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We Saw You: Everybody Celebrated at Cooper-Young Festival

The 34th Cooper-Young Festival drew about 126,000 who were ready to come back to it.

It was great to get back to the Cooper-Young Festival after three years. I saw people I hadn’t seen in — well, three years.

I parked six or so blocks away, but it was a beautiful day to walk. When I got to Cooper Street and Central Avenue, I was awestruck at the crowd. This was around 2 p.m. and it looked like people were still streaming in when I left around 6 p.m.

Tucker and Hope at Cooper-Young Festival (Credit: Michael Donahue)
Uriah Mitchell at Cooper-Young Festival (Credit: Michael Donahue)
Erika Montesi and Montie Doss at Cooper-Young Festival (Credit: Michael Donahue)
Kameron and Jo Jo Blakely at Cooper-Young Festival (Credit: Michael Donahue)
Keith Cooper at Cooper-Young Festival (Credit: Michael Donahue)
Buck Morris and Melanie Young at Cooper-Young Festival (Credit: Michael Donahue)

There was no festival in 2020, but they did have one last year. Tamara Cook, Cooper-Young Festival executive director, said that because of “up and down Covid,” they only had 75,000 people attend. But, she says, “This year, we were back, man. They’re saying there were 126,000 out there. And that crowd turns four times a day. Typically, you come out here, you stay three or four hours.” This year’s 34th festival will be one to remember.

There were two stages and 12 bands this year. Singer/songwriter/ musician Bailey Bigger was headliner.

Cook said, “We kind of got away from rock and roll this year. The music was a little more laid back. And we had some new people out here.” Soundbox, whose members range from 10 to 15 years old, was “the youngest group of people that ever played on our stage before,” she said.

Cooper-Young Festival didn’t make much money last year. “We just got hit,” Cook said. “This is our only fundraiser. In 2020, we didn’t have any money coming in. We were back on our reserves.”

That’s why the First Congregational Church parking lot wasn’t used this year. “We just haven’t done the First Congo parking lot,” she said. “It’s expensive. Those stages are very expensive. And music is expensive. And sound is expensive. So, we had to cut back.”

The festival also featured more than 400 booths this year. They ranged from arts and crafts to info booths on sponsors and non-profit businesses.

Stone Sherrod at Cooper-Young Festival (Credit: Michael Donahue)
Antonio D. Johnson at Cooper-Young Festival (Credit: Michael Donahue)
David Ferguson and Mike Houston at Cooper-Young Festival (Credit: Michael Donahue)
Ryan Blankenship at Cooper-Young Festival (Credit: Michael Donahue)
Sam Cox and Katelyn Lambert at Cooper-Young Festival (Credit: Michael Donahue)

Cook said, “I was having people texting me on social media how great a time they were having. And that’s never happened before. I don’t know. I guess people were just ready.”

Isabella Harbor and Nate Dattel at Cooper-Young Festival (Credit: Michael Donahue)
Kerri Phillips and Spekulate the Philosopher at Cooper-Young Festival (Credit: Michael Donahue)
William Mosteller and Henry Perkins at Cooper-Young Festival (Credit: Michael Donahue)
Sophia Williams and John C. Stubblefield at Cooper-Young Festival (Credit: Michael Donahue)
Jeffrey Matlock, Cali Hubbard, and James Pope Jr. at Cooper-Young Festival (Credit: Michael Donahue)
Alex Hwang, Manny Howze, and Ethan Piccirii at Cooper-Young Festival (Credit: Michael Donahue)
Will Allen, August Moon Stevens, and Anna Vo at Cooper-Young Festival (Credit: Michael Donahue)
Keybaby and Dominique Gates at Cooper-Young Festival (Credit: Michael Donahue)
Tri Nguyen at Cooper-Young Festival (Credit: Michael Donahue)
Destiny Nicole, Danielle J, Simone Yates, Diva Nelson at Cooper-Young Festival (Credit: Michael Donahue)
Alex Smith and Anya Brignole at Cooper-Young Festival (Credit: Michael Donahue)
Derek, Ava, and Ellie Cooper, and Blake, Ruthie, and Emmett Lichterman at Cooper-Young Festival (Credit: Michael Donahue)
We Saw You

By Michael Donahue

Michael Donahue began his career in 1975 at the now-defunct Memphis Press-Scimitar and moved to The Commercial Appeal in 1984, where he wrote about food and dining, music, and covered social events until early 2017, when he joined Contemporary Media.