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Give Memphis! Great Local Gift Ideas for the Holidays

Greg Cravens

If 2020 has proven anything, it’s that we need to come together to support our community — the health, happiness, and longevity of our fellow Memphians count on it now more than ever. While we may not be able to gather with friends and family for gift exchanges like we have in the past, we can still lift their spirits with thoughtful presents that help our local restaurants, retail outlets, and entrepreneurs keep doing what they do. Think local this season!

A Box of Magic

Have a giftee in your life who seeks to better understand their own power, to look within and outside for growth and restoration? Give them a box of magic, or as Sami Harvey, owner of Foxglove Pharm, calls it: a Coven Box.

“I’ve always been amazed by Mother Nature’s ability to heal, and I love finding new ways to use her ingredients to solve my problems,” Harvey says. “I started Foxglove Pharm in 2017 because I wanted to share some of those solutions with my community.”

Each subscription box ($40/month) includes a rotating variety of handcrafted herbal “remeteas” (About Last Night: Hangover Tea, Out of the Blue: Third Eye Tea, and others), scented oils, Resting Witch Face skincare products, rituals, and more special items that “honor the moon, the current astrological phase, and a featured plant.”

Sami Harvey

Each month, she partners with another local maker or small business to spotlight their wares. For her Foxglove offerings, Harvey is “the only witch in the kitchen,” so the products are small-batch and made with “ethically sourced, organic, sustainable ingredients.”

Regarding the rituals included in a box (or separately on the website), Harvey says, “These aren’t like supernatural spells that will destroy all your enemies and turn Michelle Obama into your BFF. But they’re ways to meditate and channel your energy into manifesting a better reality for yourself. The real magic ingredient is you and your intention.”

Visit foxglovepharm.com to order a Coven Box and shop products. — Shara Clark

Feed an Artist

The old cliché about “starving artists” has seldom been more true. Buying art is often the last thing folks are thinking about during tough times like these, but our Memphis painters and sculptors and photographers — and their galleries — have bills to pay, just like the rest of us. That’s why this might be a great year to put a new painting on your wall, or gift someone a work of art so they’ll be reminded of you every day.

Courtesy Jay Etkin Gallery

Untitled by John Ryan

There are many fine galleries in Memphis. Here are just a few: L Ross, David Lusk, Jay Etkin, Crosstown Arts, Orange Mound Gallery, Art Village, Cooper-Young Gallery, and B. Collective. Artists featured include Matthew Hasty, Jeanne Seagle, John Ryan, Mary Long, Roy Tamboli, Eunika Rogers, Cat Pena, Yancy Villa-Calvo, Hamlett Dobbins, Anne Siems, Tim Craddock, and many, many more. In addition, many galleries are featuring special holiday shows.

End what has been a nightmarish year on an upbeat note: Buy a piece of art. It’s good for your heart. — Bruce VanWyngarden

Let Them Eat Cake

I’d be happy to receive a Memphis Bourbon Caramel Cake from Sugar Avenue Bakery, either in or out of my stocking. This is the Sugar Avenue collaboration with Old Dominick Distillery.

Just listening to Sugar Avenue owner Ed Crenshaw describe the six-inch cake makes me crave a slice or three: “The cake is four layers. Each layer is literally soaked in a bourbon caramel sauce. And then our caramel icing, which we make from scratch.”

Courtesy Ben Fant

Sugar Avenue cake

Sugar Avenue worked with Old Dominick’s master distiller/senior vice president Alex Castle to come up with the perfect blend of cake and bourbon. Old Dominick’s Huling Station Straight Bourbon Whiskey was chosen for the cake, which has “a great hint of bourbon flavor,” Crenshaw says. “We add bourbon to the icing and ice the cake with it.”

To help you get even more into the holiday spirit, Sugar Avenue Bakery recently began adding two-ounce jars of extra caramel sauce with every bourbon-flavored cake.

Memphis Bourbon Caramel Cakes are $55 each, and they’re available at sugaravenue.com. — Michael Donahue

Accessorize in Style

When Memphians need to give the gift of stylish living, they turn to Cheryl Pesce, the jewelry and lifestyle store in Crosstown Concourse. The store takes its name from its owner, Cheryl Pesce, a jewelry maker, entrepreneur, and all-around style guru.

This month, Pesce opened a second store in the Laurelwood Shopping Center, giving Bluff City-area shoppers double the chances to find — and give — stylish accoutrements. “I’m banking on Memphis,” Pesce explains. And Memphis seems ready to support Pesce. “We had a grand open house, social distancing into the parking lot, and it went well.”

Courtesy Cheryl Pesce

Handmade jewelry from Cheryl Pesce

The store opening story is just the tip of the breaking-news iceberg, though. Pesce tells me excitedly that she’s been in touch with fashion designer Patrick Henry, aka Richfresh, about his newly designed Henry Mask. “I spoke with him today and — drumroll — we will now be carrying his masks in my Laurelwood store.”

But wait! That’s still not all. The ink is still fresh on a deal for Pesce to carry Germantown-produced Leovard skincare products. “I will be his only brick-and-mortar store in the country,” Pesce says. “So there are a lot of cool things happening, most of them local.”

In the smaller store in Crosstown, Pesce sells hand-sewn baby items, masks, Christmas ornaments, and anything with the Crosstown logo — she’s the official source for Crosstown-brand goods. Laurelwood is larger and a little more deluxe. “One of the focuses for that store is local and regional artisans,” Pesce says. She carries Mo’s Bows, Paul Edelstein paintings, and, of course, hand-crafted jewelry. “That’s really my wheelhouse.

“My studio is at Laurelwood,” Pesce says, “so not only is it made in Memphis, made by me, but it’s all under one roof now. The store, the studio. You can literally come pick out your own pearls — ‘I want this pearl on that earring’ — and then I craft it for you right there.”

Cheryl Pesce is located at 1350 Concourse Avenue, Suite 125, and at 374 Grove Park Road South, Suite 104. Find out more at (901) 308-6017 or at cherylpesce.com. — Jesse Davis

Good Reads

There’s something that comes from holding the edges of a book and being taken to a distant land or wondrous world. Whether it’s due to happenstance or the crazy and confusing world in which we find ourselves now, I have been reading more and more as the months drag on. To fuel my ever-growing hunger for words and phrases completed on the page, Novel has been my go-to place.

Novel is proof that when you are doing something you love, the results will follow. The bookstore, founded in 2017, is the go-to for other local book enthusiasts, too — and with good reason. Their staff will go to the moon and back to help you find the book that fits you just right, and if you’re looking for something specific, chances are they will be just as excited about it as you are.

Matthew J. Harris

of what gift to give this season.

Many of their aisles have felt like a second home to me the past few months. And with books in every genre, it is often easier to ask them what they don’t have, rather than what they do. Personally, I love their new-this-year home delivery option, which offers a safe way to give the gift of literature this holiday season. — Matthew J. Harris

Hit the Boards

This year has given us plenty of time to learn new skills. And what better way to get your mind pumping in both a constructive and competitive fashion than with a game of chess?

The Memphis Chess Club recently opened its new café/headquarters Downtown at 195 Madison Avenue, and the three levels of annual memberships make for a great gift, whether someone is looking to seriously pursue an interest in the game or just learn a few tips and tricks.

Samuel X. Cicci

A Memphis Chess Club membership isn’t as risky a move as the Queen’s Gambit.

The social membership ($50) allows members to play chess in the café area at any time, with tables, pieces, and clocks all provided. The full membership ($100), meanwhile, affords all of the social perks but provides unlimited and free access to all classes and tournaments, which are held at the club weekly. It also offers discounts on merchandise, and members are able to check out materials from the club’s chess library, which contains old magazines and strategy books.

For whole families looking to kickstart an interest in the game? The family membership ($150) contains all full membership benefits and includes two adults and all the children in a household.

And, hey, if chess isn’t your thing, the spacious café is a great space to just hang out or study while sipping on some brewed-in-house coffee or munching on one of chef Grier Cosby’s specialty pizzas.

Visit memphischessclub.com/join for more information. — Samuel X. Cicci

The Gift of Grub

Food is fun and helps define Memphis culture. Those who make that food and fun are in trouble.

Restaurants have maybe suffered more than any small business during this pandemic. Restrictions on them have come and gone and may come again soon. Memphis restaurateurs have shown amazing resilience in these ups and downs. They’ve shifted business models, adapted to the latest health directives, and adjusted staff levels (laying off workers and hiring them back) to match it all.

Memphis Restaurant Association/Facebook

Support local restaurants — so they can stick around.

However, we forever lost some Memphis favorites, like Lucky Cat and Grove Grill. The National Restaurant Association said nearly 100,000 restaurants across the country closed either permanently or for the long-term six months into the pandemic. Nearly 3 million employees have lost their jobs. Help restaurants out and have food fun, too. This holiday season, buy gift cards from our local restaurants.

At the pandemic’s beginning in March, we told you about a national push to buy “dining bonds” or “restaurant bonds.” Many Memphis restaurants jumped in — many selling gift cards at deep discounts. For restaurants, gift cards are quick infusions of cash, helpful in tough times.

So instead of that scarf you’re kind of on the fence about, spend the same amount on a restaurant they love. It’ll be unexpected and, yes, come with some delayed gratification — delicious delayed gratification. Present it not as a gift card but as that dish they love from that place they love.

Sing it with me: “Everybody knows, a burger and some mistletoe help to make the season bright. Memphis foodies, with their eyes all aglow, will find it hard to sleep tonight.”

Gift cards are available at almost every restaurant and for almost any amount. Check websites and socials for details. — Toby Sells

Music to Their Ears

Remember when giving music was a thing? Physical things like LPs, CDs, and cassettes could be wrapped. But now that everything’s ethereal, there’s still a way to give the gift that keeps on giving: Patreon. Musicians are embracing this platform more and more, and it’s working for them. A subscription to their accounts may just be the perfect gift for the superfan in your life who already has everything.

Mike Doughty (Soul Coughing, Ghost of Vroom) relies on his Patreon subscribers for both income and inspiration. As he told the Detroit Metro Times, “Doing a song a week is amazing, and that is really what, if I had my druthers, I’d do for the rest of my life.” Patrons can subscribe at different levels, each with premiums like CDs and T-shirts, but everyone paying at least $5 a month can access Doughty’s song-a-week and more.

Greg Cravens

Other Memphis-affiliated singer/songwriters like Eric Lewis, J.D. Reager, and (coming in December) Marcella and Her Lovers also have accounts. And last month, label and music retailer Goner Records began offering Patreon subscriptions that include access to the Goner archives and exclusive music and videos.

Patreon’s site notes that “there isn’t currently a way to gift patronage,” but if you get creative, you can search for an artist on patreon.com and buy a subscription in a friend’s or family member’s name — and they can thank you all through the year. — Alex Greene

Support Arts and Culture

“A plague on both your houses!” cried the dying Mercutio in Romeo and Juliet, and it seems the COVID-19 pandemic took that sentiment to heart, emptying out our theaters and concert halls and thinning out attendance at museums. But still they persisted. The organizations behind the arts we love are still at work online, virtually, distancing, and striving to keep the arts alive — especially in programs aimed at young people.

You can help the old-fashioned way by getting season subscriptions and memberships for whenever the lights come back on — and they could use that support right now. Or make a simple donation. Help keep Memphis culture alive by giving gifts on behalf of the following, but don’t be limited by this partial list — if you have other favorites, give them a cup o’ kindness as well.

Jon W. Sparks

Spring, Summer, Fall at the Brooks Museum by Wheeler Williams

Performing arts organizations:

• Playhouse on the Square (playhouseonthesquare.org)

• Theatre Memphis (theatrememphis.org)

• Opera Memphis (operamemphis.org)

• Ballet Memphis (balletmemphis.org)

• New Ballet Ensemble (newballet.org)

• Cazateatro (cazateatro.org)

• New Moon Theatre (newmoontheatre.org)

• Hattiloo Theatre (hattiloo.org)

• Tennessee Shakespeare Company (tnshakespeare.org)

• Memphis Black Arts Alliance (memphisblackarts.org)

• Emerald Theatre Company (etcmemphistheater.com)

Museums and galleries:

• Memphis Brooks Museum of Art (brooksmuseum.org)

• Dixon Gallery and Gardens (dixon.org)

• National Civil Rights Museum (civilrightsmuseum.org)

• Metal Museum (metalmuseum.org)

• Stax Museum of American Soul Music (staxmuseum.com)

• Pink Palace Museum (memphismuseums.org)

• Children’s Museum of Memphis (cmom.com)

• Fire Museum of Memphis (firemuseum.org) — Jon W. Sparks

Basket or Box It for a Gift That Rocks It

Need something sweet for your honey this holiday season? Thistle & Bee has the gift that gives twice. A relaxing gift box contains raw Memphis honey, a milk and honey soap bar, and a pure beeswax candle ($20). Every item is handcrafted and directly supports women survivors to thrive through a journey of healing and hope.

Social enterprise director at Thistle & Bee, Ali Pap Chesney, drops a stinger: “We partner with other businesses, too. Feast & Graze uses our honey.”

Feast & Graze/Facebook

Feast & Graze

The cheese and charcuterie company Feast & Grace is co-owned by Cristina McCarter, who happens to co-own City Tasting Box. Boxes are filled with goodies promoting local Black-owned businesses like Pop’s Kernel and The Waffle Iron. An exclusive limited-quantity holiday gift box, Sugar and Spice, just rolled out for the season in two sizes — regular ($74.99) and ultimate ($124.99).

Memphis Gift Basket is owned by Jesse James, who says he is rolling out a new logo this week. Along with the new logo are new products for baskets ($55-$100) that focus on diversity by including more women- and minority-owned businesses, in addition to local items with iconic names like The Rendezvous and Memphis magazine. Guess what else you might find in a Memphis Gift Basket? Thistle & Bee honey.

Now that we’ve come full circle, check out these gift box and basket businesses, as well as partnering companies, for errbody on your holiday list — including that corporate gift list.

Visit thistleandbee.org, citytastingbox.com (use code SHIP100 for free shipping on orders over $100), and memphisgiftbasket.com for more. — Julie Ray

Lights, Camera, Action

A lot of businesses have been hard-hit during the pandemic, and movie theaters have been near the top of the list. With social distancing-limited theater capacity and Hollywood studios delaying major releases into next year in the hopes a vaccine will rekindle attendance, theater chains like Memphis-based Malco have been in dire straits. The exception has been drive-in theaters, like the Malco Summer Drive-In, which have seen a renaissance in 2020.

If you want to support this local institution and give a treat to the movie-lover in your life, you can buy them a Malco gift card. Available in any denomination from $10 to $500, the gift cards can be used for movie tickets and concessions for any film now or in the future. You can also enroll in the Malco Marquee Rewards program, which allows frequent moviegoers to earn points toward free tickets and concessions.

Greg Cravens

Malco has taken extraordinary steps to ensure the safety of its patrons, including mandatory masks, improved air filters, and non-contact payment options. And if you’re not comfortable sharing a theater with strangers right now, there’s a great option: The Malco Select program allows you to rent an entire theater for a screening of any film on the marquee — and that includes screenings in the massive IMAX theaters at the Paradiso. Prices start at $100, which works out pretty well if you want to watch Wonder Woman 1984 with your pod this holiday season. And if the person you’re buying for is a gamer, Malco has a brand-new option. With Malco Select Gaming, you can bring your system to the theater and play Call of Duty or The Last of Us on the biggest possible screen. — Chris McCoy

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Memphis 3.0: The City Makes Plans for Its Third Century

“Is this just another study?!”

The question brought a hush to the proceedings. Everyone realized that the woman asking it had cut to the quick of the matter. I was attending one of the public outreach sessions sponsored by Memphis 3.0, a new initiative to develop a comprehensive plan for the city’s third century, which begins in 2019. Such public meetings tend to attract the same few citizens who have the mindset and the time to get involved, and this woman was clearly a veteran of many such gatherings. Her question immediately conjured up the ghosts of past bureaucrats and academics, however well intentioned, that raised hopes for change, only to offer more business as usual after the data was collected.

But Ashley Cash, a veteran of neighborhood planning herself, and head administrator at the city’s Office of Comprehensive Planning (OCP), was confident and quick with her response: “Whatever is written in this plan gets transferred to the policy and code of the city.” This was, she insisted, going to be a plan with follow-through.

And it was perhaps the first time that one could honestly say this about such a document.

While municipal planning is nothing new, it has only evolved in fits and starts in Memphis. A comprehensive plan like Memphis 3.0 aims to coordinate various project-specific plans with a holistic vision of how to best grow the entire city. If our growth and wealth tend to concentrate around a “cone” expanding from downtown to the east along Poplar, how do we spread it out? How do we encourage businesses in underdeveloped neighborhoods. How do we improve transit to serve them better? How can we make all neighborhoods more livable and more sustainable?

Justin Fox Burks

Meet the architects of Memphis 3.0: (from l to r) Lauren Kennedy, John Paul Shaffer, and Ashley Cash are pooling city resources to design a plan for a better Memphis.

John Paul Shaffer, executive director of BLDG Memphis (a nonprofit that facilitates community development corporations and projects), says, “You can look at our peer cities and model cities, and there’s not a single one of them that doesn’t have some sort of guiding document for how they’re doing business. And how they’re making development decisions.”

The only such plan Memphis has is nearly 40 years old.

Community input has become de rigueur for such plans. “Of course, public meetings are the tried and true method to reach people,” says Cash. “But we’ve also tried to partner with a lot of agencies who have existing networks.” That includes the two chief nonprofit partners in the Memphis 3.0 initiative: BLDG Memphis and the UrbanArt Commission.

If that third partner strikes you as unconventional, you’re correct. Only a few cities have pioneered the tactic of having planners work with artists. (In fact — full disclosure — that’s how I came to be involved with Memphis 3.0, as a consulting musician.) But that’s not all that’s innovative about the project. The biggest leap forward has been to simply take the idea of a comprehensive plan seriously, initiating community involvement across the vast area that Memphis has become, from Presidents Island to Cordova.

Shaffer sums up the city’s history this way: “The city has grown by this cycle of flight and annexation. And that goes all the way back to people getting out of downtown to the streetcar suburbs, and then it continued through the civil rights era, through white flight, and bussing and all these kinds of things that played into it. And it’s all been facilitated by government policy — how government spent money on programs that were accessible mainly to middle-class white families. Then they built highways and all these things that spurred this development and encouraged it. Memphis ate it up to some extent, and that’s how we grew in the entire 20th century.”

Coping with the sheer sprawl of Memphis is the key challenge to planners. City limits that encompassed only 51 square miles in 1945 have grown more than six-fold today. In the 1960s, plenty of federal money was available to subsidize municipal planning departments, but soon after they had to function independently, at the mercy of the economy. This wasn’t always a bad thing, given that one of the major planning goals of the 1970s was to demolish Beale Street. That initiative foundered, but by the late 1970s, there were still enough resources to begin work on the city’s most recent comprehensive plan — completed in 1981 and updated the year after.

“Bringing artists into the equation” helps keep Memphis 3.0 planners thinking outside the box: Yancy Villa-Calvo, the artist behind GEMS (short for Go Explore Memphis Soul), works with Memphis youth to design a stylized map of the city.

The city’s commitment to this plan was rarely resolute, possibly because widespread public input was not a priority. And without citizen involvement, there was no accountability. “If you look at our last comprehensive plan,” says Cash, “there really wasn’t a lot of community engagement in that. That’s just the way the profession was at the time.”

As Shaffer sees it, “It’s not like community engagement didn’t exist back then. I just don’t know that locally it was highly valued the way this project values it. I’m sure there were probably constituent groups that were at the table, and maybe that’s because they’d always been at the table.” What makes Memphis 3.0 different, he says, is “thinking about new approaches and bringing artists into the equation and doing pop-up meetings and bus tours. Even serving meals at community meetings is new. Some of these new approaches are exciting to see at the local level. These approaches have been around for a while; it’s just nice to see them come home.”

“Bringing artists into the equation” is the ideal way to express the process by which aesthetics are brought to bear on a discipline that has traditionally been the realm of number-crunchers. And it brings us to the third primary player in Memphis 3.0, the UrbanArt Commission (UAC). Executive director Lauren Kennedy recalls the evolution of her thinking: “Several years ago, the UAC budgeted for a public art master plan. When I came on board, I didn’t know exactly what to do with that money, because at that point — this was 2015 — there wasn’t really a planning department. There wasn’t some comprehensive city plan to tie it to, and I didn’t want to produce a public art master plan that just lived in a vacuum. So I didn’t move on it that year. Then we got a new mayor, a new administration. Jim Strickland came in and basically rebuilt the Planning Department and the Office of Comprehensive Planning. Also, when I was thinking about how to use that funding, I was starting to follow work in Calgary and Minneapolis, where artists and designers had been plugged into city departments to think about things differently, to come at things from a different approach and perspective, and to consider some of the aesthetics of the way the cities were operating.”

The work in Minneapolis’ Creative CityMaking program that inspired Kennedy ranged from street theater to a “rolling foot cam” video project that recorded pavement-level images. The public interest in such projects was so impressive that Kennedy and John Zeanah (who had recently helmed the Mid-South Regional Greenprint and Sustainability Plan) made a trip to Minneapolis to see it firsthand. What they saw was enough to convince them that artists could take public engagement to a new level. At the same time, Zeanah’s Greenprint project was making a new comprehensive plan for the city seem doable.

“I feel like that was kind of a turning point,” says Shaffer. While his BLDG Memphis had been calling for a comprehensive plan for years, “the Greenprint showed a lot of people who had never seen that comprehensive approach or hadn’t seen it in three decades, and kinda put that back on the table for folks. Where we’re looking at this through the lens of green spaces, but we’re looking at housing, transportation, and workforce and education and health and equity and these kinds of things that make a comprehensive view.”

Roger Eckstrom works with local students at Promise Academy to practice making a plan for the city.

Thus, with some additional encouragement from Paul Young, director of the city’s Division of Housing and Community Development, a perfect storm of influences led to the founding of Memphis 3.0. And in an innovative move, the UAC was at the heart of the operation.

“I’m grateful to the city for being open to this experience and the journey with us,” Kennedy says. She wasted no time in putting out a call for artists. Out of more than 50 applicants in March of last year, three were selected, and bless my soul if I wasn’t one of them. And while we artists are just beginning our engagement events, we’ve worked out some interesting ways to re-imagine our city in creative ways. I am in very good company. Yancy Villa-Calvo, a native of Mexico City, has done public art installations for some time, the most recent being her “Barrier Free” project, which used a movable wall and mirrored silhouettes of families to urge participants to empathize with the immigrant experience. For Memphis 3.0, she has devised an installation called GEMS (Go Explore Memphis Soul). She’ll be visiting neighborhoods with the GEMS mobile, a crystalline-like art piece superimposed on a map of the city, using eye-catching images that encourage people to draw or write what they love, dislike, and hope for in their neighborhood.

Neili Jones, a Raleigh/Frayser native, has studied design, fashion, and brand management, but her real interest is stories. “My goal is to ensure that as many voices get involved as possible,” says Jones. “I meet the people where they are — community meetings, rallies, groceries stores, or at bus stops. My art is about utilizing space and collecting the visual story.” Having most recently done activist art in Atlanta, her work for Memphis 3.0 uses creative set pieces to elicit narratives from residents concerning the history and development (or lack thereof) of their neighborhoods.

As for me, a native of Memphis, Nebraska, my public art (aside from performing in rock or jazz bands) has always centered on sound design for independent movies, modern dance pieces, or gallery installations. My engagement project for Memphis 3.0 focuses on the environmental sounds that surround us. “ReMix Memphis” is a traveling audio experience, using field recordings of Memphis in a user-friendly app that allows participants to mix together the sounds they’d like to hear (or not hear) around them. A way of thinking aurally, not visually, it encourages people to re-imagine the livability of their community. The best part? I’m crowd-sourcing my field recordings. Use your phone to record things like trains, planes, automobiles, playgrounds, or what have you, then email them to remix.memphis@gmail.com.

As one of the artists for Memphis 3.0, I’ve had a front row seat to its implementation. A particularly inspiring moment came during a retreat by the entire team of Memphis planners and artists in St. Louis. One community organizer there, based in Chuck Berry’s old neighborhood, told us: “Every community has a heartbeat. Find it!” And we have followed that counsel. Divvying up the city into 14 districts, three planning teams, each one armed with an artist, are setting up local headquarters as the year unfolds.

The teams also benefit from a small army of expert planners, aside from the professionals already working for the OCP, including local design firms brg3s, Ray Brown, and Self+Tucker, the University of Memphis School of Urban Affairs and Public Policy, and the Berkeley, California-based firm Opticos. The latter have consulted with many cities, based on the key insight that “walkable places are critical for healthy, resilient, and equitable communities.” And, in a departure from old-school urban planning that would have sacrificed whole neighborhoods at the altar of progress, Opticos operates with a “focus on social, environmental, and economic responsibility — a triple bottom line.”

Noble goals indeed, but as I joined the first tour of neighborhoods in the North District (a sprawling administrative fiction stretching from Harbor Town to Hyde Park and Douglass), I wondered how we could bring such values to bear on what we saw. Ray Brown and local residents spoke about significant places on our route (and I spoke about significant musical sites, such as Manassas High School, what was once Johnny Curry’s Club, and the former American Sound Studios, now a Family Dollar). What struck me most was the tragedy of what North Memphis has endured at the hands of collapsed or departed industries. All that’s left of Firestone, one-time employer of thousands, are the ruins of a factory and the brownfields around it, too polluted for cost-effective remediation. Its looming smokestack made me wonder: Could any amount of planning remedy this history?

And yet the mood was upbeat as we tooled up and down Chelsea. When I spoke to community members who attended, they felt their concerns were falling on sympathetic ears, by and large. Quincey Morris, of the Klondike-Smokey City Community Development Corporation  felt that the Memphis 3.0 workshops could have been scheduled better, so as to include seniors who don’t go out in the evenings, or single parents. “Other than that,” she said, “I think that they did listen, especially in my one-on-one interview with [OCP planner] Trey Wilburn. And as 3.0 moves forward, we do intend to stay involved and participate. We have an opportunity to have input and hold people accountable. And I think that’s the only way that you can do it.”

Indeed, as Cash notes, accountability is key: “We can continue the conversation. The process ends in 2019, on the tail end of 2018, but, really, what we wanna be able to say is, ‘Okay, it’s 2020, and we’re still engaged in the community.'” Shaffer adds, “If we adopt a plan that citizens and communities don’t feel like they have any ownership in, it’s not something that’s easily implementable. It’s an uphill battle. Bringing people in for the whole process and the whole ride, it helps get it adopted and makes sure that decision makers are following this guiding document, because it’s something the entire community has come together and said: ‘This is our vision for our city and for our neighborhoods.'”

Visit www.memphis3point0.com to learn more and see when workshops and artists’ events are scheduled near you.