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Opinion The Last Word

AI Robots Invade the Classroom — So What?

The future tapped me quietly on the shoulder the other day and suggested that I take a moment to learn about the writing bots. They’re coming!

Excuse me, they’re here. And they struck me as alien invaders, this recent manifestation of artificial intelligence on the internet, which college students, high school students — anybody — can download, feed a topic, and get it to write an essay for them. Is this technology’s next step, after Roomba the robot vacuum cleaner? Humanity is relieved of one more odious task — writing stuff.

“The chatbot,” Kalley Huang pointed out recently in the New York Times, “generates eerily articulate and nuanced text in response to short prompts, with people using it to write love letters, poetry, fan fiction — and their schoolwork.” Apparently, all you need to do to get the AI bot to produce a piece of prose (or poetry?) is give it a subject and whatever other information is necessary to define the topic you want it to blather about. It can then access the entire internet for its data and produce whatever — your English paper, your love sonnet. The possibility of student cheating has suddenly become dire enough that college professors are starting to rethink their writing assignments.

I have some advice for them. But before I get to that, I need to calm my own pounding heart. Writing — to me, as a lifelong journalist, essayist, poet, editor, writing teacher — can be difficult as hell, but every hour devoted to a project is a wondrous adventure, a reach into the great unknown, a journey of discovery, of learning, of becoming. I have described the columns I write as “prayers disguised as op-eds,” and it’s that word, prayer, that swelled and started palpitating as I stumbled on the existence of the writing bot. Should we let AI start writing our prayers? Should we shrug and simply stop being our fullest selves? Life is messy and writing is messy — it has to be. Truth is messy. If we turn the writing process over to the AI bots, my existential fear is that humanity has taken a step toward ending its evolution, ensconcing itself in a prison of conveniences.

“Due to its free nature and ability to write human-like essays on almost any topic, many students have been reaching for this model for their university assignments,” according to the website PC Guide, focusing its attention on an AI bot called ChatGPT, which recently proved smart enough to pass a law bar exam. “And if you are a student hoping to use this in the future, you may have concerns about whether your university can detect ChatGPT.” These words start to get at my primary concern about the whole phenomenon: Critics are missing the point, as they lament that the university’s grading system is under assault. OMG, has cheating gotten easier?

And suddenly it gets clear. When it comes to writing, there’s always been a gaping hole in the American educational system, a mainstream misunderstanding of the nature — the value — of actually learning to write … finding your words, finding your wisdom, finding your voice. Let me repeat: Finding your voice. That’s where it starts. Without it, what do you have? I fear this is a silent question that plagues way too many students — way too many people of all ages — who were taught, or force-fed, spelling and grammar and the yada yada of thematic construction: opening paragraph, whatever, conclusion.

I quote my mentor and longtime friend, the late Ken Macrorie, one of the teachers who bucked this system oh so many decades ago, when I was an undergraduate at Western Michigan University. He was a professor in the English department: “This dehydrated manner of producing writing that is never read is the contribution of the English teacher to the total university,” he wrote in his 1970 book, Uptaught. He was writing about his own career. He was trapped in a system that disdained most undergrads and their writing and often managed to force the worst out of them, aka academic writing, such as: “I consider experience to be an important part in the process of learning. For example, in the case of an athlete, experience plays an important role.”

Dead language! May it rest in peace. Artificial intelligence can no doubt do just as well, probably a lot better. Macrorie quoted this oh so typical example in his book — the kind of writing that is devoid of not only meaning but soul. His breakthrough discovery was what he called free writing: He had his students, on a regular basis, sit down and write for 20 minutes or longer without stopping — just let the words flow, let fragments of truth emerge, and share what you have written. Worry later about spelling, grammar, and such. First you have to find your voice.

I wound up taking his advanced writing class in 1966, two years after he began using free writing as his starting place. Wow. I found my way in … into my own soul. I learned that truth is not sheerly an external entity to be found in some important book. We all have it within us. Doing a “free write” is a means of panning for gold.

And this is the context in which I ponder this recent bit of techno-news: that students don’t have to rely on plagiarism to fake an essay. They can simply prompt a bot and let it do the work.

But that’s not the essence of our social dilemma. As long as the system — let’s call it artificial education — focuses on “teaching to the test” and insists on reducing individual intelligence to a number, and in so many ways ignores and belittles the complex and awakening potential of each student, we have a problem. AI isn’t the cause, but it helps expose it.

Robert Koehler (koehlercw@gmail.com), syndicated by PeaceVoice, is a Chicago award-winning journalist and editor. He is the author of Courage Grows Strong at the Wound.

Categories
Book Features Books

Free Fiction Workshop at University of Memphis

Memphians with a manuscript: Here’s a chance to work with novelist and short-story author Richard Bausch, holder of the Lillian and Morrie A. Moss Chair of Excellence in English at the University of Memphis.

The Moss Workshop in Fiction, with space for 10 students, is free and open to anyone with the talent and the time. Classes will meet on Thursdays from 5:30 to 8:30 p.m., January 3rd through March 6th. Location to be determined.

Those interested in taking part in the workshop should act now and submit a fiction manuscript no longer than 20 pages and no later than December 20th. Those accepted into the class will be notified before Christmas.

Send your manuscript to Richard Bausch, Department of English, 429 Patterson Hall, University of Memphis, Memphis, 38152. And be sure to include your name, address, phone number, and e-mail address.

For more information, call Jan Coleman at 901-678-4692 or contact her by e-mail at creativewriting@memphis.edu.

Categories
Book Features Books

In Focus

In 1976, William Eggleston was the first artist granted a one-man show of color photography at the Museum of Modern Art in New York. But earlier in the ’70s and back in Memphis, where Eggleston lived, he was redefining black-and-white portrait photography in a series that is only now being published — a series of lightning-quick shots made using a large-format, 5 x 7 camera.

The subjects were friends and acquaintances. The setting was the T.G.I. Friday’s that once anchored Overton Square. And the book based on these portraits is 5 x 7 (Twin Palms Publishers; www.twinpalms.com). There’s some signature color shots here too, but it’s Eggleston’s razor-sharp images in black and white that, thanks to Twin Palms, are the new focus of attention.

An essay in 5 x 7 by writer/filmmaker Michael Almereyda sets the scene: In 1973, in the wee small hours, and with Eggleston’s friend Randall Lyon using a “bounce flash” to light the subjects, the photographer took a spontaneous approach and turned it to his advantage: night owls caught in the act — sometimes looking straight-face into the camera; sometimes off in their own thoughts — but captured, as Almereyda writes, with “laconic clarity.” Then Almereyda summarizes the results — results that are trademark Eggleston: “The knowing simplicity, the deadpan irreverence, the imaginative treatment of mundane detail, the uncanny mix of slyness and sweetness, intimacy and detachment — it’s all there in black and white” — images Elmereyda goes on to describe as still “joltingly fresh.” And they are.

The images also serve as a corrective, if, back in 1976, you took John Szarkowski’s word for it. He was the influential MoMA curator who wrote in William Eggleston’s Guide that Eggleston was “perhaps never fully committed to black and white.” Stranded in Canton, Eggleston’s 30-hour, black-and-white video shot during the early ’70s, contradicts that claim. 5 x 7 does too.

But leave it to Eggleston to recognize the full import of his work. Recalling a meeting with Szarkowski over these very nightclub photographs, Eggleston asked the curator, “Have you ever seen anything like these before?” Szarkowski: “No.” Then Almereyda to Eggleston: “That’s all he said?” Eggleston, with laconic clarity, to Almereyda: “I thought that was a lot.”

The Writer Within

A chime sounds. Everybody’s quiet. Then your assignment is: to write … right off the top of your head, for the next two minutes, anything goes. And at the end of those two minutes, you can read aloud what you wrote. Talk about it. Hear from others. Rid yourself perhaps of your own worst enemy: your inner critic.

That was the case at a recent one-night writing workshop conducted by Valentine Leonard, Ph.D. in philosophy from the University of Memphis and author in the spring of 2008 of Bergson-Deleuze Encounters: Transcendental Experience and the Thought of the Virtual (State University of New York Press).

But if that title sounds forbidding, Leonard is not. Last year, she left academia to focus on the creative life and entered into … well, you name it.

In addition to conducting writing workshops, Leonard has taken to the stage as a member of the Our Own Voice theater troupe. She teaches guided meditation. She leads exercises in “past-life regression” and dream interpretation. Her goal, according to her Web site: “to create and communicate new, healing and empowering ways of seeing, feeling and thinking.” And that includes drumming.

On Sundays in Overton Park, you can catch her playing in an Afro-Cuban drum circle, this after she studied Haitian voodoo drumming in Paris, the city where her family moved (from Lyon) when Leonard was 17 and where she began her college career in, of all things, pre-law. No surprise, she says, she “hated it,” and no surprise, after teaching for three years in the philosophy department at the U of M, she saw that her opportunities in Memphis, a city she loves, were limited. Instead, as she puts it, “I wanted to explore creativity rather than talk about creativity.”

You can do your own exploring too when Leonard, along with Diane Brandon, conducts a two-day workshop, “Exploring Your Creativity and Inner Voice,” in Leonard’s Midtown home on August 25th and 26th. To register or for more information, contact Valentine Leonard at valentineleonard@mac.com or by phone at 239-9919.

Categories
Letter From The Editor Opinion

Letter from the Editor: Those Expat Memphis Bashers

Part of my job, as I see it, is to read as many local blogs and Web sites as I can. And it’s interesting to me how the local efforts mirror the national blogs. Thaddeus Matthews, for example, is our local version of the Drudge Report. He throws up every outrageous rumor that comes his way, no matter how potentially libelous or scandalous. And about half the time he’s on target.

Of course, that also means that about half the time he’s totally full of crap. It’s a case of reader beware, but even so, Matthews has posted dozens of items that have led to stories in mainstream media outlets.

It’s the same with other local sites. In Memphis, we’ve got media blogs, liberal blogs, conservative blogs, food blogs, art blogs, and dozens of variations on those themes. Add in the hundreds of MySpace accounts and personal journals and the number of options for reading local “authors” of one sort or another becomes overwhelming.

One thing I’ve noticed, though, is a consistent theme in reader comments: Memphis-bashing. It usually comes in the form of “I’m glad I left this stupid town” or “This is the last straw. I’m moving to DeSoto County” (or Fayette County or Covington or some other perceived Shangri-la).

What the Memphis-haters seem to have in common, however, is an inability to stop themselves. If they’ve moved away, why are they still engaged in local issues? Why go to a blog to insult Willie Herenton if you’re now living the good life in Olive Branch?

Sure, we’ve got problems here in River City, but there is also hope and more media outlets than ever before — amateur and professional — performing watchdog functions. The old 24-hour news cycle is dead. Web sites, including MemphisFlyer.com, post around the clock, as news happens.

Never has more information been more available to the public, and I believe better things are possible with a better-informed electorate. It happened nationally in the last election. It can happen here. We need to keep smoking the rascals out and then take action at the ballot box.

Bruce VanWyngarden

brucev@memphisflyer.com