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Film/TV TV Features

Kevin McDonald: Superstar

Kevin McDonald grew up in the suburbs outside Toronto, Canada. When he was a teenager, he started making the 45-minute trek into the city to take an improv comedy class at the legendary Second City theater which had produced some of the most significant comedy talent of the last 50 years. “It was a bus, a subway, and a bus to get there,” he says. “I remember for the whole 45 minutes before my first class. I was so nervous, I did a thing that you don’t do in improv: I started writing jokes so I could try to use them when I was at an improv. Of course, it never worked out. It never goes that way.

“I went to Second City workshops, and everybody was over 30. There were only two teenagers in the class. It was me and another teenager named Mike Myers.”

Myers would go on to fame as a cast member of Saturday Night Live, then as the star of the Austin Powers film series. McDonald teamed up with another friend he met at Second City, Dave Foley, to found The Kids in the Hall. The comedy troupe, though born in improv, started concentrating more on writing sketches as they gained a cult following by performing at the Toronto punk rock club The Rivoli in the mid-1980s. SNL producer Lorne Michaels discovered them and developed a sketch comedy show, which debuted on CBC and HBO in 1988. Over five seasons, The Kids in the Hall would go on to become a big influence on all kinds of comedy in the 1990s and beyond. As documented in the 2022 film The Kids in the Hall: Comedy Punks, success definitely went to their heads, and after the harrowing production of their 1996 movie Brain Candy, the Kids wouldn’t work together again for more than a decade. They eventually reunited for an excellent sixth season on Amazon Prime in 2022.

McDonald has appeared in numerous films and TV shows, from Lilo & Stitch to Arrested Development. He’s also forayed into stand-up comedy, which the self-described shy guy says was a difficult transition. “You stop being afraid when you find your own voice,” he says. “I found that my voice was telling stories — I can tell a funny story. In fact, the rock opera was a story I was going to do in stand-up. Then I thought it was too big for stand-up, too operatic.”

When McDonald appears at Memphis’ Black Lodge on Saturday, April 13th, he will be performing Kevin McDonald: Superstar. “I’m doing a rock opera with the gang — I don’t use that word enough, I should use the word ‘gang’ more often — the gang from Bluff City Liars. I wrote it, even though I can’t write songs, and I sing the lead, even though I can’t really sing.”

As you might expect from the title, McDonald says the first song in the cycle is about his Jesus Christ Superstar fandom. “I was a Catholic as a kid, and the only thing I liked at Catholic school was when one of the teachers showed us Jesus Christ Superstar. I was in grade seven and I fell in love with it. I’ve seen it, I’m guessing, between 40 and 50 times.”

As for the rest of the rock opera, McDonald says it is “based on a true story me and Dave Foley from The Kids in the Hall are involved in.”

Backing McDonald will be Memphis folk punkers HEELS. “Brennan [Whalen] and I are both huge Kids in the Hall marks,” says drummer (and comedian in his own right) Josh McLane. “The fact that Brennan is the musical accompaniment and I’m the narrator is a dream come true to say the least!”

“We’ve had a blast working on this show,” says the Liars’ Amber Schalch. “It’s been an excellent way to stretch out our comedy muscles, and we couldn’t be more honored that he’s coming to Memphis to perform and do workshops with us.”

Before the show on Saturday, and then again on Sunday, McDonald will be teaching two comedy workshops with the Bluff City Liars. “Kevin McDonald is such a skilled comedian that he almost makes you think you’re not funny yourself, but then he’s such a good teacher that he alleviates that fear with as much ease as cracking a joke,” says Zephyr McAninch, who was with the Liars when they brought McDonald to Memphis before the pandemic.

Bluff City Liars’ Michael Degnan says the show is not to be missed. “Growing up, The Kids in the Hall were incredibly important and influential on my developing sense of humor. Getting to learn from and perform improv with Kevin when he last came to town was a dream come true. Now getting to help bring his work to life takes that dream to a new level, and I’m ecstatic that we’ll get to do so alongside HEELS and Savannah Bearden who have both been responsible for so much great entertainment in Memphis for the last decade.”

See Kevin McDonald Superstar at Black Lodge on Saturday, April 13, 8 p.m. Tickets are $25 and can be purchased at tinyurl.com/2bhjpy2z.

Categories
Sports Sports Feature

Memphis Armored Fight Club Swings Swords at Black Lodge

Sword strikes bounce off metal armor, pole arms sweep, and the crowd roars. Memphis Armored Fight Club is a group who has resurrected the European martial arts of the Middle Ages.

Clad in period-authentic (or as authentic as you can get here in the twenty-first century) they spar with swords and shields. This is not choreographed fake fighting, they’re really going at it like competitors at a medieval tournament! Granted, the sharp edges are blunted, and there’s a strict “no stabbing” rule — that’s how you kill knights.

Last Saturday, they held one of their periodic bouts at Black Lodge in Midtown. I was there with a camera to capture some of the hot knight-on-knight action. After MAFC members showed everyone how it’s done, members of the audience got a chance to fight in the arena themselves. Take a look.

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Cover Feature News

A Whole New 901

Did you read about that cool thing happening in Memphis? We’re sure you probably did somewhere (maybe here), but did you actually go out and do the thing? No? That’s all right, we get it. Routines are important. They provide a warm blanket of security and reliability in what’s been a chaotic couple of years.

But there are just so many cool things happening in Memphis, and so many other cool things to see. And you’ll feel much better for having experienced them, we promise. So instead of reinventing yourself for the new year, make an effort to step outside and see some of the new experiences our city has in store. Our reporters did that, looking at new ways to interact with the Mid-South in both personal and professional capacities.

Let the Sun Shine

Reporters don’t clap.

Impartiality is the heart of what we do. I’ve never given to a political campaign or posted a candidate’s sign in my yard. I’ve never sought a board seat or even been loud and proud about any nonprofit. If I had to cover them later, my impartiality would be in question and I couldn’t do my job.

But there is one issue reporters can get behind without question: transparency. Sharing information with the public (and for the public good) is what we do. Bringing light to facts is why the Tennessee Open Meetings Act is sometimes called The Sunshine Law. It’s also why The Washington Post adopted its first-ever slogan in 2017: “Democracy dies in darkness.”

In this analogy, Memphis is pretty dark now. The process to get public information now is so broken that we might as well not even have a system at all. Getting public records takes months. Getting an interview with city administration officials (especially with the Memphis Police Department) is nigh on impossible. If you have a question about an important issue, you get a bland statement instead and should be happy about it.

I’ve whined about this for ages. That’s not a good look.

Next year, I’ll work to put my complaints into action. There are numerous groups I can support as a reporter, the Tennessee Coalition for Open Government, for one. I can also continue to file open records requests and get peskier in my media requests of public officials.

Reporters don’t clap. They should push. And I aim to do just that.

Toby Sells

T.O. Fuller State Park (Photo: Justin Fox Burks)

Memphis Road Trips!

I made a recent foray to T.O. Fuller State Park, which has great walking trails and natural areas spread over the hilly terrain of a former golf course and environs. Afterwards, on a whim, I started driving south from the park on Boxtown Road, and when I reached Sewanee Road, I just kept driving south. It was a route I hadn’t driven before and it took me through Boxtown and some interesting, ruralish parts of the city we’d never imagined existed.

It got me thinking about how many parts of the city I’d never seen, and how easy it is to just take a “road trip” without leaving the city. If you live in Midtown, venture out of your comfort zone and take Jackson Avenue north to Egypt Central and turn right, then turn right on New Brownsville Road, which soon becomes Old Brownsville Road, which takes you through some parts of “suburbia” you probably never knew existed.

Here’s another good one: Quince from East Memphis to Winchester. Also, Chelsea Avenue, from north of Downtown to the outer I-240 loop is a very interesting drive. And don’t sleep on Warford Street. Take it north off of Jackson until it turns into New Allen Road and from there goes deep into the north Memphis hinterlands.

Explore Memphis! It will open your eyes — and kill a couple of hours.

— Bruce VanWyngarden

Get a makeover from one of Memphis’ beauty professionals. (Photo: Kayla Frazier)

Glam Up

Some of my most formative memories involved all things glitz and glamor. My parents regularly treated me to silk presses at the hair shop, and I earned my first authentic Hannah Montana wig after a Libby Lu makeover at the mall.

I grew up during the peak of the beauty guru phase on YouTube. Before influencers condensed their hours-long beauty routines into bite-sized videos on TikTok, we were treated to in-depth videos helping us to perfect bold cut creases and mermaid wand curls. With this being said, I mastered the art of doing my own makeup, as well as a few other beauty-related things pretty young.

It’s a habit that I’ve practiced since I was 14, and 10 years later I’ll still opt to try my own eyelash extensions or blowouts. It’s mostly out of convenience, but recently I’ve been enamored by the immense amount of talent in the beauty community in Memphis. While it’s easy to look up a quick DIY video, it’s also nice to be pampered and let the professionals handle it.

For the new year, I’m hoping to have more beauty services done by local artists and professionals.

“We have so many talented and professional people who love what they do in our community,” says Kayla Frazier, a local makeup artist in Memphis.

Whether it’s a trim from A Natural Affair Beauty Lounge or a makeup look perfected by Frazier, I’m looking to leave my beauty needs in the hands of Memphis’ top professionals.

— Kailynn Johnson

Become the next pinball wizard at Crosstown’s Flipside. (Photo: Chris Mccoy)

Play Some Games

The music was perfect as we entered Flipside, Crosstown’s pinball bar. The jukebox was playing “Rebel Yell” by Billy Idol, an anthem from the golden age of coin-op arcades, 1983.

During the pandemic, my wife LJ and I spent many hours playing simulated pinball on our iPad. When Flipside opened, we wanted to get back to the real thing. Flipside is part of a trend of places that are more than just watering holes, offering games to accompany your pizza and beer. With a Black Lodge membership, you can munch on totchoes while you play any console game from the last 30 years or take a whirl on their vintage cabinets. (I recommend CarnEvil, the scary-clown-blasting queen of the light gun games.) Nerd Alert, a classic video game arcade, recently announced they were moving from Cooper-Young to Collierville so they could expand and add more games.

Flipside is all about pinball. On a typical winter evening, families, teenagers, and grown-ups tried their hands at classic machines like The Six Million Dollar Man from 1977, and those of more recent vintage, like the much-in-demand Foo Fighters table. I got distracted by constructing the perfect arcade playlist at the jukebox, including Rush’s “Tom Sawyer,” Soft Cell’s “Tainted Love,” and Madonna’s “Get Into the Groove,” while LJ fed tokens to the whirring, clanging machines. Turns out, playing real pinball, with all of its imperfections and foibles, is different from simulated ball physics on an ideal surface.

But with a Gotta Get Up to Get Down in the drink holster, pinball is still a blast, no matter now bad you are at it.

Chris McCoy

Step outside and meet your friendly tree neighbors. (Photo: Alex Greene)

Get to Know Your Tree Neighbors

One simple, homespun way to put a new spin on the old familiar routines is to look for signs of a parallel universe coexisting with your perceived world. Suggested starting point: the secret lives of trees. Just outside your door there awaits (for most of us) a strange new world, complete with altered time scales, coded messages, and otherworldly beauty. You only need to look up, then recall that a tree’s roots grow as deep as its branches grow high. A root system really is a parallel universe, right under our noses.

Furthermore, according to authors like Suzanne Simard or Peter Wohlleben, all these limbed giants that make life in Memphis what it is, from summer shade to ice hazards, are talking to each other down there. Threads of fungi connect the roots of trees over acres, sending nutrients, hormones, and even alarm signals from tree to tree in sprawling interactive networks. Maybe it’s time we at least learn these talkative neighbors’ names.

Pair that with ecologist Doug Tallamy’s concept of a “homegrown national park,” composed of the sum total of all our yards, trees, and gardens laid out in a patchwork across America. It’s really a call to our imaginations, to envision each yard as a mere segment in a gigantic ecosystem, humming with communications between its species — a veritable Tree Nation. No wonder so many of our arborists, neighborhood arboretum enthusiasts, or followers of the Tennessee Urban Forestry Council have that special smile of those who glimpse the invisible threads of life in our midst.

Alex Greene

No New Year’s resolutions required for this good boy, he claims. (Photo: Abigail Morici)

Who Let the Dog Out?

My mother is embarrassed of me. Plain and simple. She says she can’t bring me anywhere. Could it be the fact that I jump on nearly everyone I meet? Or that I pee when I’m excited to see people? Or that I pull and pull and pull on my leash? These are just mere quirks, dear mother. That’s what I told her the day I convinced her to (finally) bring me with her to Crosstown Concourse, my puppy eyes finally working. I’m a charmer, what can I say?

We started at Madison Pharmacy, an errand for her. I jumped on the counter, simply to say my hellos (also in hopes that there might be some treats, alas there were none). We then trotted past the ladies getting their nails done and I sat in one of the chairs outside the Gloss Nail Bar, for attention of course. I got some oohs and aahs, and the ladies asked if I wanted to join them. But I wasn’t falling for any tricks. No one will ever touch my nails. (Hear that?)

And then we walked and walked to the red staircase, and I wanted to go upstairs and my mom said no because she was scared I’d pee on the artwork in Crosstown Arts. She has no faith in me, I tell you. I let some people pet me and I was so good, so pretty. Even some kids pet me, and they made fun of my name. (And my mom just let them! She even agreed that my name is silly, and I’m over here like, woman, you were the one who named me Blobby. Blobby?!)

And then — oh this is the best part — we got MemPops — well, I got MemPops. I got a Pupsicle. I ate it in, like, four seconds. Count it: One. Two. Three. Four. And bam. Gone. Did I chew? No one will know. But I know that I’m going to be begging to go to more dog-friendly places in 2024. It’s going to be the year of Blobby in Memphis. — Blobby

Our writer pictured at Zoo Lights just moments before wipeout. (Photo: Courtnee Wall)

Skater Boy

My after-work routine has turned into a bit of a predictable cycle once I turn off the computer monitor at my remote “office.” Perhaps the TV might click on to replay the day’s soccer highlights or to host a quick play session of Mario Kart. Maybe there will be a restaurant visit or a stop at a brewery (probably Wiseacre HQ or Crosstown) followed by a coerced viewing of Big Brother on Paramount+ (you know who you are). It can all feel a bit rote at times, so I began to think of other things to do that could spark just a little extra bit of joy.

Thoughts quickly turned to some of the activities that 10-year-old me enjoyed doing, and in the spirit of the cold winter season, I slapped on a pair of skates and found myself stumbling about the miniature ice rink at the Memphis Zoo Lights.

As I swished (struggled) across the ice like a Mid-South Michelle Kwan, it felt almost freeing during the moments I wasn’t sticking my blade into the ground, crashing into the wall, or trying to avoid other relapsed ice skaters. In need of a new hobby to scatter the winter doldrums, I expect to lace up at least a couple more times, my own mortality be damned. The rink and dazzling lights at AutoZone Park’s Deck the Diamond event made for a pleasant Downtown holiday experience, while I’ve heard the Mid South Ice House is the best year-round option to sharpen my blades of glory. For now, this skater boy is bidding “see you later, boy,” to 2023.

— Samuel X. Cicci

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We Recommend We Recommend

Star Wars Nightmare Fuel at Black Lodge

I’m not convinced the special wasn’t ultimately written and directed by a sentient bag of cocaine. — Nathan Rabin
The worst two hours of televisions ever. —  David Hofsted

The reviews are in — and have been in since 1978 — for the Star Wars Holiday Special. It’s not good. “It’s absolutely insane,” says Chad Barton, co-owner of Black Lodge. “It is just a weird nightmare fuel.” No one in the cast seems to want to be there, Carrie Fisher admitted she was high on coke, the plot is bizarre, Bea Arthur randomly appears, the list goes on. 

And yet the Black Lodge is dedicating the entire evening tonight to the special. Naturally. And it’ll be in the vein of a Rocky Horror Picture Show viewing, complete with singing, shouting, and throwing things. Again, naturally. 

“I’m a huge Star Wars fan,” Barton says. “And I watched this a really long time ago and was super horrified by it, but also really intrigued by it because it’s very strange. And a lot of people don’t know about it. … It’s kind of a fun way for Star Wars fans to come together and enjoy something in a very kind of silly way. And I always thought that it was weird that there’s a lot of other things of a similar ilk that get kind of a sort of reverence and this doesn’t get that. Even George Lucas said that if he could, he would destroy every copy of this that ever existed. And we think, No, you shouldn’t destroy a copy of this because it happened and it’s insane that it actually happened. Yeah, we want to celebrate it.”

This will be the third time the Lodge screens the film. The first go-around drew about 100 people, and last year “did about the same or a little better.” “It’s a nice off-kilter holiday experience that you can have,” Barton says. “We have our own callbacks and prop bags.”

At one point in the film, the wookies take over the screen, except there are no subtitles. “You have no idea what they’re saying,” Barton says. “And so we went in and added subtitles for the wookies and kind of created a story for them, and it changes every year. So it’s not the same experience every time you come back from year to year.”

For the event, the Lodge will have Star Wars-themed dishes and cocktails. “It’s kind of a surprise. But we generally try to like work within the constraints of whatever the Star Wars universe has,” Barton says of the menu. “And then a couple of cocktails to go along with it. As we say, you’re going to need the cocktails to get through it because it’s pretty bad. You need to be drunk while you’re watching.”

The screening, which kicks off at 7 p.m., is free to attend, but donations to Lodge are welcome. Prop bags will be for sale for $5. 

The Lodge also has a slew of holiday-related screenings to get you in the spirit before the 25th, including Sunday’s All-Day Christmas Comedy Movie Brunch (A Charlie Brown Christmas, Emmet Otter’s Jug-Band Christmas, The Santa Clause, Jingle All the Way, and Home Alone) and the Holiday Action Double Feature: Die Hard & Batman Returns. Keep up with Black Lodge’s upcoming events here.

3rd Annual Interactive Star Wars Holiday Special Screening, Friday, December 15, 7 p.m., free.

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News News Blog News Feature

JennaOnFire Productions To Host First Annual Trans-Fest

JennaOnFire Productions will host the first annual Trans-Fest on Saturday, November 18. The event will be held at Black Lodge, located at 405 North Cleveland Street in Memphis, from 11 a.m. to 4 p.m.

According to Jenna Lee Dunn, founder and CEO of JennaOnFire Productions, this will be the “biggest trans resource and vendor market in the Mid-South.” The free event is open to all ages, and will offer “family friendly” drag performances from Brenda Newport, Bu$ted, Lady Pluto, and Will Ryder. 

Photo Credit:Jenna Lee Dunn

Sponsors for the event also include Mid-South Pride, The Haven Memphis, CHOICES Center For Reproductive Health, Focus Mid-South magazine, Love Doesn’t Hurt, and more.

The event will offer “over 40”  free resources for the transgender community including name change support, feminine and barber style haircuts, and free gel manicures to name a few.

“There’s going to be so much,” said Dunn. “A Fitting Place will be there doing bra fittings if we have any trans women that are trying to find out what size they are. Maybe someone doesn’t know the proper way to measure themselves for a bra. Maybe they’re not comfortable with it.”

Dunn said that having resources like this lets the trans community know that there are people who are open and accepting and want to help them. In return, they build rapport and trust with these different businesses and organizations.

Vendors will have items available to purchase, and Dunn also mentioned that organizations such as My Sistah’s House have donated full-sized items to include in gift bags.

Empowerment is a key theme for this event, said Dunn, however so is education. She looks back on the time when she first began to transition and remembers having “no clue on what she was doing,” with makeup tips and bra fitting. With being out for three years, Dunn said she is considered a “trans elder,” and is ready to help younger generations of trans people.

“I’ve learned a few things, so the younger trans people come to me for advice and information about things,” said Dunn. “To be able to provide that is amazing.”

Dunn is also the founder of the newly formed Mid-South Trans Nation, which she likens to being the “little sister” of Mid-South Pride. The organization was founded to “create a team of transgender individuals who are able to uplift and affirm members of the trans community everyday.”

“We envision a future where transgender individuals in the Southern region are safe and supported, able to thrive in our everyday existence and are empowered to support ourselves,” said the organization.

Dunn said that the goal is to celebrate Pride Fest in June, and Trans Fest in November of each year, as the month is held as Transgender Awareness Month.

While Pride Fest celebrates all members of the LGBTQ community, Dunn felt it was necessary for Memphis’ transgender community to have an outlet with resources tailored specifically to their needs.

“It’s very important,” Dunn said. “People need that outlet to go somewhere safe where they can express themselves and be their true selves and enjoy themselves around like-minded people, and their friends and families that are in our community.”

The transgender community in Memphis is “pretty small,” said Dunn, and this event serves as a way to bring them together. 

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Cover Feature News

A Haunting in Memphis

Editor’s note: This story contains discussions of suicide and death, which may be sensitive for some readers.

Tis the season to be spooky. Halloween is just around the corner, which means our Flyer writers are busting out the Ouija boards and lighting the seance candles. Memphis is the home of blues and barbecue, but also the “boos,” with plenty of supernatural citizenry contributing to the city’s frightening side. Our writers risked life and limb to brave the paranormal horrors of Bluff City to bring our readers some of Memphis’ scariest legends.

Pink Lizzie & Clara

In February of 1971, 13-year-old Clara Robertson was practicing her piano lessons in one of the upper rooms in the Greek-revival school building of the Brinkley Female College. She was a bit shy, sometimes nervous, but intelligent. That day, as she lifted her gaze above the keys she played, an emaciated girl appeared before her. She wore a tattered strawberry-stained pink dress, rusty pink slippers, and mildewed stockings. She seemed to be covered in a layer of slimy mold, and Clara could see right through her. 

Later in life, Clara Robertson was haunted by the ghost of her husband’s first wife. (Photo: Abigail Morici)

Immediately, Clara screamed and ran to her fellow classmates, only to be met with disbelief and teasing. Days later, when the transparent girl reappeared, dripping with water splashing at her feet, she did so in front of Clara and a few other students. Needless to say, they were terrified and ran away, but Clara stayed behind long enough for the apparition to reveal herself to be Lizzie Davie, the girl who used to live on the school property that once belonged to her family before the current owners had obtained it (supposedly) illegally. Lizzie told Clara of a jar, buried under a tree stump in the schoolyard, which held treasures like gold coins, jewelry, and, most importantly, the papers that would show all the wrongs committed against Lizzie’s family. Unless this jar was found, Lizzie promised she would “never do good to or for anyone.”

Soon, news of the specter (and the buried treasure) spread throughout Memphis and the country. Some thought the whole thing was a hoax; others dove into spiritualism, with mediums holding nightly seances around town, some of which Clara even attended to communicate with Lizzie. Bartenders began selling “ghost cocktails” (recipe unknown); stores closed early; parents withdrew their frightened daughters from the Brinkley Female College, which closed later that year due to the sensational story; men and women were afraid to go out alone at night. 

Meanwhile, Clara’s father J.R. Robertson, a lawyer, hired men to start digging for that jar, which they soon found. Upon Lizzie’s instructions, the moldy jar could not be opened for 60 days after its discovery, so, until its opening, Robertson hid the jar, at least 12 inches tall and wide, in the safest place possible: the outhouse (seriously). He planned a public opening, with an admission fee of $1 — only that never happened. He was robbed at gunpoint by four men and forced to surrender the jar, which has since never been recovered.

After her encounters with Pink Lizzie, those close to Clara say she became a changed girl. She continued to practice spiritualism afterward, both privately and onstage, and she even allegedly received letters about her story with Pink Lizzie from President Grant and Queen Victoria. At 18, Clara married a much older widower, whose first wife’s ghost “would return at night and kick her out of bed.” She died of consumption at 25.

Abigail Morici

The McCoy Theatre at Rhodes College just might be haunted by a former student, whose hopes to join a sorority were dashed. (Photo: Courtesy Rhodes College)

Of Gothic and Ghosts

There are plenty of ways for students to spend their time on campus at Rhodes College. Pursuing a fulfilling liberal arts degree, participating in collegiate athletics, rushing Greek life, or … ghost hunting? Campus lore contains a trove of diverse tales ranging from the comedic (escaped zoo monkeys running riot) to the macabre. But since we’re in spooky season, we’ll keep the focus on some of the college’s scarier legends.

For parents sending their kids off to university for the first time, perhaps the only thing more frightening than their child revealing they’re going to pursue a theater major might just be an actual ghost haunting the walls of Rhodes’ McCoy Theatre. Legend has it that back in the ’70s, undergraduate student “Annie” was so devastated that she wasn’t accepted into the Zeta Tau Alpha sorority, that she marched into the sorority house and hanged herself. Years later, after Zeta Tau Alpha disbanded and the structure was converted into the McCoy Theatre, tales grew of the spectral Annie, who in death haunted the halls of the building she was desperate to be a part of while alive. It became tradition for students to summon Annie to every performance, a seat set aside in the audience for her, lest her vengeful spirit break chairs or other props. 

Was Annie real? Probably not. But with Rhodes having shuttered its theater degree in 2021, the specter should have plenty of companionship from the ghosts of theater majors past. Over on the other side of campus is a spectral tale that may be informed by a true tragic story. An actual student in the ’70s, William Thomas Bayley, sadly took his own life in his dorm room at Bellingrath Hall. That tale is perhaps the foundation for the legend of the Bellingrath Ghost, a haunting tale that reached my ears within just a couple of days of setting foot on campus at the start of my freshman year (which was all the way back in 2011, a truly scary thought). 

Every year, students report signs of paranormal activity in Bellingrath Hall: spectral hazes showing up in photographs, ghostly moans echoing throughout the night, and all manner of strange noises and occurrences. According to a 2018 article by Rylan Lorance in the campus newspaper The Sou’wester, reports of the Bellingrath ghost and related phenomena trace back to the ’80s, including the Bellingrath fire of 1987. Fire aside (no proof it was the ghost), the campus ghosts seem to be harmless companions. And for aspiring ghost hunters, dig a little deeper on campus, and there may be even more ghosts and ghouls lurking among the Gothic walls. Still no sign of that B.S. in parapsychology, however.

Samuel X. Cicci

Sightings of the enormous, yet elusive, Arkansas Wild Man stretch all the way back to the 1830s. (Photo: Michael | Adobe Stock)

The Arkansas Wild Man

Nobody thinks Memphis is Bigfoot country. The last time anyone suspected a Bigfoot of anything around here, an investigation by wildlife officials only yielded a new Memphis cryptid, the once-famed Midtown Coyote.   

Bigfoot sightings are more scarce in Memphis than those of alive-and-well Elvis Presley. There have been reports, though, and some of them are lame. One woman told the Gulf Coast Bigfoot Research Organization that in the 1980s she got cozy with a family of Bigfoots that lived in a nearby cave, noting they loved apples and “sweets.” C’mon.

Some are more credible, though. An eye witness told the Bigfoot Field Researchers Organization that in 1985 they and some friends were driving toward Shelby Forest one night when they saw “it” cross the road in front of their headlights. 

“It was very big black and looked like it was covered with fur,” the eyewitness said. “It ran with a slight forward tilt and with very little arm bend.”

But dig around the pre-internet wayback machine and you’ll find that a “wild man” once roamed right across the river. It brought terror and, maybe (that’s a big maybe), secured Memphis a special spot in Bigfoot history. 

Wild Man stories emerged around St. Francis, Greene, and Poinsett Counties in the 1830s. But a Baltimore Sun story in 1846 gave some details.

“His track measures 22 inches, his toes are as long as a common man’s fingers,” reads the story, “and in height and make, he is double the usual size.” 

By 1851, The Patriot and State Gazette newspaper of New Hampshire said an expedition was forming to find this “wild man.” It said a posse led by well-respected men of the community reportedly left Memphis on horseback that year in what might have been the first organized Bigfoot hunt in American history. Didn’t see that coming, right?

The Arkansas Wild Man was “of gigantic size and covered with hair,” the story said, and it had been seen by hunters and farmers. Once the Wild Man had been seen chasing a herd of cattle, and it ran away from two men who saw it, leaping some 12 feet to 14 feet at a time. 

Four years later, The Pittsfield Sun reported “a wild man, seven feet high, is stated to be roaming through the great Mississippi bottom in Arkansas. Numerous travelers and hunters have asserted that they have seen him, but none have been able to get near enough to give particulars concerning the strange being.” That same year, the Wisconsin Patriot said the Wild Man was seen breaking the ice of a frozen lake. He was “covered with hair of a brownish cast” and “well muscled.” Later, another group of hunters tracked the creature, lost it in the snow-covered Ouachita Mountains but not before the creature ripped one man from his saddle, scratched his eyeball nearly from its socket, and viciously bit parts of his shoulder away.  

Is all of this true? Well, these stories were printed in newspapers. So, they must be true, right? 

Real or not, add the Arkansas Wild Man stories to your campfire quiver and fuel Memphis nightmares in a whole new way.

Toby Sells 

Justine’s Haunted Wine Cellar

Janet Stuart Smith remembers the time she saw the ghost in the wine cellar at the legendary Justine’s restaurant.

It was back in the ’80s, says Smith, whose parents, the late Justine and Dayton Smith, owned the now-closed restaurant, which was housed in the circa 1860 Italianate house at 919 Coward Place.

“I had to go down to the wine cellar, which was not being used at the time, to reset the air conditioner,” Smith says. “It was creepy down there. But I thought someone was behind me. I thought it was one of the waiters trying to scare me. Kid me.”

A painting of the old Justine’s facade by Janet Stuart Smith (Photo: Janet Stuart Smith)

It wasn’t one of the servers. “It was a tall, dark figure. I could kind of see through her. And her feet were not touching the ground.”

The figure looked like “mist,” Smith says. She’d heard the story of the ghost, whom they called “Miss Mary,” all her life from servers and others who worked at the restaurant, but that was the first and only time she saw it.

Servers played poker in the wine cellar until someone saw the ghost. They still had to go downstairs on occasion, but they took someone with them.

The ghost wasn’t scary, she says. She thought it was cool. It was “just another dimension.” 

About a year later, Smith saw a guest, who was attending a party upstairs, sitting in a chair with a puzzled expression on her face. Smith asked, “Are you okay? Is something wrong?”

The woman answered, “Is there a ghost story to this house?”

When Smith said yes, the woman pointed to the ladies’ room, where she said she saw a ghost going back and forth. Smith, who thought Miss Mary stayed downstairs, had heard the ghost was a woman “from the Civil War days who lost her child in childbirth and was looking for her.”

But Smith later heard some chilling news after the incident with the woman at the party. “I found out years later from my dad or someone that the upstairs ladies room was the original nursery in the house.”

Smith, who devoted two pages to the ghost in her book, Justine’s: Memories & Recipes, said goodbye to Miss Mary when she left the house for the last time after the restaurant closed in 1995. “I hate leaving the ghost. I wish I could have brought her to my house with me and all the Justine’s memorabilia.”

The old house, which has been renovated, still stands. “I’ll bet she’s still there.”

Michael Donahue

The Mynders Hall Ghost

Mynders Hall, originally a women’s dormitory on the University of Memphis campus, eventually becoming co-ed in 2014, is closed for renovations, but one resident has never left. Indeed, the fact that she died 111 years ago never stopped her from moving in — after all, it’s her building. 

When the West Tennessee State Normal School opened on September 10, 1912, Seymour A. Mynders, the college’s first president, was still grieving the death of his 21-year-old daughter, Elizabeth. She’d only been married four months before perishing, and papers of record neither recorded her spouse’s name nor her cause of death, only that this building, among the first three on campus, was christened in her honor. And its very shape, resembling a giant E, seems to embody her. 

So too did the large portrait of her that hung in the lobby for decades, and students who felt her ghost’s presence would greet the framed picture every day to stay in Elizabeth’s good graces. Meanwhile, her spirit seemed mostly concerned that occupants of her building remained studious. As reported in The Daily Helmsman, former associate dean of residence life Daniel Armitage recalled one resident who “had a test the next day and couldn’t sleep. She noticed an outline of a person in her chair, so she turned on the light and no one was there. She looked at her desk, and there was the book she was supposed to study, opened to the chapter she was being tested on. She claimed she put the book up before bed.” 

Intrigued by such terrifying tales, I ventured to Mynders Hall myself, hoping to lure Elizabeth out. All I had to go on was a ritual recommended by a spirit-savvy friend: carrying a satchel full of textbooks (weighing at least 23 pounds), one must approach the hall at dusk and, walking in circles, recite the following chant: “My notes are in my three-ring binder/My cup’s fresh from the coffee grinder/May my teacher be much kinder/Find her, find her, Lizzie Mynders!”

What happened next still has me trembling. As the sun sank, a hand beckoned me from a window above, and just inside the back entrance I spied a little table and chair. “Join me in my study party,” said a laughing, girlish voice. “Tee-hee!” Just then the door blew open, and Elizabeth’s echoing words commanded, “And now we cram for the exam. This is one all-nighter that will last … an eternity!” 

Alex Greene 

Louise Page at the 2021 Black Lodge Halloween Masquerade Ball (Photo: Chris McCoy)

Black Lodge Halloween Masquerade Ball

Memphis’ biggest and weirdest Halloween party began humbly enough. Black Lodge Video opened the last week of October 2000, says owner Matt Martin. “But nobody came in for the first couple of days because nobody knew we existed.” 

The first customer for the video store on Cooper was musician Eldorado Del Rey, who wandered in on Halloween. “He was like, ‘What the fuck is this?’” says Martin. 

That Halloween, a couple more people found Black Lodge and rented movies, so Martin and co-founder Bryan Hogue decided to celebrate. “We had a party that night to celebrate that somebody finally figured out who we were,” he recalls. “One year later, when Halloween came around, and we had actually survived the year — quite the opposite of what we had thought, which was that no one would ever come — we’d gotten really popular. We threw another party to celebrate our one year, but this time a whole bunch of people showed up. That started the ball rolling, no pun intended.” 

During the ’00s, the Black Lodge Halloween Masquerade Ball was invitation-only. The festivities got bigger and crazier. Many of the Black Lodge regulars were horror, sci-fi, and psychotronic movie fans who also happened to be really into costuming. “Everybody brings out their A game on the cosplay,” says Martin.  

Hogue, who died in November 2020, had the idea to bring bands and DJs in to perform in the video store. “I think it was in 2011 when Hogue and Craig Brewer said we should open it up,” says Martin, who was apprehensive at first. “It’s one thing when we’re having our own party; it’s another thing when we invite the public.” 

The party didn’t stop when Black Lodge vacated their original location and went looking for a new, bigger space. In 2014, Craig and Jodi Brewer merged their long-running Halloween house party with the Masquerade Ball, which was held at Earnestine & Hazel’s. The theme was Heaven and Hell. “That’s what took it to the stratosphere,” says Martin. “People heard about it and it just blew up. I remember we stepped out the front door and the line to get in stretched a good block or two down Main Street.” 

When Black Lodge moved into a new location in Crosstown, the Ball was the first thing on the calendar. In 2020, what would have been a gala anniversary celebration was moved online. “I remember at the time we said, ‘I don’t want to not do the Ball, but we can’t have people here,’” recalls Martin. “So we streamed it online, and you could party in your own house. It was one of the moments that really hammered it in for me, how this was like nothing I’d ever experienced. I was proud that we kept the tradition alive, and you better believe in 2021 we brought it back!” 

This year’s Black Lodge Halloween Masquerade Ball will be on Saturday, October 28th. There will be fire dancers, hoopers, sideshow performers, and “surprises.” Music entertainment includes Little Baby Tendencies, Joybomb, Optic Sink, Turnstyles, The Sheiks, and Jack Oblivian. After midnight, DJs Selector Jack and Graveyard Gloria take over the dance floor. As Martin says, “Let the ceremony begin!”

Chris McCoy

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Black Lodge Hosts Premiere Screening of Cuddly Toys

“Young women are at risk of many dangers, horrors and trauma as they leave adolescence, two out of 100 girls will have a tragic ending,” reads the synopsis for Kansas Bowling’s latest film Cuddly Toys

That statistic is completely made up, but that is to be expected from a film that harkens back to the genre of mondo. “It’s sort of like a forgotten genre that I’m trying to bring back,” Bowling says. Popular in the ’60s, mondo films are pseudo-documentaries, usually depicting sensational and exploitive topics, or shockumentaries. “A lot of the mondo movies back in the day, they would say it was all real, but sometimes it’ll be completely fictional. And then sometimes it’d be like a mixture; sometimes it’d be all real. But this is a mixture.”

With its title coming from a Harry Nilsson lyric — “You’re not the only cuddly toy/that was ever enjoyed/by any boy” — Cuddly Toys takes a nuanced and dark approach as it depicts true and fictional stories about growing up as a girl in America, with 100 actresses participating. “It’s somewhat of a horror movie, somewhat of a comedy.”

The fast-paced film, Bowling says, takes inspiration from her life, from girls she grew up with, and from the actresses themselves. “There’s just a bunch of smaller stories put together to make up a bigger story, being reconnected through the on-screen narrator,” she says. 

Now 27, Bowling wrote the film when she was 19. “It feels funny putting out this, like, teenage movie now that I’m older,” she says. “I wasn’t a teenager too long ago, but, yeah, it’s a little more angsty than I am now, I guess.”

Bowling directed her first feature, B.C. Butcher, at 17, and shot the film, starring Kato Kaelin, in her dad’s backyard with money raised from bussing tables. After its release by Troma Entertainment, Bowling went on to direct over 30 music videos and act in films such as Once Upon a Time in Hollywood. Cuddly Toys will be her second feature. 

“I just love movies,” Bowling says. “I’ve always been really passionate about them, but I guess I just feel like there’s a lot of stories that haven’t been told or haven’t been told in interesting ways.”

And Cuddly Toys promises to be “interesting,” for sure. “I don’t want to give too much away,” Bowling says, “but based on people’s reactions to it — sort of not knowing what to do with it — I feel like it means it’s not like anything they’ve seen before.”

The reactions have been myriad, with some people walking out at times due to some intense and graphic content, but Bowling has taken joy in both the good and bad reviews, noting her pride that the film’s left an impression either way. 

“I didn’t make it for a certain demographic,” Bowling says, “and that’s actually what was a little difficult about getting it out there. It’s not for a certain person, but all sorts of people from different walks of life have been connecting with it. So that’s been really cool to see.”

Cuddly Toys’ premiere tour will make its way to Memphis this Sunday, August 13th, 7 p.m., and Bowling will be in attendance for a Q&A in conjunction with the screening at the Black Lodge. 

For more information on the screening, visit here. Check out the trailer below.

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Late-Night Eats Vol. 2

Breakfast might be the most important meal of the day, but there’s just something special about the midnight snack. It could be a scarfed-down handful of Goldfish or a drunkenly crafted peanut butter sandwich, but sometimes that late-night munchie hits just right. Of course, there’s no need to restrict yourself to chips or microwavable meals. Memphis restaurants are here to pick up the slack with some inspired menus. It’s not just bacon and eggs or greasy burgers (although we love those, too). Last year’s late-night dining adventure included visits to old favorites like Alex’s Tavern and RP Tracks, and relative newcomer Pantà. This time around, we found that Memphis’ nocturnal kitchens continue to whip out a wide variety of after-dark cuisine, from tater tot nachos to caviar, with a little bit of traditional Irish cooking in between. This year, our Flyer food writers had themselves another late night to check out three restaurants that cater to the hungry insomniacs and night owls among us.

Matt Martin, Zach Miller, and Chad Allen Barton in the Black Lodge kitchen. (Photo: Michael Donahue)

EAT at Black Lodge

There’s a lot of things you can do at Black Lodge. You can watch or rent movies, of course. You can play a wide assortment of board games. You can participate in a medieval combat tournament or hop on to an arcade machine. Or you can just hang out with your friends.

But something else that you can do at Black Lodge is EAT. And there are plenty of fun snacks to be had from the menu the longtime video rental store launched last year. And with a midnight closing during the week and a 3 a.m. cutoff on Friday and Saturday, it might be a Midtowner’s best bet for a late food run.

Zach Miller, kitchen manager and chef at Black Lodge, began working at EAT a year ago. As for creating dishes, he says, “I was going off what was created by our guest chef and co-owner James Blair. He’s like our special guest chef. He comes in for dinner and movies and for special things. Or catering, as well, for parties as such.”

Blair and Chad Allen Barton, a Black Lodge owner, came up with the basic menu, Miller says. “And I kind of went off of that and I created my own things.”

Miller has a philosophy about what kind of dishes he creates for Black Lodge. “I don’t want to create something that looks complex on the plate. Something that is complex, for sure, but it looks simple. I don’t want people paying attention to their plate. I want them paying attention to the screen.”

Blair came up with the name EAT for the restaurant, Black Lodge owner Matt Martin previously told the Flyer. He described it as “one part kind of a throwback name” to those “little diners that say things like Eats or Joe’s Eats on Times Square, mostly in older movies.”

The name also was inspired by John Carpenter’s 1988 movie, They Live. “In that movie, subliminal messages are hidden behind everything.” Roddy Piper, who plays the main character, uses special glasses to see through everything, Martin says. “When he looks at a menu he sees the word ‘food.’”

When we looked at the Black Lodge menu, we saw a variety of tasty treats just waiting to be ordered. Breakfast is served all day, including the delectable chicken and waffles. The breakfast sandwiches, in a fun twist, use waffles instead of bread or biscuits to make for some sweet snacks. The waffle grilled cheese, for example, combines melted Brie with chopped nuts, tamarind sauce, and a drizzle of honey. But the more savory option tosses bacon, ham, or tofu with cheesy scrambled eggs and house sauce.

Tot-chos at Black Lodge accompanied by a Ron Swanson cocktail (Photo: Samuel X. Cicci)

The most exciting item, perhaps the crown jewel of Black Lodge’s menu, is the tot-cho bowl. Think nachos, but with … tater tots? The salty, crispy tots provided the perfect bedrock for helpings of nacho-ey goodness, with slices of bacon and jalapeños decorating our bowl, along with a healthy portion of avocado and sour cream. Our forks flew wildly through the bowl, and we found that we’d demolished the dish before the Lodge’s featured movie, Studio Ghibli’s Ponyo, even made it through the intro.

Black Lodge is located at 405 N. Cleveland.

Let’s Get Layed caviar and chips at Tiger and Peacock (Photo: Samuel X. Cicci)

Tiger and Peacock

Ride the elevator to the top of The Memphian hotel, and prepare to set foot in a bar that our colleague Bruce VanWygarden once described as looking “as if Alice in Wonderland fell down the rabbit hole, met Jerry Garcia at the bottom, and they decided to form an interior design team.” There’s a full assortment of funky decorations at Tiger and Peacock, from Debra the zebra standing behind the bar to oodles of anthropomorphic portraiture and bright, snazzy colors. It’s the perfect place to throw back a cocktail.

But people do eat, as well as drink, at Tiger and Peacock. Manager Harvey Grillo describes it as “a relaxing and upscale lounge. Almost like a speakeasy.”

“The tables are smaller,” he continues. “It doesn’t really warrant a full dinner atmosphere. It’s light bite snacking. The plates aren’t full entrees and things like that.”

It’s not a restaurant like the hotel’s Complicated Pilgrim downstairs. “It takes a little bit of trying to get full upstairs since they are small bites,” says fellow Tiger and Peacock manager Cat Turowski.

And, she adds, “Because the table space is pretty small, usually they’ll get a plate or two. And they’ll get another plate or two. And then get another plate or two.”

But, Turowski says, “Primarily everybody comes up there to enjoy the atmosphere, enjoy the decor, and have a good time.”

Not all Tiger and Peacock dishes are small, though, Grillo says. “There are dishes that push more toward the dinner option.”

The sake marinated short rib is one of them, he says. “It’s my personal favorite and it’s everyone else’s personal favorite,” Turowski adds. “The sake glaze gives it a little bit of a sweet taste and the sriracha aioli gives it a little bit of zing. And it’s very tender and moist. It kind of checks all the boxes.”

Scott Donnelly, executive chef of Complicated Pilgrim at The Memphian, also makes the cuisine for Tiger and Peacock. Asked his inspiration for the Tiger and Peacock dishes, Donnelly says he didn’t want the “usual rigmarole of sliders” and other typical items on the menu. He wanted “something different and somewhat quirky. Like the tiger and peacock.”

The blueberry grilled cheese is a good example. “When I got there, they had a patty melt, which I wasn’t too fond of.” He wanted an “elevated version” of a grilled cheese sandwich. “I’m like a grilled cheese junkie.” So, he added the blueberry ginger jam, which they make in house, to green apples and Brie cheese. That jam really “sets it off.”

For a fancier midnight feast, look no further than Let’s Get Layed, Tiger and Peacock’s classy solution to the late-night munchies. The dish matches premium caviar with a bag of good ol’ salty Lay’s potato chips. That might seem like a weird pairing, but the odd couple has long made for a formidable duo in caviar circles, with the salty, almost buttery crunchiness of the chips balancing out caviar’s brinier tendencies. For a couple of sweet hours, it felt as if we occupied a higher tax bracket. While caviar might not be our go-to snack every night, Tiger and Peacock embraces a creative, refined approach to late-night dining that offers something unique to Memphis.

The kitchen is open until midnight at Tiger and Peacock. “I’ve seen folks order food at 11:45 on weekends,” Grillo says. But, he adds, Tiger and Peacock closes at midnight in consideration of the hotel guests beneath them. “We allow folks to wrap up what they’re doing while we start the closing process.”

They have a grace period of about 30 minutes while he starts making his rounds, Grillo says. “Thanking everybody who’s been there. And if they are hotel guests, they’re welcome to take drinks and things back up to their room.”

Non-guests can take their food and drinks to the lobby. “Food is a little bit more messy to transport down the elevator, but I’m here for it. I’m able to help.”

Usually, he says, “They end up taking a cocktail or a bottle of wine downstairs. Especially old friends who haven’t seen each other for a while.” They also can relocate to “late late late bars near us like Zebra Lounge.”

Tiger and Peacock is located at 21 Cooper St.

Fish and chips at Bog & Barley (Photo: Bog & Barley)

Bog & Barley

If you need a bit more Ireland in your snacks, you’re in luck. D.J. Naylor, co-owner of Celtic Crossing with his wife Jamie, cut the ribbon on his East Memphis venture Bog & Barley several months ago. And the new building is spectacular, an upscale Irish pub that has soaring wooden ceilings, plenty of Irish art and knickknacks, and a 24-foot-long bar on the ground floor. Everything in the space was sourced from Ireland, with Naylor looking to his roots when creating his new Irish pub.

“It’s an Irish restaurant, but we wanted it to be totally different from Celtic Crossing,” says Naylor. “It’s more upscale, we’ve focused on providing a high-quality experience, but it’s also a really approachable spot to either grab a drink or celebrate a special occasion.”

Open until 11 p.m. during the week and midnight on Friday and Saturday, Bog & Barley provides an Irish alternative to late-night diners. Reny Alfonso created the menu and looks to mix traditional Irish staples with his own personal flair. “You’ve got the typical dishes that people might think of: shepherd’s pie, bangers and mash, fish and chips,” says Alfonso. “So I left those alone. So we’ve got those Irish ingredients, but we’ve got a lot of global influences too, harkening back to a kind of bistro mentality. I use a lot of French techniques here.” Alfonso’s style can be seen in many of the restaurant’s entrees, from jumbo lump crab cakes to beer cured salmon, and his creations merit multiple revisits to Bog & Barley.

But when in Ireland, they say, do as the Irish do, so we plumped for the bangers and mash, which uses sausages from Newman Farm in Missouri. “I only get pork from Newman Farm,” adds Alfonso. “The quality is amazing.” And he’s right. The sausages pack in a soft freshness, juices sizzling out and dripping into the velvety mashed potatoes they sit atop. A blanket of caramelized onion gravy adds a nice finishing touch to the whole thing, the perfect cherry on top for a meal that could go easily with a couple of beers.

Auld Bog stout at Bog & Barley (Photo: Bog & Barley)

Or one beer, in particular: Soul & Spirits Brewery created a signature beer, the Auld Bog, as the restaurant’s house brew. “I might think of it as a lighter version of Guinness,” says Naylor. And a special print behind the bar can create foam images in the beer’s head, akin to latte art. Mine was served with the Bog & Barley logo, but Naylor said that it can do custom images as well. But sorry, readers, no Michael Donahue beer art just yet. Maybe during our next late-night adventure.

Bog & Barley is located at 6150 Poplar Ave., Suite 124.

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Memphis Armored Fight Club at Black Lodge

Where, oh where, is your knight in shining armor? Are they riding on a white horse, ready to slay a dragon? Climbing up your long rope of hair hanging from your tower window? Sitting at a round table to plan out a quest to find the Holy Grail? Or are they in Memphis? Knights are, after all, running amok around here, thanks to the Memphis Armored Fight Club. 

Rusty Wagner is one such knight, having joined the club in 2018 after seeing a duel at a Renaissance fair in Millington. “Like most little boys, I wanted to be a knight,” he says. “I’m an older guy now, but I get a lot of enjoyment out of it. It’s all kinds of fun.” The group fights in the style of 14th- and 15th-century European combat with real steel weapons and real-deal armor. For Wagner, his armor weighs 65 pounds and is based on the 14th-century English man-of-war suit. “It’s plain-Jane,” he says, but even “plain-Jane” armor can cost a pretty penny — about $1,800. After all, it’s custom-made and shipped all the way from Ukraine. 

And, sure, there’s a bit of danger using all that heavy material and sharp metal, but that’s what the armor is for. “The first time you strap on your armor, you’re scared but also excited,” Wagner says. “The first time you get hit and don’t die, it’s thrilling. It’s like that wasn’t all that bad.” 

The group duels with swords and shields, long swords and bucklers, and pole arms. The rules are you can hit but you can’t stab — stabbing, well, that’s a bad, potentially lethal, idea and doesn’t quite fit in with the “friendly competition” of their tournaments. Still, there’s catharsis in the fighting. “You get frustration out,” Wagner says. “We call it nerd rage.”

If you don’t believe him, for $5, you can try it yourself between matches at the club’s next tournament at the Black Lodge this Saturday. Of course, you’ll strap on some soft armor, not the stuff that weighs 65 pounds, and, for 90 seconds in the ring, you can fight your friends, family members, lovers, or even members of the club if you so dare. All ages can participate. “You don’t think 90 seconds is long till you’re in the ring,” Wagner says. “Even if you’re in a soft kit, it’ll take the gas out of you.”

In between duels, the Lodge will also screen Excalibur and will offer a special menu of roasted chicken or rabbit with roasted potatoes and seasonal veggies, along with mead as a drink special.

And if you fall in love with armored fighting the way Wagner has, the club is always looking for new members. “It’s exciting to see the fighting itself, and it’s even more exciting when you do it yourself,” he says. Keep up with the group on Facebook or Instagram

Memphis Armored Fight Club, Black Lodge, Saturday, March 11, 6:30-9:30 p.m., $5/cover.

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Film Features Film/TV

Now Playing in Memphis: Killer Dolls, Hollywood Babylon, and Hitch

… And we’re back for 2023! Now that you’re over your New Year’s Eve hangover, we’ve got plenty of great stuff on Memphis’ big screens to distract you from the work you must perform now that the holidays are over.

If your post-holiday blues are leading you to a dark place, we recommend M3GAN. Nepo baby Allison Williams stars as a roboticist named Gemma who unexpectedly has to raise her orphaned niece Cady (Violet McGraw). Her big labor saving idea to create a robotic best friend for Cady who will protect her from all harm, both physical and emotional. What could possibly go wrong?

If Terminator Babies doesn’t scratch your itch for total reality escape, now is the time to catch Avatar: The Way of Water in 3D IMAX. James Cameron’s long-gestating sequel is actually pretty good, and you’ve got to see it in a theater to get the full effect.

Margot Robbie and Brad Pitt lead an all star cast in Damien Chazelle’s decadent tribute to Old Hollywood, Babylon. Did you know they did cocaine in the silent era? Because they absolutely did.

British actress Naomi Ackie tackles a hell of a difficult role in the Whitney Houston biopic I Wanna Dance With Somebody. How do you play someone with a very distinctive look and a once-in-a-generation voice?

Black Lodge is spending the new year plumbing its collection for classics. On Sunday, that means David Cronenberg’s 1996 masterpiece Crash. Adopted from the J.G. Ballard novel about people who sexually fetishize automobile accidents, this slow-burn erotic thriller boasts one of Holly Hunter’s greatest (and strangest) performances.

January Tuesdays at Black Lodge are dedicated to Alfred Hitchcock, and the next one features what may be my personal favorite Hitch: 1951’s Strangers on a Train. Robert Walker was fresh out of being hospitalized for mental illness at the Menninger Clinic when he was cast as the film’s villain, and died under mysterious circumstances shortly after the premiere. Watch as the best “murderous, yet charming psychopath” in film history reels in his mark.

Thursday, Crosstown Theater screens a very different kind of classic. Werner Herzog is best known today for doing compelling, personal documentaries and guest shots on The Mandalorian. But before he was famous for his world-weary voice, he directed a string of intense films in the 1970s, many starring his frenemy Klaus Kinski. In Aguirre, the Wrath of God, Kinski stars as a Spanish conquistador who leads his band of soldiers and camp followers on a suicide mission into the Amazon jungle. In this trailer, watch for the scene where Kinski intimidates a horse. I’m betting that was an improv.