gritty, soulful stomp of Nathaniel Rateliff & the Night Sweats. Mempho is sure to have all tastes covered, though there are markedly fewer hip-hop acts than ever relative to previous years, when such artists as Anderson .Paak, Nas, or Wu-Tang Clan were featured.

Black Pumas (Photo: Courtesy Chris Duncan)

Still, the diversity is impressive, and audience members can seamlessly see every artist on the bill. In addition to the Garden’s permanent Radians Amphitheater, a second stage will be set up. As one act performs, the next can set up in the other space, ready to hit it soon after the previous act’s finale. And then there’s the Incendia Dome, sponsored by Whatever, complete with pyrotechnics and DJs playing to wireless headsets issued to everyone who steps inside. Onlookers peeking in will see only a throng of dancers gyrating in complete silence.

One thing is clear: With all due respect to co-headliners The Avett Brothers, the kings of this event are Widespread Panic, who cap off both the sold-out Friday and Saturday slates. Mike Smith, the festival’s head of production, who’s also worked for years as Widespread Panic’s production manager, says that’s not unusual, especially with everyone’s favorite jam band.

“They almost never do just one night in a location,” he says. “They always play at least two nights everywhere they go. Usually three. Widespread Panic realizes that they’re creating music destinations for people, making it easier for ticket buyers who might say, ‘Hey, let’s go to Chicago for the weekend, or Memphis.’”

Indeed, for Panic fans, the uniqueness of each performance makes multiple shows a real draw. “One of the things with Widespread Panic is, they never repeat a song night to night,” says Smith. “Their repertoire is so large that it may be three or four or five shows before you hear the same song repeated in a set list. And there are literally songs that they may not play for two or three years at a time. There are fans out there ‘chasing that song.’ They come to every show, just hoping that that’s the night their song is going to get played.”

The band’s devoted following also brings a different demographic to bear on this year’s Mempho Festival. As Smith points out, “The Widespread Panic crowd is a very mobile crowd. If you look at our ticket sales, we’ve got a lot of people coming in from Georgia and the Carolinas. And a lot from Colorado. I think Denver’s one of our top three markets that tickets are sold in right now. Typically for any festival, you get some travelers, but this year, because of this lineup, we’re getting a lot more people from out of town.”

That also helps bring a fresh audience to Memphis-based groups, always an important ingredient in the festival bearing the city’s name. “We always try to incorporate what we consider to be some of the local stars that we have to offer,” Smith notes. “Memphis has some of the best talent in the world playing in our backyard. That’s definitely one of the missions of Mempho, to introduce those talents to new people.”

Mempho Music Festival takes place October 1st-3rd at the Memphis Botanic Garden. Gates open at 3 p.m. Proof of vaccination or a negative Covid-19 test is required. Covid testing available on site. Visit memphofest.com for details.

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Music Music Blog

Beale Street Music Fest Announces 2017 Lineup

Kings of Leon

The Beale Street Music Festival has announced its lineup for 2017. Headliners include Snoop Dogg, Soundgarden, Widespread Panic, Wiz Khalifa, MGMT, Kings of Leon, Sturgill Simpson, and Death Cab for Cutie.

For a complete list of performers and times, check out the BSMF lineup page.

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News News Blog

Troy Goode’s Family Files Suit Against Southaven

Troy Goode

The family of the Memphis man who died in Southaven police custody in July has filed a class-action lawsuit in U.S. District Court for the Western District of Tennessee.

The suit seeks damages in the death of Troy Goode from the city of Southaven, the Southaven Police Department, and the emergency workers on the scene at the time of his death.

Goode had taken LSD in the parking lot outside a Widespread Panic show in Southaven on July 18th. According to reports, he began acting erratically before the show, and his wife decided to drive him home. On the way there, she pulled into a parking lot on Goodman Road, and Goode got out of the car. A witness who observed his behavior called police.

When police arrived, Goode reportedly ran around the parking lot and even released a police dog from a van. Southaven police attempted to restrain Goode by hog-tying him, and Goode passed away at Baptist DeSoto Memorial Hospital, where he was transported by police.

The Mississippi state autopsy report blamed LSD for Goode’s death, but his attorney Tim Edwards has disputed that report. An independent autopsy ordered by Edwards found that the hog-tying position led Goode to struggle with breathing and eventually sent his heart into cardiac arrhythmia, leading to his death.

If Goode did actually die from taking LSD, he would be one of very few people to die from direct complications with the hallucinogen. Experts in the fields of hallucinogens and forensic toxicology have long disputed the possibility of an LSD overdose. LSD deaths are more commonly related to trauma experienced from hallucinations, such as when a person on LSD commits suicide or wrecks a vehicle.

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Mississippi State Autopsy Report Blames LSD for Troy Goode’s Death

Troy Goode

LSD killed Widespread Panic fan Troy Goode, at least that’s according to the Mississippi state autopsy report released on Monday.

That’s quite a different conclusion from an independent autopsy report released by Goode’s family attorney Tim Edwards. That report, released last month, determined that Goode died after being hog-tied by Southaven police for an extended period of time. Edwards said the independent autopsy showed that the hog-tying position led Goode to struggle with breathing and eventually sent his heart into cardiac arrhythmia, leading to his death.

Goode, who was from Memphis, had taken LSD in the parking lot outside a Widespread Panic show in Southaven on July 18th. According to reports, he began acting erratically before the show, and his wife decided to drive him home. On the way there, she pulled into a parking lot on Goodman Road, and Goode got out of the car. A witness who observed his behavior called police.

When police arrived, Goode reportedly ran around the parking lot and even released a police dog from a van. Southaven police attempted to restrain Goode by hog-tying him, and Goode passed away at Baptist DeSoto Memorial Hospital, where he was transported by police.

If Goode did actually die from taking LSD, he would be one of very few people to die from direct complications with the hallucinogen. Experts in the fields of hallucinogens and forensic toxicology have long disputed the possibility of an LSD overdose. LSD deaths are more commonly related to trauma experienced from hallucinations, such as when a person on LSD commits suicide or wrecks a vehicle.

In 2007, Eureka, California, resident Martin Cotton died after an altercation with police. He was on LSD at the time, and the coroner there attempted to blame the death on an LSD overdose. His family’s attorney said the death was due to blunt force trauma sustained by injuries from the police. His family sued for wrongful death and won. His daughter received $1,250,000 for pain and suffering and $2,750,000 for wrongful death.

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Troy Goode Toxicology Report Finds LSD and Pot

Troy Goode

A toxicology report has confirmed that Troy Goode, the Memphis man who died in police custody in Southaven on July 18th, had taken LSD and smoked pot before his death.

Goode is reported to have taken LSD in the parking lot of the Snowden Grove Amphitheater before a Widespread Panic show, but when he began acting erratically, his wife decided to drive him home.

She pulled the car over into a parking lot on Goodman Road, and he got out of the car and ran around the parking lot. Someone called the police, and Goode reportedly continued to act erratically when they showed up. He tried to release a police dog from a van.

Officers attempted to subdue him by hogtying him, a controversial practice that some believe could have contributed to his death. He was pronounced dead later at a hospital. A full autopsy has not been released yet.

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News News Blog

Preliminary Autopsy Indicates Goode May Have Died of Heart Problem

Troy Goode

Troy Goode, the Widespread Panic fan who died Saturday night after he was hog-tied by Southaven Police, is believed to have died from a heart problem, according to the latest findings from his preliminary autopsy.

Goode had reportedly taken LSD before the Widespread show, and he and his wife were driving to the concert when Goode reportedly got out of the car and was acting erratically. Police responded to the scene and tried to restrain Goode by tying his hands and feet together. Goode had been reportedly trying to kick at officers and EMTs on the scene. Goode died not long after he was restrained.

The incident led some to question how Goode died and whether or not the police restraint method was the cause. A small protest against the Southaven Police was held there last night. But DeSoto County District Attorney John Champion said, after reviewing the preliminary autopsy report, that Goode may have died from a heart issue.

Below is a video taken by a bystander.

A writer for the national political website Wonkette has spoken to the Goode family’s attorney. He had harsh criticism for Southaven police procedures, including hog-tying and possible tasing.

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Music Music Blog

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic

Tyler, The Creator plays Minglewood Hall on Friday, July 17th.

The 25th edition of my Weekend Roundup packs a punch with big name artists playing Memphis all weekend long. From Tyler, The Creator to Ronnie Milsap, there is a little something for everyone this weekend. If you’re planning on going to any of this weekend’s outdoor shows, remember to stay hydrated!  

Friday, July 17th
Impala, DJ Eric Hermeyer, 6 p.m at Handy Park, free.

Tyler, The Creator, Taco, 8 p.m. at Minglewood Hall, $25-$28.

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic (7)

Motel Mirrors, 7:30 p.m. at the Levitt Shell, free.

Loretta Lynn, 8 p.m. at the Gold Strike Casino, prices vary.

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic (2)

The Zebbler Encanti Experience, 9 p.m. at the Hi-Tone, price undisclosed.

Super Witch, Lookout Mountain Daredevils, 9:30 p.m. at Murphy’s, $5.

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic (3)

Saturday, July 18th
St. Paul and the Broken Bones, 7:30 p.m. at the Levitt Shell, free.

Widespread Panic, 7:30 p.m. at Snowden Grove Amphitheater, prices vary.

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic (4)

Ronnie Milsap, 8 p.m. at Horseshoe Tunica, prices vary.

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic (5)

Zigadoo Moneyclips, Highway HiFi, 10 p.m. at the Hi-Tone, $5.

Sunday, July 19th
The Settlers, 4 p.m. at Lafayette’s Music Room.

Victor Wainright, 7:30 p.m. at the Levitt Shell, free.

Weekend Roundup 25: Tyler, The Creator, Loretta Lynn, Widespread Panic (6)

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Memphian Rules the Road for Widespread Panic

Joshua N. Timmermans

(L to R) Mike Smith (Production Manager), Jeff Duckworth (Merchandise), John Herman (Keys), Steve Lopez (Tour Manager), John Bell (Lead Vocals & Guitar)

Widespread Panic will play the Orpheum for two nights, October 18th and 19th. The Athens, Georgia-based jam band is in their 28th year of touring and still play from 70 to 100 dates a year, despite the members being in their 50s and older. None of that deters the new and long-time fans who follow the group and come to multi-night engagements.

Manning the helm of their nightly show is production manager and Memphian Mike Smith, who has worked with the band on and off since 2001, and who has done work for TCB Entertainment, the North Mississippi Allstars, and Big Ass Truck. I was a member of that last band and watched Smith learn the trade. He’s come a long way from being a bank teller (he counts cash like a machine) to our small van to managing a daily retinue of 50 people over 15-hour days. 

“When we were doing Big Ass Truck, you had an AAA card and a pocket full of quarters,” Smith recalls of early tours in the 1990s before smart phones. “Now, everyone has everything they need to know on the phone. It was just riding through the night. If you broke down and something happened … It’s amazing.”

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“It’s shifted over the years for sure,” Smith said while on a break from setting up in the Von Braun Center in Huntsville, Alabama.  “When I started for the Allstars, it was similar to my role with Big Ass Truck: a little bit of everything, helping load in, helping sell merch. But when it comes to the larger acts, they have a tour manager and a production manager. The tour manager just handles the artist and their needs on a day-to-day basis: making sure hotels, press, and things like that are covered. The production manager handles everything related to the show itself. My responsibility includes dealing with all the vendors we use: trucking companies, staging companies, pyrotecnics. I deal with all the vendors and work within the budget they’ve given me for the show. I advance the show in terms of production aspect. I determine the load in time and load out times. The number of personnel has changed over the years. When I was working for Big Ass Truck, there were one or two of us working for the band. When it was the Allstars, there were three or four of us. Now, we are a 26-person traveling crew, not including the band themselves. I manage 26 individuals on the road every day. Today we’re loading into the Von Braun Center in Huntsville and have about 26 stagehands that are working for us.”

Touring is Panic’s bread and butter. The job requires tremendous discipline and professionalism, even within the seemingly relaxed atmosphere of a Widespread show.

“When you work for Panic, who don’t sell a lot of records anyway, touring is their revenue stream; it’s how they make their money,” Smith says. “It’s amazing to see, with how elaborate a show we put on, how cost-effective it is. We keep everything in check cost-wise on a regular basis. It’s not like when we were promoting and doing shows like Foo Fighters, who are selling millions of records and using shows as a marketing tool to sell more records. They throw money at touring, but it’s really like throwing marketing dollars at selling a record. People who know me know that I don’t get mad very often. I don’t yell and scream. Some production managers have that stigma. We like to have a good time in a laid-back environment. But at the same time, we have to be very professional. So they know if Mike Smith is mad, there’s a major problem. Someone’s at risk of getting hurt or something.”

It’s a good gig that has more than it’s share of great nights and good feelings.

“The Panic guys do some outrageously cool things like Tunes for Tots. We play a benefit show in a city. And whatever city they play in, they donate the proceeds to a local high school band. Since 2005, they’ve raised $2.5 million for this program. So a little over $200,000 has gone in each year. It’s amazing. We’ve had band directors tell us they were expecting a few drum sticks and things like that and then how amazed they were when a semi-truck showed up full of everything. I never knew that they have to pay licensing on all of the sheet music they use. That’s an outrageous expense for a high school. This covers all of the licensing. It’s great when you enjoy what you do, and it’s a nice twist when it’s something good at the end. We do food drives at every show. Our management ties into the local food bank at every show. Since 2008, we’ve raise over $80,000 in donations. So at the end of the day, we feel like we had a great show and were able to do something positive.”