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Accessibility At The Root Of Memphis Performing Arts Groups

Ladia Yates is the founder of the Ladia Yates Entertainment Academy (L.Y.E. Academy,) which was founded in 2014. L.Y.E Academy, located at 4780 Riverdale Road, offers a number of classes such as competitive hip-hop and majorette, Memphis Jookin’, tumbling, praise dancing, and boxing.

This focus on Memphis-centric dancing, while also incorporating modern and contemporary styles, is unique, and according to Yates, it only makes sense. L.Y.E.’s distinctive approach to the arts has been noted, as their social media accounts have garnered over 600,000 followers, reaching more than six-million people in the last 28 days. 

L.Y.E’s dancers have been involved with projects with Nike, Lil Baby, NLE Choppa, Duke Deuce, and more.

“We’re not in L.A., we’re not in New York, so they just find us on social media,” said Yates. “You gotta represent.You don’t want to be too commercial or watered down, you want to stick to your roots.”

Yates’ business represents one that is both Black- and woman-owned, which is important to note when examining businesses in the arts and entertainment industry. A research brief by Bonnie Nichols, senior analyst from the National Endowment for the Arts, said that “members of racial/ethnic minority groups own arts businesses at a lower rate than they own businesses in general.”

Not only did the brief assess that “Hispanics and non-whites own 9 percent of all ‘arts, entertainment, and recreation’ businesses,” but it also said that these groups also own only 11 percent of performing arts companies. The same study also said one in five performing arts companies are owned by women.

While Yates exists in both minority groups, she also realizes that she possessed a level of privilege and accessibility that she wanted to bring to Memphis’ youth.

Yates is originally from California, and moved to Memphis when she was 16 years old. Yates said that while California has its own industry and opportunities, she felt that Memphis lacked that.

“With me being from California and working in the industry, I have the resources to help the underprivileged kids out there [Memphis],” Yates said. “I just wanted to be a stepping stone and prove a point that you don’t have to move to Los Angeles, or Atlanta, or New York to be successful. Just work hard at whatever you do, wherever you are and you can make it.”

The idea of wanting to bring resources from bigger cities to Memphis is a sentiment shared by many creatives in the community. Chrysti Chandler recalls coming back to Memphis in 1991 after seeing there were many children who didn’t participate in after-school activities. She was shocked to find out that the reason for this was because students couldn’t afford it.

Chandler set out to start an organization that would allow for students to have affordable performing arts experience, which resulted in the founding of the Young Actors Guild (YAG).

Accessibility is very important when it comes to the performing arts, especially when it comes to location. YAG recently celebrated the re-grand opening of the Harriet Performing Arts Center, located at 2788 Lamar Avenue, in Orange Mound.

While they were able to purchase this space for only $1 from the city, one of the main reasons they chose to procure this location was so that they could bring the arts back into the community, and make them accessible for young children.

“If they have to walk, it’s right there in their community,” said Sabrina Norwood, executive director for YAG. “It’s a quick drop off, but it’s also an opportunity for students to have a positive space that they can call their own, where they can grow, they can develop, they can train within the arts. They can build leadership and character development.”

Young Actors Guild (Credit: Craig Thompson)

Lack of resources, whether they be local or industry-related, should not prevent students from accessing arts education. This is an idea that the three creatives agree upon, with them all expanding on how vital the arts are in enriching the lives of children in the Memphis community.

“Arts truly is a tool that saves lives in the community,” said Norwood. “There opportunities for young people to have arts accessibility in each community now, which is really great because it provides them the opportunity to dance away negativity, act out the things they’re seeing, and provide positive feedback of ways that we can provide solutions to some of the problems that we see currently going on in our community.”

This approach to the arts has also been exemplified  by L.Y.E. academy.

In December of 2021, Juanita Washington, the head administrator of L.Y.E. Academy, was murdered at Walgreens off of South Perkins. This birthed L.Y.E.’s newest series of events that fall under the title of “Stop The Violence,” and is sponsored by Red Bull and Nike.

Yates believes that everyone is impacted by the arts, whether it be through singing, acting, or painting, which is why she chose to take a stance against violence, all while juxtaposing it with entertainment.

“You have to get people’s attention in a way you know they’ll pay attention to it. Events such as ‘Stop The Violence’ talent shows and concerts will hopefully inspire people to go another route,” said Yates.

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ArtsMemphis Awards 2022 Enhancement Grants

ArtsMemphis has released the names of the seven recipients of their 2022 Enhancement Grants. According to ArtsMemphis, the Plough Foundation established the grants in 2005 “to strengthen organizational infrastructure and position [selected organizations] for sustained growth and community impact.”

The grants were awarded to Cazateatro Bilingual Theatre Group, the Metal Museum, Soulsville Foundation, Memphis Youth Symphony Program, the Young Actors Guild, Arrow Creative, and the Tennessee Shakespeare Company.

“This program encourages our operating support grantees to pursue significant projects that propel their missions forward and enable them to, in essence, ‘enhance’ their presence and impact both locally and globally,” said ArtsMemphis President & CEO Elizabeth Rouse in a statement.

All of the recipients have received Operational Support Grants in the past from ArtsMemphis to assist with their general functioning and programming costs. The Enhancement Grants have arrived at a critical juncture when many local arts organizations are continuing to recover from the pandemic and its myriad effects. 

Some of these organizations, like the Soulsville Foundation, have existed for decades, while others, such as the Cazateatro Bilingual Theatre Group, have been formed relatively recently. 

Soulsville School (Credit: Jesse Davis)

The Cazateatro Bilingual Theatre Group aspires to transcend cultural divides in the Mid-South through arts programming, language workshops, and festivals that celebrate and promote Latin American and other underrepresented cultures. Dorimar Ferrer, the executive director of the Cazateatro Bilingual Theatre Group, elaborated on the organization’s origins, which began with a small group of dedicated Latina women, as well as their community-oriented mission. 

“We are a 501(c)(3) nonprofit that was approved in 2014,” Ferrer said. “We wanted to educate. We wanted to share our Latin American culture, to be proud of our own culture. We wanted to build a cultural bridge between cultures.”

While Ferrer acknowledged the ongoing effects of the pandemic, she emphasized that the company adapted quickly and continued providing programming, albeit digitally. 

“We never stopped for the pandemic,” Ferrer said. “We said, ‘Okay, it is time to be creative.’ We made all of our programs virtual. During the pandemic, we did 150 programs.”

Cazateatro Bilingual Theatre Group (Courtesy ArtsMemphis)

Ferrer spoke on how the pandemic empowered the company’s leadership to learn new technologies and discover nontraditional ways to connect with others. 

“We created programs called ‘Storytimes’ on Facebook Live,” Ferrer said. “We did a ‘reverse’ parade for the Day of the Dead celebration. We had the parade stationed at Overton Park, and people drove by to see the parade. It has been a great opportunity for us to learn new skills.”

The company intends to use the Enhancement Grant funds to support and expand their local bilingual theater workshop program, which meets regularly at the Dixon Gallery and Gardens. Ferrer looks forward to seeing more workshops proliferate throughout the city and compensating their theater teachers for their time. 

“We do [workshops] the third Saturday of every month,” Ferrer said. “They’re free for the community. We hope to grow the program by expanding locations. We want to pay our teachers too because it is important for us to pay our artists.”  

Cazateatro celebrates Black History month annually with an Afro-Latino week that features speakers, workshops, and programming. In addition to expanding the theater workshops, the company plans on using the Enhancement Grant to convert this event into a month-long affair that will feature more performers and artists than was previously possible. 

“We hope to grow the [Black History Month] program,” Ferrer said. “Three or four days is not enough. We hope to do other events during the year as well to celebrate Afro-Latino culture.”

Cazateatro Bilingual Theatre Group (Courtesy ArtsMemphis)

Ferrer has created a welcoming space open to people of all identities and backgrounds. Her and the company strive to make the arts more inclusive for everyone, regardless of their nationality. 

“With this accent, it was impossible for me to do theater [in Memphis],” Ferrer said. “And I don’t want that to happen for my community. Our door is always open no matter what.” 

Ferrer encourages interested parties to reach out to her or visit the company’s website for more information on upcoming events and volunteer opportunities. 

“We are always looking for people to help us at the theater,” Ferrer said. “You do not need to have theater experience to be part of Cazateatro. Everyone is welcome.”

Other organizations, such as the Soulsville Foundation and Arrow Creative, will use the grant money in a different way to promote organizational growth and community outreach. Both plan to use the money to renovate their respective spaces. 

“​​The challenges and opportunities over this past year have forced our organization to fight harder and to become more innovative in ways that we provide service and fundraise. We have been more intentional in assuring we meet the needs of Memphis children within the communities we serve,” said Sabrina Norwood, Executive Director of Young Actors Guild. “Our programs constantly evolve and shift to continuously meet the needs of those we serve.  Every challenge has been met with a creative eye and innovative planning to make the necessary adjustments.”

ArtsMemphis has announced that they are now accepting applications from organizations for their next round of Operating Grants. Those interested can find more information about Operating Grants and the full list of Enhancement Grants recipients at artsmemphis.org. 

“Despite the pandemic pause on our industry in 2020, we as an organization have never pressed pause,” said Rouse. “Continuity in our support of local artists and arts organizations has been critical, and we all must contribute to keep these organizations not only afloat but thriving in our city.”