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Film/TV Film/TV/Etc. Blog

Horrortober: Night Of The Living Dead (1968)


OZ: Original Zombie


FILM TITLE:
Night of the Living Dead (1968)

ELAPSED TIME: 13:22

WHY DID I STOP WATCHING? Blonde lady discovered desiccated body

If there is one reigning moral in horror movies that I can really get behind, it is that a certain amount of forbearance when it comes scary shit will pay off in the end. See: the different between Barbra (Judith O’Dea) and her rube of a brother in the opening scene of Night of the Living Dead (1968.) Barbra and bro drive up to a rural cemetery in order to place a wreath on the grave of a dead relative. It’s a dreary scene, and Barbra’s hapless brother is all complaints: “A lot of good the extra daylight does us,” he says. “You think I want to blow Sunday on a scene like this?”

Judith O’Dea as Barbara.

Barbra, on the other hand, is reverent at the grave. Her brother teases her, recalling a time when they were kids and he scared her. Haha, he says when she winces, “You’re still scared.” Barbra demurs, but she easily could have responded, “No shit. There are fucking zombies in this cemetery, and they are about to kill you, you worthless scrub,” because that is the direction that everything goes. A big ole zombie, a sentient member of the 1960s undead (you can tell it’s the 60s because the zombie wears a suit and has nicely coiffed hair), emerges from over the hill and knocks out broseph. Barbra escapes the cemetery, at least for long enough to barricade herself in an old farmhouse.

The point here is that if you don’t tempt the undead by being a sarcastic jerk, you have a better chance of escaping when they come for you. So why — why?? — would I exercise anything but utmost caution and fear while reviewing a movie about zombies. “Ha ha, zombies are fake,” another critic might write, flaunting their critical thinking skills and rational brains. Not me. Memo to zombies: I think you’re very scary. Leave me alone, please.

So Barbra makes it to this half-lit farmhouse, where she grabs a knife from the kitchen. Nothing comforting about this place at all, except that it temporarily contains no zombies. (Aside about these zombies: they seem smarter, in general, than zombies do now. A little more expressive and mobile. The scariest contemporary zombie movie I’ve seen is Shaun of the Dead, but I can tell you that those zombies are dumber than 1960s zombies, which seems to bode ill for us as a culture. Even our nightmares are getting dumber.) Barbra makes her way around the farmhouse, climbs some stairs and sees a desiccated body, presumably of farmhouse owner. A body that is just eyes in a chewed out skull.

Our columnist did’t get this far into the movie.

For more information about this classic piece of cinema, I will refer you to the Rotten Tomatoes page, because I stopped watching at 13:22. “You’re so scared,” you might say, doing an impression of the guy who gets killed in the first 5 minutes of Night of the Living Dead. “I’m going to survive this horror movie we call life,” I say back to you as I stockpile peanut butter and duct tape in my cubicle. I’ll see you on the other side. 

Horrortober: Night Of The Living Dead (1968)

Categories
Food & Drink Hungry Memphis

Harbor Town Dog Show Eats, and more

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Sunday’s Harbor Town Dog Show is open to all dogs. Any pooch, no matter how questionable his pedigree, can compete for the top prize in such categories as “Least Obedient” and “Best Tail Wagging.”

What does this have to do with food? The event is a fund-raiser for the Humane Society of Memphis and Shelby Country, and $20 gets you and your dog entry into its VIP area, where there will be a spread with food from Miss Cordelia’s, Paulette’s, Tug’s, and the Terrace. One Smart Pet Food will be donating treats for the dogs.

The event is from noon to 4 p.m.

Tickets for the VIP room can be purchased here.

The Memphis Farmers Market annual Barnyard Ball at the Central Station Pavilion is Saturday, from 4 to 7 p.m. There will be plenty of food from area restaurants plus beer and wine, but I’ve got my eye on that cake walk.

Get your tickets here.

But wait, there’s more …

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The Spellbound Halloween party, Halloween night, at the Madison Hotel will feature a Candy Corn Cocktail. It’s Kahlua, Licor 43, butterscotch schnapps, half & half, and OJ.

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Nuff said.

Nearby at Felicia Suzanne’s, also on Halloween, is the Zombies, Tacos, & Tunes. There will be $2 tacos, spooky cocktails, plus a costume contest, which is open to dogs.

On Saturday, starting at 1 p.m., Slider Inn will host Paws for a Cause, another event benefiting the Humane Society.

Categories
Cover Feature News

Zombified

Some ironies are too delicious not to mention, no matter how obscure the points of reference might be. In 1987, on an episode of the awful Suzanne Somers sitcom She’s the Sheriff, daffy Deputy Max Rubin described a dire situation to dippy Sheriff Hildy Granger as being, “Just like in that old movie I Was a Zombie for the F.B.I.” As usual, Max had it wrong. Zombie, which will screen at this year’s Indie Memphis Film Festival as a part of its “Back in the Day” series, was shot by a crew of mostly unpaid Memphis State University students in 1982.

Although it had the look of a backlot studio screamer from the 1950s, Zombie had never received any kind of theatrical release. It entered the public consciousness on Halloween night in 1985 via the USA Network’s Night Flight programming. It was aired as part of a special fright-night double feature, paired with the schlock classic Attack of the Killer Tomatoes. Needless to say, Deputy Max’s ill-informed reference probably fell beyond the frame of reference of most She’s the Sheriff viewers.

But Zombie, which was director Marius Penczner’s first and only film, and which was only shown once in Memphis, six times on Night Flight, and nowhere else, somehow penetrated deeper into the American psyche than its too-brief provenance might suggest.

In December 1985, Spin magazine published a column slugged “Dylan on Dylan,” in which the iconic musician and occasional actor said I Was a Zombie for the F.B.I. was a movie he really wished he’d been in.

With Dylan’s mention, Penczner’s film, which was always “out there,” was now officially “out there.” Today, Penczner consults for political campaigns and makes commercials.

So what was it about Zombie, a film described by its creators as a parody of black-and-white science fiction films and serialized cop dramas, that helped it into the canon of cult cinema? The irresistibly wrongheaded title certainly helps, as does the film’s failure as a parody. I Was a Zombie for the FBI plays as straight as Reefer Madness, giving it a rare authenticity and deceptive charm.

Larry Raspberry, former lead singer of the Gentrys, and his cousin James Raspberry play a couple of agents investigating the alleged death of the infamous Brazzo brothers, who have disappeared in a UFO-related plane crash. But Bart (John Gillick) and Bert (Lawrence Hall) aren’t dead. They’re in the employ of aliens who intend to conquer the Earth by contaminating the soft-drink supply.

Zombie’s credits read like a who’s who of Memphis theater. Jim Ostrander, for whom the local theater awards are named, makes a brief but memorable appearance as a ruthless corporate executive. Award-winning actor/director Tony Isbell and character actor Rick Crow play a deadpan pair of alien henchmen. Raspberry was Memphis’ original Dr. Frankenfurter when Circuit Playhouse staged The Rocky Horror Show in 1976.

“There were times when I spent hours tied up with my arms over my head in a basement in July,” says Memphis theater veteran Christina Wellford Scott, confessing that all the suffering was worth it.

Scott plays Zombie‘s Penny Carson, an eternally imperiled heroine who isn’t afraid to slug a zombie with a piece of heavy equipment or fill the bad guys full of lead.

“They were making the story up as we went along. Marius would make up these wild stories and tell me I was going to have to jump from a building onto a bunch of mattresses. And I believed him.”

Penczner cut 33 minutes from his film prior to its 2005 release on Rykodisc, improving some effects and adding an omnipresent electronic soundtrack that moves things along to a raunchy porn groove. The result is faster paced, less confusing trash cinema that is still entirely too slow and completely confusing. And even for fans of bad film making, that’s a good thing.

I Was a Zombie for the FBI

Monday, October 22nd, 9:40 p.m.