Categories
News News Blog

Virus Counts Still Elevated After Labor Day Weekend

COVID-19 Memphis
Infogram

Virus Counts Still Elevated After Labor Day Weekend

New virus case numbers remain elevated two weeks after the Labor Day weekend holiday.

New cases counts from Sunday morning were 231. Total current active cases of the virus rose, too, to 1,709. That figure had dipped to 1,399 recently.

The new testing figures remain high. The Shelby County Health Department now reports the total number of tests given, not just how many individuals have been tested. The figure rose from 416,920 on Friday morning to 428,525 on Monday morning.

The new reporting process changed the weekly positivity rates going back to March, in many cases the figures were reduced. For example, in July’s height of the pandemic (so far), the positivity rate on tests was around 16 percent. With the new testing reporting process, the figure was reduced to 12 percent in numbers released by the health department.

The latest weekly positivity rate rose slightly from the week before. This figure enjoyed weeks of declines following the county mask mandate and the closure of bars. The average rate of positive tests for the week of September 6th was 6.5 percent, up slightly from the 6 percent recorded the week before.

The total number of COVID-19 cases here stands at 30,486. The death toll in Shelby County now stands at 446. There are 7,376 contacts in quarantine.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Moore, Stanfill, Stuart

Music Video Monday is reading your mind!

The pandemic has disrupted the lives and careers of musicians everywhere. As a result, it has also prompted a wave of home recording, and encouraged new collaborations. The Bandwagon project is one of those.

“It’s basically musicians in these quarantine times recording and writing together via email,” says Joshua Crosby. “Like, I send Jeremy Stanfill an idea, then he adds guitar and sends it to, say, Jeff Hulett. And he adds drums then he sends it to, say, James Godwin, and he adds bass. And then it comes back to me in a way I never imagined it and then we put it up on the Bandwagon Bandcamp page. So, it’s a way to collaborate with folks you maybe never would’ve — be it not for quarantine — and also a way to let go of creative control. And anyone is welcome to submit songs.”

“Telepathy” was written by Mark Edgar Stuart and recorded by Jeremy Stanfill and Landon Moore. Director Billy Worley found some awesome vintage footage of psychics “at work” to create a memorable music video. Take a look.

Music Video Monday: Moore, Stanfill, Stuart

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
Politics Politics Beat Blog

Senator Alexander Favors Immediate Vote on Supreme Court Nominee

Senator Lamar Alexander

Pre-empting the expectations of many that he might have reservations about an immediate Senate vote on replacing the just-deceased Supreme Court Justice Ruth Bader Ginsberg, Tennessee Senator Lamar Alexander announced Sunday that taking such a vote would be fine with him.

Said the Senator: “No one should be surprised that a Republican Senate majority would vote on a Republican President’s Supreme Court nomination, even during a presidential election year. The Constitution gives senators the power to do it. The voters who elected them expect it. Going back to George Washington, the Senate has confirmed many nominees to the Supreme Court during a presidential election year. It has refused to confirm several when the president and Senate majority were of different parties. Senator McConnell is only doing what Democrat leaders have said they would do if the shoe were on the other foot. I have voted to confirm Justices Roberts, Alito, Sotomayor, Gorsuch and Kavanaugh based upon their intelligence, character and temperament. I will apply the same standard when I consider President Trump’s nomination to replace Justice Ginsburg.”

Thus, for the second time within a year, Alexander deflated the hopes of those independents and Democrats who thought that the Senator, on the basis of his reputation as a Republican moderate, might part the ways with President Trump and Senate Majority Leader Mitch McConnell (R-KY) on a major issue. (The other time was on the occasion of the impeachment of Trump, when Alexander voted with other GOP regulars to acquit the president without hearing witnesses.)

Categories
Book Features Books

Richard Grant’s The Deepest South of All

British travel writer and journalist Richard Grant penned an instant bestseller when he wrote about his misadventures in impulsive homeownership in the Mississippi Delta in Dispatches from Pluto. Grant’s accounts of his time in Holes County, “the poorest county in America’s poorest state,” were marked by a keen eye for details and the author’s lively sense of humor. The same can be said for Grant’s most recent work, The Deepest South of All: True Stories from Natchez, Mississippi (Simon & Schuster). I spoke with Grant to learn more about what drew him to study Natchez — and how he found it to be a timely example of today’s America, in its contradictions, eccentricities, and in the way it’s haunted by its past.

William Widmer

Richard Grant

Memphis Flyer: What drew you to Natchez as the subject for a book?

Richard Grant: It’s one of the most haunted places I’ve ever been. I came into town past the old slave market and there was an impoverished Black neighborhood that had grown up around the old slave market. Then these mansions came into view. The place feels really haunted by slavery. It’s kind of beautiful and tragic at the same time. You have these gorgeous mansions that are built on slavery.

MF: That description sounds like it could be applied to all of the U.S. right now.

RG: At first it just seemed really eccentric and incredibly Southern, but the more time I spent in Natchez, it just seemed like a distillation of the national situation. I mean the whole nation is haunted by slavery. We’ve never really addressed what that means to our history. In Natchez, people were asking these questions and having these discussions. They’d been having them intensively for quite a few years before I got there, and then it kind of felt like the rest of the country started catching up this year.

MF: And some aspects of Natchez that you saw as contradictory intrigued you as well?

RG: A lot of the prominent white families dress up their children in Confederate uniforms and they put on hoop skirts. So that kind of made Natchez sound like a bastion of the Old South. Then I found out that they had elected a gay Black mayor with 91 percent of the vote, which made Natchez sound like an extraordinarily progressive place for the Deep South.

MF: Will you talk about the Southern eccentricity you mentioned?

RG: In this book we’ve got a woman named Ginger Hyland. She decorates 168 Christmas trees in a costume jewelry collection at Christmas. She’s got a collection of 500 antique eye wash cups. She lives in an Antebellum mansion that she believes is haunted. Natchez is very accepting of a person like that and, I think, enjoys a person like that.

There’s a strong streak of eccentricity running through it. I think that’s the way that the brothel was tolerated in the middle of town for 40 years or however long. I think people in Natchez enjoyed the fact that they had a brothel madame riding around town in a white Cadillac with a white poodle on her lap and a pistol. It provides lots of good material for cocktail party storytelling.

MF: Is there anything else you want to make sure I bring up?

RG: I want to mention the story of this West African prince who was enslaved in Natchez for 40 years. That’s a pretty important thread in the book, and I think it tied the whole thing up. I wanted to find a way to get into slavery since Natchez wouldn’t exist without it. All its wealth was built on slavery, but there’s very little in the records from the slaves’ point of view. So I seized on [Abd al-Rahman Ibrahima], who ended up in the White House and going back to Africa. It was very interesting to meet his relative in present-day Natchez, one woman who was descended both from him and the family that enslaved him.

Categories
Music Record Reviews

The Lost Worlds of JCR Records: Bible & Tire Rescues ’70s Gospel Gems

It’s fitting, given that September is Gospel Music Heritage Month, that today marks the release of another stellar album from Bible & Tire Recording Co. The imprint, which debuted last year, expresses the aesthetic of Fat Possum’s and Big Legal Mess’ Bruce Watson, who sums it up like this: “Deep soul gospel music is soul music without the sex. The message is different, but the spirit is the same. I don’t hear that in modern gospel music. I wanted to start a Memphis-based record label that specializes in finding these artists and presenting gospel in the spirit and sound of the past.”

While that doesn’t mean that Bible & Tire releases only vintage recordings, as evidenced by last year’s debut album by The Sensational Barnes Brothers, it does mean that the label is open to old recordings right out of the gate. The old school defines its mission, as it promotes an earthy gospel sound that predates synthesizers, drum machines, and shimmering production values.

It’s ironic, then, that higher production values were one motivation behind the two labels created by the pastor and WDIA and KWAM radio DJ Juan D. Shipp in 1972: D-Vine Spirituals and JCR.  At that time, more advanced recording techniques didn’t yet involve the synthetic sheen that is now so common; rather, they favored a greater clarity and presence in the tones that bands created naturally. Bible & Tire has already released the period recordings of Elizabeth King & the Gospel Souls, originally on D-Vine Spirituals. Now we can hear tracks from the sister label, JCR, with today’s release, The Last Shall Be First: The JCR Records Story, Volume One.

As musician and music historian Michael Hurtt writes in his liner notes, Shipp was convinced that “the local artists deserve a better sound.” And yet, though he shone the spotlight on many local gospel groups, some didn’t have “the texture that I want for it to be on D-Vine.” These groups with a little more raw grit were released on JCR. And this latest album presents the cream of that crop.

Given that African-American churches have long been crucibles for the musical talent of Memphis, as explored last December in the Memphis Flyer, these gospel groups are an integral part of soul music’s story. And perusing this album offers up a catalog of structures, melodies, and harmonies that are deep in the DNA of soul. The Silver Wings’ “Call on Him,” for example, seems to be a second cousin to the Stax classic “634-5789.”

Other genres are heard as well, such as the blues boogie of “Father Guide Me, Teach Me” by the Pilgrimairs, or “You Can’t Hurry God” by the Johnson Sisters, both direct ancestors of the gospel blues of Rev. John Wilkins. But beyond tracing influences historically, these tracks offer a master course in guitar and keyboard tones, grooves, and vocal harmonies that are compelling in their own right. Though they may be superbly recorded by 1972 standards, they are also played with great fervor. Indeed, the electricity of these performances will make the hair stand up on the back of your neck, no matter how lousy your speakers may be. That sound is something worth saving. And there’s every indication that Bible & Tire will keep releasing more of these saved sounds and saved souls for a long time coming. 

Categories
Politics Politics Beat Blog

Justice Ginsburg Succumbs to Pancreatic Cancer

Official Photo

Justice Ruth Bader Ginsberg

As the weekend began, amid what was already a smoldering political landscape, the nation got the sad and long-dreaded news that Supreme Court Justice Ruth Bader Ginsburg, aged 87, had died, a victim of recurrent pancreatic cancer.

Justice Ginsburg, who had been the leading liberal light on the Court, leaves behind a tribunal dominated by conservative jurists, and speculation inevitably ensued as to what comes next.

Meanwhile, the immediate reaction, transcending partisan divisions, was simply one of sorrow. Among the early reactions:

“I’m very sad to learn of the passing of Justice Ginsburg. She was a marvelous lady who valued justice and nurtured justice and loved life to the fullest. She made a major difference in the lives of all Americans, but particularly in the lives of the young women who just want a chance to compete on a level playing field and pursue their dreams. Hers was a life well-lived. Thank you, RBG.” — 9th District Congressman Steve Cohen

“Justice Ginsburg brought decency, intelligence, and principle to the Supreme Court. Her life inspired many Americans, especially young women. Her service to our country deserves great respect.” — Senator Lamar. Alexander

“We are heartbroken to hear of the passing of Justice Ruth Bader Ginsburg, a towering jurist and an empowering figure for the most vulnerable. She was a kind and gentle soul who never shied away from a fight for what’s right. The country was fortunate to have Ruth Bader Ginsburg for as long as we did. Her contributions made the United States a more just and equitable place.

“Today we lost the best of America. But it’s not just the nation that is forever changed by her service and her commitment to uphold our Constitution and the progress it demands. Every day we see women stepping up to stand on her shoulders and continue her fight. We honor her legacy, we are grateful for her work, and we are fortunate to watch the impact her life has had, and will have, on future generations. L’Shana Tovah, Justice Ginsberg, and may God rest your soul.” — Mary Mancini, Chair, Tennessee Democratic Party

“Justice Ginsburg was a smart, talented trailblazer who paved the way for women in the judiciary. She worked hard to achieve prominence on her own merit, and I thank her for her service to our country. My condolences go out to her family and friends in the wake of this loss.” — Senator Marsha Blackburn

“Justice Ginsburg was a pioneer for gender equality and an American hero. There’s so much at stake with the selection of her replacement — the fate of the Affordable Care Act and abortion rights are just two issues among many. We’ve got to vote like our lives depend on it because it’s true.” — Ashley Coffield, Tennessee Planned Parenthood

“Our thoughts and prayers are with Justice Ginsburg’s family and friends during this difficult time.” — 8th District Congressman David Kustoff

Beyond the condolences, there were immediate indications of the political undercurrent to Justice Ginsberg’s passing. The obvious question, crucial to both Democrats and Republicans: Would President Trump attempt to appoint a successor either before the November 3rd election or in the interregnum between then and January, when either he for Joe Biden would begin the next presidential term along with a new Congress?

More, as the story develops. 

Categories
Film/TV Film/TV/Etc. Blog

Long Live The New Flesh! Time Warp Drive-In Returns With a Salute to David Cronenberg

Videodrome

Among the many Memphis cultural institutions hit hard by the pandemic has been Black Lodge. Memphis’ independent video store reinvented itself as a mini-cinema and performance space for music and other countercultural performing arts by moving from its old home of 15 years in Cooper-Young to a big new space in the Crosstown neighborhood. Things were just getting rolling when the coronavirus hit early this year.

The Lodge has been back for a few months, renting films to members from its 30,000-strong collection of DVD and Blu-Ray titles. But like any place that depends on in-person gatherings right now, they are fighting for survival.

The Time Warp Drive-In, presented in partnership with Memphis’ favorite psychotronic filmmaker Mike McCarthy and Malco Theatres, kept the Black Lodge name alive while they were searching for a new home, and new business model. The monthly screenings of classic genre and cult films had been suspended since March’s shutdown. Tomorrow night, Saturday, September 19, it returns with a tribute to one of the most iconoclastic filmmakers of all time.

University of Memphis film professor Marina Levina likes to say that all horror is body horror, meaning that the terror of our own biological weirdness is at the heart of the genre. Nobody exemplifies that axiom better than David Cronenberg. The Canadian director’s movies have long questioned the line between our humanity and the artificial world we create. None of his films were more prescient than 1983’s Videodrome.

Cronenberg’s vision in Videodrome is strictly analog. He did not predict the internet and the rise of computers like his fellow Canadian William Gibson. But in the dream-like Videodrome, he did touch on the bizarre and dangerous side-effects of our information-saturated culture. James Woods stars as Max, the cynical operator of a low-power UHF TV station in Vancouver. When looking for more sensational programming to satisfy his prurient viewers, he stumbles across a secret show that depicts the graphic torture and murder of innocent victims. Rather than be repulsed and report the station to the authorities, he delves deeper into the mystery, and pays with his sanity and his humanity. Videodrome co-stars Debbie Harry, legendary frontwoman for OG punks Blondie, as Nicki, Max’s secret lover who may be either a victim or avatar of Videodrome. The film’s message, which has only become more clear in our current age, is that the power to control the collective hallucination is the power to control reality itself.

Long Live The New Flesh! Time Warp Drive-In Returns With a Salute to David Cronenberg

The evening’s second film is Scanners, the infamous 1981 horror hit which put Cronenberg on the map. The film stars British TV wildman Patrick McGoohan, of the cult sci fi series The Prisoner, as Dr. Paul Ruth, a conscience-free scientist working for ConSec, a shadowy corporate conglomerate investigating the existence of mutant psychics walking among us. These psychics can not only read minds, a skill which ConSec believes can be useful for corporate espionage, they have the ability to… well, just watch.

Long Live The New Flesh! Time Warp Drive-In Returns With a Salute to David Cronenberg (2)

That’s Michael Ironside, the heavy from Total Recall and Top Gun, in one of his first ever roles as the smug, head-banging telepath. The effect was achieved by filling a mask with gore and blasting it with a shotgun, a crew-endangering stunt that would get you instantly sued out of existence if you tried it today. They don’t make ’em like Scanners any more.

The third film of the triple features was Cronenberg’s second of 1983. The Dead Zone is a Dino De Laurentiis production based on a 1979 Stephen King novel. Christopher Walken stars in one of his iconic roles as the creatively named John Smith, a schoolteacher who awakens after a five-year coma to discover he has developed psychic powers and can see the future. When a chance meeting with politician Greg Stillson (Martin Sheen, deliciously sleazy) reveals that the would-be president will one day cause a nuclear war, Smith must decide whether or not to act on the information and try to change an apocalyptic future.

Long Live The New Flesh! Time Warp Drive-In Returns With a Salute to David Cronenberg (3)

Admission for the Time Warp Drive-In is $10 for the triple feature. Gates of the Malco Summer Drive-In open at 6:45, and the first film starts at 7:15. 

Categories
News News Blog

New Cases Slow, Fewer Than 8,000 in Quarantine

COVID-19 Memphis
Infogram

New Cases Slow, Fewer Than 8,000 in Quarantine

New virus case numbers slid slightly Thursday from a three-day increase likely attributed to transmissions during the Labor Day weekend holiday nearly two weeks ago.

New cases counts from Thursday were 160. The figure is higher than most counts last week but down from case counts on Monday, Tuesday, and Wednesday. Wednesday’s new case count was 293, the highest that figure has been in many weeks.

Total current active cases of the virus slipped, too, to 1,567, down 32 cases from the 1,599 recorded yesterday. That figure had dipped to 1,399 recently.

The new testing figures remain high. The Shelby County Health Department now reports the total number of tests given, not just how many individuals have been tested. The figure rose from 413,586 tests given as of yesterday morning to 416,920 on Friday morning, a difference of 3,334.

The new reporting process changed the weekly positivity rates going back to March, in many cases the figures were reduced. For example, in July’s height of the pandemic (so far), the positivity rate on tests was around 16 percent. With the new testing reporting process, the figure was reduced to 12 percent in numbers released by the health department.

The latest weekly positivity rate rose slightly from the week before. This figure enjoyed weeks of declines following the county mask mandate and the closure of bars. The average rate of positive tests for the week of September 6th was 6.5 percent, up slightly from the 6 percent recorded the week before.

The total number of COVID-19 cases here stands at 29,957. The death toll in Shelby County rose by five in last 24 hours to at 439.

There are 7,759 contacts in quarantine, the first time that number has been below 8,000 in many weeks.

Categories
Music Music Features

Van Duren: Revisiting Memphis’ Golden Age of Power Pop

Van Duren isn’t resting on his laurels, though he has accumulated over 40 years’ worth of them since releasing his first power-pop masterpiece — Are You Serious? — in 1978. That album and its follow-up have enjoyed renewed interest of late, especially since the 2019 release of the film Waiting: The Van Duren Story, made by Australian super-fans who became obsessed with Duren’s Memphis-grown, post-Big Star approach to the perfect pop gem.

Now, after international reviews of both the film and Duren’s performances to support it, the attention has culminated in reissues of both of Duren’s late-1970s works, fully remastered and with new liner notes, to be released by Omnivore Recordings next month.

Seth Tiven

Van Duren, circa 1970s.

But when I speak to Duren about all this, the first thing he wants to talk about is the new single he and Vicki Loveland released digitally in late August. “A Place of No Place” features Duren’s Stonesy guitars under Loveland’s angry, impassioned singing of lines like: “Tell us we’re unpatriotic/We question despicable deeds. … You’re keeping children in cages/Doubling down on your hateful speech.” Recorded at Royal Studios, its flourishes of soul horns give it an unmistakably Memphis sound.

Memphis Flyer: The political/social commentary song seems like a new direction for you.

Van Duren: Yeah, maybe so. Previously, on the Loveland Duren records, it’s been more about familial things. Family and abuse, things like that. And there are a lot of love songs or out-of-love songs, which has been my thing for decades. But yeah, the new single’s very topical and gets more so every day.

We had a song on our last record, from 2016, called “Not Allowed in the House Anymore.” And it’s exactly the same theme, really. Nothing changes, it’s only gotten worse.

MF: Was that song and the others from the upcoming Loveland Duren album influenced by last year’s tours, where you promoted the film Waiting by revisiting your early work?

VD: Touring behind the film last year in Australia, we went back to those songs from 40 years ago. And that forced me to go back and play keyboards again, which I hadn’t done since 2013, when Vicki and I started working together on records. So that opened up a different avenue to writing that I had kinda shut down. Because I didn’t want those things, seven or eight years ago, to start sounding like the things I’d done 40 years ago. Well, when it came to this one, since I’d been playing piano on that tour, it opened me up to playing piano. I hadn’t forgotten.

MF: I imagine it’s been emotional, seeing the old stuff come out. Especially the second album, Idiot Optimism, which was simply shelved.

VD: The first album was released in 1978 and it actually sold well for a new independent label. The album came out in March, and we toured in the spring and into the summer. And the experience of playing live for great crowds in the northeast really made me want to do less ballads and acoustic-oriented things, and a lot more band-oriented things. So we started recording in October 1978, and it took until January of 1980 before we had the thing completely done. At that point, the label had changed names and a couple of the original owners had left. I was hanging on for dear life. Everybody except for me and one other guy had converted to Scientology.

The pressure was on to go to the mission and take out bank loans for unbelievable amounts of money to pay for courses and all that. I just put ’em off and tried to be nice and buy some time. When the record was mixed, I got a cassette of the mixes and I walked. I just left. One thing led to another over the years, and then Omnivore did the soundtrack ablum for the film last year. It was a natural progression, and we decided to do these records right. I had a heavy involvement in everything this time. It’s hard to believe that, 42 years after the fact, these two records are coming out like they were supposed to. Jeff Powell mastered it for vinyl, and the fidelity is just astonishing. I can hear all my mistakes.

Categories
Opinion The Last Word

Schrödinger’s Leaders: Americans Are Fighting a Pandemic From the Bottom Up

We’ve been in this pandemic for six months. Six months of changing plans — from “Safer at Home” to “Back to Business” — of disinformation spouted from the highest office in the land. Six months of Schrödinger’s infection. Since testing is limited and, at many sites, unavailable unless you have symptoms, and because we know that the novel coronavirus lends itself to asymptomatic transmission, we have to behave as if we have the virus.

Wear a mask, distance, refrain from unnecessary trips, all so you don’t accidentally spread something you didn’t know you had. But, just in case we’re not carrying silent death, we have to act like we can still contract the virus. It’s the world we’ve all been living in, and for families with students at out-of-state schools with, shall we say, more lax social distancing guidelines, it’s been a constant worry.

Well, the good news is, now I don’t have to wonder anymore.

My girlfriend’s younger sister, let’s just call her K, a student at an out-of-state university still holding in-person classes, contracted the coronavirus. Before you jump to conclusions, K has not been partying. She’s a student athlete with a 4.0 grade average, and partying, even pre-pandemic, was never high on her priority list.

I’m fairly certain that K got the virus from her housemates. Over the past few weeks, I’ve listened as phone calls came in. Her housemates went to a party. They had guys over. A gang of them stayed up drinking. Pretty normal college stuff — potentially annoying to the straight-A student athlete worried about hanging onto her scholarships, but not life-threatening. Of course, nothing is normal these days. So on top of the usual stress of grades, living far from home, endless practices and drills and time spent working out, scraping by on money saved from summer and winter break catering jobs, K has shouldered the fear that she would contract a disease despite taking every precaution. (K seems to be getting over COVID, thankfully, but we can only hope and wait and see if she has any longterm complications.)

It’s too much to ask a young person, someone in their late teens or early 20s, to be responsible for policing three housemates. Just like it’s too much to expect 328 million Americans to get through this never-ending crisis safely without leadership. We were all asked to simultaneously become experts at risk assessment and viral vectors and to slog through a knee-capped economy with a one-time $1,200 check as our only aid.

We’re all juggling family and careers and safety and deferred milestones, and it’s all happening while our federal government refuses to fight a sophisticated and expensive foreign disinformation campaign. Not only has help been withheld, but actively dangerous threats are being ignored.

This never should have happened, but it feels like it was always going to happen. It feels as though the Senate has been on vacation for months. It seems as though K’s university’s plan began and ended with “collect the tuition checks.”

“I was tired, but I’m always tired, so I didn’t think anything of it,” I heard her say over the phone last night. When her housemates tested positive, the university didn’t step in to provide accommodations. No, they were quarantined with K, who had, at that point, tested negative. The university that’s profiting off of K’s athleticism locked her up with infected people. It’s no surprise that she tested positive soon after, at one of the routine checks she has to take in order to keep playing soccer.

I don’t know what help I can offer K, but I can say that the abdication of leadership that left her unprotected seems to be an across-the-board phenomenon.

Governor Bill Lee

President Trump is on tape admitting he knew about the severity of COVID-19, but he chose to claim it would disappear by Easter. Closer to home, our good ole boy Gov. Bill Lee can’t work up the guts to issue a life-saving statewide mask mandate, condemn the president’s lies, disburse federal funds to families in need, or to fight the virus and the economic downturn it continues to cause in any meaningful way. Instead he’s focused on an unconstitutional anti-abortion bill and an executive order to allow contact sports. Football, he says, is a way of life. An autumn without football would be unimaginable, a tragedy.

Well, call me crazy, but almost 2,000 Tennesseans dying of a preventable disease is a tragedy. College athletes sacrificing their lives and future health to provide unpaid entertainment is a tragedy.

Let’s demand more of our leaders, who will fight to our deaths to protect their freedom to watch football but remain silent when we ask for the freedom to live free of disease.

Jesse Davis is the Flyer copy editor, book editor, and a staff writer.