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Sports Tiger Blue

#9 Tigers 84, Tulane 73

The 9th-ranked Tigers opened American Athletic Conference play Monday night at FedExForum, starting what they hope will be a championship run just as one year — and decade — yields to another. After falling behind the Green Wave early (13-4), the Tigers surged with multiple runs fueled by the talented roster of freshmen coach Penny Hardaway has at his disposal. With 14 points, seven rebounds, eight assists, and three blocks, D.J. Jeffries was merely one of five Memphis players to score at least a dozen. With help from a pair of sophomores (Tyler Harris and Alex Lomax) in crunch time, the Tigers earned their 10th straight win and improved to 12-1 for the season.

Larry Kuzniewski

D.J. Jeffries

“I’m proud of the boys,” said Hardaway. “First conference win against a tough match-up zone. It’s tough to dissect, especially for a young team. We knew it wasn’t going to be easy.”

Memphis shared the ball as well as it has all season, dishing out 24 assists (with but 12 turnovers) on 34 made field goals. Lomax matched Jeffries with eight dimes and Damion Baugh handed out six assists to go with his 15 points. (Lomax was a remarkable plus-27 in 25 minutes of playing time. He hit three important free throws in the game’s final three minutes when Tulane pulled within four points.)

Lester Quinones appeared to be in top form in his second game back from a right-hand injury. Coming off the bench, Quinones hit four three-pointers, scored 16 points and drew five fouls from Tulane players. Harris also hit four treys and Precious Achiuwa threw down three second-half dunks on his way to 14 points and 10 rebounds, his sixth double-double of the season.

“Going 1-0 in conference play is huge,” said Quinones. “Just grinding out a win. We’re coming together, on and off the court, as brothers. Coach has emphasized cutting down on turnovers. Instead of flashy passes, just run the offense, execute. And our ball movement was excellent today.”

Native Memphian (and former Tiger) K.J. Lawson led the Green Wave (8-5) with 22 points. The graduate transfer — playing for his third program — got emotional in the postgame press conference when asked about the mixture of boos and cheers he heard when he was introduced with the Tulane starters. “You can never blame the kids,” said Hardaway. “K.J. was in a situation with his father, he needed to move. It’s a family decision. He wanted to play well. The few fans who booed him, that’s a shame.”

The Tigers return to FedExForum Saturday to host Georgia and one of the country’s top freshmen, Anthony Edwards. Memphis will aim to extend its winning streak to 11 games with another group effort, a “win by committee” as Hardaway describes it.

“Chemistry is everything with a young team,” stressed Hardaway, whose longest winning streak as a player for the Tigers was six games (in 1993). “Usually when you get a young team, everyone wants to be The Man. But this team has gelled, and is working off one another, on and off the court. We’re gonna need that.”

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Top Ten Music Videos of 2019

Music Video Monday is counting down the hits!

The Memphis Flyer is proud to feature music videos from Memphis artists on Music Video Monday. Judging from the mind-bending difficulty of putting together this top ten list, 2019 was a good year. I scored the year’s videos on concept, song, look, and performance. Then, I shook my head at all the ties and did it all over again. It was so close, it was an honor just to be in the top ten, and I had to include three honorable mentions. Congratulations to all our winners!

HONORABLE MENTIONS:

A. Frog Squad’s live space jazz epic “Solar System in Peabody”, directed by Brett Hanover, earns an honorable mention as one of the most incredible pieces of music that came across our threshold this year.

B. Stephen Chopek’s cover of the Pogues “Yeah Yeah Yeah Yeah Yeah” came with one of the DIY video auteur’s cleverest videos yet.

C. Louise Page’s “Future Runaway Bride,” directed by Joshua Cannon and Barrett Kutas, will get you to the church on time, but what happens then is on you.

TOP TEN:

10. PreauXX – “Steak and Shake ft. AWFM”

The Unapologetic crew gets behind the counter of a sandwich joint in this video from director 35 Miles. This is one of those videos where you can just tell that everybody had a great time making it, and the fun is infectious. 

Music Video Monday: Top Ten Music Videos of 2019

9. Uriah Mitchell – “Might Be”

Everything is wound up tight in Waheed AlQawasami’s video of a surreal night at the club with Uriah and his friends.

Music Video Monday: Top Ten Music Videos of 2019 (2)

8. Heels – “King Drunk”

Director Nathan Parten transforms Midtown into a D&D fantasia in this incredible animated video for Memphis’ hardest rocking duo.

Music Video Monday: Top Ten Music Videos of 2019 (3)

7. Talibah Safiya – “Healing Creek”

Director Kevin Brooks brought out Talibah Safiya’s beauty and charisma in this spiritual video, which won the Hometowner Music Video award at Indie Memphis 2019.

Music Video Monday: Top Ten Music Videos of 2019 (4)

6. Sweet Knives – “I Don’t Wanna Die”

Shannon Walton is outstanding as a stranded aviator in this video by director Laura Jean Hocking for the reunited veterans of the Lost Sounds, led by Alijca Trout.

Music Video Monday: Top Ten Music Videos of 2019 (5)

5. The Poet Havi – “Shea Butter (Heart of Darkness)”

Director Joshua Cannon and cinematographer Nate Packard took inspiration from Raging Bull for this banger from The Poet Havi, who clearly has more and better dancers than Martin Scorsese ever did.

Music Video Monday: Top Ten Music Videos of 2019 (6)

4. Impala – “Double Indemnity”

Director Edward Valibus and actress Rosalyn Ross created a heist movie in miniature for the kings of Memphis surf’s comeback record.

Music Video Monday: Top Ten Music Videos of 2019 (7)

3. John Kilzer – Hello Heart

Memphis lost an elder statesman of music this year when John Kilzer tragically passed away in January. Director Laura Jean Hocking created this tone poem in blue for his final single.

Music Video Monday: Top Ten Music Videos of 2019 (8)

2. Al Kapone – “Al Kapeezy Oh Boy”

Director Sean Winfrey knows how large Al Kapone looms in Memphis music, and he finally blew the rapper up to Godzilla size in this video for one of Kapone’s best jams since “Whoop That Trick”.

Music Video Monday: Top Ten Music Videos of 2019 (9)

1. Louise Page – “Harpy”

When this one dropped in October, MVM called it “an instant classic.” Animator Nathan Parten transformed Louise Page into a mythological monster and sending her off to wreak havoc on Greek heroes. Don’t feel sorry for Odysseus. He got what he deserved. Memphis, look upon your best music video of 2019: 

Music Video Monday: Top Ten Music Videos of 2019 (10)

If you would like to see you music video on Music Video Monday, and maybe in the top ten of 2020, email cmccoy@memphisflyer.com. Happy New Year! 

Categories
News News Feature

Party Like It’s 2020: Our NYE Guide

It’s been 20 years since 1999 — and 37 years since Prince released his end-of-the-world party album 1999 in 1982 — but we’re still going to party like it’s the end of the decade. That’s right, the “new” millennium is out of its difficult teen years and almost old enough to buy itself a drink or rent a car. Hopefully we’ve all gained some wisdom, but now’s not the time for quiet reflection. It’s time to par-tay! Here’s our guide to some of Memphis’ most happening events this New Year’s Eve.

AutoZone Liberty Bowl

The 61st annual bowl game is perfect for those who want to celebrate without staying out too late. Navy vs. Kansas State. Liberty Bowl Memorial Stadium, Tuesday, December 31st, 2:45 p.m.

Beale Street’s New Year’s Eve Celebration

Say goodbye to 2019 amid Beale’s 188 years of history with a party with live music, dancing, fireworks, food, drinks, and a giant mirror ball. No purchase necessary to attend, but remember, Beale Street is 21+ after dark. Beale Street, Tuesday, December 31st, 5 p.m.

Lord T. & Eloise

Lord T. & Eloise’s New Year’s Eve Ball

A night of decadence, desire, and debauchery promises to descend upon revelers at the newly reopened Black Lodge, with performances by Model Zero, Glorious Abhor, Louise Page, and Memphis’ most aristocratic rappers, Lord T. & Eloise. There will also be aerial and dance performances from Poleuminati and a light show from Queen Bea Arthur. Dance, dance, dance among the DVDs! Black Lodge, Tuesday, December 31st, 9 p.m. $20.

The PRVLG

New Year’s Eve at Hattiloo Theatre

Kortland Whalum, Talibah Safiya, and The PRVLG will perform, and comedian P.A. Bomani will deliver the end-of-year chuckles. Admission includes a flute of champagne and party favors, and the FunkSoul Cafe will be open, as well. Hattiloo Theatre, Tuesday, December 31st, 9 p.m.

New Year’s Eve at Graceland

Party like a king — or at least where the king of rock-and-roll used to party. Experience the “wonder of New” Year’s with this dinner and dance party at Elvis’ old stomping grounds. Roby Haynes and Party Plant perform, and admission includes a buffet dinner and midnight champagne toast. The Guest House at Graceland, Tuesday, December 31st, 7 p.m. $125.

Peabody New Year’s Eve Party

Ring in the new year in style at the South’s grand hotel. With music by Almost Famous, Seeing Red, and DJ Epic and a VIP section that includes party favors, hors d’oeuvres, and unlimited champagne, this party will help revelers set a sophisticated tone for the new year. The Peabody, Tuesday, December 31st, 8 p.m. $40-$175.

Quintron & Miss Pussycat’s New Year’s Eve

A New Year’s tradition. Hash Redactor and Aquarian Blood perform.Admission includes a free champagne toast and the balloon drop at midnight.

Hi Tone, Tuesday, December 31st, 8 p.m. $20.

Dale Watson & his Lone Stars with Honky Tonk Horn Section

This honky tonkin’ hootenanny is the Hernando’s Hide-A-Way way of ringing in the new year and a new decade. With a champagne toast, black-eyed peas, and cornbread to get the year started off on the right cowboy boot. Hernando’s Hide-A-Way, Tuesday, December 31st, 9 p.m.

New Year’s Eve with Spaceface

The Young Avenue Deli has a brand-new sound system, and there’s no better way to test it out than with a rockin’, raucous band. Ring in 2020 with Memphis’ most theatrical psychedelic party band. Champagne toast at midnight.

Young Avenue Deli, Tuesday, December 31st, 9 p.m. $15.

New Year’s Eve with Star & Micey

Railgarten is Midtown’s backyard, so it’s only right that they should invite local legends Star & Micey to help sing in the new year. For those who “Can’t Wait” for 2020, don’t try to Get ‘Em Next Time — get to this party this year. Daykisser opens. Railgarten, Tuesday, December 31st, 9:30 p.m.

New Year’s Eve Lantern Hike

Celebrate the new year in nature. Ranger Gooch leads this lantern-lit, two-mile hike through the woods. S’mores and hot chocolate or hot apple cider await attendees at the end of the hike. Remember to dress for the weather, and please leave flame-lit lanterns at home. Meeman-Shelby Forest State Park, Tuesday, December 31st, 11:30 p.m. $5.

Roaring ’20s New Year’s Eve Party

Giggle water at midnight, eh old chum? Admission includes an open wine and beer bar, a midnight champagne toast, and hors d’oeuvres. All proceeds go to the Boys & Girls Club of Greater Memphis. 616 Marshall, Tuesday, December 31st, 8 p.m. $75-$150.

Spectrum XL Goes to Minglewood

Ain’t no dance party like a Spectrum dance party. The storied club brings its end-of-the-year dance party to Minglewood. Bring your own sequins and glitter. Proceeds benefit Friends for Life. Minglewood Hall, Tuesday, December 31st, 9 p.m. $30-$125.

New Year’s Eve Bash at B.B. King’s

Maybe the best way to ensure you don’t get the blues in 2020 is to ring in the new year by dancing to the blues at B.B. King’s. Tickets include open wine and beer bar, midnight champagne toast, and hors d’oeuvres. B.B. King’s Blues Club, Tuesday, December 31st, 6 p.m. $25 (general admission), $100 (dinner package).

Back to the ’20s

Another early-night option, Crosstown Brewing’s New Year’s shindig includes music by Graham Winchester, dinner catered by Next Door American Eatery, and the debut of I Am Brut — a Brut IPA for those non-champagne drinkers out there. Crosstown Brewing Company, Tuesday, December 31st, 6:30-9:30 p.m.

Beauty Shop New Year’s Eve

A four-course dinner with the swinging, sultry sounds of Gary Johns & His Mini Orchestra. Call 272-7111 for reservations. Beauty Shop, Tuesday, December 31st, 5 p.m.

Toast to the ’20s

Tin Roof gets the new year going with music from Chris Ferrara, Bluff City Bandits, The Common Good, DJ Stringbean, and DJ ZewMob. Champagne toast at midnight. Tin Roof, Tuesday, December 31st, 6 p.m., $30.

New Year’s Party at Gold Club

Okay, so the family-friendly holidays are over. The little turkeys and reindeer have all been put to bed before midnight, and the adults will play. It’s time to get down and dirty and let the new year come in hot and heavy. Party with a balloon drop, dance and drink specials, and a complimentary champagne toast at midnight. Gold Club Memphis, Tuesday, December 31st, all night long.

New Year’s Eve on the Terrace

Ring in the new year against the stunning backdrop of the Mississippi River and the colorful Mighty Lights bridge light show. What’s more Memphis than that? Call 260-3366 for reservations. Terrace at the River Inn, Tuesday, December 31st, 4 p.m.

Y2K New Year’s Dance Party

Remember the Y2K panic of 1999? The computers couldn’t understand a new millennium. A nine becoming a zero was going to cause worldwide nuclear meltdown. Anyway, let’s relive that end-of-year mass hysteria — with drinks and dancing! Celebrating the 20th anniversary of Y2K with end-of-the-world drink specials, DJs spinning tunes, and dancing throughout the night. Rec Room, Tuesday, December 31st, 8 p.m.

Categories
Food & Drink Hungry Memphis

Sushi Jimmi Joins Saltwater Crab

Jimmy Sinh


Sushi Jimmi — the man not the restaurant — will become chef/kitchen manager at Saltwater Crab.


Jimmy “Sushi Jimmi” Sinh, owner of the now defunct Sushi Jimmi Asian fusion restaurant at 2895 Poplar, will become chef/kitchen manager at Saltwater Crab beginning January 15th, says owner Gary Lin.

Saltwater Crab, which opened in July, serves a range of fare from seafood to steaks. It also served sushi. “I took sushi away and people complained,” Lin says. “They wanted more sushi. I needed somebody hard working in the kitchen to take it to a different level.”

Why Sinh? “A lot of people in the whole city know him,” Lin says. And, he added, “All my servers, bartenders, know him. They wanted me to bring him back.”

Sinh initially closed Sushi Jimmi on May 23rd, saying he wanted to spend more time with his family. He said he put too much money ($250,000) into the restaurant, though he says it was successful. He planned to move to Florida, but his family didn’t want to let the restaurant go. He reopened Sushi Jimmi June 15th, but it closed for a second time at the end of July.

“I just shut my restaurant down,” Sinh says. “I didn’t want to be bothered for a while. I spent six months in someone else’s kitchen, just trying to get my mind straight for a little while. I wanted a little more time with my family. Gary approached me about two weeks ago and we talked about it.”

Sinh will bring back sushi favorites from Sushi Jimmi, but he says he also will be in charge of the entire Saltwater Crab menu. “I’ll be tweaking the menu. Redoing everything. Making it better.”

A Sushi Jimmi steak? “Mine is not just a salt-and-pepper steak. Mine is more well seasoned. A lot thicker. A thick cut of meat. I want the quality to be better.” Sinh added, “I want a very strong team. In about three weeks we want to come out strong and we want to give Memphis something to remember.”

That will include “great atmosphere, live music,” he says. “We’re thinking about doing live music — more specials, more drinks. We’re going to give Memphis everything they want. It’s going to be a very stressful three weeks. I’m going to be sleepless. But it’s good for you. I’m a chef. We’re going to start 2020 off with Sushi Jimmi back in town.”

Saltwater Crab is located at 2059 Madison.

Categories
Beyond the Arc Sports

Grizzlies Fall Short Against Denver, 119-110

On Saturday night at the Pepsi Center in Denver, the Memphis Grizzlies couldn’t get over the hump after scoring just 11 points in the first quarter against the Nuggets. Denver pulled off the victory 119–110. 

The Nuggets improved to 22–9 on the season, while Memphis fell to 12–21. Denver has won eight of its last nine games. The Grizzlies have lost four straight to Denver, overall. 

The Nuggets were up by many as 23 points in the first half before the Grizzlies went on a rally to tighten the game. After scoring just 39 points in the first half, Memphis put up 71 points in the second, but it was not enough to overtake Denver.

NBA.com

Nikola Jokic

Nikola Jokic garnered his seventh triple-double of the season, with a season-high 31 points, 10 rebounds, and 10 assists, before fouling out of the game late in the final period.  Jokic now has 35 career triple-doubles.

Jokic wasn’t pleased about giving up a lot of points to the Grizzlies in the second half. “In the first quarter, they score 11 points and in the fourth, they score 42,” said Jokic. “It’s a huge difference. We have to be focused on closing the halves, closing the quarters, closing the games. The fourth quarter is the time our defense needs to be the best; it wasn’t tonight, but we won the game, which is the most important thing.”

Other Denver contributors included former University of Memphis standout, Will Barton, who put up 20 points, seven assists, six rebounds, plus two steals in 36 minutes of play. Mason Plumlee started in his first game of the season for the Nuggets and scored 15 points, with seven rebounds, in 20 minutes. Jamal Murray added 15 points, five rebounds, and five assists. 

Denver won the points in the paint battle, 66–58 (+8)

Jaren Jackson Jr. led Memphis with 20 points and four rebounds. Jackson discussed how the Grizzlies were able to get back in the game after being down by 23 points: “A lot of better ball movement and a lot of side-to-side play. When we trust our ball movement and trust our pick-and-rolls, we just have much more action with more rhythm, and everyone gets open looks.”

Jackson also discussed how it was to match up with Jokic. “He’s really strong  —  he’s really going to cause some problems,” Jackson added. “He’s a really good passer, too. It’s kind of pick your poison with him when he’s hitting the three-ball. You’ve got to make sure you take one thing away and I definitely didn’t do a good job of that tonight. I definitely could have been better. He’s a good player.”

De’Anthony Melton had 17 points and four rebounds off the bench. Ja Morant tallied 16 points and eight assists. Brandon Clarke added 15 points and five assists while going 6-of-8 from the field. 

Jonas Valanciunas scored 14 points and 10 rebounds in 24 minutes for his 17th double-double of the season. It’s his fourth game of the season with 14+ points, 10+ rebounds and two made three-pointers. 


Game Quotes
Grizzlies Head Coach Taylor Jenkins

On what went wrong:
“Obviously, it was a tough first quarter for us. We were not able to get a lot of shots to fall, both layups and threes, during the first quarter and a half. But, I love our resolve. Our guys were great at half-time and making a run to close out the second quarter. We cut it to three at one point in the third. It got back to seven in the 4th quarter and they made a run. So, for our guys to come in here and compete like that and come up short is obviously unfortunate. But, I’m proud of a lot of things we did tonight.”

On fatigue being a factor once the team came back:

“No, I think our guys were competing at a high level. They made the plays down the stretch, so credit to the Nuggets. They had some offensive rebounds that they came away with, and a couple late passes here and there. They also had some big-time shots, but I think our effort was great for 48 minutes.”

Up Next

The Grizzlies return home to host the Charlotte Hornets in the FedExForum on Sunday night. Tip-off is at 7 pm CST. 

Categories
Politics Politics Beat Blog

Bobby Lanier, Pillar of Shelby County Government, Dies

Bobby Lanier, one of the most significant figures in Shelby JB

Bobby Lanier in 2015

County political history and one of the most personally revered as well, died on Saturday, December 28th, after several years of failing health (more to come). Hopefully, some measure of the man can be gained from this profile of Lanier in the Memphis Flyer issue of October 17, 2002:

The Man to See (published October 17, 2002)
by Jackson Baker

For decades, Bobby Lanier has been the preeminent behind-the-scenes presence in County government.

It is a small weekday luncheon in the Plaza Club, sponsored by the Greater Memphis Area Chamber of Commerce and featuring the still new mayor of Shelby County, A C Wharton. The audience of engineers, architects, and other construction-industry types listens attentively as the nattily dressed, crisp-looking Wharton expounds on the problems confronting him — a narrowed economy, the issue of school construction, the property-tax threshold, the issue of Interstate 69, what-have-you. After working down the list, he expresses confidence that, “with the help of people like Bobby Lanier,” he can solve them.

This bouquet, he extends with a slight toss of his head toward a distinguished-looking white-haired man sitting at one of the round tables nearby, just to the left of the one seat — the mayor’s — that is unoccupied. Lanier nods his acknowledgment of the compliment ever so slightly, the line of his mouth set tight but ready for mirth, the eyes possessing a watchful twinkle, his focus altogether on Wharton, as ready to indicate a dessert choice for the mayor (cheesecake) as to answer when the mayor wonders out loud which country club “out in Collierville” he had recently visited with 9th District congressman Harold Ford Jr.

“Ridgeway,” says Lanier definitively, and Wharton proceeds with a tale of that visit, the point of which is to express appreciation and awe that, in his and the audience’s lifetime, two African-American officials, a mayor and a congressman, could be making such a joint appearance as the duly elected representatives of a predominantly white suburb.
Wharton does not spell it out, but as denizens of the world of politics know, this, too, was achieved with the help of Bobby Lanier. (In a piece of synchronicity which seems to underscore this fact, Mike Hankins, one of the construction executives attending the luncheon, puts a hand on Lanier’s shoulder on his way out and says to Wharton, “Mayor, this guy has all the locks and all the keys.”)

In a sense, as Wharton had confided to a reporter early this year, Lanier had been the architect of his candidacy and the prime mover of his campaign. “He’s the one who urged me to run,” said the then-Shelby County Public Defender, detailing the several phone calls that passed between the two in the early summer of 2001 as it became obvious to Lanier that incumbent mayor Jim Rout would not be seeking reelection.

Lanier was then serving Rout as executive assistant, a title he held during the several terms of Rout’s predecessor, Bill Morris, and the title he holds today. “He’s the glue,” as mayoral legal counsel Kelly Rayne puts it. “He got things done,” says Morris. “I take care of problems,” says Lanier. In an almost archetypal sense, he’s the man to see in Shelby County government, and he has been since the day in 1978 when Morris invited Lanier, then serving as a Germantown alderman and nearing retirement as a 25-year employee of Memphis Light Gas & Water, into his mayoral campaign as an all-purpose aide and factotum, then, as now, first among equals. (Arguably, he had a peer in the currently embattled Tom Jones, the communications-and-policy aide for Morris and Rout.)

“I remember when Mayor Rout made his announcement in July 2001,” Lanier says. “I took John Bakke aside and said, ‘I’ll tell you who the next mayor’s going to be.'” Bakke, of course, is the communications guru who has had a hand in an astonishing array of successful election efforts, ranging from those of U.S. Rep. Harold Ford Sr. in the ’70s to those of former 7th District congressman and current Tennessee governor Don Sundquist in the ’80s and ’90s. “I can work with him,” Lanier quotes Bakke as saying about Wharton, and so Bakke would.

On the same day that he had that conversation with Bakke, Lanier accompanied Rout to an affair at the Homebuilders headquarters building in Cordova, where, before a large and festive crowd composed largely of political allies and developers, Rout repeated the formal withdrawal announcement he’d already made in the boardroom of his mayoral office.

Lanier recalls, “One of the developers said to me, ‘I guess Harold Byrd’s going to be the next mayor,’ and I said, ‘No, the next mayor hasn’t announced yet.'”

At the time, Bartlett banker Byrd, a Democrat and former state representative and congressional candidate, was already in the field raising money and developing a head of steam as Rout’s putative successor. Not long after Rout had withdrawn, Byrd made a fund-raising call on Millington’s W.S. “Babe” Howard, a wealthy businessman and philanthropist and a pillar of the county Democratic establishment.

“I’d like to help you,” Byrd was reportedly told by Howard, “but I owe Bobby too many times.” Byrd started getting the same message in other places, and he would later, in an agonizing decision made on the eve of the withdrawal deadline earlier this year, be compelled to withdraw, as another prime prospect, state Senator Jim Kyle, had earlier. Wharton would go on to beat easily both state Representative Carol Chumney in the Democratic primary and radiologist/radio magnate George Flinn, the surprise Republican nominee, in the general election.

Though Byrd declines to speak for the record about the matter, his bitterness is well known concerning both Lanier and Wharton, who he believes misled him about his ultimate intentions of running. Lanier gives a different interpretation to the actions of Wharton, who served as Shelby County Public Defender under both Morris and Rout. “He just didn’t want to run against his boss,” as Lanier puts it.

Lawyer Jim Strickland, the former Democratic Party chairman who served as Byrd’s campaign manager, remembers telling his candidate long before Wharton’s entry, when it was assumed that Rout would still be running, “Gee, Bobby’s such a nice guy and so effective. We ought to consider keeping him on after you’re elected.”

But after Lanier, still serving as an aide to Rout, came front and center as Wharton’s chief backer, Strickland and another Byrd supporter, lawyer Richard Fields, charged that Lanier was violating county ethics codes by making fund-raising calls from his office in the county administration building.

During the resultant brouhaha, Lanier chose to resign and work full-time in Wharton’s campaign. “I didn’t want to cause any problems for the mayor [Rout],” he says. It was the first break in his county employment since 1978, when he first occupied the eighth-floor office adjacent to the mayor’s. For the duration of the campaign, he was replaced as a mayoral aide by Rout ally Ron Banks (now working as an administrator in the Juvenile Court office).

This week, Lanier sat in the office chair he was restored to by Wharton and recalled, of the charges made by Strickland and Fields, “I made some calls from here. Sure, I did, but I didn’t raise any money up here.” He shrugged. “I don’t know many politicians that don’t make calls from their office.”

As Rayne said, Bobby Lanier is the glue. Extending that metaphor, she says, “He’s invisible most of the time and keeps things together. He’s also the sander. He smoothes out the rough edges. They don’t know me. I’m just a bureaucrat downtown. They know him, however. He works things out.”

Case in point: Her observation had been preceded by a conversation with Lanier over a vexing land-use issue involving the municipalities of Memphis and Germantown. The two of them had discussed the case at length, and Lanier had evinced not only an understanding of the details, some of them highly technical, but gave her elaborate advice concerning which officials to put in touch with which others to sand out the edges.

“I believe in getting people together to work out things. I always have and always will,” says Lanier, not, by his own testimony, a policy-maker per se but one who can do what it takes to implement a policy, once it’s been decided on. When there was an impasse on the Public Building Authority several months ago as to which contractors should be employed on the city’s new NBA arena, it was Lanier who stepped in, blandishing here and coaxing there, getting the right people together to work things out to the end of an eventual compromise.

Though little seems to vex the mild-mannered Lanier, he is plainly regretful in discussing somebody’s negative reaction to him, whether it be Byrd’s passing by him without speaking at a recent Peabody luncheon for Democratic gubernatorial candidate Phil Bredesen or the outburst of Criminal Court clerk Bill Key during the campaign, when Key, then the target of some unfriendly yard signs tripling the initial of his last name, pointed at Lanier’s “A C” button and made some disparaging remark about “you Democrats.”

Says Lanier, “I told him, ‘Don’t be accusing me of being a Democrat. I’m for A C Wharton.’ And I told him, ‘Bill, you’ve got to stop acting like you’re mad at everybody. You’ll get beat. You can catch more flies with sugar than you can with vinegar.'”

Lanier’s equanimity has also been tested by the reaction of some Shelby County Republicans who, like newly elected county commissioner John Willingham, believe, as Byrd and some other Democrats did, that Lanier is the prime Good Ole Boy in a veritable G.O.B. network that has extended from mayoral regime to mayoral regime, always including the same contractors and developers, the same financial donors, and the same financial beneficiaries.

Willingham and other members of the G.O.P. populist right believe that Wharton was the handpicked candidate of this network and that Lanier was the Machiavelli who made sure he ended up being mayor. They also are convinced that Rout, who publicly endorsed the mayoral candidacy of then-state Representative Larry Scroggs in the Republican primary and was cool to the candidacy of eventual Republican nominee George Flinn, was in on the Wharton plan and that the mayor’s other campaign moves were merely diversionary.
Rout has denied this, as does Lanier, and he maintains about Willingham, “John and I get along fine. If John’s going to pop off, that’s fine, but I make it a point to get along with all the commissioners.”

Bobby Lanier has always got along. Before Morris tapped him for campaign duty in 1978 — on the basis of his experience working with Lanier in the Jaycees — Lanier had served several terms as a Germantown alderman, finishing always at the top of the vote slate. He was head of the city’s volunteer Fire Department and was, as he still is, president of the Germantown Charity Horse Show — one of three nongovernmental institutions (the others being the Mid-South Fair and Germantown Presbyterian Church) that he has always made time for.

Not bad for a dairy farmer’s son who never attended college (though, in adulthood, he took some evening classes offered by the University of Tennessee here). As Morris says, however, “He was a football hero,” the captain of his 1947 Germantown High School team who averaged five yards a carry during his senior year and whose stern mien in his vintage football pictures is some indication, perhaps, of the iron will that some say lies beneath the easy-going exterior.

“All I wanted to do was be a dairy farmer like my father,” says Lanier, who in the aftermath of his father’s death found himself working with MLGW, doing — what else? — community-relations work. He was also a fixture at Germantown City Hall, arriving early in the morning for coffee and staying until late at night, learning what he could about government and not being bashful about giving advice. Black-haired and crew-cut in those days, he soon made himself indispensable.

For all the long hours, though, he never stinted on his family, he and friends say. “I never missed a single one of my son’s football games,” Lanier says of Robert Cox Lanier the Second (that’s how he was christened), now a funeral director in Alabama. And Morris recalls Lanier spending considerable time each day dressing his wife Pat, who was crippled by arthritis and had a long, lingering illness that ended with her death in 1999, one year after the couple’s 50th wedding anniversary. The enormous crowd that filled Memphis Funeral Home in East Memphis on that occasion included a virtual who’s who in Shelby County politics and government.

Wharton is unstinted in his praise of Lanier, both the governmental aide and the campaign guru: “He was invaluable in the campaign, especially in Shelby County, which he knows like the back of his hand. He knew exactly who might be for us and where we’d be wasting our time. He was a perfect liaison to the outer county, and he dispelled everyone’s fears. He told me when he first started talking to me about running that I would end up with 60 percent of the vote, and he knew just how that would come about.”

An aide in one of the other mayoral campaigns saw things from a slightly different angle. “Bobby’s the go-to guy, and that includes the financial end. All those people who have to see him to get things done, he makes a list of, and later on, he calls them and hits them up for campaign money.”

In the 73-year-old Lanier’s own reckoning, he is just a public servant, content to do what he does out of the limelight, the benevolent white-haired presence who has always been just a step behind the mayor of Shelby County, just an office removed. “I’ve heard people say, ‘Why are you, a white man, at your age, working for a little black man?’ The only reason I helped A C Wharton was because I thought he was the best man for Shelby County, the man who can bring us all together.”

Everything he does is just, says Lanier, a continuation of the habits he formed as a county agent for MLGW, when he was on the same kind of 24-hour call as he is today. “People still call me about Light, Gas & Water problems right now,” he says. “Everybody seems to think I can do anything. Well, I do try to help.” During the 1994 ice storm, he recalls, he asked then-MLGW director Bill Crawford for some repair personnel. “I said, ‘Bill, you give me a crew, and I’ll get these lights on out there in Collierville and the suburbs. And he did, and I did. In three or four days.”

Lanier’s willingness to be of help had sometimes caused him some grief, as when he was indicted along with then-Mayor Morris, during the latter’s 1994 gubernatorial run, for improper use of prison inmates to serve meals at campaign functions. In the shakeout of that scandal — prompted, it was always said, by partisans of rival candidate Phil Bredesen — Lanier ended up the fall guy, with an eventual misdemeanor conviction, which was probated.

He was on the prong of another controversy just last year, when Shelby County Commissioner Michael Hooks was found, by sheriff’s deputies investigating a traffic mishap, to have cocaine paraphernalia in his home. In the fallout, it developed that Hooks had called Lanier, who in turn called then-Chief Deputy Don Wright, who had a misdemeanor citation issued for Hooks, who was spared the embarrassment of arrest. (The commissioner has since staged an apparent full recovery from his acknowledged cocaine addiction.)

Lanier professes the most innocent of motives. “I didn’t even know what it was all about,” he says. “Michael just called me and, without telling me anything, asked for Don Wright’s phone number. Instead of just giving it to him, I called Don and asked him to call Michael, but I never knew what was going on.”
That may strain the credulity of some, but Bobby Lanier seems utterly sincere in the telling of this version.
Lanier has made many an admirer for his willingness to be at the beck and call of Shelby County’s chief executives, picking them up at their homes and personally driving them to their destinations. But all is not self-sacrifice in the saga of Bobby Lanier. His political connections have been useful to him in landing some investment opportunities, most notable in 1973 when he and a number of other local civic and political figures founded the Community Bank of Germantown. Lanier and the others, who included congressman-to-be Sundquist, made what everybody acknowledges was a considerable fortune when they sold the bank in the ’90s to the First Tennessee Corporation.

Septuagenarian Bobby Lanier intends to keep on keeping on, presumably for two full terms of Mayor A C Wharton. And who knows beyond that? Though he rarely has time to do any recreation beyond an occasional charity round of golf, he looks remarkably fit. And he probably hasn’t lost the nerve that once prompted him, for reasons he can’t explain, to stand atop the fiberglass roof of a fire truck and touch two live wires overhead, letting 500,000 volts pass right through him. “You see, I wasn’t grounded,” he says.

His once and future job as right-hand man to the mayors of Shelby County does ground him, of course. “As I tell people, the door’s open all the time. It’s very seldom otherwise. People come up to see the mayor, and when they can’t, I go out to see ’em. They need to see somebody.”

For now, both Bobby Lanier and A C Wharton are quite comfortable with Lanier’s being that somebody.

Go here for original online article.

Categories
Sports Tiger Blue

Cotton Bowl: #13 Penn State 53, #15 Tigers 39

The most successful season in Memphis football history came to a close Saturday afternoon in the 84th Cotton Bowl at Arlington, Texas. The 13th-ranked Penn State Nittany Lions forced a pair of critical second-half turnovers to secure victory in the highest-scoring game in the history of the event. Ryan Silverfield made his debut as head coach for the Tigers, three weeks after Mike Norvell departed for Florida State. The loss is the Tigers’ fifth straight in a bowl game and ends a seven-game winning streak.

Memphis (12-2) came up short despite 454 passing yards by Brady White, 132 of them to Damonte Coxie. All-conference kicker Riley Patterson set a bowl record with six field goals and established a long-distance mark for the Cotton Bowl with a 51-yard field goal early in the third quarter. (Patterson established a new single-season scoring record among Memphis kickers with 134 points.)

After falling behind, 7-3, the Tigers took the lead on a three-yard Patrick Taylor touchdown run midway through the first quarter. They extended the lead to 13-7 before Penn State moved back in front on a one-yard run by Noah Cain early in the second quarter. The Nittany Lions scored touchdowns on their next three possessions and led 35-23 at halftime, Memphis staying close courtesy of a touchdown by Kennth Gainwell and Patterson’s third field goal.

A trick play in which White caught a pass from receiver Kedarian Jones after a reverse led to a touchdown (a sneak by White) on the Tigers’ first possession of the third quarter. After an Austin Hall interception of Penn State quarterback Sean Clifford and the 51-yarder by Patterson, the Tigers found themselves within two points (35-33). The teams exchanged field goals and Memphis held the Nittany Lions on a fourth-down attempt at the Tiger 22-yard line, but Penn State linebacker Micah Parsons forced a White fumble that Garrett Taylor caught in the air and ran 15 yards for a touchdown and a 45-36 lead in the final minute of the third quarter.

Cain ran one yard to complete a 75-yard touchdown drive for the Nittany Lions with 6:37 left in the game that all but clinched the game for Penn State. Marquis Wilson intercepted a White pass inside the Lions’ 5-yard line on the Tigers’ ensuing possession to end the underdogs’ hopes.

The 39 points scored by Memphis are the most Penn State (11-2) allowed all season. But the Nittany Lions dominated the ground game, rushing for 396 yards (202 by junior Journey Brown) and holding Memphis to just 63. The Tigers were just as dominant in the passing game (133 yards for Penn State), but the two White interceptions helped sway the result.

Despite the loss, Memphis should finish in the AP Top 25 for the third time in six seasons.

Categories
Sports Tiger Blue

#9 Tigers 97, New Orleans 55

Larry Kuzniewski

Lester Quinones

The 9th-ranked Memphis Tigers made easy work of the New Orleans Privateers Saturday afternoon at FedExForum for their ninth straight victory, the program’s longest winning streak since the 2012-13 season. Freshman guard Lester Quinones returned after missing four games with a broken right hand and scored 13 points, second among the Tigers to Precious Achiuwa‘s 18. Three other Tigers reached double figures in the scoring column as Memphis improved to 11-1 for the season. Tyler Harris came off the bench to score 11 points while D.J. Jeffries and Isaiah Maurice each added 10.

The Tigers started fast, taking a 15-3 lead five minutes into the game. They led by 27 (51-24) at halftime and by more than 30 (73-41) midway through the second half.

Troy Green led the Privateers (4-8) with 22 points.

The Tigers return to FedExForum Monday night for their American Athletic Conference opener against Tulane. Tip-off is scheduled for 8 p.m.

Categories
Music Music Blog

Music On Film: Two Inspiring Documentaries To Curl Up With This Week

If “a picture’s worth a thousand words,” as they say, then the value of 24 frames per second is incalculable. Two albums recently featured in the pages of the Memphis Flyer also feature accompanying films about their respective artists, and fans of either album will want to seek these out to enhance their appreciation of the music.

First up, we have the little gem tucked in the sleeve of Fat Possum’s recent all-star tribute to Mose Allison, If You’re Going to the City. The two LP set itself is a gem, but it wasn’t until I’d listened to it a few times that I stumbled across the accompanying DVD, Mose Allison: Ever Since I Stole the Blues.

This is a BBC documentary dating from 2005, directed by Paul Bernays, with production values in keeping with previous documentaries Bernays has made, such as 1959 : The Year That Changed Jazz. For this, he was able to journey with Allison to Tippo, Mississippi, where Allison was born, to speak with members of his family and gather images of the local family legacy, including the gas station once run by Allison’s father.

“He’s the only man that ever got rich in Tippo. The only man,” says Victor Buchanan, speaking of Mose’s father, his former employer, who owned more than one business and much real estate in the area.

The film, having been made over a decade before Allison’s death, is perhaps the last great record of the man revisiting his past. “Growing up in Tippo, Mississippi, I probably heard more varieties of music than any other place I could have grown up…the service station was where one of the jukeboxes was,” Allison comments early in the film, as we see him strolling down back roads in his unassuming leisure wear. Now that he is gone, such moments are laden with significance.

This being a U.K. production, there is a lot of commentary by British artists, which is quite in keeping with Allison’s influence on the history of rock. Pete Townshend recalls, “When I first heard Mose Allison, I thought he was black, because he sounded so authentically from the Delta.” The Who’s version of “Young Man Blues,” of course, helped bring Allison to a new, global audience.

Music On Film: Two Inspiring Documentaries To Curl Up With This Week

“He’s the premier lyricist in jazz, you might say, because he’s put all this wit and commentary into it,” says Elvis Costello, whose collaboration with Amy Allison, Mose’s daughter, is one of the highlights of the tribute album.

But there is more than reminiscing in this film. The bulk of it captures nearly complete performances of Allison in the kinds of clubs where he spent most of his life. If tribute albums can at times lose sight of the ostensible honoree in the white hot glare of celebrity guest artists, this one at least offers the corrective: a world-class time capsule from a time when Mose walked among us.

Speaking of world class, Kirk Whalum’s new album, Humanité, is also being co-released with a documentary, sold or streamed separately from the audio release. Titled Humanité: The Beloved Community, the film is clearly striving to be more than a promotional clip for the new album, a visionary labor of love by Whalum, who consciously created the album as a gathering of players from around the world.

From the start, Whalum’s friend, film director and producer Jim Hanon, was involved. This film was clearly a labor of love for him as well, as he functions as co-producer, director of photography, editor and director all at once. And to be sure, the photography here is delectable, a perfect compliment to the extremely polished, cosmopolitan jazz-pop of the music.

The first thing one notices about the music, in the context of the film, is that it’s not particularly Southern. It’s disorienting because the opening imagery is primarily of Dr. Martin Luther King, Jr., with Whalum’s voice-over recalling his youth in Memphis churches. The soundtrack, unlike so many documentaries with similar images and narration, is not drawn from iconic African American spirituals, but is rather a largely instrumental track echoing the easy sing-song soulfulness of Bob Marley, with all the edges smoothed out. Ultimately, a chorus joins in with the words “We shall overcome,” but it’s not the same old protest song we know.

As the film unfolds, it becomes apparent that this disorientation is partly the point. As Whalum journeys through the world, cameraman in tow, he’s trying to show common threads in the struggles of the poorest people in the world, including Memphis. And the touches of world music that inflect all the album’s tracks become, in essence, that common thread. Ultimately, the team offer a creative approach to the film’s stated goal of channeling “the ethos of civil rights in a raw and compassionate tale of harmony in a divisive world.”

As it turns out, Whalum’s recollections of growing up in churches where his father preached, including one that was little more than a shack, are just the beginning. He’s not the only musician here to evoke the development of a life dedicated to music and faith: in every locale across the globe where he records, the struggles and triumphs of the musicians he works with are highlighted. And they are beautifully illustrated by Hanon’s roving eye.

Music On Film: Two Inspiring Documentaries To Curl Up With This Week (2)

If this is the season when the world’s demands are put on hold, a time when we can strive to see the bigger picture and the common threads, what could be better than augmenting one’s love of music with these two in-depth glimpses of the stories behind the the art? From Mose Allison’s combination of homespun wisdom and rapier wit, to the more open-ended search for community that leads Kirk Whalum across the world, these films will help you start the new year in a more philosophical, thoughtful place. 

Categories
Film Features Film/TV

2019: The Year in Film

The year 2019 will go down in history as a watershed. Avengers: Endgame made $357 million on its opening weekend, which was not only the biggest take for any film in history, but also the most profitable three days in the history of the American theater industry. It was the year that the industry consolidation entered its endgame, with Disney buying 20th Century Fox and cornering more than 40 percent of the market. Beyond the extruded superhero film-type product, it turned out to be a fantastic year for smaller films with something to say. Here’s my list of the best of a year for the history books.

Worst Picture: Echo in the Canyon Confession: I decided life is too short to watch The Angry Birds Movie 2, so Echo in the Canyon is probably not the worst film released in 2019 — just the worst one I saw. Laurel Canyon was brimming over with creativity in the 1960s and 1970s, with everyone from Frank Zappa to the Eagles living in close, creative quarters. How did this happen? What does it say about the creative process? Jakob Dylan’s excruciatingly dull vanity documentary answers none of those questions. The best/worst moment is when Dylan The Lesser argues with Brian Wilson about the key of a song Wilson wrote.

‘Soul Man’

Best Memphis Film(s): Hometowner Shorts I’ve been competing in and covering the Indie Memphis Hometowner Shorts competition for the better part of two decades, and this year was the strongest field ever. Kyle Taubken’s “Soul Man” won the jury prize in a stacked field that included career-best work by directors Morgan Jon Fox, Kevin Brooks, Abby Myers, Christian Walker, Alexandra Ashley, Joshua Cannon, Daniel Farrell, Nathan Ross Murphy, and Jamey Hatley. The future of Memphis filmmaking is bright.

Apollo 11

Best Documentary: Apollo 11 There was no better use of an IMAX screen this year than Todd Douglas Miller’s direct cinema take on the first moon landing. Pieced together from NASA’s peerless archival collection and contemporary news broadcasts, Apollo 11 is a unique, visceral adventure.

Amazing Grace LLC

Amazing Grace

Best Music: Amazing Grace The year’s other direct cinema triumph is this long-awaited reconstruction of Aretha Franklin’s finest hour. The recording of her 1972 gospel album was filmed (badly) by director Sydney Pollack, but the reconstruction by producer Alan Elliott made a virtue of the technical flaws to highlight one of the greatest performances in the history of American music.

King Ghidorah, Godzilla: King of the Monsters

Best Performance by a Nonhuman: King Ghidorah, Godzilla: King of the Monsters Godzilla: King of the Monsters was a tasty treat for megafauna fetishists. Godzilla, the Cary Grant of kaiju, looked dashing, but he was upstaged by his three-headed arch enemy. King Ghidorah, aka Monster Zero, whose pronoun preference is presumably “they,” is magnificently menacing, but versatile enough do a little comedy schtick while pulverizing Boston.

Eddie Murphy as Rudy Ray Moore

Slickest Picture: Dolemite Is My Name Eddie Murphy’s comeback picture is also Memphis director Craig Brewer’s best film since The Poor & Hungry. Murphy pours himself into the role of Rudy Ray Moore, the comedian who transformed himself into a blaxploitation hero. The excellent script by Ed Wood scribes Scott Alexander and Larry Karaszewski hums along to music by Memphian Scott Bomar. Don’t miss the cameo by Bobby Rush!

Once Upon a Time in Hollywood

MVP: Brad Pitt Every performance in Quentin Tarantino’s Once Upon a Time in Hollywood is great, but Brad Pitt pulls the movie together as aging stuntman Cliff Booth. It was a performance made even more remarkable by the fact that he single-handedly saved Ad Astra from being a drudge. In 2019, Pitt proved he’s a character actor stuck in a movie star’s body.

Beanie Felstien as Molly and Kaitlyn Dever as Amy in Booksmart

Miss Congeniality: Booksmart I unabashedly loved every minute of Olivia Wilde’s teenage comedy tour de force. Kaitlyn Dever and Beanie Feldstein are a comedy team of your dreams, and Billie Lourd’s Spicoli impression deserves a Best Supporting Actress nomination. Booksmart is a cult classic in the making.

Chris Evans in Knives Out.

Best Screenplay: Knives Out In a bizarre twist worthy of Rian Johnson’s sidewinder of a screenplay, Knives Out may end up being remembered for memes of Chris Evans looking snuggly in a cable knit sweater. The writer/director of Star Wars: The Last Jedi dives into Agatha Christie mysteries and takes an all-star cast with him. They don’t make ’em like Knives Out anymore, but they should.

Lupita Nyong’o in Us

Best Performance: Lupita Nyong’o, Us If Jordan Peele is our new Hitchcock, Get Out is his Rear Window, an intensely focused and controlled genre piece. Us is his Vertigo, a more complex work where the artist is discovering along with the audience. Lupita Nyong’o’s dueling performances as both the PTSD-plagued soccer mom Adelaide and her sinister doppleganger Red is one for the ages.

Parasite

Best Picture: Parasite Bong Joon-ho’s Palme d’Or winner absolutely refuses to go the way you think it’s going to go. There was no better expression of the paranoid schizophrenic mood of 2019 than this black comedy from Korea about a family of grifters who infiltrate a wealthy family, only to find they’re not the only ones with secrets. It was a stiff competition, but Parasite emerges as the best of the year.